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Brahma From Mirpur-Khas
The Brahma from Mirpur Khas is an important 5th or 6th century bronze or brass statue of the Hindu god Brahma made during the Gupta period in Sindh, in modern Pakistan. It is the earliest known metallic image of Brahma, and the only known representative of the school it represents. It has been described as "an immense artistic creation" of the Gupta period. It was found in a field near Mirpur-Khas as first reported by Henry Cousens in 1929. Some report it as having been found at Brahmanabad. It is now displayed at The National Museum of Pakistan in Karachi. Few metal statues this large have survived from Gupta art, and even fewer with a Hindu subject. Descriptions of the material vary, as is often the case with copper alloy objects; it is variously called bronze, brass, copper and gilt bronze. If it was gilded, little of this remains. Description The four-headed Brahma bronze statue has a height over 3 feet. Brahma is normally four-headed in free-standing sculpture, but ...
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National Museum Of Pakistan
The National Museum of Pakistan () is a public museum located in Karachi, Pakistan. History The National Museum of Pakistan was established in Frere Hall in 1951, replacing the defunct Victoria Museum. Frere Hall itself was built in 1865 as a tribute to Sir Bartle Frere, a commissioner of Sind during the 19th century. Once the museum was inaugurated the government of Pakistan constituted an advisory council in 1950 with a primary duty to counsel the museum on the issues of enriching its collection through new acquisitions and purchase of antiquities and works of arts. In 1959 F.A. Khan outlined a plan for a new museum in a purpose built modern building that would feature local materials in its construction. He expressed the hope that the museum would be 'truly representative of our great cultural heritage'. The museum was shifted to the present premises, located in Burns Garden, in 1970. Galleries In 1970 there were only four galleries in the museum. Over time the museum ...
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Relief
Relief is a sculpture, sculptural method in which the sculpted pieces remain attached to a solid background of the same material. The term ''wikt:relief, relief'' is from the Latin verb , to raise (). To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background Plane (geometry), plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires chiselling away of the background, which can be time-intensive. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the bac ...
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Bronze Sculptures
Bronze is the most popular metal for Casting (metalworking), cast metal sculptures; a cast bronze sculpture is often called simply "a bronze". It can be used for statues, singly or in groups, reliefs, and small statuettes and figurines, as well as bronze elements to be fitted to other objects such as furniture. It is often gilding, gilded to give gilt-bronze or ormolu. Common bronze alloys have the unusual and desirable property of expanding slightly just before they set, thus filling the finest details of a mould. Then, as the bronze cools, it shrinks a little, making it easier to separate from the mould. Their strength and wikt:ductility, ductility (lack of brittleness) is an advantage when figures in action poses are to be created, especially when compared to various ceramic or stone materials (such as marble sculpture). These qualities allow the creation of extended figures, as in ''Jeté'', or figures that have small cross sections in their support, such as the Richard ...
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Sindhi Culture
The Culture of Sindh () has its roots in the Indus Valley civilization. Sindh has been shaped by the largely desert region, the natural resources it has available, and continuous foreign influence. The Indus or Sindhu River, which passes through the land, and the Arabian Sea (Which defines its borders) also supported the seafaring traditions among the local people. The local climate also reflects why the Sindhis have a language, folklore, traditions, customs, and lifestyle that are so different from the neighbouring regions. The Sindhi culture is also practised by the Sindhi diaspora. History The roots of Sindhi culture go back to the distant past. Archaeological research during the 19th and 20th centuries showed the roots of social life, religion, and culture of the people of the Sindh: their agricultural practises, traditional arts and crafts, customs and traditions, and other parts of social life, going back to a mature Indus Valley Civilization of the third millennium BC. ...
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Hindu Gods In Art
Hindus (; ; also known as Sanātanīs) are people who religiously adhere to Hinduism, also known by its endonym Sanātana Dharma.Jeffery D. Long (2007), A Vision for Hinduism, IB Tauris, , pp. 35–37 Historically, the term has also been used as a geographical, cultural, and later religious identifier for people living in the Indian subcontinent. It is assumed that the term ''"Hindu"'' traces back to Avestan scripture Vendidad which refers to land of seven rivers as Hapta Hendu which itself is a cognate to Sanskrit term ''Sapta Sindhuḥ''. (The term ''Sapta Sindhuḥ'' is mentioned in Rig Veda and refers to a North western Indian region of seven rivers and to India as a whole.) The Greek cognates of the same terms are "''Indus''" (for the river) and "''India''" (for the land of the river). Likewise the Hebrew cognate ''hōd-dū'' refers to India mentioned in Hebrew BibleEsther 1:1. The term "''Hindu''" also implied a geographic, ethnic or cultural identifier for people li ...
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Pakistani Art
Pakistani art () has a long tradition and history. It consists of a variety of art forms, including painting, sculpture, calligraphy, pottery, and textile arts such as woven silk. It shares features with Indian subcontinental art. History Painting After independence in 1947, there were only two major art schools in Pakistan - the Mayo School of Art and the Department of Fine Arts at the Punjab University. Early pioneers of Pakistani art include Abdur Rahman Chughtai who painted with Mughal and Islamic styles, and Ahmed Parvez who was among the early modernists of Pakistan. A prominent recent figure in Pakistani visual arts was the Karachi-based watercolourist Qudsia Azmat Nisar, who died in 2021. Over a career spanning nearly five decades, she educated and mentored thousands of students and emerging artists across the country. Calligraphy In the 1960s and 1970s, calligraphic styles emerged in Pakistan, with notable artists being Iqbal Geoffrey and Sadequain. The Kara ...
