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Chimes At Midnight
''Chimes at Midnight'' (, released in most of Europe as ''Falstaff'') is a 1966 period comedy-drama film written, directed by, and starring Orson Welles. Its plot centers on William Shakespeare's recurring character Sir John Falstaff and his fatherly relationship with Prince Hal, who must choose loyalty to Falstaff or to his actual father, King Henry IV. The English-language film was an international co-production of Spain, France, and Switzerland. Welles said that the core of the film's story was "betrayal of friendship". It stars Welles as Falstaff, Keith Baxter as Prince Hal, John Gielgud as Henry IV, Jeanne Moreau as Doll Tearsheet, and Margaret Rutherford as Mistress Quickly. The script contains text from five of Shakespeare's plays, primarily ''Henry IV, Part 1'' and '' Henry IV, Part 2'', but also '' Richard II'', '' Henry V'', and '' The Merry Wives of Windsor''. Ralph Richardson's narration is taken from the works of chronicler Raphael Holinshed. Welles h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orson Welles
George Orson Welles (May 6, 1915 – October 10, 1985) was an American director, actor, writer, producer, and magician who is remembered for his innovative work in film, radio, and theatre. He is among the greatest and most influential filmmakers of all time. Aged 21, Welles directed high-profile stage productions for the Federal Theatre Project in New York City—starting with a celebrated Voodoo Macbeth, 1936 adaptation of ''Macbeth'' with an African-American cast, and ending with the political musical ''The Cradle Will Rock'' in 1937. He and John Houseman founded the Mercury Theatre, an independent repertory theatre company that presented productions on Broadway through 1941, including a modern, politically charged ''Caesar (Mercury Theatre), Caesar'' (1937). In 1938, his radio anthology series ''The Mercury Theatre on the Air'' gave Welles the platform to find international fame as the director and narrator of The War of the Worlds (1938 radio drama), a radio adaptation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comedy-drama
Comedy drama (also known by the portmanteau dramedy) is a hybrid genre of works that combine elements of comedy and Drama (film and television), drama. In film, as well as scripted television series, serious dramatic subjects (such as death, illness, betrayal, grief, etc.) are handled with realism and subtlety, while preserving a humorous tenor. The term "dramedy" began to be used in the television industry in the 1980s. Modern television comedy dramas tend to have more humour integrated into the story than the comic relief common in drama series, but usually contain a lower joke rate than sitcom, sitcoms. History In Theatre of ancient Greece, Greek theatre, plays were considered comedies or tragedies (i.e. drama): the former being light stories with a happy ending, and the latter serious stories with a sad ending. This concept even influenced Theatre of ancient Rome, Roman theatre and theatre of the Hellenistic period. Theatre of that era is thought to have long-lasting infl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Treasure Island
''Treasure Island'' (originally titled ''The Sea Cook: A Story for Boys''Hammond, J. R. 1984. "Treasure Island." In ''A Robert Louis Stevenson Companion'', Palgrave Macmillan Literary Companions. London: Palgrave Macmillan. .) is an adventure and historical novel by Robert Louis Stevenson. It was published as a book in 1883, and tells a story of " buccaneers and buried gold" set in the 18th century. It is considered a coming-of-age story and is noted for its atmosphere, characters, and action. The novel was originally serialised from 1881 to 1882 in the children's magazine '' Young Folks'' under the title ''Treasure Island or the Mutiny of the Hispaniola'', credited to the pseudonym "Captain George North". It was first published as a book on 14 November 1883 by Cassell & Co. It has since become one of the most-often dramatised and adapted novels. Since its publication ''Treasure Island'' has significantly influenced depictions of pirates in popular culture, including elem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph Richardson
