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Breakbeat Musicians
Breakbeat is a broad type of electronic music that uses drum breaks, often sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as Florida breaks, hip-hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles (including 2-step, breakstep and dubstep). Etymology The origin of the word "breakbeat" is the fact that the drum loops that were sampled occurred during a " break" in the music – for example, the Amen break (a drum solo from " Amen, Brother" by the Winstons) or the Think break (from " Think (About It)" by Lyn Collins). History 1970s–1980s: Classic breaks and hip-hop production Beginning in 1973 and continuing through the late 1970s and early 1980s, hip-hop turntablists such as DJ Kool Herc began using several funk breaks in a row, using drum breaks from jazz-funk tracks such as James Brown's "Funky Drummer" and the Winstons' " Amen, Brother", to form the rhythmic base for hip-hop songs. DJ K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electro (music)
Electro (also known as electro-funk, and sometimes referred to as electro-pop) Globaldarkness.com. Retrieved on July 18, 2011. is a genre of electronic dance music that emerged in the early 1980s. It is defined by the prominent use of the Roland TR-808 drum machine, and draws direct influence from early hip hop and funk music. Electro music is typically characterized by synthetic beats, robotic textures, and minimal or electronically processed vocals—often delivered through vocoders or talkboxes. Unlike its boogie predecessor, which emphasized vocal elements, electro focused more on rhythm and machine-generated sound. The genre arose as the popularity of disco waned in the U.S., blending funk and early hip hop elements with influences from New York's boogie scene and electronic pop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nu Skool Breaks
Nu skool breaks or nu breaks is a subgenre of breakbeat originating during the period between 1998 and 2002. The style is usually characterized by more abstract, more technical sounds, sometimes incorporated from other genres of electronic dance music, including UK garage, electro, and drum and bass. Typically, tracks ranged between 125 and 140 beats per minute (bpm), often featuring a dominant bass line. In contrast with big beat, another subgenre of breakbeat, the sound set consisted less of hip hop samples and acid-type sounds, instead emphasizing dance-friendliness and "new" sounds produced by modern production techniques using synthesizers, effect processors, and computers A computer is a machine that can be programmed to automatically carry out sequences of arithmetic or logical operations ('' computation''). Modern digital electronic computers can perform generic sets of operations known as ''programs'', .... Origins The term "nu skool breaks" is widely attri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Color Him Father
"Color Him Father" is a song written by Richard Lewis Spencer and recorded by American rhythm and blues group the Winstons. It was released in 1969 as their debut single for Metromedia and was a No. 7 hit on the ''Billboard'' Hot 100 that year, representing the Winstons' highest entry there. A cover by American singer Linda Martell on Plantation Records also charted in the same year, reaching No. 22 on the Hot Country Songs chart. In 2025, the cover version by Martell was inducted into the Grammy Hall of Fame. Background and content "Color Him Father" is a song about a boy expressing his love for his stepfather. The stepdad is portrayed as a hardworking and loving gentleman who married the narrator's widowed mom, who had seven children, and embraced them as his own after her first husband was "killed in the war". ("She said she thought that she could never love again/And then there he stood with that big, wide grin.") The song's lyrics resonated strongly with the public in 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Solo
A drum solo is an Solo (music), instrumental solo played on a drum kit. A drum solo may be set or improvised, and of any length, up to being the main performance. In Rock music, rock, drum solos are unique in that traditionally they are minimally or never accompanied, whereas other instruments may play solos accompanied or unaccompanied. They are also typically free-form in that they do not necessarily adhere to the tempo, style or structure of the song they accompany. In jazz, drum solos more typically adhere strictly to the tempo and form of the song, and may be accompanied sporadically by the other instruments; they may also "trade fours", or take alternating four-bar solos with the rest of the band. They may also trade eights, twelves (in the case of a blues), twos, single bars, or full choruses. A drum lift is a passage in which singing is backed only by the drums and no other music. It is not normally considered a solo, as the primary focus remains on the singing; however, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amen Break
The Amen break is a drum break that has been widely Sampling (music), sampled in popular music. It comes from the 1969 track "Amen, Brother" by the American soul group the Winstons, released as the B-side of the 1969 single "Color Him Father". The drum break lasts seven seconds and was performed by Gregory C. Coleman, Gregory Coleman. With the rise of hip-hop in the 1980s, the Amen break was used in hits including "Straight Outta Compton (song), Straight Outta Compton" by N.W.A and "It Takes Two (album), Keep It Going Now" by Rob Base & DJ E-Z Rock. In the 1990s, it became a staple of drum and bass and jungle music. It has been used in thousands of tracks of various genres, making it one of the most sampled recordings in music history. The Winstons received no royalties for the sample. The bandleader, Richard Lewis Spencer, was not aware of its use until 1996, after the statute of limitations for copyright infringement had passed. He condemned its use as plagiarism, but later s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Break (music)
