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Concerto For Piano And String Quartet (Busoni)
Ferruccio Busoni composed his Concerto for Piano and String Quartet in D minor, Op. 17, BV 80, in 1878, at the age of twelve. The original title was ''Concerto per piano-forte con accompagnamento di quartetto ad arco'', Op. 17. Conceived for string quartet, the piano can also be accompanied by a string orchestra as Concerto for Piano and Strings, the title under which it was published in 1987. Background Busoni was a child prodigy, first taught mostly by his father, both as a pianist and a composer. After studies in Vienna from age nine to eleven at the Vienna Conservatory, Busoni moved to Graz for health reasons in October 1877. The composer Wilhelm Kienzl remembered that he improvised at a mature level: "Sitting at the piano he was inspired to the most profound seriousness and totally absorbed in his task". Kienzl initiated Busoni to study with Wilhelm Mayer. Some of Busoni's early pieces were published then, including two settings of the Ave Maria and piano pieces. The scor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferruccio Busoni
Ferruccio Busoni (1 April 1866 – 27 July 1924) was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary figures of his time, and he was a sought-after keyboard instructor and a teacher of composition. From an early age, Busoni was an outstanding, if sometimes controversial, pianist. He studied at the Vienna Conservatory and then with Wilhelm Mayer and Carl Reinecke. After brief periods teaching in Helsinki, Boston, and Moscow, he devoted himself to composing, teaching, and touring as a virtuoso pianist in Europe and the United States. His writings on music were influential, and covered not only aesthetics but considerations of microtones and other innovative topics. He was based in Berlin from 1894 but spent much of World War I in Switzerland. He began composing in his early years in a late romantic style, but after 1907, when he publish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nachlass
''Nachlass'' (, older spelling ''Nachlaß'') is a German word, used in academia to describe the collection of manuscripts, notes, correspondence, and so on left behind when a scholar dies. The word is a compound in German: ''nach'' means "after", and the verb ''lassen'' means "to leave". The plural can be either ''Nachlasse'' or (with Umlaut) ''Nachlässe''. The word is not commonly used in English; and when it is, it is often italicized or printed in capitalized form to indicate its foreign provenance. Editing and preserving a Nachlass The ''Nachlass'' of an important scholar is often placed in a research library or scholarly archive. Other workers in the scholar's area of specialization may obtain permission to comb through the Nachlass, seeking important unpublished scholarly contributions or biographical material. The content of a Nachlass can be catalogued, edited, and in some cases published in book form. Such publication is more difficult for a ''Nachlass'' that cont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concertos
A piano concerto is a type of concerto, a solo composition in the classical music genre which is composed for a piano player, which is typically accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuoso showpieces which require an advanced level of technique on the instrument. These concertos are typically written out in music notation, including sheet music for the pianist (which they typically memorize for a more virtuosic performance), orchestra parts for the orchestra members, and a full score for the conductor, who leads the orchestra in the accompaniment of the soloist. Depending on the era in which a piano concerto was composed, the orchestra parts may provide a fairly subordinate accompaniment role, setting out the bassline and chord progression over which the piano plays solo parts (more typical during the Baroque music era, from 1600 to 1750 and the Classical period, from 1730 to 1800), or the orchestra may be given an almost equa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Ferruccio Busoni
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography * Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space * Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones * Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Grante
Carlo Grante (born 1960 in L'Aquila) is an Italian classical pianist. He graduated at the National Academy of St Cecilia in Rome with . Later he also studied with Ivan Davis, Rudolf Firkušný, and Alisa Kezheradze. He is known as a performer of mainstream classical composers such as Franz Liszt, Wolfgang Amadeus Mozart, and Domenico Scarlatti, as well as highly demanding late romantic and 20th-century composers such as Leopold Godowsky, Ferruccio Busoni, George Flynn, Roman Vlad, Michael Finnissy, Alistair Hinton, and Kaikhosru Shapurji Sorabji. His discography consists of more than 50 albums. Biography Grante graduated in piano at the Conservatory St. Cecilia in Rome with Sergio Perticaroli, then he studied in the U.S. with Ivan Davis, at the University of Miami and with Rudolf Firkusny at the Juilliard School in New York; he then moved to London, where he studied intensively with Alisa Kezheradze-Pogorelić. Grante is one of the most active among today's recording pianists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divisi
