|
Bowed String Instruments
Bowed string instruments are a subcategory of string instruments that are played by a bow rubbing the strings. The bow rubbing the string causes vibration which the instrument emits as sound. Despite the numerous specialist studies devoted to the origin of bowing, the origin of bowing remains unknown.Friedrich Behn, Musikleben im Altertum und frühen page 159 List of bowed string instruments Violin family * Cello (violoncello) * Pochette * Viola (altviol, bratsche) * Violin (violino) * Double bass (contrabasso) ;Variants on the standard members of the violin family include: * Baroque violin * Cello da spalla * Five string violin * Hardanger fiddle * Kit violin * Kontra * Låtfiol * Lira da braccio * Octobass * Sardino * Stroh violin * Tenor violin Viol family (Viola da Gamba family) * Alto viol * Bass viol * Tenor viol * Treble viol ;Variants on the standard four members of the viol family include * Baryton * Division viol * Lirone * Lyra vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Instrument
In musical instrument classification, string instruments, or chordophones, are musical instruments that produce sound from vibrating strings when a performer strums, plucks, strikes or sounds the strings in varying manners. Musicians play some string instruments, like Guitar, guitars, by plucking the String (music), strings with their fingers or a plectrum, plectrum (pick), and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow (music), bow, like Violin, violins. In some keyboard (music), keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Låtfiol
Låtfiol () is an expression and concept that originates from the 1980s when Swedish folk musicians became more interested in violins with sympathetic strings and were trying to find a Swedish equivalent to the Norwegian hardanger fiddle. The Norwegian violin maker Kåre Leonard Knutsen built a number of instruments for Swedish musicians, some were copies of older instruments with 8 sympathetic strings in Swedish museums (i.e. Swedish Double-decker, double-deckers), but even more of Knutsen's instruments were provided with two sympathetic strings based on oral sources that such things would have occurred in Sweden in the past. It is in particular violins with two resonant strings that have been called låtfiol by some, but the term is far from widespread. The oral sources for the existence of violins with two sympathetic strings have not been verified, however, more and more double-deckers have appeared, even those with less than 8 sympathetic strings but in those cases either 6 or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Division Viol
The division viol is an English type of bass viol, which was originally popular in the mid-17th century, but is currently experiencing a renaissance of its own due to the movement for historically informed performance. John Playford mentions the division viol in his ''A Brief Introduction'' of 1667, describing it as smaller than a consort bass viol, but larger than a lyra viol. As suggested by its name, (divisions were a type of variations), the division viol is intended for highly ornamented music, and for improvisations. The division viol also had a very large range with the tuning D–G–c–e–a–d', resulting in the ability of skilled players to play divisions on any part in a polyphonic vocal piece. The division viol may be historically connected with the viola bastarda, and came into being in the mid-17th century in England. Music for the division viol was mainly linear, although there were occasionally lyra-like passages, and music for it was written on a sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baryton
The baryton is a bowed string instrument similar to the viol, but distinguished by an extra set of sympathetic but also pluckable strings. It was in regular use in Europe until the end of the 18th century. Design The baryton can be viewed as a sort of augmented bass viol. It is similar in size to the latter instrument and likewise has six or seven strings of gut (typically D G C E A D, although '' scordatura'' was used), arranged over a fretted fingerboard and played with a bow. The instrument is held vertically and is supported by the player's legs (rather than with an end-pin as in the modern cello). The baryton differs from the bass viol in having an additional set of wire strings. These perform two functions: they vibrate sympathetically with the bowed strings, enriching the tone, and they can also be plucked by the left thumb of the performer, creating a contrasting tonal quality. As can be seen in the illustration, the bowed strings are placed on the left, where th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viol
The viola da gamba (), or viol, or informally gamba, is a bowed and fretted string instrument that is played (i.e. "on the leg"). It is distinct from the later violin family, violin, or ; and it is any one of the earlier viol family of bow (music), bowed, fretted, and stringed instruments , stringed instruments with hollow wooden bodies and Tuning mechanisms for stringed instruments, pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Although treble, tenor and bass were most commonly used, viols came in different sizes, including (high treble, developed in 18th century), treble, alto, small tenor, tenor, bass and contrabass (called ). These members of the viol family are distinguished from later bowed string instruments, such as the violin family, by both appearance and orientation when played—as typically the neck is oriented upwards and the rounded bottom downwards to settle on the lap or between the knees. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello Suites (Bach)
