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Ballet Masters
A ballet master (also balletmaster, ballet mistress, ''premier maître de ballet'' or ''premier maître de ballet en chef'') is an employee of a ballet company who is responsible for the level of competence of the dancers in their company. In modern times, ballet masters are generally charged with teaching the daily company ballet class and rehearsing the dancers for both new and established ballets in the company's repertoire. The artistic director of a ballet company, whether a male or female, may also be called its ballet master. Historic use of gender marking in job titles in ballet (and live theatre) is being supplanted by gender-neutral language job titles regardless of an employee's gender (e.g. ''ballet master'' in lieu of ''ballet mistress'', ''wig master'' as an alternative to ''wig mistress''). History of the position Especially during the early centuries of ballet troupes and ballet companies from the 18th century until the early 20th century, the position of ''first ...
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Edgar Germain Hilaire Degas 021
Edgar is a commonly used masculine English given name, from an Anglo-Saxon name ''Edgar'' (composed of ''wikt:en:ead, ead'' "rich, prosperous" and ''Gar (spear), gar'' "spear"). Like most Anglo-Saxon names, it fell out of use by the Late Middle Ages; it was, however, revived in the 18th century, and was popularised by its use for a character in Sir Walter Scott's ''The Bride of Lammermoor'' (1819). The name was more common in the United States than elsewhere in the Anglosphere during the 19th century. It has been a particularly fashionable name in Latin American countries since the 20th century. People with the given name * Edgar the Peaceful (942–975), king of England * Edgar the Ætheling (c. 1051 – c. 1126), last member of the Anglo-Saxon royal house of England * Edgar of Scotland (1074–1107), king of Scotland * Edgar Alaffita (born 1996), Mexican footballer * Edgar Allan (other), multiple people * Edgar Allen (other), multiple people * Edgar Angara ...
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Jean-Georges Noverre
Jean-Georges Noverre (29 April 1727 19 October 1810) was a French dancer and ballet master, and is generally considered the creator of ''ballet d'action'', a precursor of the narrative ballets of the 19th century. His birthday is now observed as International Dance Day. His first professional appearances occurred as a youth in Paris at the Opéra-Comique, at Fontainebleau, in Berlin before Frederick II of Prussia, Frederick II and his brother Prince Henry of Prussia (1726-1802), Prince Henry of Prussia, in Dresden and Strasbourg, Strasburg. In 1747 he moved to Strasbourg, where he remained until 1750 before moving to Lyon. In 1751, he composed his first great work, ''Les Fêtes Chinoises'' for Marseilles. The work was revived in Paris in 1754 to great acclaim. In 1755, he was invited by David Garrick, Garrick to London, where he remained for two years. Between 1758 and 1760 he produced several ballets at Lyon, and published his '. It is from this period that the revolution in t ...
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Filippo Taglioni
Filippo Taglioni (aka Philippe Taglioni; 5 November 1777 – 11 February 1871) was an Italian dancer and choreographer and personal teacher to his own daughter, Romantic ballerina Marie Taglioni. (He had another child who also danced ballet, Paul Taglioni.) Also, although August Bournonville's version is better known, it was Taglioni who was the original choreographer of ''La Sylphide'', in 1832. Biography Born in Milan to father Carlo Taglioni, he received his dance training predominantly with Carlo Blasis and Jean-François Coulon. He made his dancing debut at age 17 in Pisa performing female roles. He danced in other Italian cities before becoming a dancer (at age 22) with the Paris Opera. With Vestris firmly in control there, he readily accepted an invitation to be a principal dancer and ballet master for the Royal Swedish Ballet in Stockholm, Sweden. In Stockholm, he married the dancer Sophie Karsten, daughter of a famous Swedish opera singer Christoffer Christi ...
