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Concert Pitch
Concert pitch is the pitch reference to which a group of musical instruments are tuned for a performance. Concert pitch may vary from ensemble to ensemble, and has varied widely over time. The ISO defines international standard pitch as A440, setting 440 Hz as the frequency of the A above middle C. Frequencies of other notes are defined relative to this pitch. The written pitches for transposing instruments do not match those of non-transposing instruments. For example, a written C on a B clarinet or trumpet sounds as a non-transposing instrument's B. The term "concert pitch" is used to refer to the pitch on a non-transposing instrument, to distinguish it from the transposing instrument's written note. The clarinet or trumpet's written C is thus referred to as "concert B". Modern standard concert pitch The A above middle C is often set at the international standard of 440 Hz. Historically, this A has been tuned to a variety of different pitches. History of pitch standards ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transposing 2
Transposition may refer to: Logic and mathematics * Transposition (mathematics), a permutation which exchanges two elements and keeps all others fixed * Transposition, producing the transpose of a matrix ''A''T, which is computed by swapping columns for rows in the matrix ''A'' * Transpose of a linear map * Transposition (logic), a rule of replacement in philosophical logic * Transpose relation, another name for converse relation Games * Transposition (chess), different moves or a different move order leading to the same position, especially during the openings * Transposition table, used in computer games to speed up the search of the game tree Biology * Transposition (birth defect), a group of congenital defects involving an abnormal spatial arrangement of tissue or organ ** Transposition of the great vessels, cardiac transposition, a congenital heart defect with malformation of any of the major vessels ** Transposition of teeth ** Penoscrotal transposition * Transpos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the Transition from Classical to Romantic music, transition from the Classical period (music), Classical period to the Romantic music, Romantic era. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterised as heroic. During this time, Beethoven began to grow increasingly Hearing loss, deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Born in Bonn, Beethoven displayed his musical talent at a young age. He was initially taught intensively by his father, Johann van Bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chapels Of Versailles
The present chapel of the Palace of Versailles is the fifth in the history of the palace. These chapels evolved with the expansion of the ''château'' and formed the focal point of the daily life of the court during the Ancien Régime (Bluche, 1986, 1991; Petitfils, 1995; Solnon, 1987). History of the chapels First chapel The ''château'''s first chapel dated from the time of Louis XIII, and was located in a detached pavilion at the northeast of the ''château''. Today, the ''pièce de la vaisselle d'or'' in the ''Petit appartement du roi'' occupies the approximate site of this first chapel. It followed the two-story palatine model, which was traditional in France; successive chapels at Versailles also followed this model. This chapel was demolished in 1665 during construction of the ''Grotte de Thétys'' (Batifol, 1909, 1913; Kimball, 1944; Le Guillou, 1983, 1989; Marie, 1968; Verlet, 1985). Second chapel The second chapel was constructed as part of Louis XIV's second bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian language, Italian verb ''cantare'', "to sing") is a vocal music, vocal Musical composition, composition with an musical instrument, instrumental accompaniment, typically in several movement (music), movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice Madrigal (music), madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantatas; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Teleman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minor Third
In music theory, a minor third is a interval (music), musical interval that encompasses three half steps, or semitones. Staff notation represents the minor third as encompassing three staff positions (see: interval (music)#Number, interval number). The minor third is one of two commonly occurring thirds. It is called ''minor'' because it is the smaller of the two: the major third spans an additional semitone. For example, the interval from A to C is a minor third, as the note C lies three semitones above A. Coincidentally, there are three staff positions from A to C. Diminished third, Diminished and augmented thirds span the same number of staff positions, but consist of a different number of semitones (two and five). The minor third is a skip (music), skip melodically. Notable examples of ascending minor thirds include the opening two notes of "Greensleeves" and of "Light My Fire". The minor third may be derived from the Harmonic series (music), harmonic series as the interva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viol
The viola da gamba (), or viol, or informally gamba, is a bowed and fretted string instrument that is played (i.e. "on the leg"). It is distinct from the later violin family, violin, or ; and it is any one of the earlier viol family of bow (music), bowed, fretted, and stringed instruments , stringed instruments with hollow wooden bodies and Tuning mechanisms for stringed instruments, pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Although treble, tenor and bass were most commonly used, viols came in different sizes, including (high treble, developed in 18th century), treble, alto, small tenor, tenor, bass and contrabass (called ). These members of the viol family are distinguished from later bowed string instruments, such as the violin family, by both appearance and orientation when played—as typically the neck is oriented upwards and the rounded bottom downwards to settle on the lap or between the knees. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lute
