C-Day
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C-Day
C-Day is the name of two television-related events: 1 March 1975, when Australia moved to regular colour television, and 1 July 2000, the day the UK television industry began accepting only widescreen commercials, an important step in the general move of broadcasting in the UK to the picture format. Colour television in Australia Australia was a little late in introducing colour television, to choose the correct television system, waiting about 8 years from the time PAL was invented. It was then forbidden for broadcasters to transmit the chroma burst signal, until the designated day, 1 March 1975. The broadcasters were allowed to experiment with transmitting colour signals in the picture area, and get their transmission up and running while people who had already bought colour TV sets could only watch the shows in black and white. There were some people who built a circuit to circumvent this, where they would synchronise the chrominance decoding oscillator manually. Comm ...
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Widescreen
Widescreen images are displayed within a set of aspect ratio (image), aspect ratios (relationship of image width to height) used in film, television and computer screens. In film, a widescreen film is any film image with a width-to-height aspect ratio greater than 4:3 (1.33:1). For TV, the original screen ratio for broadcasts was in 4:3 (1.33:1). Largely between the 1990s and early 2000s, at varying paces in different countries, 16:9 (e.g. 1920×1080p 60p) widescreen displays came into increasingly common use by high-definition video, high definitions. With computer displays, aspect ratios other than 4:3 (e.g. 1920×1440) are also referred to as "widescreen". Widescreen computer displays were previously made in a 16:10 aspect ratio (e.g. 1920×1200), but nowadays they are 16:9 (e.g. 1920×1080, 2560×1440, 3840×2160). Film History Widescreen was first used for ''The Corbett-Fitzsimmons Fight'' (1897). This was not only the longest film that had been released to date at 10 ...
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Television Broadcasting In Australia
Television broadcasting in Australia began officially on 16 September 1956, with the opening of TCN-9, quickly followed by national and commercial stations in Sydney and Melbourne, all these being in 625-line black and white. The commencement date was designed so as to provide coverage of the Olympic Games in Melbourne. It has now grown to be a nationwide system that includes a broad range of public, commercial, community, subscription, narrowcast, and amateur stations. Colour television in the PAL 625-line format was introduced in 1967 and went to a full-time basis on 1 March 1975 while subscription television, on the Galaxy platform, began in January 1995. Digital terrestrial television was introduced on 1 January 2001 in Australia's five largest capital cities. As early as 1929, two Melbourne commercial radio stations, 3UZ and 3DB were conducting experimental mechanical television broadcasts these were conducted in the early hours of the morning, after the stations had ...
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Safe Area (television)
Safe area is a term used in television production to describe the areas of the television picture that can be seen on television screens. Older televisions can display less of the space outside of the safe area than ones made more recently. Flat panel screens, plasma displays and liquid crystal display (LCD) screens generally can show most of the picture outside the safe areas. The use of safe areas in television production ensures that the most important parts of the picture are seen by the majority of viewers. The size of the title-safe area is typically specified in pixels or percent. The NTSC and PAL analog television standards do not specify official overscan amounts, and producers of television programming use their own guidelines. Some video editing software packages for non-linear editing systems (NLE) solutions have a setting which shows the safe areas while editing. Title-safe area The title-safe area or graphics-safe area is, in television broadcasting, a re ...
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Idents
Station identification (ident, network ID, channel ID or bumper (broadcasting), bumper) is the practice of radio and television stations and broadcast network, networks identifying themselves on-air, typically by means of a call sign or brand name (sometimes known, particularly in the United States, as a "sounder", "stinger" or "sting (musical phrase), sting", more generally as a station or network ID). This may be to satisfy requirements of licensing authorities, a form of branding, or a combination of both. As such, it is closely related to production logos, used in television and cinema alike. Station identification used to be done regularly by an announcer at the halfway point during the presentation of a television program, or in between programs. Asia In Southeast Asia, idents are known as a ''montage'' in Thailand and the Malay world (except Indonesia, known as ''station ID'', terminology shared with the Philippines), and as an ''interlude'' in Cambodia and Vietnam. Indo ...
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Continuity (broadcasting)
In broadcasting, continuity or presentation (or station break in the United States, U.S. and Canada) is announcements, messages and graphics played by the broadcaster between specific Television program, programmes. It typically includes programme schedules, announcement of the programme immediately following and trailers or descriptions of forthcoming programmes. Continuity can be spoken by an announcer or displayed in text over graphics. On television continuity generally coincides with a display of the broadcaster's logo or ident. Advertisements are generally not considered part of continuity because they are advertising another company. A continuity announcer is a broadcasting, broadcaster whose voice (and, in some cases, face) appears between radio or television programmes to give programme information. Continuity announcers tell viewers and listeners which channel they are watching or listening to at the moment (or which station they are tuned to), what they are about to se ...