Sir Ralph David Richardson (19 December 1902 – 10 October 1983) was an English actor who, with John Gielgud and Laurence Olivier, was one of the trinity of male actors who dominated the British stage for much of the 20th century. He worked in films throughout most of his career, and played more than sixty cinema roles. From an artistic but not theatrical background, Richardson had no thought of a stage career until a production of ''Hamlet'' in Brighton inspired him to become an actor. He learned his craft in the 1920s with a touring company and later the Birmingham Repertory Theatre. In 1931 he joined the Old Vic, playing mostly Shakespearean roles. He led the company the following season, succeeding Gielgud, who had taught him much about stage technique. After he left the company, a series of leading roles took him to stardom in the West End and on Broadway. In the 1940s, together with Olivier and John Burrell, Richardson was the co-director of the Old Vic company. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Merry Wives Of Windsor
''The Merry Wives of Windsor'' or ''Sir John Falstaff and the Merry Wives of Windsor'' is a comedy by William Shakespeare first published in 1602, though believed to have been written in or before 1597. The Windsor of the play's title is a reference to the town of Windsor, also the location of Windsor Castle in Berkshire, England. Though nominally set in the reign of Henry IV or early in the reign of Henry V, the play makes no pretence to exist outside contemporary Elizabethan-era English middle-class life. It features the character Sir John Falstaff, the fat knight who had previously been featured in ''Henry IV, Part 1'' and '' Part 2''. It has been adapted for the opera at least ten times. The play is one of Shakespeare's lesser-regarded works among literary critics. Tradition has it that ''The Merry Wives of Windsor'' was written at the request of Queen Elizabeth I. After watching ''Henry IV, Part 1'', she asked Shakespeare to write a play depicting Falstaff in love. C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry V (play)
''The Life of Henry the Fifth'', often shortened to ''Henry V'', is a Shakespearean history, history play by William Shakespeare, believed to have been written near 1599. It tells the story of Henry V of England, King Henry V of England, focusing on events immediately before and after the Battle of Agincourt (1415) during the Hundred Years' War. In the First Quarto text, it was titled ''The Cronicle History of Henry the fift'', and ''The Life of Henry the Fifth'' in the First Folio text. The play is the final part of Henriad, a tetralogy, preceded by ''Richard II (play), Richard II'', ''Henry IV, Part 1'', and ''Henry IV, Part 2''. The original audiences would thus have already been familiar with the title character, who was depicted in the ''Henry IV'' plays as a wild, undisciplined young man. In ''Henry V'', the young prince has matured. He embarks on an expedition to France and, his army greatly outnumbered, defeats the French at Agincourt. Characters * Chorus ;The English ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard II (play)
''The Life and Death of King Richard the Second'' (1595), also ''Richard II'', is a Shakespearean history play about the lifetime and reign of King Richard II of England (r. 1377–1399). As a dramatised period history of the English monarchy, ''Richard II'' chronicles the machinations of the Nobility, noblemen of the royal court who conspire, precipitate, and realise the downfall and death of the King of England. As the first work in the Henriad tetralogy of English history plays, the political narrative of ''Richard II'' is thematically followed throughout the stories of ''Henry IV, Part 1'', ''Henry IV, Part 2'', and ''Henry V (play), Henry V'', which also are histories of the reigns of his royal successors to the Throne of England. Although the First Folio (1623) classifies ''The Life and Death of Richard the Second'' as an English history play, the earlier Early texts of Shakespeare's works, Quarto edition (1597) classifies ''Richard II'' as a tragedy, under the title ''T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry IV, Part 2
''Henry IV, Part 2'' is a history play by William Shakespeare believed to have been written between 1596 and 1599. It is the third part of a tetralogy, preceded by '' Richard II'' and ''Henry IV, Part 1'' and succeeded by '' Henry V''. The play is often seen as an extension of aspects of ''Henry IV, Part 1'', rather than a straightforward continuation of the historical narrative, placing more emphasis on the highly popular character of Falstaff and introducing other comic figures as part of his entourage, including Ancient Pistol, Doll Tearsheet, and Justice Robert Shallow. Several scenes specifically parallel episodes in ' Characters ''Of the King's party'' * King Henry IV * Prince Hal – later King Henry V * Prince John of Lancaster – Henry's son * Duke of Gloucester – Henry's son * Duke of Clarence – Henry's son * Earl of Warwick * Earl of Surrey * Earl of Westmorland * Harcourt * Sir John Blunt ''Rebels'' * Archbishop of York * Lord Bardolph * Lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry IV, Part 1
