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Christ In Majesty
Christ in Majesty or Christ in Glory () is the Western Christian image of Christ seated on a throne as ruler of the world, always seen frontally in the centre of the composition, and often flanked by other sacred figures, whose membership changes over time and according to the context. The image develops from Early Christian art, as a depiction of the Heavenly throne as described in 1 Enoch, Daniel 7, and The Apocalypse of John. In the Byzantine world, the image developed slightly differently into the half-length Christ Pantocrator, "Christ, Ruler of All", a usually unaccompanied figure, and the Deesis, where a full-length enthroned Christ is entreated by Mary and St. John the Baptist, and often other figures. In the West, the evolving composition remains very consistent within each period until the Renaissance, and then remains important until the end of the Baroque, in which the image is ordinarily transported to the sky. Development From the latter part of the fourth cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarcophagus Of Junius Bassus
The Sarcophagus of Junius Bassus is a marble Early Christian art, Early Christian sarcophagus used for the burial of Junius Bassus Theotecnius, Junius Bassus, who died in 359. It has been described as "probably the single most famous piece of early Christian relief sculpture." The sarcophagus was originally placed in or under Old St. Peter's Basilica, was rediscovered in 1597, and is now below the modern basilica in the Museo Storico del Tesoro della Basilica di San Pietro (Museum of Saint Peter's Basilica) in the Vatican City, Vatican. The base is approximately 4 x 8 x 4 feet. Together with the Dogmatic sarcophagus in the same museum, this sarcophagus is one of the oldest surviving high-status sarcophagi with elaborate carvings of Christian themes, and a complicated iconography, iconographic programme embracing the Old Testament, Old and New Testaments. Junius Bassus Junius Bassus was an important figure in late antique Rome, a senator who was in charge of the government o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rufius Probianus
Rufius Probianus (''fl.'' 400 AD) was a ''vicarius'' of the Late Roman Empire. He is known from an ivory diptych on which he appears with his right hand lifted in an oratorical gesture to indicate that he is either speaking or has the right to speak. The Ivory Diptych of Rufius Probianus Background It is not known for certain when the ivory diptych of Rufius Probianus was created, it is believed to be dated to between the years 396 AD and 416 AD. However in the year 384 the emperor of the eastern empire, Theodosius I, decided to enact a law that forbid the issuance of gold and diptychs made of ivory by anyone other than a consul. There is evidence of diptychs being created that appear to be in opposition of this law and many scholars believe that the law was ignored, or that special permission was given to allow the creation of these ivory diptychs. Rufius Probianus was but one example of a lesser official issuing an ivory diptych as he was only vicarius of the city of Rome, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vicarius
''Vicarius'' is a Latin word, meaning ''substitute'' or ''deputy''. It is the root of the English word "vicar". History Originally, in ancient Rome, this office was equivalent to the later English " vice-" (as in " deputy"), used as part of the title of various officials. Each ''vicarius'' was assigned to a specific superior official, after whom his full title was generally completed by a genitive (e.g. ''vicarius praetoris''). At a low level of society, the slave of a slave, possibly hired out to raise money to buy manumission, was a ''servus vicarius''. Later, in the 290s, Emperor Diocletian carried out a series of administrative reforms, ushering in the period of the Dominate. These reforms also saw the number of Roman provinces increased, and the creation of a new administrative level, the diocese. The dioceses, initially twelve, grouped several provinces, each with its own governor. The dioceses were headed by a ''vicarius'', or, more properly, by a ''vices agens praefec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orator
An orator, or oratist, is a public speaker, especially one who is eloquent or skilled. Etymology Recorded in English c. 1374, with a meaning of "one who pleads or argues for a cause", from Anglo-French ''oratour'', Old French ''orateur'' (14th century), Latin ''orator'' ("speaker"), from ''orare'' ("speak before a court or assembly; plead"), derived from a Proto-Indo-European base *''or-'' ("to pronounce a ritual formula"). The modern meaning of the word, "public speaker", is attested from c. 1430. History In ancient Rome, the art of speaking in public (''Ars Oratoria'') was a professional competence especially cultivated by politicians and lawyers. As the Greeks were still seen as the masters in this field, as in philosophy and most sciences, the leading Roman families often either sent their sons to study these subjects under a famous master in Greece (as was the case with the young Julius Caesar), or engaged a Greek teacher (under pay or as a slave). In the young rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apse
In architecture, an apse (: apses; from Latin , 'arch, vault'; from Ancient Greek , , 'arch'; sometimes written apsis; : apsides) is a semicircular recess covered with a hemispherical Vault (architecture), vault or semi-dome, also known as an ''exedra''. In Byzantine architecture, Byzantine, Romanesque architecture, Romanesque, and Gothic architecture, Gothic Architecture of cathedrals and great churches, Christian church architecture, church (including cathedral and abbey) architecture, the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east and west, liturgical east end (where the altar is), regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses are found elsewhere, especially in shrines. Definition An apse is a semicircular recess, often covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deesis Hagia Sophia
