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Compasso D'oro
The Compasso d'Oro (; ) is an industrial design award originated in Italy in 1954. Initially sponsored by the La Rinascente, a Milanese department store, the award has been organised and managed by the Associazione per il Disegno Industriale (ADI) since 1964. The Compasso d'Oro is the first, and among the most recognized and respected design awards. It aims to acknowledge and promote quality in its field in Italy and internationally, and has been called both the "Nobel" and the "Oscar" of design. History The Compasso d′Oro was established in 1954, and now it is the highest honour in the field of industrial design in Italy, comparable to other prestigious international awards such as the Good Design Award (Museum of Modern Art), Good Design award, iF Product Design Award, iF Design Award, Red Dot, Red Dot Award, the Cooper Hewitt, Smithsonian Design Museum, Cooper-Hewitt National Design Awards, and the Good Design Award (Japan), Good Design Award (Japan). It was the first awa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ADI Design Museum
The ADI Design Museum is a museum in Milan, Italy, which houses the historical collection of the ADI Compasso d'Oro Foundation, as well as hosting temporary exhibitions, public talks and other initiatives. It is dedicated to the understanding and promotion of good design in Italy and abroad. History The ADI Design Museum was established in 2001 in order to exhibit, promote, and conserve the collection of Compasso d'Oro winning designs and related archival material held by the Associazione per il Disegno Industriale Associazione per il Disegno Industriale (ADI), is an Italian professional organisation of about 1,100 architects, designers, manufacturers, trade journalists, academics, and design universities. Its primary purpose is the promotion of good des ... (ADI) in Milan, Italy. The collection includes over 350 objects and works dating back to the inception of the Compasso d'Oro Award in 1954. The museum has been located in a converted industrial building on Piazza ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Design Awards
The American National Design Awards, founded in 2000, are various awards funded and bestowed by the Cooper-Hewitt, Smithsonian Design Museum. There are seven official design categories, and three additional awards when applicable. Any supplemental awards deemed appropriate may be awarded at the discretion of the acting jury or institution. History In 2000, the program was launched as a project of the White House Millennium Council. In 2025, the award program celebrated its twenty-fifth year. Awards The seven official design categories include: *Architecture Design *Communications Design *Fashion Design (created in 2003) *Interior Design (created in 2005) *Interaction Design (created for 2009) *Landscape Design *Product Design The three additional awards categories are: *Lifetime Achievement *Design Patron (created in 2001) *Design Mind (2005–2019) Past supplemental categories have included: *People's Design Award (2006–2010) *Special Commendation (Awarded in 2008) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vico Magistretti
Vico Magistretti (October 6, 1920 – September 19, 2006) was an Italian architect who was also active as an industrial designer, furniture designer, and academic. As a collaborator of humanist architect Ernesto Nathan Rogers, one of Magistretti's first projects was the "poetic" round church in the experimental Milan neighbourhood of QT8. He later designed mass-produced appliances, lighting, and furniture for companies such as Cassina S.p.A., Artemide, and Oluce. These designs won several awards, including the Compasso d'Oro and the Minerva medal, Minerva Medal of the Chartered Society of Industrial Artists & Designers in 1986. Early life and education Vico Magistretti was born on October 6, 1920, in Milan, Italy. He was the son of an architect. During the second world war, to avoid being deported to Germany, on September 8, 1943, he left Italy during his military service and moved to Switzerland. While in the country he taught at the local university and took courses at the Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arco (lamp)
The Arco lamp is a modern floor lamp designed by brothers Pier Giacomo and Achille Castiglioni for in 1962. The lamp is characterized by a suspended spun aluminum pendant attached to an upright block of Carrara marble via a cantilevered arching arm made of stainless steel. The lamp has been in constant production since its original release in 1962. History In November 2006, Flos brought charges against Semeraro Casa & Famiglia SpA, claiming that the company had violated copyright law in selling a similar lamp named "Fluida." Advocate General Yves Bot deemed that while the Fluida lamp was created in imitation of the original Arco design, production of the product was legal as the original design had since entered the public domain. Following the 2001 implementation of the Directive on the legal protection of designs, Bot ordered Semeraro to cease production of the Fluida lamp. In 2020, the Arco lamp was one of three designs to be awarded the "Products Career Award", a ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olivetti Valentine
The Olivetti Valentine is a portable, manual typewriter manufactured and marketed by the Italian company, Olivetti, that combined the company's Olivetti Lettera 32, Lettera 32 internal typewriter mechanicals with signature red, glossy plastic bodywork and matching plastic case. Designed in 1968 by Olivetti's Austrian-born consultant, Ettore Sottsass (father of the Memphis Group), who was assisted by Perry A. King and Albert Leclerc, the typewriter was introduced in 1969 and was one of the earliest and most iconic plastic-bodied typewriters. Despite being an expensive, functionally limited and somewhat technically mediocre product which failed to find success in the marketplace, the Valentine "subverted the status quo" of typewriter design, captured the zeitgeist of post-'68 counterculture, and ultimately became a celebrated international icon, largely on account of its expressive design. The Valentine is featured in the permanent collections of the Metropolitan Museum of Art, M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ettore Sottsass
