Ballets By Jules Perrot
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Ballets By Jules Perrot
Jules-Joseph Perrot (18 August 181029 August 1892) was a French dancer and choreographer who later became Ballet Master of the Imperial Ballet in St. Petersburg, Russia. He created some of the most famous ballets of the 19th century including ''Pas de Quatre'', '' La Esmeralda'', '' Ondine'', and ''Giselle'' with Jean Coralli. From dancer to balletmaster The Lyon-born Perrot danced often with Marie Taglioni but their partnership was short-lived. She eventually refused to dance with him fearing that he would outshine her. He left the Opéra in 1835 to tour European dance centers such as London, Milan, Vienna and Naples, where he met and noticed the talent of Carlotta Grisi. He coached her and presented her to the world as the next great ballerina in an 1836 performance in London with himself as her partner.Review: ''King's Theatre'', in ''The Times'', Wednesday 13 April 1836, p. 5, column C. Following the success of his contributions to the choreography of ''Giselle'', Perrot ...
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Lyon
Lyon (Franco-Provençal: ''Liyon'') is a city in France. It is located at the confluence of the rivers Rhône and Saône, to the northwest of the French Alps, southeast of Paris, north of Marseille, southwest of Geneva, Switzerland, northeast of Saint-Étienne. The City of Lyon is the List of communes in France with over 20,000 inhabitants, third-largest city in France with a population of 522,250 at the Jan. 2021 census within its small municipal territory of , but together with its suburbs and exurbs the Lyon Functional area (France), metropolitan area had a population of 2,308,818 that same year, the second largest in France. Lyon and 58 suburban municipalities have formed since 2015 the Lyon Metropolis, Metropolis of Lyon, a directly elected metropolitan authority now in charge of most urban issues, with a population of 1,424,069 in 2021. Lyon is the Prefectures in France, prefecture of the Auvergne-Rhône-Alpes Regions of France, region and seat of the Departmental co ...
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Giovanni Bajetti
Giovanni Bajetti was an Italian violinist, conductor, and dramatic composer. He was born in Brescia about 1815 and died in Milan in 1876. Bajetti studied at the Milan Conservatory and conducted at La Scala La Scala (, , ; officially , ) is a historic opera house in Milan, Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as (, which previously was Santa Maria della Scala, Milan, a church). The premiere performa .... Upon his death, he left several unfinished works, included a comic opera, ''La Donna Romantica''. References 1810s births 1876 deaths Year of birth uncertain Italian violinists Italian male conductors (music) 19th-century Italian male composers Musicians from Brescia Milan Conservatory alumni {{Italy-composer-stub ...
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Giacomo Panizza
Giacomo Panizza (27 March 1804 – 1 May 1860) was the Maestro al Cembalo at La Scala, Milan , and conductor at the Covent Garden Theatre, London. He was born in Castellazzo Bormida and died in Milan. He is primarily noted for the ballet ''Faust'', composed for La Scala with choreography by Jules Perrot. ''Faust'' became a popular ballet in Europe, especially in Saint Petersburg. He also fathered Achille Panizza, who was another well-known conductor. Early life and education Panizza was baptized Giacomo Maria Panizza to Francesco Maria Panizza and Anna Maria Merli. He was the fifth child in his family. His family lived in the Piazza San Martino in Castellazzo Bormida. He attended the college of Alessandria to study literature and philosophy. At fifteen, he began to study with the organist at his church in San Martino. Eventually, he would be led to study counterpoint with Casimiro Chiesa, choirmaster of the cathedral of San Marco in Alessandria. In 1824, he became a pupil of Vinc ...
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Catarina Or La Fille Du Bandit
''Catarina ou la Fille du bandit'' is a ballet in three acts and four scenes, with libretto and choreography by Jules Perrot and music by Cesare Pugni. The libretto is based on an incident in the life of the Italian painter Salvator Rosa. The work was first presented by the Ballet of Her Majesty's Theatre on 3 March 1846 in London, England, with Lucile Grahn (as Catarina, leader of the bandits), Louis-François Gosselin (as Salvator Rosa), and Jules Perrot (as the Lieutenant Diavolino). Revivals *Restaging by Jules Perrot for the Ballet of the Teatro alla Scala, with Giacomo Panizza revising Cesare Pugni's original score and Giovanni Bajetti. First presented on 9 January 1847 in Milan, Italy, with Fanny Elssler (as Catarina, leader of the bandits), Effisio Catte (as Salvator Rosa), and Jules Perrot (as the Lieutenant Diavolino). *Restaging by Jules Perrot for the Imperial Ballet, with Cesare Pugni revising his original score. First presented at the Imperial Bolshoi Kamenn ...
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Teatro Alla Scala
La Scala (, , ; officially , ) is a historic opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as (, which previously was a church). The premiere performance was Antonio Salieri's ''Europa riconosciuta''. Most of Italy's greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala. The theatre is regarded as being one of the leading opera and ballet theatres globally. It is home to the La Scala Theatre Chorus, La Scala Theatre Ballet, La Scala Theatre Orchestra, and the Filarmonica della Scala orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy (), which offers professional training in music, dance, stagecraft, and stage management. Overview La Scala's season opens on 7 December, Saint Ambrose's Day, the feast day of Milan's patron saint. All performances must end before midnight and long operas start earlier in the evening when necessary. ...
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Lucile Grahn
Lucile Alexia Grahn-Young (30 June 1819 – 4 April 1907) was the first internationally renowned Danish people, Danish ballerina and one of the popular dancers of the Romantic ballet era. Grahn studied from a young age at the Royal Danish Theatre, Royal Danish Theatre School in Copenhagen, Denmark under the tutelage of August Bournonville. She officially debuted in 1834 at the theater and took on the leading role of Astrid in Bournonville's ''Valdemar (ballet), Valdemar'' in 1835. Soon the relationship between Bournonville and Grahn began to sour as she yearned to dance with the famed Paris Opera Ballet. Grahn reportedly changed some of the steps in ''Valdemar'' to show off her footwork, prompting Bournonville to make a formal complaint to the theatre directors. In 1836, she created the title role in Bournonville's ''La Sylphide''. She eventually received royal permission to leave; after her departure in 1836, she never returned to Denmark. In 1839, Grahn had overstayed the t ...
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