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Classic Of Poetry
The ''Classic of Poetry'', also ''Shijing'' or ''Shih-ching'', translated variously as the ''Book of Songs'', ''Book of Odes'', or simply known as the ''Odes'' or ''Poetry'' (; ''Shī''), is the oldest existing collection of Chinese poetry, comprising 305 works dating from the 11th to 7th centuries BC. It is one of the " Five Classics" traditionally said to have been compiled by Confucius, and has been studied and memorized by scholars in China and neighboring countries over two millennia. It is also a rich source of '' chengyu'' (four-character classical idioms) that are still a part of learned discourse and even everyday language in modern Chinese. Since the Qing dynasty, its rhyme patterns have also been analysed in the study of Old Chinese phonology. Name Early references refer to the anthology as the ''300 Poems'' ('' shi''). ''The Odes'' first became known as a ''jīng'', or a "classic book", in the canonical sense, as part of the Han dynasty's official adoption of Con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shi (poetry)
''Shi'' and ''shih''Based on the Wade-Giles system formerly used by Taiwan and English-speaking countries. are romanizations of the character /, the Chinese word for all poetry generally and across all languages. In Western analysis of the styles of Chinese poetry, ''shi'' is also used as a term of art for a specific poetic tradition, modeled after the Old Chinese works collected in the Confucian ''Classic of Poetry''. This anthology included both aristocratic poems (the "Hymns" and " Eulogies") and more rustic works believed to have derived from Huaxia folk songs (the " Odes"). They are composed in ancient Chinese, mostly in four- character lines. In such analysis, "''shi''" poetry is contrasted with other forms such as the Chu-derived "'' cí''" and the Han-era "'' fu''".Watson, Burton. ''Chinese Lyricism: Shih Poetry from the Second to the Twelfth Century''. Columbia Univ. Press (New York), 1971. .Frankel, Hans. ''The Flowering Plum and the Palace Lady''. Yale Univ. Pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qianlong Emperor
The Qianlong Emperor (25 September 17117 February 1799), also known by his temple name Emperor Gaozong of Qing, personal name Hongli, was the fifth Emperor of China, emperor of the Qing dynasty and the fourth Qing emperor to rule over China proper. He reigned officially from 1735 until his abdication in 1796, but retained ultimate power subsequently until his death in 1799, making him one of the longest-reigning monarchs in history as well as one of the longest-lived. The fourth and favourite son of the Yongzheng Emperor, Qianlong ascended the throne in 1735. A highly ambitious military leader, he led Ten Great Campaigns, a series of campaigns into Inner Asia, Burma, Nepal and Vietnam and suppressed rebellions in Jinchuan County, Jinchuan and Taiwan. During his lifetime, he was given the deified title Emperor Manjushri by the Qing's Tibetan subjects. Domestically, Qianlong was a major patron of the arts as well as a prolific writer. He sponsored the compilation of the ''Siku Qu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zheng Xuan
Zheng Xuan (127– July 200), courtesy name Kangcheng (), was a Chinese philosopher, politician, and writer who lived towards the end of the Eastern Han dynasty. He was born in Gaomi, Beihai Commandery (modern Weifang, Shandong), and was a student of Ma Rong, together with Lu Zhi. Like his teacher, he was a member of the Old Text School that was challenging the state orthodox New Text School. His contemporary rival was He Xiu (, 129–182). Zheng is notable for his syncretic attempt to bridge the two centuries of rivalry between the two schools. He adopted the strengths of each school in the interpretation of the Confucian classics although he usually favoured the Old Text teachings. He was very influential, but the government never officially adopted his teachings. The Han dynasty was already in decline during his lifetime and collapsed a decade after his death. Both schools did not survive the chaos, but Zheng's conception of Confucianism would be the mainstream inter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tang Poetry
Tang poetry () refers to poetry written in or around the time of or in the characteristic style of China's Tang dynasty, (June 18, 618 – June 4, 907, including the 690–705 reign of Wu Zetian) and/or follows a certain style, often considered as the Golden Age of Chinese poetry. The ''Complete Tang Poems'' includes over 48,900 poems written by over 2,200 authors. During the Tang dynasty, poetry continued to be an important part of social life at all levels of society. Scholars were required to master poetry for the civil service exams, but the art was theoretically available to everyone. This led to a large record of poetry and poets, a partial record of which survives today. The two most famous poets of the period were Li Bai and Du Fu. The Qing dynasty selection, ''Three Hundred Tang Poems'', has made Tang poetry familiar to educated Chinese in modern times. Periodization The periodization scheme employed in this article is the one detailed by the Ming dynasty scholar Gao B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanzas
In poetry, a stanza (; from Italian ''stanza'', ; ) is a group of lines within a poem, usually set off from others by a blank line or indentation. Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of lines are typically referred to as '' verses''. The stanza in poetry is analogous with the paragraph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Couplet
In poetry, a couplet ( ) or distich ( ) is a pair of successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (open) couplet, the meaning of the first line continues to the second. Background The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's ''Arcadia ''in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere." While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called '' heroic couplets''. John Dryden in the 17th century and Alexander Pope in the 18th century were both well known for their w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syntax
In linguistics, syntax ( ) is the study of how words and morphemes combine to form larger units such as phrases and sentences. Central concerns of syntax include word order, grammatical relations, hierarchical sentence structure (constituency), agreement, the nature of crosslinguistic variation, and the relationship between form and meaning (semantics). Diverse approaches, such as generative grammar and functional grammar, offer unique perspectives on syntax, reflecting its complexity and centrality to understanding human language. Etymology The word ''syntax'' comes from the ancient Greek word , meaning an orderly or systematic arrangement, which consists of (''syn-'', "together" or "alike"), and (''táxis'', "arrangement"). In Hellenistic Greek, this also specifically developed a use referring to the grammatical order of words, with a slightly altered spelling: . The English term, which first appeared in 1548, is partly borrowed from Latin () and Greek, though the L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caesura
300px, An example of a caesura in modern western music notation A caesura (, . caesuras or caesurae; Latin for "cutting"), also written cæsura and cesura, is a metrical pause or break in a verse where one phrase ends and another phrase begins. It may be expressed by a comma (,), a tick (✓), or two lines, either slashed (//) or upright (, , ). In time value, this break may vary between the slightest perception of silence all the way up to a full pause. Poetry In classical Greek and Latin poetry a caesura is the juncture where one word ends and the following word begins within a foot . In contrast, a word juncture at the end of a foot is called a diaeresis. Some caesurae are expected and represent a point of articulation between two phrases or clauses. All other caesurae are only potentially places of articulation. The opposite of an obligatory caesura is a bridge where word juncture is not permitted. In modern European poetry, a caesura is defined as a natural phrase ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metre (poetry)
In poetry, metre ( Commonwealth spelling) or meter ( American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Line (poetry)
A line is a unit of writing into which a poem or play is divided: literally, a single row of text. The use of a line operates on principles which are distinct from and not necessarily coincident with grammatical structures, such as the sentence or single clauses in sentences. Although the word for a single poetic line is '' verse'', that term now tends to be used to signify poetic form more generally. A line break is the termination of the line of a poem and the beginning of a new line. The process of arranging words using lines and line breaks is known as ''lineation'', and is one of the defining features of poetry. A distinct numbered group of lines in verse is normally called a '' stanza''. A title, in certain poems, is considered a line. General conventions in Western poetry Conventions that determine what might constitute line in poetry depend upon different constraints, aural characteristics or scripting conventions for any given language. On the whole, where relevant, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Wen Of Zhou
King Wen of Zhou ( zh, c=周文王, p=Zhōu Wén Wáng; 1152–1050 BC, the Cultured King) was the posthumous title given to Ji Chang ( zh, c=姬昌), the patriarch of the Zhou state during the final years of Shang dynasty in ancient China. Ji Chang himself died before the end of the Zhou-Shang War, and his second son Ji Fa completed the conquest of Shang following the Battle of Muye, and posthumously honored him as the founder of the Zhou dynasty. Many of the hymns of the '' Classic of Poetry'' are praises to the legacy of King Wen. Some consider him the first epic hero of Chinese history. Although frequently confused with his fourth son Duke of Zhou, also known as "Lord Zhou", they are different historical persons. Archaeology Chinese scholars (e.g. Wang Yunwu ( 王雲五), Li Xueqin ( 李学勤), etc.) identified King Wen with a zh, c=周方白, p=Zhōufāng bó, l=Elder of Zhou region, labels=no mentioned in inscriptions H11:82 & H11:84 among oracle bones excavat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