Ettore Sottsass (; 14 September 1917 – 31 December 2007) was an Italian architect and product designer. He was known for his designs of furniture, jewelry, glass, lighting, homeware and office supplies. He also worked on numerous buildings and interiors, often defined by bold colours. Early life Sottsass was born in Innsbruck, Austria, and grew up in Turin, where his father, also named Ettore Sottsass, was an architect. His father belonged to the modernist architecture group Movimento Italiano per l'Architettura Razionale (MIAR), which was led by Giuseppe Pagano. Sottsass attended Politecnico di Torino in Turin and graduated in 1939 with a degree in architecture. After the invasion of Italy by the Anglo-Americans, Sottsass joined the Italian Republican Fascist Party and he enlisted in the Monterosa Division of the Repubblica Sociale Italiana which was led by Benito Mussolini, to fight in the mountains alongside Hitler's army (Sottsass tells his adventures as a Lieutenan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Golden Section
In mathematics, two quantities are in the golden ratio if their ratio is the same as the ratio of their summation, sum to the larger of the two quantities. Expressed algebraically, for quantities and with , is in a golden ratio to if \frac = \frac = \varphi, where the Greek letter Phi (letter), phi ( or ) denotes the golden ratio. The constant satisfies the quadratic equation and is an irrational number with a value of The golden ratio was called the extreme and mean ratio by Euclid, and the divine proportion by Luca Pacioli; it also goes by other names. Mathematicians have studied the golden ratio's properties since antiquity. It is the ratio of a regular pentagon's diagonal to its side and thus appears in the Straightedge and compass construction, construction of the dodecahedron and icosahedron. A golden rectangle—that is, a rectangle with an aspect ratio of —may be cut into a square and a smaller rectangle with the same aspect ratio. The golden ratio has bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compass (drawing Tool)
A compass, also commonly known as a pair of compasses, is a technical drawing instrument that can be used for inscribing circles or arcs. As dividers, it can also be used as a tool to mark out distances, in particular, on maps. Compasses can be used for mathematics, drafting, navigation and other purposes. Prior to computerization, compasses and other tools for manual drafting were often packaged as a set with interchangeable parts. By the mid-twentieth century, circle templates supplemented the use of compasses. Today those facilities are more often provided by computer-aided design programs, so the physical tools serve mainly a didactic purpose in teaching geometry, technical drawing, etc. Construction and parts Compasses are usually made of metal or plastic, and consist of two "legs" connected by a hinge which can be adjusted to allow changing of the radius of the circle drawn. Typically one leg has a spike at its end for anchoring, and the other leg holds a drawing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marco Zanuso
Marco Zanuso (14 May 1916 – 11 July 2001) was an Italian modernist architect and designer. Early life Marco Zanuso was born in Milan (Italy) 14 May 1916. He was one of a group of Italian designers from Milan shaping the international idea of "good design" in the postwar years. He began his studies in architecture at the Politecnico di Milano university in 1934 and graduated in 1939. During the Second World War he served for the Axis in the Italian Navy, following which he opened his own design office in 1945. From the beginning of his career, at Domus (magazine), Domus where he served as the editor from 1947–49 and at Casabella where he was editor from 1952–56, where together which his close collaboration with Ernesto Nathan Rogers and others, he helped to establish the theories and ideals of the energetic Modern Design movement. As a professor of architecture, design and town planning at the Politecnico di Milano from the late 1940s until the 1980s, and as one of the foundi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enzo Mari
Enzo Mari (27 April 1932 – 19 October 2020) was an Italians, Italian modernist artist and furniture designer who is known to have influenced many generations of industrial designers. Early life and education Mari was born in Novara, Italy, and he studied at the Brera Academy in Milan, Italy from 1952 to 1956. Career He drew inspiration from the idealism of the Arts and Crafts movement and his political views as a communism, communist. From 1956 onward, he specialized in industrial design and created a portfolio of more than 2,000 works. In the 1960s, he published a series of books with his then-wife Iela Mari, including "The Apple and the Butterfly," a book of illustrations depicting the story of a caterpillar and an apple, without any text. In the 1970s as a professor at The Humanitarian Society, he founded the Nuova Tendenza art movement in Milan. Also in that decade, he designed the Sof Sof chair and the "Box" chair. In 1974, in reaction to the mass production ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Achille Castiglioni
Achille Castiglioni (; 16 February 1918 – 2 December 2002) was an Italian architect and designer of furniture, lighting, radiogram (device), radiograms and other objects. As a professor of design, he advised his students "If you are not curious, forget it. If you are not interested in others, what they do and how they act, then being a designer is not the right job for you." Early life and education Castiglioni was born on 16 February 1918 in Milan, in Lombardy in northern Italy. He was the third son of the sculptor Giannino Castiglioni and his wife Livia Bolla. His elder brothers Livio Castiglioni, Livio and Pier Giacomo Castiglioni, Pier Giacomo were both architects. Castiglioni studied classics at the Liceo classico, Liceo Classico Giuseppe Parini in Milan, and then changed schools to study the arts at the Liceo artistico di Brera Academy, Brera. In 1937 he enrolled in the faculty of architecture of the Polytechnic University of Milan. When the Second World War broke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pier Giacomo Castiglioni
Pier Giacomo Castiglioni (22 April 1913 – 27 November 1968) was an Italian architect and designer. Early life and education Pier Giacomo Castiglioni was born on 22 April 1913 in Milan, in Lombardy in northern Italy. He was the second son of Livia Bolla and the sculptor Giannino Castiglioni. Castiglioni studied architecture at the Politecnico di Milano and graduated in 1937. His elder brother Livio and younger brother Achille were also architects. He married Maria Coduri de Cartosio on 30 December 1942. Work and career In 1937 or 1938 he started an architectural design practice with his brother Livio and Luigi Caccia Dominioni. Amongst the designs produced by the practice were the first Italian bakelite radio for Phonola. The studio closed in 1940. After the Second World War, he and Livio joined by their younger brother Achille, who had also graduated in architecture in 1944. Much of their work was in product and exhibition design, but they also carried out a nu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
