Bagpipe Makers
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Bagpipe Makers
Bagpipes are a woodwind instrument using enclosed reeds fed from a constant reservoir of air in the form of a bag. The Great Highland bagpipes are well known, but people have played bagpipes for centuries throughout large parts of Europe, Northern Africa, Western Asia, around the Persian Gulf and northern parts of South Asia. The term ''bagpipe'' is equally correct in the singular or the plural, though pipers usually refer to the bagpipes as "the pipes", "a set of pipes" or "a stand of pipes". Bagpipes are part of the aerophone group because to play the instrument you must blow air into it to produce a sound. Construction A set of bagpipes minimally consists of an air supply, a bag, a chanter, and usually at least one drone. Many bagpipes have more than one drone (and, sometimes, more than one chanter) in various combinations, held in place in stocks—sockets that fasten the various pipes to the bag. Air supply The most common method of supplying air to the bag is ...
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Aerophone
An aerophone is a musical instrument that produces sound primarily by causing a body of air to vibrate, without the use of strings or membranes (which are respectively chordophones and membranophones), and without the vibration of the instrument itself adding considerably to the sound (or idiophones). According to Curt Sachs: These may be lips, a mechanical reed, or a sharp edge. Also, an aerophone may be excited by percussive acts, such as the slapping of the keys of a flute or of any other woodwind. A free aerophone lacks the enclosed column of air yet, "cause a series of condensations and rarefications by various means." Overview Aerophones are one of the four main classes of instruments in the original Hornbostel–Sachs system of musical instrument classification, which further classifies aerophones by whether or not the vibrating air is contained within the instrument. The first class (41) includes instruments which, when played, do ''not'' contain the vibrating air. ...
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Hieronymus Bosch 068
Hieronymus, in English pronounced or , is the Latin form of the Ancient Greek name (Hierṓnymos), meaning "with a sacred name". It corresponds to the English given name Jerome. Variants * Albanian: Jeronimi * Arabic: جيروم (Jerome) * Basque: Jeronimo * Belarusian: Еранім (Yeranim) * Bulgarian: Йероним (Yeronim) * Catalan: Jeroni * Written Chinese: 希罗尼穆斯 ** Chinese Pinyin: xī luó ní mù sī * Croatian: Jeronim * Czech: Jeroným, Jeronýmus (archaic) * Danish: Hieronymus * Dutch: Hiëronymus, Jeroen * English: Jerome, Hieronymus, Geromy, Rhonemus, Geronimo * Esperanto: Hieronimo * Estonian: Hieronymus * Finnish: Hieronymus * Flemish: Jerom * French: Jérôme, Gérôme * Galician Xerome * German: Hieronymus * Ancient Greek : (Hierṓnymos) * Modern Greek: Ιερώνυμος (Ierónymos) * Hebrew: הירונימוס (Hieronymus) * Hungarian: Jeromos * Indonesian: Hieronimus * Interlingua: Jeronimo * Italian: Girolamo, Gerolamo, Geronim ...
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Musette Bechonnet
The musette bechonnet is a type of bellows-blown French bagpipe which takes its name from its creator, Joseph Bechonnet (1820-1900 AD) of Effiat.''Auvergne''. Pierre-François Aleil, Pierre Bonnaud, Eric Bordessoule, Caroline Roux, Pierre Charbonnier. Christine Bonneton, 2005. , Pg 146/ref> The musette bechonnet typically has three drones, and its hide bag covered by an ornamented cloth bag. References {{reflist External linksBechonnet.com Bagpipes French musical instruments ...
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Musette De Cour
The musette de cour or baroque musette is a type of Baroque bagpipe. Visually, the musette is characterised by the short, cylindrical shuttle-drone and the two chalumeaux. Both the chanters and the drones have a cylindrical bore and use a double reed, giving a quiet tone similar to the oboe. The instrument is blown by a bellows. The qualification "de cour" does not appear in the name for the instrument in original musical scores; title-pages usually refer to it simply as a ''musette'', allowing occasional confusion with the piccolo oboe, also known as the (oboe) musette. History First appearing in France, at the very end of the sixteenth century, the musette was refined over the next hundred years by a number of instrument-making families. The best-known contributions came from the Hotteterre family:chiefly Martin, responsible for the ''petit chalumeau'', and his son Jacques who published a complete ''Méthode'' Martin Hotteterre added a second chanter, the ''petit chalumeau ...
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Pastoral Pipes
The pastoral pipe (also known as the hybrid union pipes, organ pipe and union pipe) was a bellows-blown bagpipe, widely recognised as the forerunner and ancestor of the 19th-century union pipes, which became the uilleann pipes of today.Brian. E. McCandless. “The Pastoral Bagpipe” Iris na bPiobairi (The pipers review) 17 (Spring 1998), 2: p. 19-28.P Roberts 'Unravelling the History of the Uilleann Pipes', Common Stock. vol no2 pp11-16 (1984) Similar in design and construction, it had a foot joint in order to play a low leading note and plays a two octave chromatic scale. There is a tutor for the "Pastoral or New Bagpipe" by J. Geoghegan, published in London in 1745. It had been considered that Geoghegan had overstated the capabilities of the instrument, but a study on surviving instruments has shown that it did indeed have the range and chromatic possibilities which he claimed. History This bagpipe was commonly played in the Lowlands of Scotland, Northern England and Ireland ...