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Milan
Milan ( , , ; ) is a city in northern Italy, regional capital of Lombardy, the largest city in Italy by urban area and the List of cities in Italy, second-most-populous city proper in Italy after Rome. The city proper has a population of nearly 1.4 million, while its Metropolitan City of Milan, metropolitan city has 3.2 million residents. Within Europe, Milan is the fourth-most-populous List of urban areas in the European Union, urban area of the EU with 6.17 million inhabitants. According to national sources, the population within the wider Milan metropolitan area (also known as Greater Milan) is estimated between 7.5 million and 8.2 million, making it by far the List of metropolitan areas of Italy, largest metropolitan area in Italy and List of metropolitan areas in Europe, one of the largest in the EU.* * * * Milan is the economic capital of Italy, one of the economic capitals of Europe and a global centre for business, fashion and finance. Milan is reco ...
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La Scala Theatre Ballet
The La Scala Theatre Ballet () is the resident classical ballet company at La Scala in Milan, Italy. One of the oldest and most renowned ballet companies in the world, the company pre-dates the theatre, but was officially founded at the inauguration of La Scala in 1778. Many leading dancers have performed with the company, including Mara Galeazzi, Alessandra Ferri, Viviana Durante, Roberto Bolle and Carla Fracci. The official associate school of the company is the La Scala Theatre Ballet School (), a constituent of the La Scala Theatre Academy (). It is one of the best known Italian ballet companies, and many of its dancers have achieved international fame, such as Mara Galeazzi, Alessandra Ferri, Petra Conti, Roberto Bolle, Massimo Murru, and in the recent past, Carla Fracci. Other personalities of the history of classical ballet associated with the ''corpo di ballo'' have been the teachers and choreographers Carlo Blasis and Enrico Cecchetti, the ballerinas Carlotta ...
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Salvatore Viganò
Salvatore Viganò (March 25, 1769 – August 10, 1821) was an Italian choreographer, dancer and composer. Viganò was born in Naples. He studied composition with Luigi Boccherini (his uncle) and by the mid-1780s was composing original music. He produced early dance compositions in Bordeaux and Vienna. In 1788, he appeared as a dancer on the stage in Venice. He performed in the coronation festivities of Charles IV of Spain in 1789. He became a pupil of the French dancer and choreographer Jean Dauberval. In 1791, he and his wife achieved success as a dancing team in Venice, where he choreographed his first ballet, ''Raoul de Créqui''. He was ballet master in Vienna and collaborated with Beethoven on the ballet '' The Creatures of Prometheus''. He returned to Italy in 1804 and became the ballet master of ''La Scala'' ballet school in Milan. He is considered the father of a new kind of performance called "" where the pantomime served the dance and the ensembles were very signific ...
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Pierre Gardel
Pierre-Gabriel Gardel (; 4 February 1758, in Nancy, France – 18 October 1840, in Paris) was a French ballet dancer, ballet master, violinist, and composer., 2007. He was the son of Claude Gardel and the younger brother of Maximilien Gardel, seventeen years his senior. In 1795 he married the dancer Marie Miller, whom he showcased in many of his works. Career Entering the school of the Opéra de Paris (Paris Opera) in 1772, he began his studies under his brother's watch. He became a soloist in 1780, but had to give up his performing career for health reasons, paired with the rising jealousy of his contemporary Auguste Vestris, who was a natural technician. Upon his brother Maximillien's death in 1787, Pierre took over as the Opera's ballet master. Assisted by Louis Milon, Gardel went on to head the Ballet de l'Opéra de Paris for 40 years, adapting to the turmoil of the French Revolution and the reign of Napoleon. His first three ballets: ''Le Jugement de Pâris'' (1787), ...
