|
Caídos En El Infierno
''Caídos en el infierno'' is a 1954 Argentine film directed and written by Luis César Amadori during the classical era of Argentine cinema. It is based on Michael Valbeck's novel of the same name. The film was released on August 20, 1954. Plot Out of ambition, a woman sacrifices her true love and marries a man of fortune. Cast * Laura Hidalgo as Wanda * Eduardo Cuitiño as Guillermo Brandsen *Alberto de Mendoza as Adrián Villar *Guillermo Battaglia as Mauro Cogan *Domingo Sapelli as Inspector Nielsen *Irma Roy Irma Roy (10 June 1932 – 14 June 2016) was an Argentine actress and politician who served in the Chamber of Deputies from 1995 to 2005. Her daughter, Carolina Papaleo also became an actress. She was married to the actor Eduardo Cuitiño. As p ... as Hilda Villar *Susana Campos as Renata Brissol *Mario Lozano as Stefano *Pedro Laxalt as Dr. Mateo *Margarita Burke as Mucama References External links * Argentine black-and-white films Films directed by Luis C� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luis Cesar Amadori
Luis is a given name. It is the Spanish form of the originally Germanic name or . Other Iberian Romance languages have comparable forms: (with an accent mark on the i) in Portuguese and Galician, in Aragonese and Catalan, while is archaic in Portugal, but common in Brazil. Origins The Germanic name (and its variants) is usually said to be composed of the words for "fame" () and "warrior" () and hence may be translated to ''famous warrior'' or "famous in battle". According to Dutch onomatologists however, it is more likely that the first stem was , meaning fame, which would give the meaning 'warrior for the gods' (or: 'warrior who captured stability') for the full name.J. van der Schaar, ''Woordenboek van voornamen'' (Prisma Voornamenboek), 4e druk 1990; see also thLodewijs in the Dutch given names database Modern forms of the name are the German name Ludwig and the Dutch form Lodewijk. and the other Iberian forms more closely resemble the French name Louis, a deriva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laura Hidalgo
Laura Hidalgo (1 May 1927 – 18 November 2005) was an Argentine actress of the classical era of Argentine cinema. Biography Born in Chișinău, Bessarabia as Pesea Faerman Postolow, her family moved in 1931 to Buenos Aires, where she grew up. Hidalgo appeared in sixteen films in Mexico, Spain and Argentina. She often drew comparisons with the Austrian actress Hedy Lamarr, whom she resembled. In 1954, she was nominated for an Ariel Award for Best Actress The Ariel Award for Best Actress (Spanish: Premio Ariel a Mejor Actriz) is an award presented by the Academia Mexicana de Artes y Ciencias Cinematográficas (AMACC) in Mexico. It is given in honor of an actress who has delivered an outstanding p ... for her performance in '' Las tres perfectas casadas'' (1953). She retired from acting in 1958, following her marriage to an architect, and settled in Mexico. Later in life, she moved to the United States. Filmography References Bibliography * Plazaola, Luis Trelles. ''So ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tito Ribero
Alberto Amado Ribero, known professionally as Tito Ribero, (16 May 1915 – 18 July 1964) was an Argentine film score composer, composer, singer, and musician. In addition to having his own orchestra, he provided the film scores to over 200 movies, at his most prolific in the 1950s and 1960s. For '' Del otro lado del puente'' he won the Silver Condor Award for Best Original Score from the Argentine Academy of Cinematography Arts and Sciences in 1953. Filmography * '' La frontera olvidada'' (1996) * '' Gran valor'' (1980) * '' Frutilla'' (1980) * '' Diablo metió la pata'' (1980) * '' Los Drogadictos'' (1979) * '' Donde duermen dos…duermen tres'' (1979) * '' No apto para menores'' (1979) * ''Yo también tengo fiaca'' (1978) * '' Así es la vida'' (1977) * '' Las locas'' (1977) * ''Los muchachos de antes no usaban arsénico'' (1976) * '' Te necesito tanto, amor'' (1976) * '' Los chicos crecen'' (1976) * ''Los chiflados dan el golpe'' (1975) * '' No hay que aflojarle a la vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Merayo
