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Breakbeat
Breakbeat is a broad type of electronic music that uses drum breaks, often sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as Florida breaks, hip-hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles (including 2-step, breakstep and dubstep). Etymology The origin of the word "breakbeat" is the fact that the drum loops that were sampled occurred during a " break" in the music – for example, the Amen break (a drum solo from " Amen, Brother" by the Winstons) or the Think break (from "Think (About It)" by Lyn Collins). History 1970s–1980s: Classic breaks and hip-hop production Beginning in 1973 and continuing through the late 1970s and early 1980s, hip-hop turntablists such as DJ Kool Herc began using several funk breaks in a row, using drum breaks from jazz-funk tracks such as James Brown's "Funky Drummer" and the Winstons' " Amen, Brother", to form the rhythmic base for hip-hop songs. DJ Koo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breakbeat Hardcore
Breakbeat hardcore (also referred to as hardcore rave, oldskool hardcore or simply hardcore) is a music genre that spawned from the UK rave scene during the early 1990s. It combines four-on-the-floor rhythms with breakbeats usually sampled from hip hop. In addition to the inclusion of breakbeats, the genre also features shuffled drum machine patterns, hoover, and other noises originating from new beat and Belgian techno, sounds from acid house and bleep techno, and often upbeat house piano riffs and vocals. History Early 1990s: origins The rave scene expanded rapidly in the very early 1990s, both at clubs up and down the country including Labrynth, Shelley's Laserdome, The Eclipse, and Sanctuary Music Arena, and large raves in Warehouses and in the open air attracting 20–50,000 whether put on legally from promoters such as Fantazia and Raindance, or unlicensed by free party sound systems such as Spiral Tribe. Breakbeat hardcore drew its melting pot of sound from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florida Breaks
Florida breaks, which may also be referred to as The Orlando Sound, Orlando breaks, or The Breaks, is a genre of breakbeat dance music that originated in the central region of Florida, United States. Florida Breaks draws on hip-hop, Miami bass and electro. It often includes samples of early jazz or funk beats from rare groove or popular film. It often features vocal elements. Compared to the hip-hop on which it is based, the style is faster, more syncopated, and has a heavier and unrelenting bassline. The beat frequently slows and breaks down complex beat patterns and then rebuilds. The genre has been described as being easy to dance to while creating an uplifting, happy, or positive mood in the listener. History Late 1980s – early 1990s The style emerged during the late '80s at the Beacham Theatre in Orlando and gained popularity in the local underground music subculture during the city's Summer of Love era, roughly 1989 to 1992. Genre pioneer Eddie Pappa, influenced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum And Bass
Drum and bass (commonly abbreviated as DnB, D&B, or D'n'B) is a genre of electronic dance music characterised by fast Break (music)#Breakbeat (element of music), breakbeats (typically 165–185 Tempo, beats per minute) with heavy Bass (music), bass and sub-bass lines, Sampling (music), samples, and synthesizers. The genre grew out of the UK's Jungle music, jungle scene in the 1990s. The popularity of drum and bass at its commercial peak ran parallel to several other UK dance styles. A major influence was the original Jamaican dub music, dub and reggae sound that influenced Jungle music, jungle's bass-heavy sound. Another feature of the style is the complex syncopation of the drum tracks' break (music), breakbeat. Drum and bass subgenres include breakcore, ragga jungle, hardstep, darkstep, techstep, neurofunk, ambient drum and bass, liquid funk (also known as liquid drum and bass), jump up, drumfunk, sambass, and drill 'n' bass. Drum and bass has influenced other genres such a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amen Break
The Amen break is a drum break that has been widely Sampling (music), sampled in popular music. It comes from the 1969 track "Amen, Brother" by the American soul group the Winstons, released as the B-side of the 1969 single "Color Him Father". The drum break lasts seven seconds and was performed by Gregory C. Coleman, Gregory Coleman. With the rise of hip-hop in the 1980s, the Amen break was used in hits including "Straight Outta Compton (song), Straight Outta Compton" by N.W.A and "It Takes Two (album), Keep It Going Now" by Rob Base & DJ E-Z Rock. In the 1990s, it became a staple of drum and bass and jungle music. It has been used in thousands of tracks of various genres, making it one of the most sampled recordings in music history. The Winstons received no royalties for the sample. The bandleader, Richard Lewis Spencer, was not aware of its use until 1996, after the statute of limitations for copyright infringement had passed. He condemned its use as plagiarism, but later s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Break (music)
In popular music, a break is an instrumental or percussion instrument, percussion section during a song derived from or related to stop-time – being a "break" from the main section (music), parts of the song or piece. A break is usually interpolated between sections of a song, to provide a sense of anticipation, signal the start of a new section, or create variety in the arrangement. Jazz A solo break in jazz occurs when the rhythm section (piano, bass, drums) stops playing behind a soloist for a brief period, usually two or four bars leading into the soloist's first improvised solo chorus (at which point the rhythm section resumes playing). A notable recorded example is sax player Charlie Parker's solo break at the beginning of his solo on "A Night in Tunisia". While the solo break is a break for the rhythm section, for the soloist, it is a solo cadenza, where they are expected to improvise an interesting and engaging melodic line. DJing and dance music In DJ parlance, in di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Breaks
