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Cimabue's Celebrated Madonna
''Cimabue's Celebrated Madonna'', originally called ''Cimabue's elebratedMadonna sCarried in Procession through the Streets of Florence'', is an oil painting by English artist Frederic Leighton. Measuring more than two metres tall and more than five metres wide, the canvas was painted by Leighton from 1853 to 1855 in Rome as his first major work. Since 1988 the work has been displayed in the National Gallery, London, on long-term loan from the Royal Collection, where it was long hung prominently, high above the main vestibule, directly beyond the entrance to the gallery, but more recently it has been in Room 45. In 2018 it was displayed at the top of the Sainsbury Wing staircase. Leighton House has an oil sketch for the painting, and several preparatory drawings. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederic Leighton, 1st Baron Leighton
Frederic Leighton, 1st Baron Leighton, (3 December 1830 – 25 January 1896), known as Sir Frederic Leighton between 1878 and 1896, was a British painter, draughtsman, and sculptor. His works depicted historical, biblical, and classical subject matter in an academic style. His paintings were enormously popular, and expensive, during his lifetime, but fell out of critical favour for many decades in the early 20th century. Leighton was the bearer of the shortest-lived peerage in history; after only one day his hereditary peerage became extinct upon his death. Biography Leighton was born in Scarborough to Augusta Susan and Dr. Frederic Septimus Leighton (1799-1892), a medical doctor. Leighton's grandfather, Sir James Boniface Leighton (1769-1843), had been the primary physician to two Russian tsars - Alexander I and Nicholas I - and their families, and amassed a fortune while in their service. Leighton’s career was always cushioned by this family wealth, with his fathe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florentine School
Florentine painting or the Florentine School refers to artists in, from, or influenced by the naturalistic style developed in Florence in the 14th century, largely through the efforts of Giotto di Bondone, and in the 15th century the leading school of Western painting. Some of the best known painters of the earlier Florentine School are Fra Angelico, Botticelli, Filippo Lippi, the Ghirlandaio family, Masolino, and Masaccio. Florence was the birthplace of the High Renaissance, but in the early 16th century the most important artists, including Michelangelo and Raphael were attracted to Rome, where the largest commissions then were. In part this was following the Medici, some of whom became cardinals and even the pope. A similar process affected later Florentine artists. By the Baroque period, the many painters working in Florence were rarely major figures. Before 1400 The earliest distinctive Tuscan art, produced in the 13th century in Pisa and Lucca, formed the basis for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Of Anjou
Charles I (early 1226/12277 January 1285), commonly called Charles of Anjou, was a member of the royal Capetian dynasty and the founder of the second House of Anjou. He was Count of Provence (1246–85) and Forcalquier (1246–48, 1256–85) in the Holy Roman Empire, Count of Anjou and Maine (1246–85) in France; he was also King of Sicily (1266–85) and Prince of Achaea (1278–85). In 1272, he was proclaimed King of Albania, and in 1277 he purchased a claim to the Kingdom of Jerusalem. The youngest son of Louis VIII of France and Blanche of Castile, Charles was destined for a Church career until the early 1240s. He acquired Provence and Forcalquier through his marriage to their heiress, Beatrice. His attempts to restore central authority brought him into conflict with his mother-in-law, Beatrice of Savoy, and the nobility. Charles received Anjou and Maine from his brother, Louis IX of France, in appanage. He accompanied Louis during the Seventh Crusade to Egypt. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Of Naples
The following is a list of rulers of the Kingdom of Naples, from its first separation from the Kingdom of Sicily to its merger with the same into the Kingdom of the Two Sicilies. Kingdom of Naples (1282–1501) House of Anjou In 1382, the Kingdom of Naples was inherited by Charles III, King of Hungary, Great grandson of King Charles II of Naples. After this, the House of Anjou of Naples was renamed House of Anjou-Durazzo, when Charles III married his first cousin Margaret of Durazzo, member of a prominent Neapolitan noble family. House of Valois-Anjou (disputed) Joanna of Naples had refused to name her enemy Charles of Durazzo as heir to the Neapolitan throne despite him ending up succeeding her anyway. If Charles' line was ignored, the subsequent heirs would be the descendants of Margaret, Countess of Anjou, a daughter of Charles II of Naples; the line pointed to the kings of France of the House of Valois. Joanna chose this line, though she named as heir, her second cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola Pisano
Nicola Pisano (also called ''Niccolò Pisano'', ''Nicola de Apulia'' or ''Nicola Pisanus''; c. 1220/1225 – c. 1284) was an Italian sculptor whose work is noted for its classical Roman sculptural style. Pisano is sometimes considered to be the founder of modern sculpture. Early life His birth date or origins are uncertain. He was born in Apulia, as the son of "Petrus de Apulia", as stated in the archives of the Cathedral of Siena. Nicola Pisano was probably trained in the local workshops of the emperor Frederick II, and he attended his coronation. Here he was trained to give to the traditional representations more movement and emotions, intertwining Classical and Christian traditions. His only remaining works from this period are two griffon heads with a soft chiaroscuro effect. Around 1245 he moved to Tuscany to work at the Prato Castle. The lions on the portal of this castle are probably by his hand. "The head of a young girl" (now displayed in the Museo del Palazzo Ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simone Memmi