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Kahu-Jo-Darro
Kahu-Jo-Darro, also known as Mirpur Khas stupa, is an ancient Buddhist stupa found at the Mirpurkhas archaeological site in Sindh, Pakistan. The site is spread over . Excavations completed before 1910 revealed this large brick-based stupa and numerous terracotta reliefs now displayed in major world museums.Relief Panel: 5th century - 6th Century from Mirpur Khas Pakistan
Victoria & Albert Museum, UK
The Mirpur Khas site is notable because historic Indian and Arab coins were found during its excavation. This has led scholars such as Derryl MacLean to suggest that Buddhism was thriving in Sindh region around the 10th-century and became extinct in these parts of the west and northwest South Asia after the Islamic conquest. Early estimates placed th ...
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Akota Bronzes
The Akota Bronzes represent a rare and important set of 68 Jain images, dating to between the 6th and 12th centuries AD, which were found in the vicinity of Akota near Baroda in the Indian state of Gujarat. It includes rare Gupta period bronzes that have been widely used for comparison of Gupta period art. Akota (formerly Ankottaka) was a major centre of Jainism in the 5th century AD and is mentioned in texts. The hoard provides information on metallic art and development of metal technology during Gupta, post-Gupta and medieval period. Discovery The images were dug out sometime before June 1951. A University of Baroda professor brought five of them to archaeologist Umakant Premanand Shah for examination. Shah eventually purchased most of the images from local individuals and presented them to M. S. University of Baroda, which are now in the Baroda Museum. Only two of the images are dated. Shah dated the rest of them on palaeographic basis. They range from the 5th to 12 ...
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Sant Nenuram Ashram
Sant Nenuram Ashram is an Ashram located in Islamkot city in the Tharparkar District in the Sindh province of Pakistan. It is one of the most revered temples of the Hindu community in Pakistan. It is 45 km away from the district capital Mithi. The ashram is spread over a 10-acre land containing temples and resting places. The ashram was established by the Hindu saint Sant Nenuram. The Ashram provides food to hundreds of people every day irrespective of their religion and caste. The Sant Nenuram Mela- three day festival commemorating the death anniversary of Sant Nenuram is visited by a large number of Hindus and Muslims Description The Sant Neenu Ram was born in 1898 in the Islamkot. He was very inspired by the teachings of Hindu saint Poorun Bharti whose shrine is 7 km away from Islamkot. He spent years at that shrine and then came back to his Islamkot to spread the teachings of Pooran Bharti and built the ashram. He built a community kitchen in ashram to serve foo ...
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Chausa Hoard
The Chausa hoard is a collection of ancient Jain bronzes. It is named after the location of the discovery: Chausa (also known as Chausagarh), which is located in the Buxar district of Bihar state, India. History The Chausa hoard was the first known bronze hoard discovered in the Gangetic valley and consists of a set of 18 bronze sculptures. The oldest of such bronzes to be found in India, experts date them between the Shunga and the Gupta period, (from 2nd, or possibly the 1st century BC, to the 6th Century AD). In his classification of Jain bronzes, Patrick Krueger regards them to be early type, characterized by portrayal of a single Tirthankara without a parikara. Major Idols The hoard includes a Dharmachakra showing Dharmachakra supported by two yakshis supported by makaras; a kalpavriksha and sixteen tirthankaras. Among the tirthankaras, those of Rishabha are easily identified by the locks of hair.Indian bronze masterpieces: the great tradition : specially publishe ...
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Sultanganj Buddha
The Sultanganj Buddha is a Gupta– Pala transitional period sculpture, the largest substantially complete copper Buddha figure known from the time. The statue is dated to between 500 and 700 AD (but see below). It is 2.3 m high and 1 m wide, with a weight over 500 kg. It was found in the East Indian town of Sultanganj, Bhagalpur district, Bihar in 1861 during the construction of the East Indian Railway. It is now in the Birmingham Museum and Art Gallery, Birmingham, England. Over life-size, this is "the only remaining metal statue of any size" from Gupta art, out of what was at the time probably approximately as numerous a type as stone or stucco statues.Rowland, 237 The metal Brahma from Mirpur-Khas is older, but about half the size. The Jain Akota bronzes and some other finds are much smaller still, probably figures for shrines in well-off homes. In Lalitpur, Nepal the Guita Bahī monastery has a copper Buddha about 1.8 metres tall, of Nepali make and style, of a ...
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Yajnopavita
''Upanayana'' () is a Hindu educational sacrament, one of the traditional saṃskāras or rites of passage that marked the acceptance of a student by a preceptor, such as a ''guru'' or ''acharya'', and an individual's initiation into a school in Hinduism. Some traditions consider the ceremony as a spiritual rebirth for the child or future ''dvija'', twice born. It signifies the acquisition of the knowledge of and the start of a new and disciplined life as a brahmāchārya. The Upanayanam ceremony is arguably the most important rite for Brāhmaṇa, Kṣatriya, and Vaiśya males, ensuring his rights with responsibilities and signifying his advent into adulthood''.'' The tradition is widely discussed in ancient Samskṛta texts of Hinduism and varies regionally. The sacred thread or yajñopavīta (also referred to as ''Janeu'', ''Jandhyam'', ''Pūṇūl, Muñja and Janivara'' Yonya) has become one of the most important identifiers of the ''Upanayana'' ceremony in contemporary t ...
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