Antonio Merayo (19 August 1909 – 27 April 1999) was an Argentine cinematographer.World Filmography: 1967 p.25 Selected filmography * '' Autumn Roses'' (1931) * ''Palermo'' (1937) * '' Cadetes de San Martín'' (1937) * '' The Good Doctor'' (1939) * '' Girls Orchestra'' (1941) * '' Malambo'' (1942) * '' Candida, Woman of the Year'' (1943) * '' Dark Valley'' (1943) * '' 24 Hours in the Life of a Woman'' (1944) * '' Saint Candida'' (1945) * '' The Songstress'' (1946) * ''Cristina'' (1946) * ''The Three Musketeers'' (1946) * '' Passport to Rio'' (1948) * '' The Tango Returns to Paris'' (1948) * ''The Bohemian Soul'' (1949) * '' The Unwanted'' (1951) * ''The Lady of the Camellias'' (1953) * '' Alejandra'' (1956) * ''Behind a Long Wall ''Behind a Long Wall'' (Spanish: ''Detrás de un largo muro'') is a 1958 Argentine drama film directed by Lucas Demare and starring Susana Campos, Gloria Ferrandiz and Ricardo Argemí. A rural family emigrate to Buenos Aires but are disillusioned ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jorge Gárate
Jorge Gárate (1917–1990) was an Argentine film editor.World Filmography: 1967 p.25 Selected filmography * '' At the Sound of the Bugle'' (1941) * '' Girls Orchestra'' (1941) * '' The Third Kiss'' (1942) * ''Carmen'' (1943) * '' Saint Candida'' (1945) * '' The Songstress'' (1946) * ''Cristina'' (1946) * '' The Headless Woman'' (1947) * '' Christmas with the Poor'' (1947) * '' Passport to Rio'' (1948) * '' God Reward You'' (1948) * '' The Tango Returns to Paris'' (1948) * '' Story of a Bad Woman'' (1948) * '' Nacha Regules'' (1950) * '' The Unwanted'' (1951) * '' The Black Vampire'' (1953) * ''The Count of Monte Cristo'' (1953) * '' The Age of Love'' (1954) * '' The Grandfather'' (1954) * '' Alejandra'' (1956) * '' The House of the Angel'' (1957) * '' The Kidnapper'' (1958) * ''Behind a Long Wall'' (1958) * ''Thirst Thirst is the craving for potable fluids, resulting in the basic instinct of animals to drink. It is an essential mechanism involved in fluid balance. It arises fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luis César Amadori
Luis César Amadori (28 May 1902 – 5 June 1977) was an Italian-Argentine film director and screenwriter and one of the most influential directors in the cinema of Argentina of the classic era. He directed over 60 films between 1936 and 1967, writing the scripts to over 50 pictures. Amadori directed films such as ''Apasionadamente'' (1944 in film, 1944), the critically acclaimed ''Albéniz (film), Albéniz'' (1947 in film, 1947) and ''Almafuerte (film), Alma fuerte'' (1949 in film, 1949). Filmography *''New Port (film), New Port'' (1936) * ''El pobre Pérez'' (1937) * ''El canillita y la dama'' (1938) * ''Meastro Levita'' (1938) *''Honeysuckle (film), Honeysuckle'' (1938) * ''Palabra de honor (film), Palabra de honor'' (1939) * ''Caminito de Gloria'' (1939) * ''El Haragán de la familia'' (1940) *''Educating Niní'' (1940) * ''Napoleón (1941 film), Napoleón'' (1941) *''The Song of the Suburbs'' (1941) *''Girls Orchestra'' (1941) * ''Soñar no cuesta nada (film), Soñar no c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Argentine Classical Cinema
The Golden Age of Argentine cinema (Spanish language, Spanish: ''Época de Oro del cine argentino'' or other equivalent names), sometimes known interchangeably as the broader classical or classical-industrial period (Spanish: ''período clásico-industrial''), is an era in the history of the cinema of Argentina that began in the 1930s and lasted until the 1940s or 1950s, depending on the definition, during which national Film industry, film production underwent a process of industrialization and standardization that involved the emergence of mass production, the establishment of the Studio system, studio, Film genre, genre and Star system (filmmaking), star systems, and the adoption of the institutional mode of representation (MRI) that was mainly—though not exclusively—spread by Cinema of the United States, Hollywood, quickly becoming one of the most popular film industries across Latin America and the Spanish-speaking world. Argentine industrial cinema arose in 1933 wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eduardo Cuitiño (actor)