In Byzantine art, and in later Eastern Orthodox iconography generally, the Deësis or Deisis (, ; , "prayer" or "supplication") is a traditional iconic representation of Christ in Majesty or Christ Pantocrator: enthroned, carrying a book, and flanked by the Virgin Mary and St. John the Baptist, and sometimes other saints and angels. Mary and John, and any other figures, are shown facing towards Christ with their hands raised in supplication on behalf of humanity. Early examples often appeared on the templon beam in Orthodox churches or above doors, though icons and devotional ivories also feature the Deesis. After the development of the full iconostasis screen there was room for a larger "Deesis row" or "Great Deesis" of full-length figures, and the number of figures expanded, both in Byzantium and in Russia. Usually this row is above the level of the doors, and usually below (sometimes above) the row depicting the Twelve Great Feasts. The central Christ is therefore abov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eastern Orthodoxy
Eastern Orthodoxy, otherwise known as Eastern Orthodox Christianity or Byzantine Christianity, is one of the three main Branches of Christianity, branches of Chalcedonian Christianity, alongside Catholic Church, Catholicism and Protestantism. Like the Pentarchy of the first millennium, the mainstream (or "Canon law of the Eastern Orthodox Church, canonical") Eastern Orthodox Church is Organization of the Eastern Orthodox Church, organised into autocephalous churches independent from each other. In the 21st century, the Organization of the Eastern Orthodox Church#Autocephalous Eastern Orthodox churches, number of mainstream autocephalous churches is seventeen; there also exist Organization of the Eastern Orthodox Church#Unrecognised churches, autocephalous churches unrecognized by those mainstream ones. Autocephalous churches choose their own Primate (bishop), primate. Autocephalous churches can have Ecclesiastical jurisdiction, jurisdiction (authority) over other churches, som ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gospel
Gospel originally meant the Christianity, Christian message ("the gospel"), but in the second century Anno domino, AD the term (, from which the English word originated as a calque) came to be used also for the books in which the message was reported. In this sense a gospel can be defined as a loose-knit, episodic narrative of the words and deeds of Jesus, culminating in trial of Jesus, his trial and crucifixion of Jesus, death, and concluding with various reports of his Post-resurrection appearances of Jesus, post-resurrection appearances. The Gospels are commonly seen as literature that is based on oral traditions, Christian preaching, and Old Testament exegesis with the consensus being that they are a variation of Greco-Roman biography; similar to other ancient works such as Xenophon's Memorabilia (Xenophon), ''Memoirs of Socrates''. They are meant to convince people that Jesus was a charismatic miracle-working holy man, providing examples for readers to emulate. As such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Chrysostom
John Chrysostom (; ; – 14 September 407) was an important Church Father who served as archbishop of Constantinople. He is known for his preaching and public speaking, his denunciation of abuse of authority by both ecclesiastical and political leaders, his '' Divine Liturgy of Saint John Chrysostom'', and his ascetic sensibilities. He was also the author of '' Adversus Judaeos'' and was strongly anti-Judaism. The epithet (''Chrysostomos'', anglicized as Chrysostom) means "golden-mouthed" in Greek and denotes his celebrated eloquence. Chrysostom was among the most prolific authors in the early Christian Church. He is honored as a saint in the Eastern Orthodox, Oriental Orthodox, Catholic, Anglican, and Lutheran churches, as well as in some others. The Eastern Orthodox, together with the Byzantine Catholics, hold him in special regard as one of the Three Holy Hierarchs (alongside Basil of Caesarea and Gregory of Nazianzus). Along with them and Athanasius of Alexa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missorium Of Theodosius I
The Missorium of Theodosius I is a large ceremonial silver dish preserved in the Real Academia de la Historia, in Madrid, Spain. It was probably made in Constantinople for the tenth anniversary (decennalia) in 388 AD of the reign of the Emperor Theodosius I, the last Emperor to rule both the Eastern and Western Empires. It is one of the best surviving examples of Late Antique Imperial imagery and one of the finest examples of late Roman goldsmith work. It is the largest and most elaborate, and the most famous, of the 19 surviving vessels believed to represent ''largitio'' ("largesse") or a "ceremonial gift given by the emperor to a civil or military official". Iconography The dish shows a hieratic image of the Emperor framed in an arcade, giving a document contained in a diptych, possibly a letter of appointment, to a much smaller senior official, flanked by his two co-emperors, Valentinian II and his own son Arcadius, and bodyguards who can be identified by their hairstyles, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arch Of Constantine
The Arch of Constantine () is a triumphal arch in Rome dedicated to the emperor Constantine the Great. The arch was commissioned by the Roman Senate to commemorate Constantine's victory over Maxentius at the Battle of the Milvian Bridge in AD 312. Situated between the Colosseum and the Palatine Hill, the arch spans the '' Via Triumphalis'', the route taken by victorious military leaders when they entered the city in a triumphal procession. Dedicated in 315, it is the largest Roman triumphal arch, with overall dimensions of high, wide and deep. It has three bays, the central one being high and wide and the laterals by each. The arch is constructed of brick-faced concrete covered in marble. The three-bay design with detached columns was first used for the Arch of Septimius Severus in the Roman Forum (which stands at the end of the triumph route) and repeated in several other arches now lost. Though dedicated to Constantine, much of the sculptural decoration consists of rel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
