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Church Of Saint Bridget, Liverpool
The Church of Saint Bridget is in Bagot Street, Wavertree, Liverpool, Merseyside, England. It is recorded in the National Heritage List for England as a designated Grade II* listed building, and is an active Anglican parish church in the diocese of Liverpool, the archdeaconry of Liverpool and the deanery of Toxteth and Wavertree. History The foundation stone was laid on 21 September 1868 and the church was consecrated in 1872. It was originally a chapel of ease to Holy Trinity Church, Wavertree, and became a parish in its own right in 1901. The architect was E. A. Heffer who designed the fabric of the church and its fittings. Architecture Exterior The church is built in the style of an Italianate basilica. It is constructed of common brick with banding of red and blue brick, and a slate roof. The plan consists of a nine-bay nave with a clerestory, lean-to aisles, a chancel with a round apse and a high thin northwest campanile with narrow lights. All the windows ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wavertree
Wavertree is a district of Liverpool, England. It is a ward of Liverpool City Council, and its population at the 2011 census was 14,772. Located to the south and east of the city centre, it is bordered by various districts and suburbs such as Childwall, Edge Hill, Fairfield, Mossley Hill, Old Swan, and Toxteth. History The name derives from the Old English words ''wæfre'' and ''treow'', meaning "wavering tree", possibly in reference to aspen trees common locally. It has also been variously described as "a clearing in a wood" or "the place by the common pond". In the past, the name has been spelt ''Watry'', ''Wartre'', ''Waurtree'', ''Wavertre'' and ''Wavertree''. The earliest settlement of Wavertree is attested to by the discovery of Bronze Age burial urns in Victoria Park in the mid −1860s while digging the footings for houses, two of which were built for Patrick O Connor, patentee, ironmonger, merchant and Chair to the Wavertree Local Board of Health. The ''D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yale University Press
Yale University Press is the university press of Yale University. It was founded in 1908 by George Parmly Day, and became an official department of Yale University in 1961, but it remains financially and operationally autonomous. , Yale University Press publishes approximately 300 new hardcover and 150 new paperback books annually and has a backlist of about 5,000 books in print. Its books have won five National Book Awards, two National Book Critics Circle Awards and eight Pulitzer Prize The Pulitzer Prize () is an award for achievements in newspaper, magazine, online journalism, literature, and musical composition within the United States. It was established in 1917 by provisions in the will of Joseph Pulitzer, who had made h ...s. The press maintains offices in New Haven, Connecticut and London, England. Yale is the only American university press with a full-scale publishing operation in Europe. It was a co-founder of the distributor TriLiteral LLC with MIT Press ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reredos
A reredos ( , , ) is a large altarpiece, a screen, or decoration placed behind the altar in a church. It often includes religious images. The term ''reredos'' may also be used for similar structures, if elaborate, in secular architecture, for example very grand carved chimneypieces. It also refers to a simple, low stone wall placed behind a hearth. Description A reredos can be made of stone, wood, metal, ivory, or a combination of materials. The images may be painted, carved, gilded, composed of mosaics, and/or embedded with niches for statues. Sometimes a tapestry or another fabric such as silk or velvet is used. Derivation and history of the term ''Reredos'' is derived through Middle English from the 14th-century Anglo-Norman ''areredos'', which in turn is from''arere'' 'behind' +''dos'' 'back', from Latin ''dorsum''. (Despite its appearance, the first part of the word is not formed by doubling the prefix "re-", but by an archaic spelling of "rear".) In the 14th and 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coffer
A coffer (or coffering) in architecture is a series of sunken panels in the shape of a square, rectangle, or octagon in a ceiling, soffit or vault. A series of these sunken panels was often used as decoration for a ceiling or a vault, also called ''caissons'' ("boxes"), or ''lacunaria'' ("spaces, openings"), so that a coffered ceiling can be called a ''lacunar'' ceiling: the strength of the structure is in the framework of the coffers. History The stone coffers of the ancient Greeks and Romans are the earliest surviving examples, but a seventh-century BC Etruscan chamber tomb in the necropolis of San Giuliano, which is cut in soft tufa-like stone reproduces a ceiling with beams and cross-beams lying on them, with flat panels filling the ''lacunae''. For centuries, it was thought that wooden coffers were first made by crossing the wooden beams of a ceiling in the Loire Valley châteaux of the early Renaissance. In 2012, however, archaeologists working under the Packard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acanthus (ornament)
The acanthus ( grc, ἄκανθος) is one of the most common plant forms to make foliage ornament and decoration, and even as the leaf distinguishing the heraldic coronet of a manorial lord from other coronets of royalty or nobility, which use strawberry leaves. Architecture In architecture, an ornament may be carved into stone or wood to resemble leaves from the Mediterranean species of the '' Acanthus'' genus of plants, which have deeply cut leaves with some similarity to those of the thistle and poppy. Both '' Acanthus mollis'' and the still more deeply cut '' Acanthus spinosus'' have been claimed as the main model, and particular examples of the motif may be closer in form to one or the other species; the leaves of both are, in any case, rather variable in form. The motif is found in decoration in nearly every medium. The relationship between acanthus ornament and the acanthus plant has been the subject of a long-standing controversy. Alois Riegl argued in his '' Stilf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capital (architecture)
