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Canon In D
Pachelbel's Canon (also known as Canon in D, P 37) is an accompanied canon by the German Baroque composer Johann Pachelbel Johann Pachelbel (also Bachelbel; baptised – buried 9 March 1706) was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secularity, secular music, and .... The canon was originally scored for three violins and basso continuo and paired with a gigue, known as ''Canon and Gigue for 3 violins and basso continuo''. Both movement (music), movements are in the key (music), key of D major. The piece is constructed as a true canon at the unison in three parts, with a fourth part as a Ostinato#Ground_bass, ground bass throughout. Neither the date nor the circumstances of its composition are known (suggested dates range from 1680 to 1706), and the oldest surviving manuscript copy of the piece dates from 1838 to 1842. Like his other works, Pachelbel's Canon went out of st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Partita
Partita (also ''partie'', ''partia'', ''parthia'', or ''parthie'') closely resemble the dance suites of the Baroque music, Baroque Period (and are often used synonymously with Suite (music), suites) with the addition of a prelude movement at the beginning of each partita. It was originally the name for a single-instrumental piece of music (16th and 17th centuries), but Johann Kuhnau Thomaskantor, (Thomaskantor at Leipzig until 1722), his student Christoph Graupner, and Johann Sebastian Bach (1685–1750) used it for collections of musical pieces, as a synonym for suite. In the early Baroque period, a partita referred to a string of Variation (music), variations or a piece in parts that reflected different dances. Keyboard partitas Girolamo Girolamo Frescobaldi, Frescobaldi (1583–1643) wrote keyboard partitas as variations that were based on popular dance melodies of the early Baroque period such the R''omannesca, La Monachina, Ruggiero,'' and ''La Follio.'' Dietrich Dieteric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given musical composition, composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beat (music), beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture (music), texture. The others are meter (music), meter, which is indicated by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dynamics (music)
In music, the dynamics of a piece are the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. (''piano'' - "soft") never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than (''forte'' - "loud"). There are many factors affecting the interpretati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Articulation (music)
Articulation is a Elements of music, musical parameter that determines how a single Note (music), note or other discrete event is sounded. Articulations primarily structure an event's start and end, determining the length of its sound and the shape of its Envelope (music), attack and decay. They can also modify an event's timbre, Dynamics (music), dynamics, and Pitch (music), pitch. Musical articulation is analogous to the Articulation (phonetics), articulation of speech, and during the Baroque music, Baroque and Classical period (music), Classical periods it was taught by comparison to Rhetoric, oratory. Western music has a set of traditional articulations that were standardized in the 19th century#Music, 19th century and remain widely used. Composers are not limited to these, however, and may invent new articulations as a piece requires. When writing Electronic music, electronic and computer music, composers can design articulations from the ground up. In addition to th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Seiffert
Maximilian Seiffert (9 February 1868 – 15 April 1948) was a German musicologist and editor of Baroque music. Biography Seiffert was born in Beeskow an der Spree, Kingdom of Prussia, the son of a teacher. He was first educated at the Joachimsthal Gymnasium, in Berlin, where he studied under Philipp Spitta, and then at the University of Berlin where he received a Ph.D. in 1891 for his dissertation '' J. P. Sweelinck und seine direkten deutschen Schüler (Jan Pieterszoon Sweelinck and his German pupils)''. He died in Schleswig, Germany on the fifteenth, of April, 1948. Career As well as producing modern editions of organ pieces by Bach and Buxtehude, Seiffert was responsible for the following: *Making piano transcriptions of some of Bach's works (in association with Max Schneider). *Assisting with the editing of the Händel-Gesellschaft. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archiv Für Musikwissenschaft
The ''Archiv für Musikwissenschaft'' is a quarterly German-English-speaking trade magazine devoted to music history and historical musicology, which publishes articles by well-known academics and young scholars. It was founded in 1918 as the successor of the ''Sammelbände der Internationalen Musikgesellschaft'' by Max Seiffert, Johannes Wolf and Max Schneider, who were also the first editors. It was under the patronage of the Fürstliches Institut für musikwissenschaftliche Forschung zu Bückeburg. The first two volumes 1918/1919 and 1919/1920 were published by Breitkopf & Härtel, then the volumes 1921 to 1926 by . With the 8th volume the publication of the journal was stopped in 1927, but resumed in 1952 with the 9th volume. Publisher of the quarterly was Wilibald Gurlitt (in connection with Heinrich Besseler, Walter Gerstenberg and Arnold Schmitz), who assigned the editorship to Hans Heinrich Eggebrecht. With the 19th/20th volume 1962/1963 the Archive for Musicology w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Daily Telegraph