In popular music, a break is an instrumental or percussion instrument, percussion section during a song derived from or related to stop-time – being a "break" from the main section (music), parts of the song or piece. A break is usually interpolated between sections of a song, to provide a sense of anticipation, signal the start of a new section, or create variety in the arrangement. Jazz A solo break in jazz occurs when the rhythm section (piano, bass, drums) stops playing behind a soloist for a brief period, usually two or four bars leading into the soloist's first improvised solo chorus (at which point the rhythm section resumes playing). A notable recorded example is sax player Charlie Parker's solo break at the beginning of his solo on "A Night in Tunisia". While the solo break is a break for the rhythm section, for the soloist, it is a solo cadenza, where they are expected to improvise an interesting and engaging melodic line. DJing and dance music In DJ parlance, in di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loop (music)
In music, a loop is a repeating section of sound material. Short sections can be repeated to create ostinato patterns. Longer sections can also be repeated: for example, a player might loop what they play on an entire verse of a song in order to then play along with it, accompanying themselves. Loops can be created using a wide range of music technologies including turntables, digital samplers, looper pedals, synthesizers, sequencers, drum machines, tape machines, and delay units, and they can be programmed using computer music software. The feature to loop a section of an audio track or video footage is also referred to by electronics vendors as ''A–B repeat''. Royalty-free loops can be purchased and downloaded for music creation from companies like The Loop Loft, Native Instruments, Splice and Output. Loops are supplied in either MIDI or Audio file formats such as WAV, REX2, AIFF and MP3. Musicians ''play'' loops by triggering the start of the musical sequence by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum
The drum is a member of the percussion group of musical instruments. In the Hornbostel–Sachs classification system, it is a membranophone. Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a percussion mallet, to produce sound. There is usually a resonant head on the underside of the drum. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years. Drums may be played individually, with the player using a single drum, and some drums such as the djembe are almost always played in this way. Others are normally played in a set of two or more, all played by one player, such as bongo drums and timpani. A number of different drums together with cymbals form the basic modern drum kit. Many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breakstep
Breakstep, or breakbeat garage, is a genre of music that evolved from the UK garage scene and influenced the emergence of dubstep. History Breakstep evolved from the 2-step garage sound. Moving away from the more soulful elements of garage, it incorporated downtempo drum and bass style basslines, trading the shuffle of 2-step for a more straightforward breakbeat drum pattern. The breakthrough for this style came in 1999 from DJ Dee Kline's " I Don't Smoke" selling 15,000 units on Rat Records, until eventually being licensed to EastWest in 2000 and climbing to number 11 on the UK Singles Chart. Following this came DJ Zinc's " 138 Trek", an experiment with drum and bass production at UK garage tempo (138 bpm). This instigated a dialog between breaks and garage producers, with Forward>> (a club night at Plastic People, London) playing host to Zed Bias Dave Jones, better known as Zed Bias, is an English electronic musician based in Manchester, who operates within the UK garage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Garage
UK garage, abbreviated as UKG, is a genre of electronic dance music which originated in England in the early to mid-1990s. The genre was most clearly inspired by garage house and jungle production methods, but also incorporates elements from dance-pop and R&B. It is defined by percussive, shuffled rhythms with syncopated hi-hats, cymbals, and snares, and may include either 4/4 house kick patterns or more irregular " 2-step" rhythms. Garage tracks also commonly feature 'chopped up' and time-stretched or pitch-shifted vocal samples complementing the underlying rhythmic structure at a tempo usually around 130 BPM. UK garage encompassed subgenres such as speed garage and 2-step, and was then largely subsumed into other styles of music and production in the mid-2000s, including bassline, grime, and dubstep. The decline of UK garage during the mid-2000s saw the birth of UK funky, which is closely related. The 2010s saw a resurgence in the genre, then in the early 2020s, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm And Blues
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within African American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ... [with a] heavy, insistent beat" was starting to become more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American history and experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of societal racism, oppression, relationships, economics, and aspirations. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
