|
Clarendon (typeface)
Clarendon is a slab serif typeface that was released in 1845 by Thorowgood and Co. (or Thorowgood and Besley) of London, a letter foundry often known as the Fann Street Foundry. The original Clarendon design is credited to Robert Besley, a partner in the foundry, and was originally engraved by Punchcutting, punchcutter Benjamin Fox, who may also have contributed to its design. Many copies, adaptations and revivals have been released, becoming almost an entire genre of type design. Clarendon has a bold, solid structure, similar in letter structure to the Didone (typography), "modern" serif typefaces popular in the nineteenth century for body text (for instance showing an 'R' with a curled leg, and ball terminals on the 'a' and 'c'), but bolder and with less contrast in stroke weight. Clarendon designs generally have a structure with bracketed serifs, which become larger as they reach the main stroke of the letter. Mitja Miklavčič describes the basic features of Clarendon designs ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German language, German, ) or "Gothic" (although this often refers to blackletter type as well). In German usage, the term Antiqua (typeface class), Antiqua is used more broadly for serif types. Serif typefaces can be broadly classified into one of four subgroups: Serif#Old-style, Old-style, Serif#Transitional, Transitional, Serif#Didone, Didone, and Serif#Slab serif, Slab serif, in order of first emergence. Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with Roman square capitals, inscriptional lettering—words carved into s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jonathan Hoefler
Jonathan Hoefler (; born 1970) is an American type designer. Hoefler founded the Hoefler Type Foundry in 1989, a type foundry in New York. Early life Jonathan Hoefler was born on August 22, 1970, in New York City to Doreen Benjamin and Charles Hoefler, a theatrical set designer and producer. Growing up, it was the Gill Sans text on boxes of custard that drew him to typography design. He is largely self-taught, and worked with magazine art director Roger Black prior to forming the Hoefler Type Foundry in 1989. Career Hoefler's Champion Gothic was inspired by 19th-century wood type. It was commissioned for ''Sports Illustrated'' shortly after founding the company in 1989. In 1997, his path crossed with type designer Tobias Frere-Jones when both were trying to purchase German type foundry catalogs. In 1999, Hoefler began working with Frere-Jones, and from 2005 to 2014 the company operated under the name Hoefler & Frere-Jones as a partnership. In 2000, the firm, under Frer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
5 & 6 Vict
5 (five) is a number, numeral and digit. It is the natural number, and cardinal number, following 4 and preceding 6, and is a prime number. Humans, and many other animals, have 5 digits on their limbs. Mathematics 5 is a Fermat prime, a Mersenne prime exponent, as well as a Fibonacci number. 5 is the first congruent number, as well as the length of the hypotenuse of the smallest integer-sided right triangle, making part of the smallest Pythagorean triple ( 3, 4, 5). 5 is the first safe prime and the first good prime. 11 forms the first pair of sexy primes with 5. 5 is the second Fermat prime, of a total of five known Fermat primes. 5 is also the first of three known Wilson primes (5, 13, 563). Geometry A shape with five sides is called a pentagon. The pentagon is the first regular polygon that does not tile the plane with copies of itself. It is the largest face any of the five regular three-dimensional regular Platonic solid can have. A conic is determine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ornamental Designs Act 1842
Ornamental may refer to: *Ornamental grass, a type of grass grown as a decoration *Ornamental iron, mild steel that has been formed into decorative shapes, similar to wrought iron work *Ornamental plant, a plant that is grown for its ornamental qualities *Ornament (architecture), a decorative detail used to embellish parts of a building or interior furnishing *Ornament (art) *Ornament (music), musical flourishes that are not necessary to the overall melodic (or harmonic) line Music *Ornamental, a music group formed as a side project of Strawberry Switchblade vocalist Rose McDowall Rose McDowall (née Porter; born 21 October 1959) is a Scottish musician who formed Strawberry Switchblade with Jill Bryson in 1981. History McDowall was born in Glasgow, Scotland in 1959. Her first venture into music was in the Poems, an ar ... See also * Ornament (other) {{disambig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Croydon Central Station 3
Croydon is a large town in South London, England, south of Charing Cross. Part of the London Borough of Croydon, a local government district of Greater London; it is one of the largest commercial districts in Greater London, with an extensive shopping area. The entire town had a population of 192,064 as of 2011, whilst the wider borough had a population of 384,837. Historically an ancient parish in the Wallington Hundred of Surrey, at the time of the Norman conquest of England Croydon had a church, a mill, and around 365 inhabitants, as recorded in the Domesday Book of 1086. Croydon expanded in the Middle Ages as a market town and a centre for charcoal production, leather tanning and brewing, with the brewing industry in particular remaining strong for hundreds of years. The Surrey Iron Railway from Croydon to Wandsworth opened in 1803 and was an early public railway. Later 19th century railway building facilitated Croydon's growth as a commuter town for London. By the early 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caslon Foundry
The Caslon type foundry was a type foundry in London which cast and sold metal type. It was founded by the punchcutter and typefounder William Caslon I, probably in 1720. For most of its history it was based at Chiswell Street, Islington, was the oldest type foundry in London, and the most prestigious. In the nineteenth century, the company established a division selling printing equipment. This section of the company continues to operate as of 2021, and is now branded Caslon Ltd. and based in St. Albans. The type foundry section of the company was bought by Stephenson Blake in 1937. From 1793 to 1819 a separate Caslon foundry was operated by William Caslon III and then his son William Caslon IV, who split off from the family business. This was also bought by a predecessor company of Stephenson Blake. Background Metal type was traditionally made by punchcutting, carefully cutting punches in steel used to stamp matrices, the moulds used to cast metal type. Type foundries opera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monotype Imaging
