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Basilica Of San Domenico, Siena
The Basilica of San Domenico, also known as Basilica Cateriniana, is a basilica church in Siena, Tuscany, Italy, one of the most important in the city. Overview The church was begun in 1226–1265, but was enlarged in the 14th century resulting in the Gothic appearance it has now. However, aspects of the Gothic structure were subsequently destroyed by fires in 1443, 1456 and 1531, and further damage later resulted from military occupation (1548–1552). It is a large edifice built, like many contemporary edifices of the mendicant orders, in bricks, with a lofty bell tower on the left (this was reduced in height after an earthquake in 1798). The interior is on the Egyptian cross plan with a huge nave covered by trusses and with a transept featuring high chapels. The church contains several relics of St. Catherine of Siena, whose family house is nearby. Interior Cappella delle Volte This is an old oratory of the Dominican nuns, connected to numerous episode of sanctity of Cat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rutilio Manetti
Rutilio di Lorenzo Manetti (c. 1571 – 22 July 1639) was an Italian painter of late-Mannerism or proto-Baroque, active mainly in Siena. Biography He was influenced and/or taught by the local artists Francesco Vanni and Ventura Salimbeni. He is known to have collaborated with Raffaello Vanni, the son of Francesco. Among his masterpieces are his contributions to the Casino Mediceo, which he worked alongside Matteo Rosselli, Giovanni Lanfranco, and Cesare Dandini. One of his pupils or followers is Stefano Volpi. He is known for the following works in Siena or nearby towns: ''Story of St Catherine and Pope Gregory'' (1597; Palazzo Pubblico), ''Baptism of Christ'' (1600; church of San Giovannino in Pantaneto); a fresco cycle of the ''Story of St Roch'' (1605–1610; San Rocco alla Lupa), ''Pope Alexander I freed from prison by an Angel'' from San Giovanni Battista in Sant'Ansano in Greti; a ''Temptation of Saint Anthony'' (1620, Sant'Agostino); a ''Rest on the Flight to Egypt'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guido Da Siena
Guido of Siena, was an Italian painter, active during the 13th-century in Siena, and painting in an Italo-Byzantine style. Biography The name Guido is known from the large panel in the church of San Domenico, Siena of th''Virgin and Child Enthroned'' The rhymed Latin inscription gives the painter's name as ''Guido de Senis'', with the date 1221. However, this date cannot relate to the painting of the panel, which is usually dated on the basis of style to the 1270s. The faces of the Virgin and Child were scraped and repainted in the early 14th century in the manner of Duccio and so are not representative of Guido's original. A dossal featuring the Virgin and Child with four saints (accession No. 7) in the Siena Pinacoteca has an identical inscription, but unfortunately the name before "de Senis" has been cut off. It is very often assumed that the missing name is Guido, and gives us some indication of the original appearance of the Madonna at San Domenico. Beyond this, little is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raffaello Vanni
Raffaello Vanni (1590 ca-1673) was an Italian painter of the Baroque. Biography He was born at Siena. He first trained with his father, Francesco Vanni, who died in 1610. He was afterwards sent to Rome, and recommended to the care of Antonio Carracci. He became a follower of the style of Pietro da Cortona. He painted a ''Birth of the Virgin'' for Santa Maria della Pace. He also painted two lunette paintings for Santa Maria del Popolo representing ''The royal ancestors of the Virgin'' and ''The sacerdotal ancestors of the Virgin'' in 1653.Christina Strunck: Bellori und Bernini rezipieren Raffael. Unbekannte Dokumente zur Cappella Chigi in Santa Maria del Popolo, Marburger Jahrbuch für Kunstwissenschaft 30. Bd. (2003), p. 149 These oil on wood panels were placed above the tombs of Agostino and Sigismondo Chigi in the Chigi Chapel. A ''Marriage of S. Catharine'' by him is in the Pitti Palace, and other pictures at Siena and Pisa. He was a member of the Accademia di San Luca T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Rustici
Francesco Rustici, called Il Rustichino (Siena, 1592 – Siena, 1626) was an Italian painter active in Siena. He worked on commissions for the local churches as well as from the Grand-Dukes of Tuscany. In his work he shows a preference for nocturnal effects which reveals the influence of Caravaggio and his followers, the so-called Caravaggisti. Life Francesco Rustici was born in Siena in 1592 as the scion of an artistic family. His father Vincenzo Rustici as well as his uncle Cristoforo Rustici and his mother's brother Alessandro Casolani were all prominent painters active in Siena.Ladislav Daniel, ''The Florentines: art from the time of the Medici grand dukes'', Exhibition catalogue: Prague, Waldstein Riding School Gallery, 16.5.-18.8.2002, Olomouc, Museum of Arts, 26.9.-5.1.2003, Cheb, Gallery of Fine Arts, 14.2.-6.4.2003, published by National Gallery in Prague, 2002, p. 92 He trained with his father who was the chief collaborator in the workshop of his brother-in-law Al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardino Fungai
Bernardino Fungai (1460– c. 1516) was an Italian painter whose work marks the transition from late Gothic painting to the early Renaissance in the Sienese school.Biography of Bernardino Fungai at the Getty Museum He maintained a fairly archaic style in his works, which are mainly of a devotional nature.Paolo Moreno, Chiara Stefani, ''Galleria Borghese'' Ediz. Inglese, Touring Editore, 2000, p. 290 Life [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matteo Di Giovanni
