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Colorfulness
Colorfulness, chroma and saturation are attributes of perceived color relating to chromatic intensity. As defined formally by the International Commission on Illumination (CIE) they respectively describe three different aspects of chromatic intensity, but the terms are often used loosely and interchangeably in contexts where these aspects are not clearly distinguished. The precise meanings of the terms vary by what other functions they are dependent on. * Colorfulness is the "attribute of a visual perception according to which the perceived color of an area appears to be more or less chromatic (Any color that is absent of white, grey, or black)"., page 87. The colorfulness evoked by an object depends not only on its spectral reflectance but also on the strength of the illumination, and increases with the latter unless the brightness is very high (Hunt effect (color), Hunt effect). * Chroma is the "colorfulness of an area judged as a proportion of the brightness of a similarl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CIECAM02
In colorimetry, CIECAM02 is the color appearance model published in 2002 by the International Commission on Illumination (CIE) Technical Committee 8-01 (''Color Appearance Modelling for Color Management Systems'') and the successor of Color appearance model#CIECAM97s, CIECAM97s. The two major parts of the model are its chromatic adaptation transform, CIECAT02, and its equations for calculating mathematical correlates for the six technically defined dimensions of color appearance: brightness (luminance), lightness, colorfulness, Colorfulness#Chroma, chroma, Colorfulness#Saturation, saturation, and hue. Brightness is the subjective appearance of how bright an object appears given its surroundings and how it is illuminated. Lightness is the subjective appearance of how light a color appears to be. Colorfulness is the degree of difference between a color and gray. Colorfulness#Chroma, Chroma is the colorfulness relative to the brightness of another color that appears white under sim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Color Appearance Model
A color appearance model (CAM) is a mathematical model that seeks to describe the perceptual aspects of human color vision, i.e. viewing conditions under which the appearance of a color does not tally with the corresponding physical measurement of the stimulus source. (In contrast, a color model defines a coordinate space to describe colors, such as the RGB and CMYK color models.) A uniform color space (UCS) is a color model that seeks to make the color-making attributes perceptually uniform, i.e. identical spatial distance between two colors equals identical amount of perceived color difference. A CAM under a fixed viewing condition results in a UCS; a UCS with a modeling of variable viewing conditions results in a CAM. A UCS without such modelling can still be used as a rudimentary CAM. Background Color appearance Color originates in the mind of the observer; “objectively”, there is only the spectral power distribution of the light that meets the eye. In this sense ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
HSL And HSV
HSL and HSV are the two most common cylindrical coordinate system, cylindrical-coordinate representations of points in an RGB color model. The two representations rearrange the geometry of RGB in an attempt to be more intuitive and color vision, perceptually relevant than the cartesian coordinate system, cartesian (cube) representation. Developed in the 1970s for computer graphics applications, HSL and HSV are used today in color tool, color pickers, in image editing software, and less commonly in image analysis and computer vision. HSL stands for ''hue'', ''saturation'', and ''lightness'', and is often also called HLS. HSV stands for ''hue'', ''saturation'', and ''value'', and is also often called HSB (''B'' for ''brightness''). A third model, common in computer vision applications, is HSI, for ''hue'', ''saturation'', and ''intensity''. However, while typically consistent, these definitions are not standardized, and any of these abbreviations might be used for any of these thre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CIECAM97s
A color appearance model (CAM) is a mathematical model that seeks to describe the perceptual aspects of human color vision, i.e. viewing conditions under which the appearance of a color does not tally with the corresponding physical measurement of the stimulus source. (In contrast, a color model defines a coordinate space to describe colors, such as the RGB and CMYK color models.) A uniform color space (UCS) is a color model that seeks to make the color-making attributes perceptually uniform, i.e. identical spatial distance between two colors equals identical amount of perceived color difference. A CAM under a fixed viewing condition results in a UCS; a UCS with a modeling of variable viewing conditions results in a CAM. A UCS without such modelling can still be used as a rudimentary CAM. Background Color appearance Color originates in the mind of the observer; “objectively”, there is only the spectral power distribution of the light that meets the eye. In this sense, ''an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CIELUV
In colorimetry, the CIE 1976 ''L''*, ''u''*, ''v''* color space, commonly known by its abbreviation CIELUV, is a color space adopted by the International Commission on Illumination (CIE) in 1976, as a simple-to-compute transformation of the 1931 CIE XYZ color space, but which attempted perceptual uniformity. It is extensively used for applications such as computer graphics which deal with colored lights. Although additive mixtures of different colored lights will fall on a line in CIELUV's uniform chromaticity diagram (called the ''CIE 1976 UCS''), such additive mixtures will not, contrary to popular belief, fall along a line in the CIELUV color space unless the mixtures are constant in lightness. Historical background CIELUV is an Adams chromatic valence color space and is an update of the CIE 1964 (''U''*, ''V''*, ''W''*) color space (CIEUVW). The differences include a slightly modified lightness scale and a modified uniform chromaticity scale, in which one of the coordina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