Eduardo Cuitiño (1908–1963) was an Argentine stage and film actor. He was active in the Golden Age of Argentine Cinema. He played Napoleon in the 1945 film '' Madame Sans-Gêne,'' based on the 1893 play of the same name.Klossner p.235 He was married to the actress Irma Roy. Selected filmography * '' White Eagle'' (1941) * '' Safo'' (1943) * '' Madame Sans-Gêne'' (1945) * '' The Naked Angel'' (1946) * '' Passport to Rio'' (1948) * ''La muerte camina en la lluvia'' (1948) * '' Edición extra'' (1949) * '' Nacha Regules'' (1950) * '' The Marihuana Story'' (1950) * '' The Orchid'' (1951) * '' The Unwanted'' (1951) * '' To Live for a Moment'' (1951) * '' The Idol'' (1952) * '' La pasión desnuda'' (1953) * ''Caídos en el infierno ''Caídos en el infierno'' is a 1954 Argentine film directed and written by Luis César Amadori during the classical era of Argentine cinema. It is based on Michael Valbeck's novel of the same name. The film was released on August 20, 1954. Plot ...'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irma Roy
Irma Roy (10 June 1932 – 14 June 2016) was an Argentine actress and politician who served in the Chamber of Deputies from 1995 to 2005. Her daughter, Carolina Papaleo also became an actress. She was married to the actor Eduardo Cuitiño. As part of the Open Policy for Social Integrity party (PAIS), she unsuccessfully ran for Chief of Government of Buenos Aires in 2000, landing in third place with a little over 4% of the vote. She died on 14 June 2016 at the age of 84. Selected filmography *'' La serpiente de cascabel'' (1948) *''Al Compás de tu Mentira ''Al compás de tu mentira'' () is a 1950 Argentine musical film of the classical era of Argentine cinema, directed by Héctor Canziani. The film was adapted from Oscar Wilde's 1895 play '' The Importance of Being Earnest'' by Abel Santacruz. T ...'' (1950) *''Cinco grandes y una chica'' (1950) *'' Historia de una noche de niebla'' (1950) *'' The Beautiful Brummel'' (1951) *'' Caídos en el infierno'' (1954) *'' Requieb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Argentine Black-and-white Films
Argentines, Argentinians or Argentineans are people from Argentina. This connection may be residential, legal, historical, or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their being Argentine. Argentina is a multiethnic society, multiethnic society, home to people of various Ethnicity, ethnic, Race (human categorization), racial, Religion, religious, Religious denomination, denomination, and Nationality, national origins, with the majority of the population made up of Old World immigrants and their descendants. As a result, Argentines do not equate their nationality with ethnicity, but with citizenship and allegiance to Argentina. Aside from the indigenous population, nearly all Argentines or their ancestors immigrated within the past five centuries. Among countries in the world that have received the most immigrants in modern history, Argentina, with 6.6 million, ranks second to the United States (27 million), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Directed By Luis César Amadori
A film, also known as a movie or motion picture, is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and (less commonly) other sensory stimulations. Etymology and alternative terms The name "film" originally referred to the thin layer of photochemical emulsion on the celluloid strip that used to be the actual medium for recording and displaying motion pictures. Many other terms exist for an individual motion-picture, including "picture", "picture show", "moving picture", "photoplay", and "flick". The most common term in the United States is "movie", while in Europe, "film" is preferred. Archaic terms include "animated pictures" and "animated photography". "Flick" is, in general a slang term, first recorded in 1926. It originates in the verb flicker, owing to the flickering appearance of early films. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Argentine Drama Films
Argentines, Argentinians or Argentineans are people from Argentina. This connection may be residential, legal, historical, or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their being Argentine. Argentina is a multiethnic society, home to people of various ethnic, racial, religious, denomination, and national origins, with the majority of the population made up of Old World immigrants and their descendants. As a result, Argentines do not equate their nationality with ethnicity, but with citizenship and allegiance to Argentina. Aside from the indigenous population, nearly all Argentines or their ancestors immigrated within the past five centuries. Among countries in the world that have received the most immigrants in modern history, Argentina, with 6.6 million, ranks second to the United States (27 million), and ahead of other immigrant destinations such as Canada, Brazil and Australia. Ethnic groups Overview ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