Matteo di Giovanni (c. 1430 – 1495) was an Italian Renaissance artist from the Sienese School. Biography Matteo di Giovanni di Bartolo was born in Borgo Sansepolcro around 1430. His family relocated to Siena and he is firmly associated with the art of that city. Matteo was twice married—first in 1463 to a wealthy noble woman and, after her death, to a rich widow, who made it possible for Matteo to buy real estate and by whom he fathered many children. Documentation concerning the early phases of Matteo's life and career as an artist is scanty and nothing is recorded about his apprenticeship. Left to conjecture, we might imagine him as having been trained in the workshop of sculptor/painter Lorenzo di Pietro, better known as Vecchietta but he clearly was influenced by Stefano di Giovanni, called Sassetta and Domenico di Bartolo. The miniaturist Girolamo da Cremona and the Florentine painter Antonio del Pollaiuolo also seemed to have contributed to Matteo's distinctive styl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lunette
A lunette (French ''lunette'', "little moon") is a half-moon shaped architectural space, variously filled with sculpture, painted, glazed, filled with recessed masonry, or void. A lunette may also be segmental, and the arch may be an arc taken from an oval. A lunette window is commonly called a ''half-moon window'', or fanlight when bars separating its panes fan out radially. If a door is set within a round-headed arch, the space within the arch above the door, masonry or glass, is a lunette. If the door is a major access, and the lunette above is massive and deeply set, it may be called a tympanum. A lunette is also formed when a horizontal cornice transects a round-headed arch at the level of the imposts, where the arch springs. If the top of the lunette itself is bordered by a hood mould it can also be considered a pediment. The term is also employed to describe the section of interior wall between the curves of a vault and its springing line. A system of intersectin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Lorenzetti
Pietro Lorenzetti (; – 1348) or Pietro Laurati was an Italian painter, active between c. 1306 and 1345. Together with his younger brother Ambrogio, he introduced naturalism into Sienese art. In their artistry and experiments with three-dimensional and spatial arrangements, the brothers foreshadowed the art of the Renaissance. Overview Little is known of Lorenzetti's life other than that he was (putatively) born in Siena in the late 13th century (c. 1280/90), died there (possibly) in 1348 a victim of the first Black Death pandemic then devastating Europe, and had a younger brother, Ambrogio, also an artist. That the men were brothers was unknown to Vasari because he misread Pietro's surname on a painting in Pistoia's church of San Francesco as "Laurati". Thus the kinship between the artists was missed. Pietro worked in Assisi, Florence, Pistoia, Cortona, and Siena, although the precise chronology is unknown. His work suggests the influence of Duccio (in whose studio he may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Di Giorgio
Francesco di Giorgio Martini (1439–1501) was an Italian architect, engineer, painter, sculptor, and writer. As a painter, he belonged to the Sienese School. He was considered a visionary architectural theorist—in Nikolaus Pevsner's terms: "one of the most interesting later Quattrocento architects". As a military engineer, he executed architectural designs and sculptural projects and built almost seventy fortifications for the Federico da Montefeltro, Count (later Duke) of Urbino, building city walls and early examples of star-shaped fortifications. Born in Siena, he apprenticed as a painter with Vecchietta. In panels painted for '' cassoni'' he departed from the traditional representations of joyful wedding processions in frieze-like formulas to express visions of ideal, symmetrical, vast and all but empty urban spaces rendered in perspective. He composed an architectural treatis''Trattato di architettura, ingegneria e arte militare'' the third of the Quattrocento, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Casolani
Alessandro Casolani (1552–1606) was an Italian painter of the late-Renaissance period, active mainly in Siena. Biography He was also called ''Alessandro della Torre''. He was born at Siena, and was the pupil of Ventura Salimbeni and of Cristoforo Roncalli. His works are principally in the churches of Siena, but are also found in Naples and Genoa. He also etched one plate, a Madonna. His son, Ilario Casolani was also a painter. Among the pupils of Casolani are Bernardino Capitelli, Sebastiano Folli, and Giovanni Biliverti. Works *Frescoes at Certosa di Pavia with Pietro Sorri Pietro Sorri (1558-1622) was an Italian painter active in Siena. Biography He first studied under Arcangelo Salimbeni (father of Ventura), and afterwards under Cavaliere Domenico Passignano, whom he accompanied to Venice. Several of his works ar ... References * * 1552 births 1606 deaths 16th-century Italian painters Italian male painters 17th-century Italian painters Painters from Siena ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stefano Volpi
Stefano Volpi or Volpe (c. 1585–1642) was an Italian painter from the early Baroque art period, mainly painting sacred subjects in Siena, Italy. According to Luigi Lanzi, he was either a pupil or collaborator with Rutilio Manetti. Volume 1, page 425. Among his works are paintings in the churches of Santi Quirico e Giulitta
The Roman Catholic titular church of Santi Quirico e Giulitta (Saints Quiricus and Julietta) in Rome is named after a son and mother who were martyred in 304 AD in Tarsus. The church is located in central Rome behind the Forum of Augustus. The add ... , [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_basilica_inferiore_di_assisi_(1310-1329).jpg "Click for more on -> Pietro Lorenzetti")