HCL Color Space
HCL ( hue– chroma–luminance) or LCh refers to any of the many cylindrical color space models that are designed to accord with human perception of color with the three parameters. Lch has been adopted by information visualization practitioners to present data without the bias implicit in using varying saturation. They are, in general, designed to have characteristics of both cylindrical translations of the RGB color space, such as HSL and HSV, and the L*a*b* color space. Derivation Color-making attributes HCL concerns the following attributes of color appearance: ; Hue: The "attribute of a visual sensation according to which an area appears to be similar to one of the perceived colors: red, yellow, green, and blue, or to a combination of two of them".Fairchild (2005)/ref> ; Lightness, value: The "brightness relative to the brightness of a similarly illuminated white". ; Luminance (''Y'' or ''L''v,Ω): The radiance weighted by the effect of each wavelength on a typica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CIELAB Color Space
The CIELAB color space, also referred to as ''L*a*b*'', is a color space defined by the International Commission on Illumination (abbreviated CIE) in 1976. It expresses color as three values: ''L*'' for perceptual lightness and ''a*'' and ''b*'' for the four unique colors of human vision: red, green, blue and yellow. CIELAB was intended as a perceptually uniform space, where a given numerical change corresponds to a similar perceived change in color. While the LAB space is not truly perceptually uniform, it nevertheless is useful in industry for detecting small differences in color. Like the CIEXYZ space it derives from, CIELAB color space is a device-independent, "standard observer" model. The colors it defines are not relative to any particular device such as a computer monitor or a printer, but instead relate to the CIE standard observer which is an averaging of the results of color matching experiments under laboratory conditions. Coordinates The CIELAB space is th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CIELAB
The CIELAB color space, also referred to as ''L*a*b*'', is a color space defined by the International Commission on Illumination (abbreviated CIE) in 1976. It expresses color as three values: ''L*'' for perceptual lightness and ''a*'' and ''b*'' for the four Unique hues, unique colors of human vision: red, green, blue and yellow. CIELAB was intended as a perceptually uniform space, where a given numerical change corresponds to a similar perceived change in color. While the LAB space is not truly perceptually uniform, it nevertheless is useful in industry for detecting small differences in color. Like the CIE 1931 color space, CIEXYZ space it derives from, CIELAB color space is a device-independent, "standard observer" model. The colors it defines are not relative to any particular device such as a computer monitor or a printer, but instead relate to the CIE 1931 color space#CIE standard observer, CIE standard observer which is an averaging of the results of color matching expe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Excitation Purity
Colorfulness, chroma and saturation are attributes of perceived color relating to chromatic intensity. As defined formally by the International Commission on Illumination (CIE) they respectively describe three different aspects of chromatic intensity, but the terms are often used loosely and interchangeably in contexts where these aspects are not clearly distinguished. The precise meanings of the terms vary by what other functions they are dependent on. * Colorfulness is the "attribute of a visual perception according to which the perceived color of an area appears to be more or less chromatic (Any color that is absent of white, grey, or black)"., page 87. The colorfulness evoked by an object depends not only on its spectral reflectance but also on the strength of the illumination, and increases with the latter unless the brightness is very high ( Hunt effect). * Chroma is the "colorfulness of an area judged as a proportion of the brightness of a similarly illuminated area t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saturation Change Photoshop
Saturation, saturated, unsaturation or unsaturated may refer to: Chemistry *Saturated and unsaturated compounds, a classification of compounds related to their ability to resist addition reactions ** Degree of unsaturation **Saturated fat or saturated fatty acid **Unsaturated fat or unsaturated fatty acid ** Non-susceptibility of an organometallic compound to oxidative addition * Saturation of protein binding sites * Saturation of enzymes with a substrate * Saturation of a solute in a solution, as related to the solute's maximum solubility at equilibrium ** Supersaturation, where the concentration of a solute exceeds its maximum solubility at equilibrium ** Undersaturation, where the concentration of a solute is less than its maximum solubility at equilibrium Biology * Oxygen saturation, a clinical measure of the amount of oxygen in a patient's blood * Saturation pollination, a pollination technique * Saturated mutagenesis, a form of site-directed mutagenesis * Saturation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Complementary Color
Complementary colors are pairs of colors which, when combined or color mixing, mixed, cancel each other out (lose Colorfulness, chroma) by producing a grayscale color like white or black. When placed next to each other, they create the strongest contrast (vision), contrast for those two colors. Complementary colors may also be called "opposite colors". Which pairs of colors are considered complementary depends on the color model that one uses: * Modern color theory uses either the RGB color model, RGB additive color model or the CMYK color model, CMY subtractive color model, and in these, the complementary pairs are red–cyan, green–magenta (one of the purples), and blue–yellow. * In the traditional RYB color model, the complementary color pairs are red–green, yellow–purple, and blue–orange (colour), orange. * Opponent process theory suggests that the most contrasting color pairs are red–green and blue–yellow. * The black–white color pair is common to all the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
