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Bolero (Spanish Dance)
Bolero is a Spanish dance in 3/4 time popular in the late 18th and early 19th centuries. It originated from the seguidilla sometime between 1750 and 1772, and it became very popular in Madrid, La Mancha, Andalusia and Murcia in the 1780s. Bolero was performed as a solo or partner dance with a moderately slow tempo, accompanied by guitar and castanets, and with lyrics in the form of the seguidilla. Sebastián Cerezo was credited by as one of the earliest and best dancers of the genre. According to Zamácola y Ocerín, Cerezo danced slowly and his particular way of dancing marked the definitive transition from seguidilla to bolero (from ''voleo'', cf. ''vuelo'', "flight"). This original slow way of dancing was promoted by Murcian dancer Requejo around 1800 in response to the faster style of bolero dancing that had become popular over the years. The dance became obsolete in the mid-19th century, but survived in an academic tradition known as the escuela bolera, which influenced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Cabral Bejarano
Antonio Cabral Bejarano (31 October 1798 – 1 August 1861) was a Spanish painter, considered to be an adherent of both the Europe-wide Romantic painting and the specifically Hispanic painting school of Costumbrismo. His ancestors for several earlier generations were painters, and he was initially trained by his father. He was mainly active in his native city of Seville, getting many commissions from its municipal government. He was the first Director of the Museum of Fine Arts of Seville. Early life He was born in Seville. His great-grandfather was the painter Diego Bejarano. He had a daughter named Maria Bejarano, who married Pedro Cabral. From this marriage was born the painter Joaquin Cabral Bejarano, a well-known painter of neoclassic style. In 1785 Joaquín married Escolástica Pérez Junquitu Fernández. It was of this marriage that Antonio Cabral Bejarano was born in 1798. Being baptized in the church of San Pedro as Antonio Joaquín María de Todos los Santos Ignacio d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boléro (Chopin)
The ''Boléro'', Op. 19, is a short piano work written by Frédéric Chopin in 1833 and published in 1834. It is one of his lesser-known piano pieces, although it has been recorded numerous times. Structure The overall key of the ''Boléro'' is difficult to establish. It was often listed as ''Boléro in C major - A minor'', as the work opens with three unison octaves in G ( dominant chords of C major) in ''fortissimo'', then a lengthy introduction in C major, moving to A minor (the relative minor of C major) for the Boléro proper. This is interrupted by sections in A major, A-flat major and B-flat minor before returning to A minor. It ends triumphantly in A major (parallel major of A minor). Composition The work was dedicated to the Scottish-born but half-French Mademoiselle la Comtesse Émilie de Flahaut, then aged only 14, and a pupil of Chopin's. She was later to become Countess of Shelburne. The apparent inspiration for the ''Boléro'' was Chopin's friendship with the F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léo Delibes
Clément Philibert Léo Delibes (; 21 February 1836 – 16 January 1891) was a French Romantic music, Romantic composer, best known for his ballets and French opera, operas. His works include the ballets ''Coppélia'' (1870) and ''Sylvia (ballet), Sylvia'' (1876) and the opera ''Lakmé'' (1883), which includes the well-known "Flower Duet". Born into a musical family, Delibes enrolled at France's foremost music academy, the Conservatoire de Paris, when he was twelve, studying under several professors including Adolphe Adam. After composing light comic opérettes in the 1850s and 1860s, while also serving as a church organist, Delibes achieved public recognition for his music for the ballet ''La source (Saint-Léon), La Source'' in 1866. His later ballets ''Coppélia'' and ''Sylvia'' were key works in the development of modern ballet, giving the music much greater importance than previously. He composed a small number of mélodies, some of which are still performed frequently. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri De Toulouse-Lautrec
Comte Henri Marie Raymond de Toulouse-Lautrec-Monfa (24 November 1864 – 9 September 1901) was a French painter, printmaker, draughtsman, caricaturist and illustrator whose immersion in the colourful and theatrical life of Paris in the late 19th century allowed him to produce a collection of enticing, elegant, and provocative images of the sometimes decadent affairs of those times. Born into the aristocracy, Toulouse-Lautrec broke both his legs around the time of his adolescence and, due to the rare condition Pycnodysostosis, was very short as an adult due to his undersized legs. In addition to his alcoholism, he developed an affinity for brothels and prostitutes that directed the subject matter for many of his works recording many details of the late-19th-century bohemian lifestyle in Paris. Toulouse-Lautrec is among the painters described as being Post-Impressionists, with Paul Cézanne, Vincent van Gogh, Paul Gauguin, and Georges Seurat also commonly consider ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chilpéric (operetta)