''Henry IV, Part 1'' (often written as ''1 Henry IV'') is a history play by William Shakespeare, believed to have been written no later than 1597. The play dramatises part of the reign of King Henry IV of England, beginning with the Battle of Homildon Hill, battle at Homildon Hill late in 1402, and ending with King Henry's victory in the Battle of Shrewsbury in mid-1403. In parallel to the political conflict between King Henry and a rebellious faction of nobles, the play depicts the escapades of King Henry's son, Prince Hal (the future King Henry V of England, Henry V), and his eventual return to court and favour. ''Henry IV, Part 1'' is the first of Shakespeare's two plays that deal with the reign of Henry IV (the other being ''Henry IV, Part 2''), and the second play in the Henriad, a modern designation for the tetralogy of plays that deal with the successive reigns of Richard II of England, Richard II, Henry IV of England, Henry IV, and Henry V of England, Henry V. From its f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mistress Quickly
Mistress Nell Quickly is a fictional character who appears in several plays by William Shakespeare. She is an inn-keeper, who runs the Boar's Head Tavern, at which Sir John Falstaff and his disreputable cronies congregate. The character appears in four plays: ''Henry IV, Part 1'', '' Henry IV, Part 2'', '' Henry V'' and ''The Merry Wives of Windsor''. Character and role In all the plays Quickly is characterised as a woman with strong links to the criminal underworld, but who is nevertheless preoccupied with her own respectable reputation. Her speech is filled with malapropisms, double entendres and "bawdy innuendo". Her name may be a pun on "quick lay", though "quick" also had the meaning of "alive", so it may imply "lively", which also commonly had a sexual connotation.J. Madison Davis, ''The Shakespeare Name and Place Dictionary'', Routledge, 2012, p. 406. Quickly's character is most fully developed in ''Henry IV, Part 2'' in which her contradictory aspirations to genti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doll Tearsheet
Dorothy "Doll" Tearsheet is a fictional character who appears in Shakespeare's play ''Henry IV, Part 2''. She is a prostitute who frequents the Boar's Head Inn in Eastcheap. Doll is close friends with Mistress Quickly, the proprietress of the tavern, who procures her services for Falstaff. Doll is noted for her wide repertoire of colourful insults and her sudden switches from wild tirades to sentimental intimacy and back again. In the play Doll is introduced by name when Mistress Quickly asks Falstaff whether he would like her company that evening. The Page later mentions to Prince Hal and Poins that Falstaff will be seeing her, primly referring to her as "a proper gentlewoman, sir, and a kinswoman of my master's", though Hal quickly concludes that she is probably "some road" (meaning a whore: accessible to anyone, as in the phrase "as common as the cart-way"). Doll is first seen about to be sick after drinking too much " canaries" (fortified wine from the Canary Islands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prince Hal
Prince Hal is the standard term used in literary criticism to refer to Shakespeare's portrayal of the young Henry V of England as a prince before his accession to the throne, taken from the diminutive form of his name used in the plays almost exclusively by Falstaff. Henry is called "Prince Hal" in critical commentary on his character in ''Henry IV, Part 1'' and '' Henry IV, Part 2'', though also sometimes in '' Henry V'' when discussed in the context of the wider Henriad. Hal is portrayed as a wayward youth who enjoys the society of petty criminals and wastrels, a depiction which draws on exaggerations of the historical Prince Henry's supposed youthful behaviour. The question of whether Hal's character is cynical or sincere has been widely discussed by critics. Name In the two plays, the diminutive "Hal" is only ever used of the prince, not of any of the other characters named "Henry". It is only one of the several versions of "Henry" used. In fact the prince is variously ref ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