The six Cello Suites, BWV 1007–1012, are suites for unaccompanied cello by Johann Sebastian Bach (1685–1750). They are some of the most frequently performed solo compositions ever written for cello. Bach most likely composed them during the period 1717–1723, when he served as ''Kapellmeister'' in Köthen. The title given on the cover of the Anna Magdalena Bach manuscript was ''Suites à Violoncello Solo senza Basso'' (Suites for cello solo without bass). As usual in a Baroque musical suite, after the prelude which begins each suite, all the other movements are based around baroque dance types.Wittstruck, Anna."Dancing with J.S. Bach and a Cello – Introduction". Stanford University. ''Stanford.edu''. 2012. The cello suites are structured in six movements each: prelude, allemande, courante, sarabande, two minuets or two bourrées or two gavottes, and a final gigue. Gary S. Dalkin of MusicWeb International called Bach's cello suites "among the most profound of all classica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josephine Van Lier
Josephine van Lier (born 1968, in the Netherlands) is a performing cellist specialized in both baroque and contemporary cello residing in Canada. Biography A versatile musician, Josephine van Lier is equally at ease on a baroque cello or a 5 string violoncello piccolo as on their contemporary counterparts, using instruments and bows whose designs, construction and material span over 400 years in origin; from the gut strings of her baroque cello to her 1870 cello and the space-age material of her carbon fiber cello. She therefore covers a wide variety of repertoire utilizing the endless possibilities that this range of instruments, string set-ups and bows allow her. In 2010 she released a 4-CD set featuring all six suites for unaccompanied cello by Bach played on four different cellos. This unique recording sets side by side the different sounds of historic and new instruments and compares their strengths and weaknesses. Josephine van Lier appears on the concert stages in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Friedrich Kersting
Georg Friedrich Kersting (31 October 1785 – 1 July 1847) was a German painter, best known for his Biedermeier-style interior paintings and his association with fellow artist Caspar David Friedrich. Biography Kersting came from a large and impoverished family in Güstrow, Mecklenburg-Schwerin, the son of a glazier. He studied at the progressive Copenhagen Academy between 1805 and 1808, where he adapted the visual clarity of the contemporary Danish schoolLife of Georg Friedrich Kersting . Lib-Art. Retrieved on 24 March 2008. and was awarded a silver medal in draughtsmanship. Kersting moved to Dresden in 1808, joining the Lützow Free Corps—a voluntary force of the [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Paganini
Niccolò (or Nicolò) Paganini (; ; 27 October 178227 May 1840) was an Italian violinist and composer. He was the most celebrated violin virtuoso of his time, and left his mark as one of the pillars of modern violin technique. His 24 Caprices for Solo Violin (Paganini), 24 Caprices for Solo Violin Op. 1 are among the best known of his compositions and have served as an inspiration for many prominent composers. Son of a ship chandler from Genoa, Paganini showed great gifts for music from an early age and studied under Alessandro Rolla, Ferdinando Paer and Gasparo Ghiretti. Accompanied by his father, he toured northern Italy extensively as a teenager. By 1805 he had come into the service of Napoleon's sister, Elisa Bonaparte, who then ruled Lucca where Paganini was first violin. From 1809 on he returned to touring and achieved continental fame in the subsequent two and a half decades, developing a reputation for his technical brilliance and showmanship, as well as his extravagant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Violin
A tenor violin (or tenor viola) is an instrument with a range between those of the cello and the viola. An earlier development of the evolution of the violin family of instruments, the instrument is not standard in the modern symphony orchestra. Its tuning, typically G2-D3-A3-E4 (an octave below the regular violin) places the range between the cello and viola and thus is sometimes confused with the modern baritone violin which has the same tuning on the standard violin body. History As a formal development, the 17th-century tenor violin existed as an instrument with a body larger than a viola but with a short neck. In earlier designs, the tenor was played upright in the musician's lap. Tenor violin parts were written in Clef#Tenor clef, tenor clef. Antonio Stradivari constructed two different models of tenor violin, as well as tenor variations of violas. As with the violins of the period, many of these examples feature fretted fingerboard. The smaller tenor violins were of an u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stroh Violin
The Stroh violin or Stroviol is a type of String instrument, stringed musical instrument that is mechanically amplified by a metal resonator and horn attached to its body. The name Stroviol refers to a violin, but other instruments have been modified with the amplification device, including the viola, cello, double bass, ukulele, mandolin, and guitar. Johannes Matthias Augustus Stroh, an electrical engineer from Frankfurt, invented the instrument in London in 1899. Description The Stroh violin has a horn at the end of the fingerboard to project the sound to an audience or recording horn, and often a smaller monitoring horn that the performer placed at their ear to hear what was being played more distinctly. The Stroh violin is much louder than a standard wooden violin, and its directional projection of sound made it particularly useful in the early days of phonographic recording. Wooden violins recorded poorly with the early acoustic-mechanical recording method, and the Stroh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