In musical terminology, ''divisi'', or as typically printed ''“div.,”'' is an instruction to divide a single section of instruments into multiple subsections. This usually applies to the violins of the string section in an orchestra, although violas, cellos, and double basses can also be divided. Typically, 4-part French Horn sections include divided sections if Horns 1/2 and/or 3/4 are not playing the same music (" a2"). Other brass instruments can also be divided but it is not as frequent as with the Horn section. Woodwinds - especially Flutes and Clarinets - also utilize "divisi" to divide music between parts and even between players of the same part. After a divisi section, it may be cancelled by the instructions ''tutti'', ''all'unisono''.{{Cite Grove , first=David , last=Fallows , date=2001 , title=Divisi (It.: 'divided') , url=https://doi.org/10.1093/gmo/9781561592630.article.07869 or ''unison In music, unison is two or more musical parts that sound either the same p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tutti
''Tutti'' is an Italian word literally meaning ''all'' or ''together'' and is used as a musical term, for the whole orchestra An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, c ... as opposed to the soloist. It is applied similarly to choral music, where the whole section or choir is called to sing. Music examination boards may instruct candidates to "play in tuttis", indicating that the candidate should play both the solo and the tutti sections. An orchestrator may specify that a section leader (e.g., the principal violinist) plays alone, while the rest of the section is silent for the duration of the solo passage, by writing ''solo'' in the music at the point where it begins and ''tutti'' at the point where the rest of the section should resume playing. In organ music, it indic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Sitsky
Lazar "Larry" Sitsky (born 10 September 1934) is an Australian composer, pianist, and music educator and scholar. His long term legacy is still to be assessed, but through his work to date he has made a significant contribution to the Australian music tradition.Cotter (2004a) p. 6. Sitsky was the first Australian to be invited to the USSR on a cultural exchange visit, organised by the Australian Department of Foreign Affairs in 1977. He has received many awards for his compositions: the Albert H. Maggs Composition Award in 1968, and again in 1981; the Alfred Hill Memorial Prize for his String Quartet in 1968; a China Fellowship in 1983; a Fulbright Award in 1988–89, and an Advance Australia Award for achievement in music (1989). He has also been awarded the inaugural prize from the Fellowship of Composers (1989), the first National Critics' Award, and the inaugural Australian Composers' Fellowship presented by the Music Board of the Australia Council, which gave him the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breitkopf & Härtel
Breitkopf & Härtel is the world's oldest music publishing house. The firm was founded in 1719 in Leipzig by Bernhard Christoph Breitkopf. The catalogue currently contains over 1,000 composers, 8,000 works and 15,000 music editions or books on music. The name "Härtel" was added when Gottfried Christoph Härtel took over the company in 1795. In 1807, Härtel began to manufacture pianos, an endeavour which lasted until 1870. The Breitkopf pianos were highly esteemed in the 19th century by pianists like Franz Liszt and Clara Schumann. In the 19th century the company was for many years the publisher of the '' Allgemeine musikalische Zeitung'', an influential music journal. The company has consistently supported contemporary composers and had close editorial collaboration with Beethoven, Haydn, Mendelssohn, Schumann, Chopin, Liszt, Wagner and Brahms. In the 19th century they also published the first "complete works" editions of various composers, for instance Bach (the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form In music, ''form'' refers to the structure of a musical composition or performance. In his book, ''Worlds of Music'', Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, suc .... While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staatsbibliothek Preussischer Kulturbesitz
The Berlin State Library (german: Staatsbibliothek zu Berlin; officially abbreviated as ''SBB'', colloquially ''Stabi'') is a universal library in Berlin, Germany and a property of the Prussian Cultural Heritage Foundation. It is one of the largest libraries in Europe, and one of the most important academic research libraries in the German-speaking world. It collects texts, media and cultural works from all fields in all languages, from all time periods and all countries of the world, which are of interest for academic and research purposes. Some famous items in its collection include the oldest biblical illustrations in the fifth-century Quedlinburg Itala fragment, a Gutenberg Bible, the main autograph collection of Goethe, the world's largest collection of Johann Sebastian Bach's and Wolfgang Amadeus Mozart's manuscripts, and the original score of Ludwig van Beethoven's Symphony No. 9. Central functions and cooperation with other libraries The SBB is one of six libraries form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D Minor
D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has one flat. Its relative major is F major and its parallel major is D major. The D natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The D harmonic minor and melodic minor scales are: Music in D minor Of Domenico Scarlatti's 555 keyboard sonatas, 151 are in minor keys, and with 32 sonatas, D minor is the most often chosen minor key. ''The Art of Fugue'' by Johann Sebastian Bach is in D minor. Michael Haydn's only minor-key symphony, No. 29, is in D minor. According to Alfred Einstein, the history of tuning has led D minor to be associated with counterpoint and chromaticism (for example, the chromatic fourth), and cites Bach's '' Chromatic Fantasia and Fugue'' in D minor. Mozart's Requiem is written primarily in D minor, as are the famous Queen of the Night Aria, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
