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Call And Response (music)
In music, call and response is a compositional technique, often a succession of two distinct phrase (music), phrases that works like a conversation in music. One musician offers a phrase, and a second player answers with a direct commentary or response. The phrases can be vocal, instrumental, or both. Additionally, they can take form as commentary to a statement, an answer to a question or repetition of a phrase following or slightly overlapping the initial speaker(s). It corresponds to the call and response pattern in human communication and is found as a basic element of musical form, such as the verse-chorus form, in many traditions. By region Africa In many African cultures, call and response is a pervasive pattern of democracy, democratic participation—in public gatherings in the discussion of civic affairs, in religious rituals, as well as in vocal and instrumental West African music, musical expression. Most of the call and response practices found in modern culture ori ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shave And A Haircut In C
Shave may refer to: *''to shave'' refers to the act of shaving Shaving is the removal of hair, by using a razor or any other kind of bladed implement, to slice it down—to the level of the skin or otherwise. Shaving is most commonly practiced by men to remove their facial hair and by women to remove the ... * Shave (surname) * ''Shave'' (magazine), a periodical magazine *"Shave", a song by Enon from their 2003 album '' Hocus Pocus'' * Severe Hazards Analysis and Verification Experiment, a database of storm impact based on telephone surveys {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruce Jackson (scholar)
Bruce Jackson (born May 21, 1936) is an American folklorist, documentary filmmaker, writer, photographer. He is SUNY Distinguished Professor and the James Agee Professor of American Culture at the University at Buffalo. Jackson has edited or authored books published by major trade and university presses. He has also directed and produced five documentary films. He is an Associate Member of The Wooster Group (New York). Biography Jackson was born in Brooklyn, New York in 1936. He served in the United States Marine Corps from 1953–1956, then attended Newark College of Engineering (now New Jersey Institute of Technology) for three years. He received a B.A. from Rutgers University in 1960 and an M.A. from Indiana University's School of Letters in 1962. From 1963 through 1967 he was a Junior Fellow in Harvard University's Society of Fellows. He has been the recipient of a Guggenheim Fellowship (1971), was nominated for a Grammy Award (1974) for Best Ethnic Traditional Recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coro-pregón
Coro-pregón (or coro-guía, coro-inspiración) in Afro-Cuban music and other Afro-Latin Latin music (mainly from the Puerto Rico), most of all salsa, but also in some non-Cuban genres like merengue and bachata, refers to a call and response section between the lead singer and the ''coro'' (chorus). It is found in most Cuban genres, for example son and son montuno, rumba, cha-cha-chá, timba, and many more. Origins The practice of call and response singing probably stems from traditional African music and was brought to Cuba by slaves. It can still be found in its ancient form in Cuban religious music. Vocal improvisations are also based on market vendors' chants, called pregón. Pregón The lead singer usually improvises both melody and lyrics (although most singers have some standard lines which they use quite frequently). This is called guía or pregón. The term pregón also refers to a vocal improvisation without coro, and a genre in which such vocal improvisation is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuban Music
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world. For instance, the son cubano merges an adapted Spanish guitar (tres), melody, harmony, and lyrical traditions with Afro-Cuban percussion and rhythms. Almost nothing remains of the original native traditions, since the native population was exterminated in the 16th century. Since the 19th century, Cuban music has been hugely popular and influential throughout the world. It has been perhaps the most popular form of regional music since the introduction of recording technology. Cuban music has contributed to the development of a wide variety of genres and musical styles around the globe, most notably in Latin America, the Caribbean, West Africa, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belizean Creole People
Belizean Creoles, also known as Kriols, are a Creole peoples, Creole ethnic group native to Belize. Belizean Creoles are primarily mixed-raced descendants of African slave trade, enslaved West and Central Africans who were brought to the British Honduras (present-day Belize along the Bay of Honduras) as well as the English people, English and Scottish people, Scottish log cutters, known as the Baymen who human trafficking, trafficked them.(Johnson, Melissa A.) ''The Making of Race and Place in Nineteenth-Century British Honduras''. Environmental History, Vol. 8, No. 4 (Oct., 2003), pp. 598-617 Over the years they have also intermarried with Miskito people, Miskito from Nicaragua, Jamaicans and oth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afro-Barbadians