Monotype Imaging Holdings Inc., founded as Lanston Monotype Machine Company in 1887 in Philadelphia by Tolbert Lanston, is an American (historically Anglo-American) company that specializes in digital typesetting and typeface design for use with consumer electronics devices. Based in Woburn, Massachusetts, the company has been responsible for many developments in printing technology—in particular the Monotype machine, which was a fully mechanical hot metal typesetter, that produced texts automatically, all single type. Monotype was involved in the design and production of many typefaces in the 20th century. Monotype developed many of the most widely used typeface designs, including Times New Roman, Gill Sans, and Arial. Via acquisitions including Linotype GmbH, International Typeface Corporation, Bitstream, FontShop, URW, Hoefler & Co., Fontsmith, and Colophon Foundry, the company has gained the rights to major font families including Helvetica, ITC Franklin Gothi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italic Type
In typography, italic type is a cursive font based on a stylised form of calligraphic handwriting. Along with blackletter and roman type, it served as one of the major typefaces in the history of Western typography. Owing to the influence from calligraphy, italics normally slant slightly to the right, ''like so''. Different glyph shapes from roman type are usually usedanother influence from calligraphyand upper-case letters may have Swash (typography), swashes, flourishes inspired by ornate calligraphy. Historically, italics were a distinct style of type used entirely separately from roman type, but they have come to be used in conjunction—most fonts now come with a roman type and an oblique type, oblique version (generally called "italic" though often not true italics). In this usage, italics are a way to emphasise key points in a printed text, to identify many types of creative works, to cite foreign words or phrases, or, when quoting a speaker, a way to show which w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emphasis (typography)
In typography, emphasis is the strengthening of words in a text with a font in a different style from the rest of the text, to highlight them. It is the equivalent of Stress (linguistics)#Prosodic stress, prosody stress in speech. Methods and use The most common methods in History of Western typography, Western typography fall under the general technique of emphasis through a change or modification of font: ''italics'', boldface and . Other methods include the alteration of LETTER CASE and spacing as well as color and *additional graphic marks*. Font styles and variants The human eye is very receptive to differences in "brightness within a text body." Therefore, one can differentiate between types of emphasis according to whether the emphasis changes the "type color, blackness" of text, sometimes referred to as typographic color. A means of emphasis that does not have much effect on blackness is the use of ''italic type, italics'', where the text is written in a script ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarendon Comparison With Modern
Clarendon may refer to: Places Australia *Clarendon, New South Wales, a suburb of Sydney *Clarendon, Queensland, a rural locality in the Somerset Region *Clarendon, South Australia *Clarendon, Victoria, in the Shire of Moorabool *Clarendon County, New South Wales Canada *Clarendon Parish, New Brunswick **Clarendon, a community in Petersville Parish, New Brunswick, near Clarendon Parish * Clarendon Station, Ontario * Clarendon, Quebec England *Clarendon Park, Leicester *Clarendon Park, Wiltshire :*Clarendon Palace, within the park *Great Clarendon Street and Little Clarendon Street, Oxford Jamaica *Clarendon Parish, Jamaica *Clarendon Park, Jamaica United States *Clarendon, Arkansas *Clarendon, New York * Clarendon, North Carolina *Clarendon, Pennsylvania *Clarendon, Texas *Clarendon, Vermont *Clarendon, Arlington, Virginia *Clarendon County, South Carolina *Clarendon Township, Michigan People *Earl of Clarendon, a peerage of England *Edward Hyde, 1st Earl of Clarendon (1609� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Mosley
James Mosley (born 1935) is a retired librarian and historian whose work has specialised in the history of printing and letter design. The main part of Mosley's career has been 42 years as Librarian of the St Bride Printing Library in London, where he curated and worked to expand the museum's large collection of printing and lettering materials, books and examples. This collection greatly expanded with the close of the metal type era, which saw many companies and printing shops selling off their equipment and archives. Mosley also expanded the library's collection of lettering and signs. He has also been a lecturer and professor at the University of Reading since 1964, and founded the British Printing Historical Society in that year. Particular areas of focus of his career have been, in Britain, William Caslon, Vincent Figgins and Talbot Baines Reed, Eric Gill (with whose brother Evan he worked in the 1950s), and, in Europe, the Romain du Roi. Education Mosley grew up in T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sans-serif
In typography and lettering, a sans-serif, sans serif (), gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and Modern typography, modernity or minimalism. For the purposes of type classification, sans-serif designs are usually divided into these major groups: , , , , and . Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word , meaning "without" and "serif" of uncertain origin, possibly from the Dutch word meaning "line" or pen-stroke. In printed media, they are more commonly used for Display typeface, display use and less for body text. Before the term "sans-serif" became standard in English typography, a number of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