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Northumbrian Smallpipes
The Northumbrian smallpipes (also known as the Northumbrian pipes) are bellows-blown bagpipes from Northeastern England, where they have been an important factor in the local musical culture for more than 250 years. The family of the Duke of Northumberland have had an official piper for over 250 years. The Northumbrian Pipers' Society was founded in 1928, to encourage the playing of the instrument and its music; Although there were so few players at times during the last century that some feared the tradition would die out, there are many players and makers of the instrument nowadays, and the Society has played a large role in this revival. In more recent times the Mayor of Gateshead and the Lord Mayor of Newcastle upon Tyne, Newcastle have both established a tradition of appointing official Northumbrian pipers. In a survey of the bagpipes in the Pitt Rivers Museum, Oxford University, the organologist Anthony Baines wrote: "It is perhaps the most civilized of the bagpipes, mak ...
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Scottish Smallpipes
The Scottish smallpipe is a bellows-blown bagpipe re-developed by Colin Ross and many others, adapted from an earlier design of the instrument. There are surviving bellows-blown examples of similar historical instruments as well as the mouth-blown Montgomery smallpipes, dated 1757, which are held in the National Museum of Scotland. Some instruments are being built as direct copies of historical examples, but few modern instruments are directly modelled on older examples; the modern instrument is typically larger and lower-pitched. The innovations leading to the modern instrument, in particular the design of the reeds, were largely taken from the Northumbrian smallpipes. Although there is evidence of small pipes dating back to 15th century, in its current form it is perhaps the youngest bagpipe with widespread popularity, having only existed in this form since the early 1980s. Characteristics Scottish smallpipes are distinguished from the Northumbrian smallpipes by the open en ...
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Border Pipes
The border pipes are a type of bagpipe related to the Scottish Great Highland Bagpipe. It is perhaps confusable with the Scottish smallpipe, although it is a quite different and much older instrument. Although most modern Border pipes are closely modelled on similar historic instruments, the modern Scottish smallpipes are a modern reinvention, inspired by historic instruments but largely based on Northumbrian smallpipes in their construction. The name, which is modern, refers to the Anglo-Scottish Border region, where the instrument was once common, so much so that many towns there used to maintain a piper. The instrument was found much more widely than this, however; it was noted as far north as Aberdeenshire, south of the Border in Northumberland and elsewhere in the north of England. Indeed, some late 17th-century paintings, such as a tavern scene by Egbert van Heemskerck, probably from south-eastern England, show musicians playing such instruments. Other names have been u ...
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Uilleann Pipes
The uilleann pipes ( or , ), also known as Union pipes and sometimes called Irish pipes, are the characteristic national bagpipe of Ireland. Their current name is a partial translation of the Irish language terms (literally, "pipes of the elbow"), from their method of inflation. There is no historical record of the name or use of the term ''uilleann pipes'' before the 20th century. It was an invention of W. H. Grattan Flood, Grattan Flood and the name stuck. People mistook the term 'union' to refer to the Acts of Union 1800, 1800 Act of Union; however, this is incorrect as Breandán Breathnach points out that a poem published in 1796 uses the term 'union'. The bag of the uilleann pipes is inflated by means of a small set of bellows strapped around the waist and the right arm (in the case of a right-handed player; in the case of a left-handed player the location and orientation of all components are reversed). The bellows not only relieve the player from the effort needed t ...
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Cauld Wind Pipes (other)
Cauld wind pipes is a Scottish term referring to any Scottish bagpipe that is bellows-blown rather than blown with the mouth. Such pipes include: *Border pipes *Pastoral pipes *Scottish smallpipes The Scottish smallpipe is a bellows-blown bagpipe re-developed by Colin Ross and many others, adapted from an earlier design of the instrument. There are surviving bellows-blown examples of similar historical instruments as well as the mouth-bl ... {{disambig Bagpipes Scottish musical instruments ...
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17th Century
The 17th century lasted from January 1, 1601 (represented by the Roman numerals MDCI), to December 31, 1700 (MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded ro ...
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16th Century
The 16th century began with the Julian calendar, Julian year 1501 (represented by the Roman numerals MDI) and ended with either the Julian or the Gregorian calendar, Gregorian year 1600 (MDC), depending on the reckoning used (the Gregorian calendar introduced a lapse of 10 days in October 1582). The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the Copernican heliocentrism, heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the SN 1572, 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion of the new sciences, invented the first ...
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