''Chilpéric'' () is an ''opéra bouffe'' with libretto and music by Hervé, first produced in Paris on 24 October 1868 at the Théâtre des Folies-Dramatiques. A burlesque of the medieval, ''Chilpéric'' starred Hervé in the title role. During a successful revival of the operetta at the Théâtre des Variétés in Paris in 1895, Henri Toulouse-Lautrec painted Marcelle Lender performing a bolero from the operetta in his painting ''Chilpéric''. Roles Background Hervé had written one act operettas for many years, which due to the licensing system in Paris until 1858 was all that was allowed for the theatres where his works were presented. In 1858 this restriction was removed and his first full-length ''opéra bouffe'' '' Les chevaliers de la Table Ronde'' was produced at the Théâtre des Bouffes Parisiens in 1866 with great success. This was followed by '' L'œil crevé'' ("The pierced eye") at the Théâtre des Folies-Dramatiques in 1867, also a success, so the theatre a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hervé (composer)
Louis-Auguste Florimond Ronger (30 June 1825 – 4 November 1892), who used the pseudonym Hervé (), was a French singer, composer, librettist, conductor and scene painter, whom Ernest Newman, following Reynaldo Hahn, credited with inventing the genre of operetta in Paris. Life Hervé was born in Houdain near Arras. Part Spanish by birth, he became a choirboy at the Church of Saint-Roch, Paris. His musical promise was noted, and he was enrolled in the Conservatoire and studied with Daniel Auber, and by the age of fifteen was serving as organist at Bicêtre Hospital and a stage vocalist in provincial theatres, where he trained his fine tenor voice. He won a competition in 1845 for the prestigious Paris post of organist at the Church of Saint-Eustache, while he doubled with his theatrical music career, a situation that he turned to advantage years later, in his most famous work, '' Mam'zelle Nitouche''. Before he became musical director of the Théâtre du Palais Royal i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis James Alfred Lefébure-Wély , names sometimes translated to English as "Louis"
{{disambiguation ...
Louis may refer to: * Louis (coin) * Louis (given name), origin and several individuals with this name * Louis (surname) * Louis (singer), Serbian singer * HMS ''Louis'', two ships of the Royal Navy See also Derived or associated terms * Lewis (other) * Louie (other) * Luis (other) * Louise (other) * Louisville (other) * Louis Cruise Lines * Louis dressing, for salad * Louis Quinze, design style Associated names * * Chlodwig, the origin of the name Ludwig, which is translated to English as "Louis" * Ladislav and László - names sometimes erroneously associated with "Louis" * Ludovic, Ludwig, Ludwick, Ludwik Ludwik () is a Polish given name. Notable people with the name include: * Ludwik Czyżewski, Polish WWII general * Ludwik Fleck (1896–1961), Polish medical doctor and biologist * Ludwik Gintel (1899–1973), Polish-Israeli Olympic soccer playe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Guitar
The classical guitar (also known as the nylon-string guitar or Spanish guitar) is a member of the guitar family used in classical music and other styles. An acoustic wooden string instrument with strings made of gut or nylon, it is a precursor of the modern acoustic and electric guitars, both of which use metal strings. Classical guitars derive from the Spanish vihuela and gittern of the fifteenth and sixteenth century. Those instruments evolved into the seventeenth and eighteenth-century baroque guitar—and by the mid-nineteenth century, early forms of the modern classical guitar. For a right-handed player, the traditional classical guitar has twelve frets clear of the body and is properly held up by the left leg, so that the hand that plucks or strums the strings does so near the back of the sound hole (this is called the classical position). However, the right-hand may move closer to the fretboard to achieve different tonal qualities. The player typically holds the left ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julián Arcas
Julián Arcas (25 October 1832 – 16 February 1882) was a Spanish classical guitarist and composer, who influenced Francisco Tárrega and Antonio de Torres. He was "one of the most important figures in Spanish music in the 19th century". Biography Arcas was born in María, Almería, and died in Antequera, Malaga. From 1860 until 1872, he performed all over Europe. The young Francisco Tárrega listened to him in 1863 in Castellón and played for him after the performance, on the request of Tárrega's father. Arcas then invited Tárrega to study with him in Barcelona. Between 1864 and 1870, Arcas performed all over Spain, in some of these appearances partnering with a pianist called Patanas, after which he retired to Almería, establishing a business in Calle Granada.Summerfield (2002), p. 37. Arcas wrote fifty-two original works and transcribed thirty further pieces for the guitar, including waltzes, variations, preludes and dances. Thirty were published in Barcelona by Vidal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Vespri Siciliani
''I vespri siciliani'' (; ''The Sicilian Vespers'') is a five-act Italian opera originally written in French for the Paris Opéra by the Italian romantic composer Giuseppe Verdi and translated into Italian shortly after its premiere in June 1855. Under its original title, '' Les vêpres siciliennes'', the libretto was prepared by Eugène Scribe and Charles Duveyrier from their work ''Le duc d'Albe'', which was written in 1838 and offered to Halévy and Donizetti before Verdi agreed to set it to music in 1854.Everist, p. 12 The story is loosely based on a historical event, the Sicilian Vespers of 1282, using material drawn from the medieval Sicilian tract '' Lu rebellamentu di Sichilia''. After its June 1855 Paris premiere, an Italian libretto was quickly prepared using a new title because Verdi realized that it would have been impossible to place the story in Sicily. Based on Scribe's suggestions for changing the location,Budden, pp. 238–240 it became Portugal in 1640 while ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