In popular music, a break is an instrumental or percussion section during a song derived from or related to stop-time – being a "break" from the main parts of the song or piece. A break is usually interpolated between sections of a song, to provide a sense of anticipation, signal the start of a new section, or create variety in the arrangement. Jazz A solo break in jazz occurs when the rhythm section (piano, bass, drums) stops playing behind a soloist for a brief period, usually two or four bars leading into the soloist's first improvised solo chorus (at which point the rhythm section resumes playing). A notable recorded example is sax player Charlie Parker's solo break at the beginning of his solo on "A Night in Tunisia". While the solo break is a break for the rhythm section, for the soloist, it is a solo cadenza, where they are expected to improvise an interesting and engaging melodic line. DJing and dance music In DJ parlance, in disco, hip hop and electronic dance musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hip-hop
Hip-hop or hip hop (originally disco rap) is a popular music genre that emerged in the early 1970s from the African-American community of New York City. The style is characterized by its synthesis of a wide range of musical techniques. Hip-hop includes rapping often enough that the terms can be used synonymously. However, "hip-hop" more properly denotes an entire subculture. Other key markers of the genre are the disc jockey, turntablism, scratching, beatboxing, and instrumental tracks. Cultural interchange has always been central to the hip-hop genre. It simultaneously borrows from its social environment while commenting on it. The hip-hop genre and culture emerged from block parties in ethnic minority neighborhoods of New York City, particularly Bronx. DJs began expanding the instrumental breaks of popular records when they noticed how excited it would make the crowds. The extended instrumental breaks provided a platform for break dancers and rappers. These br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jungle Music
Jungle is a genre of electronic music that developed in the 1990s out of the UK rave scene and Jamaican sound system culture. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop and funk. Many producers frequently sampled the "Amen break" or other breakbeats from funk and jazz recordings. Jungle was a direct precursor to the drum and bass genre which emerged in the mid-1990s. Origins The breakbeat hardcore scene of the early 1990s was beginning to fragment by 1992 and 1993, with different influences becoming less common together in tracks. The piano and uplifting vocal style that was prevalent in breakbeat hardcore started to lay down the foundations of 4-beat/happy hardcore, whilst tracks with dark-themed samples and industrial-style stabs had emerged from late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nu Skool Breaks
Nu skool breaks or nu breaks is a subgenre of breakbeat originating during the period between 1998 and 2002. The style is usually characterized by more abstract, more technical sounds, sometimes incorporated from other genres of electronic dance music, including UK garage, electro, and drum and bass. Typically, tracks ranged between 125 and 140 beats per minute (bpm), often featuring a dominant bass line. In contrast with big beat, another subgenre of breakbeat, the sound set consisted less of hip hop samples and acid-type sounds, instead emphasizing dance-friendliness and "new" sounds produced by modern production techniques using synthesizers, effect processors, and computers A computer is a machine that can be programmed to automatically carry out sequences of arithmetic or logical operations ('' computation''). Modern digital electronic computers can perform generic sets of operations known as ''programs'', .... Origins The term "nu skool breaks" is widely attri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
4-beat
Happy hardcore, also known as 4-beat or happycore, is a subgenre of hardcore dance music or " hard dance". It emerged both from the UK breakbeat hardcore rave scene, and Belgian, German and Dutch hardcore techno scenes in the early 1990s. What makes happy hardcore stand apart from gabber is that happy hardcore tends to have breakbeats running alongside the 4/4 kick drum. History Origins The breakbeat hardcore rave scene was beginning to fragment by late 1992 into a number of subsequent breakbeat-based genres: darkcore (tracks embracing dark-themed samples and stabs), hardcore jungle (reggae basslines and influences became prominent), and 4-beat also known as "happy hardcore" where piano rolls and uplifting vocals were still central to the sound. DJs such as Slipmatt, DJ Sy, DJ Seduction, Wishdokta, DJ Dougal, and DJ Vibes continued to play and put out music of this nature throughout 1993/94 – notably Slipmatt through the SMD releases, ''Wishdokta'' as 'Naughty Naughty' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Beat
Big beat is an electronic music genre that usually uses heavy breakbeats and synthesizer-generated loops and patterns – common to acid house/techno. The term has been used by the British music industry to describe music by artists such as the Prodigy, the Chemical Brothers, Fatboy Slim, the Crystal Method, Propellerheads, Basement Jaxx and Groove Armada. Big beat achieved mainstream success during the 1990s, and achieved its critical and commercial peak between 1995 and 1999, with releases such the Chemical Brothers’ ''Dig Your Own Hole'', the Prodigy's ''The Fat of the Land'', and Fatboy Slim's ''You've Come a Long Way, Baby'', before quickly declining from 2001 onwards. Style Big beat features heavy and distorted drum beats at tempos between 100 and 140 beats per minute, Roland TB-303 synthesizer lines resembling those of acid house, and heavy loops from 1960s and 1970s funk, Soul music, soul, jazz, and rock music, rock songs. They are often punctuated with Punk rock, pun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