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Jean Dauberval
Jean Dauberval, a.k.a. Jean D’Auberval, (born Jean Bercher in Montpellier, 19 August 1742 – Tours, 14 February 1806), was a French dancer and ballet master. He is most noted for creating the ballet, ''La fille mal gardée'', one of the most enduring and popular works of the ballet repertoire. Dauberval was trained at the school of the Paris Opéra where he studied under the great Jean-Georges Noverre. He was appointed ''premier danseur'' of the ballet of the Académie Royale de Musique in 1763, and, in 1771, he was named ballet master. From 1781 until 1783, he was engaged as ''Maître de Ballet'' to the Académie, and in 1783–84 season in London's King's Theatre. In 1783, Dauberval moved to Bordeaux, where he accepted the post of ''maître de ballet'' to the Grand Théâtre de Bordeaux, a position he held until 1791. In 1789, Dauberval created his most enduring ballet, ''La Fille mal gardée'', in which his wife, the dancer Marie-Madeleine Crespé, who is known to his ...
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Royal Swedish Ballet
The Royal Swedish Ballet is one of the oldest ballet companies in Europe. Based in Stockholm, Sweden, Gustav III of Sweden, King Gustav III founded the ballet in 1773 as a part of his national cultural project in response to the French and Italian dominance in this field; he also founded the Royal Swedish Opera and the Royal Dramatic Theatre. All of these were initially located in the old theatre of Bollhuset. The troupe was founded with the opening of the Royal Swedish Opera, which has served as its home since that time. History In 1773, the cultural professions of acting, opera-singing and ballet-dancing in Sweden were all performed by foreign troupes. The first ballet performance was performed at the Swedish court when the French ballet troupe of Antoine de Beaulieu was hired at the court of Queen Christina of Sweden, Queen Christina in 1638, and the first Public ballet performance were performed by the foreign theatre troupes at the theatre of Bollhuset later the same centu ...
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Louis Gallodier
Louis Gallodier (c. 1734 – 6 June 1803) was a French ballet dancer and choreographer who spent the majority of his career in Sweden, where he was to have a great importance for the development of the ballet in Sweden as the ballet master of the Royal Swedish Ballet. Biography and career Louis Gallodier was born in France circa 1734. He was employed at the opera Opéra-Comique in Paris from 1756. As a dancer, he was a student of Jean-Georges Noverre. In 1758, he was hired as a member of the French Du Londel Troupe, which performed in the theatre of Bollhuset in Stockholm and in the court theatres Drottningholm Palace Theatre and Confidencen. When the French troupe was fired in 1771 by Gustav III of Sweden, who wanted to found a national stage with native actors, the dancers of the French theatre were excluded from being fired. When the Swedish Royal Ballet was founded in 1773, several of them, such as the ballerina Ninon Dubois le Clerc, was to be a part of its first trou ...
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Narrative Ballet
A narrative ballet, also known as classical ballet or story ballet is a form of ballet that has a plot and characters. It is typically a production with full sets and costumes. It was an invention of the eighteenth century. Most romantic and classical ballets of the 19th century were narrative ballets. Among the most well known are ''Swan Lake'', '' The Sleeping Beauty'', and ''Cinderella''. For these and other classic narrative ballets it is common for ballet directors to create their own choreography, while maintaining the plot and music used by the original 19th-century choreographer. Kenneth MacMillan and Frederick Ashton were neoclassical ballet choreographers that created original narrative ballets in the 20th century. Plots frequently revolve around intense love, expression, fantasy, and tragedy. The most popular classic ballets are based on fairytales and magical myths. For example, in ''Swan Lake'', the main character Odette is put under a spell by an evil sorcerer ...
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Ballet D'action
Ballet d'action is a hybrid genre of expressive and symbolic ballet Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of ... that emerged during the 18th century. One of its chief aims was to liberate the conveyance of a story via spoken or sung words, relying simply on quality of movement to communicate actions, motives, and emotions. The expression of dancers was highlighted in many of the influential works as a vital aspect of the ballet d'action. To become an embodiment of emotion or passion through free expression, movement, and realistic choreography was one chief aim of this dance. Thus, the mimetic aspect of dance was used to convey what the lack of dialogue could not. Certainly, there may have been codified gestures; however, a main tenant of the ballet d'action was to free dance f ...
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