Black Barbadians or Afro-Barbadians are Barbadians of entirely or predominantly African descent. 92.4% of Barbados's population is black and 3.1% is multiracial, based on estimates in 2010. Origins Most of the enslaved Africans brought to Barbados were from the Bight of Biafra (62,000 Africans), the Gold Coast (59,000 Africans), and the Bight of Benin (45,000 Africans).This citation is brokeAfrican origins of the slaves from British and former British Antilles/ref> Other African slaves came from Central Africa (29,000 slaves), Senegambia (14,000 Africans), the Windward Coast (13,000 slaves) and from Sierra Leone (9,000 slaves). Africans from the Bight of Biafra were primarily Igbo, Ibibio and Efik; Africans from the Gold Coast were primarily Akan; Africans from the Bight of Benin were primarily Yoruba, Ewe and Fon; and Africans from Central Africa were primarily Kongo. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afro-Bahamians
Afro-Bahamians are an ethnicity originating in the Bahamas of predominantly or partial native African descent. They are descendants of various African ethnic groups, many associated with the Bight of Biafra, Ghana, Songhai and Mali, the various Fula kingdoms, the Oyo Empire, and the Kingdom of Kongo. According to the 2010 census, 92.7% of The Bahamas' population identifies as mixed African descent. Origins Most Africans brought to The Bahamas were West African. Slaves came from West Central Africa (3,967 Africans), the Bight of Biafra (1,751 Africans), Sierra Leone (1,187 Africans), the Bight of Benin (1,044 Africans), the Windward Coast (1,030 Africans), Senegambia (806 Africans) and from the Gold Coast (484 Africans). Afro Bahamians originally came by way of Bermuda with the Eleutheran Adventurers in the 17th century, many also came directly from Africa, during the 18th and 19th centuries, the loyalists migrated to the Bahamas bringing thousands of Africans with them f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afro-Jamaicans
''See also'' Mulattos in Jamaica Afro-Jamaicans are Jamaicans of predominantly African descent. They represent the largest ethnic group in the country. The ethnogenesis of the Black Jamaican people stemmed from the Atlantic slave trade of the 16th century, when enslaved Africans were transported as slaves to Jamaica and other parts of the Americas. During the period of British rule, slaves brought to Jamaica by European slave traders were primarily Akan, some of whom ran away and joined with Jamaican Maroons and even took over as leaders. Origin During the Atlantic slave trade, millions of people from West and Central Africa were enslaved and sold to European slave traders, primarily for transportation to the Americas. Most were captured in the frequent wars between African states, which were often fomented by the slave traders for this purpose, or were kidnapped in raids by African or European slavers directly. After the abolition of slavery in the British West Indi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afro-Caribbean People
Afro-Caribbean or African Caribbean people are Caribbean people who trace their full or partial ancestry to Sub-Saharan Africa. The majority of the modern Afro-Caribbean people descend from the Africans (primarily from West and Central Africa) taken as slaves to colonial Caribbean via the trans-Atlantic slave trade between the 15th and 19th centuries to work primarily on various sugar plantations and in domestic households. Other names for the ethnic group include Black Caribbean, Afro- or Black West Indian, or Afro- or Black Antillean. The term West Indian Creole has also been used to refer to Afro-Caribbean people, as well as other ethnic and racial groups in the region, though there remains debate about its use to refer to Afro-Caribbean people specifically. The term Afro-Caribbean was not coined by Caribbean people themselves but was first used by European Americans in the late 1960s. People of Afro-Caribbean descent today are largely of West African and Central African ance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afro-Caribbean Music
Afro-Caribbean music is a broad term for music styles originating in the Caribbean from the African diaspora. These types of music usually have West African/Central African influence because of the presence and history of African people and their descendants living in the Caribbean, as a result of the trans-Atlantic slave trade. These distinctive musical art forms came about from the cultural mingling of African, Indigenous, and European inhabitants. Characteristically, Afro-Caribbean music incorporates components, instruments and influences from a variety of African cultures, as well as Indigenous and European cultures. Afro-Caribbean music has been influenced by historical and stylistic influences. Historically, Afro-Caribbean music was influenced by the transatlantic slave trade and later, by the resistance and emancipation of slaves. Stylistically, afro-Caribbean music has been influenced by various African, European and Indigenous Latin American influences. African influenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Work Song
A work song is a piece of music closely connected to a form of work, either one sung while conducting a task (usually to coordinate timing) or one linked to a task that may be a connected narrative, description, or protest song. An example is " I've Been Working on the Railroad". Definitions and categories Records of work songs are as old as historical records, and anthropological evidence suggests that most agrarian societies tend to have them. When defining work songs, most modern commentators include songs that are sung while working, as well as songs that are ''about'' work or have work as the main subject, since the two categories are often interconnected. Norm Cohen divided collected work songs into the following categories: domestic, agricultural or pastoral, sea shanties, African-American work songs, songs and chants of direction, and street cries. Ted Gioia built on these categories by dividing agricultural and pastoral songs into subsections: hunting, cultivation a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