''The Daily Telegraph'', known online and elsewhere as ''The Telegraph'', is a British daily broadsheet conservative newspaper published in London by Telegraph Media Group and distributed in the United Kingdom and internationally. It was founded by Arthur B. Sleigh in 1855 as ''The Daily Telegraph and Courier''. ''The Telegraph'' is considered a newspaper of record in the UK. The paper's motto, "Was, is, and will be", was included in its emblem which was used for over a century starting in 1858. In 2013, ''The Daily Telegraph'' and ''The Sunday Telegraph'', which started in 1961, were merged, although the latter retains its own editor. It is politically conservative and supports the Conservative Party (UK), Conservative Party. It was moderately Liberalism, liberal politically before the late 1870s.Dictionary of Nineteenth Century Journalismp 159 ''The Telegraph'' has had a number of news scoops, including the outbreak of World War II by rookie reporter Clare Hollingworth, desc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Ignaz Franz Biber
Heinrich Ignaz Franz von Biber correctly ''Biber von Bibern'' ( bapt. 12 August 1644, Stráž pod Ralskem – 3 May 1704, Salzburg) was a Bohemian-Austrian composer and violinist. Biber worked in Graz and Kroměříž before he illegally left his employer, Prince-Bishop Karl Liechtenstein-Kastelkorn, and settled in Salzburg. He remained there for the rest of his life, publishing much of his music but apparently seldom, if ever, giving concert tours. Biber was among the major composers for the violin in the history of the instrument. His own technique allowed him to easily reach the 6th and 7th positions, employ multiple stops in intricate polyphonic passages, and explore the various possibilities of scordatura tuning.A Survey of the Unaccompanied ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (German: Help:IPA/Standard German, [ˈjoːhan zeˈbasti̯an baχ]) ( – 28 July 1750) was a German composer and musician of the late Baroque music, Baroque period. He is known for his prolific output across a variety of instruments and forms, including the orchestral ''Brandenburg Concertos''; solo instrumental works such as the Cello Suites (Bach), cello suites and Sonatas and Partitas for Solo Violin (Bach), sonatas and partitas for solo violin; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the ' and the Toccata and Fugue in D minor, BWV 565, Toccata and Fugue in D minor; and choral works such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Reception of Johann Sebastian Bach's music, Bach Revival, he has been widely regarded as one of the greatest composers in the history of Western music. The Bach family had already produced several composers when Joh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Ambrosius Bach
Johann Ambrosius Bach (22 February 1645 – 20 February 1695) was a German musician, father to Johann Sebastian Bach. Life Johann Ambrosius Bach was born in Erfurt, Germany, the son of musician Christoph Bach (1613–1661). He was the twin brother of Johann Christoph Bach (1645–1693). Ambrosius was employed as a violinist in Erfurt. In 1671, he moved his family to Eisenach, in present-day Thuringia, where he was employed as a court trumpeter and director of the town musicians. He married his first wife Maria Elisabeth Lämmerhirt on 1 April 1668, and had eight children by her, four of whom became musicians, including Johann Sebastian Bach, the famous German Baroque composer and musician. She was buried on 3 May 1694. On 27 November 1694 he married Barbara Margaretha, née Keul (she had already been twice widowed). He died in Eisenach less than three months later. After Johann Ambrosius Bach's death, his two children, Johann Jacob Bach and Johann Sebastian Bach, moved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Christoph Bach (organist At Ohrdruf)
Johann Christoph Bach (16 June 1671 – 22 February 1721) was a musician of the Bach family. He was the eldest of the brothers of Johann Sebastian Bach who survived childhood. Life Christoph was born in Erfurt, on 16 June 1671, a few months before the family moved to Eisenach, where Johann Sebastian was born fourteen years later as the last child.Spitta 1899p. 174–175/ref> In 1686, Johann Christoph was sent to Erfurt to study under Johann Pachelbel for the next three years.Spitta 1899p. 183–184/ref> By the end of his apprenticeship he was organist in the St. Thomas church in that town for a short time, followed by some months at Arnstadt where several Bach relatives lived. In 1690, Johann Christoph became organist at the Michaeliskirche at Ohrdruf. In October 1694, he married Dorothea von Hof. His mother Maria Elisabeth Lämmerhirt had died earlier that year, and his father Johann Ambrosius Bach died in March the next year. Two younger brothers, Johann Jacob and Johan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