In architecture the capital (from the Latin ''caput'', or "head") or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order established in the 16th century on a hint from the Arch of Titus, adds Ionic volutes to Corinthian acanthus leaves. From the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation; and is often the clearest indicator of the architectu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scagliola
Scagliola (from the Italian ''scaglia'', meaning "chips") is a type of fine plaster used in architecture and sculpture. The same term identifies the technique for producing columns, sculptures, and other architectural elements that resemble inlays in marble. The scagliola technique came into fashion in 17th-century Tuscany as an effective substitute for costly marble inlays, the pietra dura works created for the Medici family in Florence. The use of scagliola declined in the 20th century. Scagliola is a composite substance made from selenite, glue and natural pigments, imitating marble and other hard stones. The material may be veined with colors and applied to a core, or desired pattern may be carved into a previously prepared scagliola matrix. The pattern's indentations are then filled with the colored, plaster-like scagliola composite, and then polished with flax oil for brightness, and wax for protection. The combination of materials and technique provides a complex tex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arcade (architecture)
An arcade is a succession of contiguous arches, with each arch supported by a colonnade of columns or piers. Exterior arcades are designed to provide a sheltered walkway for pedestrians. The walkway may be lined with retail stores. An arcade may feature arches on both sides of the walkway. Alternatively, a blind arcade superimposes arcading against a solid wall. Blind arcades are a feature of Romanesque architecture that influenced Gothic architecture. In the Gothic architectural tradition, the arcade can be located in the interior, in the lowest part of the wall of the nave, supporting the triforium and the clerestory in a cathedral, or on the exterior, in which they are usually part of the walkways that surround the courtyard and cloisters. Many medieval arcades housed shops or stalls, either in the arcaded space itself, or set into the main wall behind. From this, "arcade" has become a general word for a group of shops in a single building, regardless of the architect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bust (sculpture)
A bust is a sculpted or cast representation of the upper part of the human figure, depicting a person's head and neck, and a variable portion of the chest and shoulders. The piece is normally supported by a plinth. The bust is generally a portrait intended to record the appearance of an individual, but may sometimes represent a type. They may be of any medium used for sculpture, such as marble, bronze, terracotta, plaster, wax or wood. As a format that allows the most distinctive characteristics of an individual to be depicted with much less work, and therefore expense, and occupying far less space than a full-length statue, the bust has been since ancient times a popular style of life-size portrait sculpture. It can also be executed in weaker materials, such as terracotta. A sculpture that only includes the head, perhaps with the neck, is more strictly called a "head", but this distinction is not always observed. Display often involves an integral or separate display s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gable
A gable is the generally triangular portion of a wall between the edges of intersecting roof pitches. The shape of the gable and how it is detailed depends on the structural system used, which reflects climate, material availability, and aesthetic concerns. The term gable wall or gable end more commonly refers to the entire wall, including the gable and the wall below it. Some types of roof do not have a gable (for example hip roofs do not). One common type of roof with gables, the gable roof, is named after its prominent gables. A parapet made of a series of curves ( Dutch gable) or horizontal steps ( crow-stepped gable) may hide the diagonal lines of the roof. Gable ends of more recent buildings are often treated in the same way as the Classic pediment form. But unlike Classical structures, which operate through trabeation, the gable ends of many buildings are actually bearing-wall structures. Gable style is also used in the design of fabric structures, with varying d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornice
In architecture, a cornice (from the Italian ''cornice'' meaning "ledge") is generally any horizontal decorative moulding that crowns a building or furniture element—for example, the cornice over a door or window, around the top edge of a pedestal, or along the top of an interior wall. A simple cornice may be formed just with a crown, as in crown moulding atop an interior wall or above kitchen cabinets or a bookcase. A projecting cornice on a building has the function of throwing rainwater free of its walls. In residential building practice, this function is handled by projecting gable ends, roof eaves and gutters. However, house eaves may also be called "cornices" if they are finished with decorative moulding. In this sense, while most cornices are also eaves (overhanging the sides of the building), not all eaves are usually considered cornices. Eaves are primarily functional and not necessarily decorative, while cornices have a decorative aspect. A building's project ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louver
A louver (American English) or louvre (British English; see spelling differences) is a window blind or shutter with horizontal slats that are angled to admit light and air, but to keep out rain and direct sunshine. The angle of the slats may be adjustable, usually in blinds and windows, or fixed. History Louvers originated in the Middle Ages as lantern-like constructions in wood that were fitted on top of roof holes in large kitchens to allow ventilation while keeping out rain and snow. They were originally rather crude constructions consisting merely of a barrel. Later they evolved into more elaborate designs made of pottery, taking the shape of faces where the smoke and steam from cooking would pour out through the eyes and mouth, or into constructions that were more like modern louvers, with slats that could be opened or closed by pulling on a string. Construction Modern louvers are often made of aluminum, metal, wood, or glass. They may be opened and closed with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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