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Channel 4
Channel 4 is a British free-to-air public broadcast television channel owned and operated by Channel Four Television Corporation. It is state-owned enterprise, publicly owned but, unlike the BBC, it receives no public funding and is funded entirely by its commercial activities, including Television advertisement, advertising. It began its transmission in 1982 and was established to provide a fourth television service in the United Kingdom. At the time, the only other channels were the television licence, licence-funded BBC1 and BBC2, and a single commercial broadcasting network, ITV (TV network), ITV. Originally a subsidiary of the Independent Broadcasting Authority (IBA), the station is now owned and operated by Channel Four Television Corporation, a public corporation of the Department for Culture, Media and Sport, which was established in 1990 and came into operation in 1993. Until 2010, Channel 4 did not broadcast in Wales, but many of its programmes were re-broadcast ther ...
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ITV (TV Network)
ITV, legally known as Channel 3, is a British free-to-air public service broadcasting in the United Kingdom, public broadcast television network. It is branded as ITV1 in most of the UK except for central and northern Scotland, where it is branded as STV (TV channel), STV. It was launched in 1955 as Independent Television to provide competition to BBC Television (established in 1936). ITV is the oldest commercial network in the UK. Since the passing of the Broadcasting Act 1990, it has been Legal name, legally known as Channel 3 to distinguish it from the other analogue channels at the time: BBC1, BBC2 and Channel 4. ITV was, for decades, a network of separate companies that provided regional television services and also shared programmes among themselves to be shown on the entire network. Each franchise was originally owned by a different company. After several mergers, the fifteen regional franchises are now held by two companies: ITV plc, which runs ITV1, the ITV1 cha ...
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Broadcast (magazine)
''Broadcast'' is a monthly magazine for the United Kingdom television and radio industry, owned by Media Business Insight. History ''Broadcast'' was started in 1973 by Rod Allen, who went on to work at LWT, HTV and HarperCollinsInteractive. He was most recently head of the Department of Journalism at City University, London, until he retired in 2006. The magazine was later owned by Thomson Information Services, EMAP acquired it in 1993. Ascential later sold the magazine as part of a management buyout of Media Business Insight division in 2015. Description The magazine covers a wide range of news and issues affecting the professional broadcast market in the UK. It has regular monthly sections covering news, commissioning, facilities, analysis, opinion, interview, platforms, production and ratings. ''Broadcast'' also often has a special feature covering an issue relevant to the industry. It is owned by Media Business Insight, a publishing, events and information business t ...
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Campaign (magazine)
''Campaign'' is a global business magazine covering advertising, media, marketing and commercial creativity. Headquartered in the UK, it also has editions in the US, Asia-Pacific, India, the Middle East and Turkey. ''Campaign'' is published by Haymarket Media Group, which owns more than 70 brands worldwide, including '' Autocar'', '' What Car?'' and '' PRWeek''. Overview ''Campaign'' publishes a monthly print magazine in the UK as well as daily news and analysis on its websites: campaignlive.co.uk, campaignlive.com, campaignasia.com, campaignindia.in, campaignme.com, and campaigntr.com. Each spring ''Campaign'' releases its School Reports, an assessment of how the biggest advertising agencies performed over the past year. In December, as part of its Annual issue, it names the top agencies, advertising and media networks, advertisers, campaigns, media, and production companies of the year. ''Campaign'' also publishes the A-List, a directory of leading executives from the adverti ...
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Terrestrial Television
Terrestrial television, or over-the-air television (OTA) is a type of television broadcasting in which the content is signal transmission, transmitted via radio waves from the terrestrial (Earth-based) transmitter of a TV station to a TV receiver having an television antenna, antenna. The term ''terrestrial'' is more common in Europe and Latin America, while in Canada and the United States it is called ''over-the-air'' or simply ''broadcast''. This type of Television broadcasting, TV broadcast is distinguished from newer technologies, such as satellite television (direct broadcast satellite or DBS television), in which the signal is transmitted to the receiver from an overhead satellite; cable television, in which the signal is carried to the receiver through a coaxial cable, cable; and Internet Protocol television, in which the signal is received over an Internet stream or on a network utilizing the Internet Protocol. Terrestrial television stations broadcast on television cha ...
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Television Advertisement
A television advertisement (also called a commercial, spot, break, advert, or ad) is a span of television programming produced and paid for by an organization. It conveys a message promoting, and aiming to market, a product, service or idea. advertising, Advertisers and marketing, marketers may refer to television commercials as TVCs. Advertising revenue provides a significant portion of the funding for most privately owned television networks. During the 2010s, the number of commercials has grown steadily, though the length of each commercial has diminished. Advertisements of this type have promoted a wide variety of goods, services, and ideas ever since the early days of the history of television. The viewership of television programming, as measured by companies such as Nielsen Media Research in the United States, or Broadcasters' Audience Research Board, BARB in the UK, is often used as a metric for television advertisement placement, and consequently, for the rates which ...
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9 Aspect Ratio
9 (nine) is the natural number following and preceding . Evolution of the Hindu–Arabic digit Circa 300 BC, as part of the Brahmi numerals, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. How the numbers got to their Gupta form is open to considerable debate. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefa ...
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