A lute ( or ) is any plucked string instrument with a neck (music), neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" commonly refers to an instrument from the Family (musical instruments), family of History of lute-family instruments, European lutes which were themselves influenced by India, Indian short-necked lutes in Gandhara which became the predecessor of the Islamic music, Islamic, the Sino-Japanese and the Early music, European lute families. The term also refers generally to any necked string instrument having the strings running in a plane parallel to the Sound board (music), sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Praetorius
Michael Praetorius (probably 28 September 1571 – 15 February 1621) was a German composer, organist, and Music theory, music theorist. He was one of the most versatile composers of his age, being particularly significant in the development of musical forms based on Protestant Reformation, Protestant hymns. Life Praetorius was born Michael Schultze, the youngest son of a Lutheran pastor, in Creuzburg, in present-day Thuringia. After attending school in Torgau and Zerbst, he studied divinity and philosophy at the University of Frankfurt (Oder). He was fluent in a number of languages. After receiving his musical education, from 1587 he served as organist at the Marienkirche in Frankfurt. From 1592/3 he served at the court in Wolfenbüttel, under the employ of Henry Julius, Duke of Brunswick-Lüneburg. He served in the duke's Staatsorchester Braunschweig, State Orchestra, first as organist and later (from 1604) as ''Kapellmeister'' (court music director). [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitch Inflation
Concert pitch is the pitch reference to which a group of musical instruments are tuned for a performance. Concert pitch may vary from ensemble to ensemble, and has varied widely over time. The ISO defines international standard pitch as A440, setting 440 Hz as the frequency of the A above middle C. Frequencies of other notes are defined relative to this pitch. The written pitches for transposing instruments do not match those of non-transposing instruments. For example, a written C on a B clarinet or trumpet sounds as a non-transposing instrument's B. The term "concert pitch" is used to refer to the pitch on a non-transposing instrument, to distinguish it from the transposing instrument's written note. The clarinet or trumpet's written C is thus referred to as "concert B". Modern standard concert pitch The A above middle C is often set at the international standard of 440 Hz. Historically, this A has been tuned to a variety of different pitches. History of pitch standards ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Hertz
Heinrich Rudolf Hertz (; ; 22 February 1857 – 1 January 1894) was a German physicist who first conclusively proved the existence of the electromagnetic waves predicted by James Clerk Maxwell's equations of electromagnetism. Biography Heinrich Rudolf Hertz was born in 1857 in Hamburg, then a sovereign state of the German Confederation, into a prosperous and cultured Hanseatic family. His father was Gustav Ferdinand Hertz. His mother was Anna Elisabeth Pfefferkorn. While studying at the Gelehrtenschule des Johanneums in Hamburg, Hertz showed an aptitude for sciences as well as languages, learning Arabic. He studied sciences and engineering in the German cities of Dresden, Munich and Berlin, where he studied under Gustav R. Kirchhoff and Hermann von Helmholtz. In 1880, Hertz obtained his PhD from the University of Berlin, and for the next three years remained for post-doctoral study under Helmholtz, serving as his assistant. In 1883, Hertz took a post as a lecturer in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hertz
The hertz (symbol: Hz) is the unit of frequency in the International System of Units (SI), often described as being equivalent to one event (or Cycle per second, cycle) per second. The hertz is an SI derived unit whose formal expression in terms of SI base units is 1/s or s−1, meaning that one hertz is one per second or the Inverse second, reciprocal of one second. It is used only in the case of periodic events. It is named after Heinrich Hertz, Heinrich Rudolf Hertz (1857–1894), the first person to provide conclusive proof of the existence of electromagnetic waves. For high frequencies, the unit is commonly expressed in metric prefix, multiples: kilohertz (kHz), megahertz (MHz), gigahertz (GHz), terahertz (THz). Some of the unit's most common uses are in the description of periodic waveforms and musical tones, particularly those used in radio- and audio-related applications. It is also used to describe the clock speeds at which computers and other electronics are driven. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cycles Per Second
The cycle per second is a once-common English name for the unit of frequency now known as the ''hertz'' (Hz). Cycles per second may be denoted by c.p.s., c/s, or, ambiguously, just "cycles" (Cyc., Cy., C, or c). The term comes from repetitive phenomena such as sound waves having a frequency measurable as a number of oscillations, or cycles, per second. With the organization of the International System of Units in 1960, the cycle per second was officially replaced by the hertz, or reciprocal second, "s−1" or "1/s". Symbolically, "cycle per second" units are "cycle/second", while hertz is "Hz" or "s−1". For higher frequencies, ''kilocycles'' (kc), as an abbreviation of ''kilocycles per second'' were often used on components or devices. Other higher units like ''megacycle'' (Mc) and less commonly ''kilomegacycle'' (kMc) were used before 1960 and in some later documents. These have modern equivalents such as kilohertz (kHz), megahertz (MHz), and gigahertz (GHz). Following the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