Simone Martini ( – 1344) was an Italian painter born in Siena. He was a major figure in the development of early Italian painting and greatly influenced the development of the International Gothic style. It is thought that Martini was a pupil of Duccio di Buoninsegna, the leading Sienese painter of his time. According to late Renaissance art biographer Giorgio Vasari, Simone was instead a pupil of Giotto di Bondone, with whom he went to Rome to paint at the Old St. Peter's Basilica, Giotto also executing a mosaic there. Martini's brother-in-law was the artist Lippo Memmi. Very little documentation of Simone's life survives, and many attributions are debated by art historians. According to E. H. Gombrich, he was a friend of Petrarch and had painted a portrait of Laura. Biography Simone was doubtlessly apprenticed from an early age, as would have been the normal practice. Among his first documented works is the '' Maestà'' of 1315 in the Palazzo Pubblico in Siena. A copy of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buonamico Buffalmacco
Buonamico di Martino, otherwise known as Buonamico Buffalmacco (active c. 1315–1336), was an Italian Renaissance painter who worked in Florence, Bologna, and Pisa. Although none of his known work has survived, he is widely assumed to be the painter of a most influential fresco cycle preserved in the Campo Santo of Pisa, featuring ''The Three Dead and the Three Living'', the ''Triumph of Death'', the ''Last Judgement'', the ''Hell'', and the ''Thebais'' (several episodes from the lives of the Desert Fathers). Painted some ten years before the Black Death spread over medieval Europe in 1348, the cycle enjoyed an extraordinary success after that date, and was often imitated throughout Italy during the Renaissance. The youngsters' party enjoying themselves in a beautiful garden while Death piles mounds of corpses all around is likely to have inspired the setting of Giovanni Boccaccio's literary masterpiece ''The Decameron'', written a few years after the spread of the Black Dea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Tafi (artist)
Andrea Tafi (1213–1294) was an Italian artist. He is probably best known for his work on the mosaics of the Baptistery in Florence, which were started in 1225 by Jacobus. His pupils included Buonamico Buffalmacco. Tafi is shown in Frederic Leighton's ''Cimabue's Celebrated Madonna'' (1853–1855); the subject matter of this painting is based on Giorgio Vasari's account of how the ''Rucellai Madonna'' was carried from Cimabue's home to the church of Santa Maria Novella in Florence. Vasari includes a biography of Andrea Tafi in his ''Lives Lives may refer to: * The plural form of a ''life'' * Lives, Iran, a village in Khuzestan Province, Iran * The number of lives in a video game * ''Parallel Lives'', aka ''Lives of the Noble Greeks and Romans'', a series of biographies of famous m ...''; the biography includes a tale of how Buonamico di Cristofano stopped Tafi from rising so early by pretending to be a demon. References Bibliography * {{DEFAULTSORT:Tafi, Andrea 12 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaddo Gaddi
Gaddo Gaddi (c. 1239, Florence – c. 1312, Florence) was a painter and mosaicist of Florence in a Gothic art style. Almost no works survive. He was the father of Taddeo Gaddi. He completed mosaics on the facade of Santa Maria Maggiore in Rome. The "Coronation of the Virgin" mosaic over the inside door of Florence Cathedral, dated 1307, is also attributed to Gaddo Gaddi. Gaddo Gaddi was, according to Vasari, an intimate friend of Cimabue, and afterwards of Giotto. His dates of birth and death have been given as 1239 and about 1312; these are probably too early; he may have been born towards 1260, and may have died in or about 1333. He was a painter and mosaicist, is said to have executed the great mosaic inside the portal of Florence Cathedral, representing the Coronation of the Virgin, and may with more certainty be credited with the mosaics inside the portico of the basilica of Santa Maria Maggiore, Rome, relating to the legend of the foundation of that church; their date i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnolfo Di Cambio
Arnolfo di Cambio (c. 1240 – 1300/1310) was an Italian architect and sculptor. He designed Florence Cathedral and the sixth city wall around Florence (1284–1333), while his most important surviving work as a sculptor is the tomb of Cardinal de Braye in S. Domenico, Orvieto. Biography Arnolfo was born in Colle Val d'Elsa, Tuscany. He was Nicola Pisano’s chief assistant on the marble Siena Cathedral Pulpit for the Duomo in Siena Cathedral (1265–1268), but he soon began to work independently on an important tomb sculpture. In 1266–1267 he worked in Rome for King Charles I of Anjou, portraying him in the famous statue housed in the Campidoglio. Around 1282 he finished the monument to Cardinal Guillaume de Braye in the church of San Domenico in Orvieto, including an enthroned Madonna (a '' Maestà'') for which he took as a model an ancient Roman statue of the goddess Abundantia; the Madonna's tiara and jewels reproduce antique models. In Rome Arnolfo had seen the C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dante Alighieri
Dante Alighieri (; – 14 September 1321), probably baptized Durante di Alighiero degli Alighieri and often referred to as Dante (, ), was an Italian poet, writer and philosopher. His '' Divine Comedy'', originally called (modern Italian: ''Commedia'') and later christened by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language. Dante is known for establishing the use of the vernacular in literature at a time when most poetry was written in Latin, which was accessible only to the most educated readers. His '' De vulgari eloquentia'' (''On Eloquence in the Vernacular'') was one of the first scholarly defenses of the vernacular. His use of the Florentine dialect for works such as '' The New Life'' (1295) and ''Divine Comedy'' helped establish the modern-day standardized Italian language. His work set a precedent that important Italian writers such as Petrarch and Boccaccio woul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giotto
Giotto di Bondone (; – January 8, 1337), known mononymously as Giotto ( , ) and Latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic/ Proto-Renaissance period. Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature" and of his publicly recognized "talent and excellence".Bartlett, Kenneth R. (1992). ''The Civilization of the Italian Renaissance''. Toronto: D.C. Heath and Company. (Paperback). p. 37. Giorgio Vasari described Giotto as making a decisive break with the prevalent Byzantine style and as initiating "the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years".Giorgio Vasari, ''Lives of the Artists'', trans. George Bull, Penguin Classics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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