Bourrée
The bourrée (; ; also in England, borry or bore) is a dance of French origin and the words and music that accompany it. The bourrée resembles the gavotte in that it is in Duple and quadruple meter, double time and often has a dactyl (poetry), dactylic rhythm. However, it is somewhat quicker, and its Musical phrase, phrase starts with a quarter-bar anacrusis or "pick-up", whereas a gavotte has a half-bar anacrusis. In the Baroque dance, Baroque era, after the Academie de Dance was established by Louis XIV in 1661, the French court adapted the bourrée, like many such dances, for the purposes of concert dance. In this way it gave its name to a ballet step Glossary of ballet, characteristic of the dance, a rapid movement of the feet while en pointe or demi-pointe, and so to the sequence of steps called . The bourrée became an optional movement in the Suite (music), classical suite of dances, and Johann Sebastian Bach, J. S. Bach, George Frideric Handel, Handel and Fréd� ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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Bourrée D'Auvergne
The bourrée (; ; also in England, borry or bore) is a dance of French origin and the words and music that accompany it. The bourrée resembles the gavotte in that it is in double time and often has a dactylic rhythm. However, it is somewhat quicker, and its phrase starts with a quarter-bar anacrusis or "pick-up", whereas a gavotte has a half-bar anacrusis. In the Baroque era, after the Academie de Dance was established by Louis XIV in 1661, the French court adapted the bourrée, like many such dances, for the purposes of concert dance. In this way it gave its name to a ballet step characteristic of the dance, a rapid movement of the feet while en pointe or demi-pointe, and so to the sequence of steps called . The bourrée became an optional movement in the classical suite of dances, and J. S. Bach, Handel and Chopin wrote bourrées, not necessarily intending them to be danced. History The bourrée originates in Auvergne in France. It is sometimes called th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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Bourrée Dance Pattern 2
The bourrée (; ; also in England, borry or bore) is a dance of French origin and the words and music that accompany it. The bourrée resembles the gavotte in that it is in Duple and quadruple meter, double time and often has a dactyl (poetry), dactylic rhythm. However, it is somewhat quicker, and its Musical phrase, phrase starts with a quarter-bar anacrusis or "pick-up", whereas a gavotte has a half-bar anacrusis. In the Baroque dance, Baroque era, after the Academie de Dance was established by Louis XIV in 1661, the French court adapted the bourrée, like many such dances, for the purposes of concert dance. In this way it gave its name to a ballet step Glossary of ballet, characteristic of the dance, a rapid movement of the feet while en pointe or demi-pointe, and so to the sequence of steps called . The bourrée became an optional movement in the Suite (music), classical suite of dances, and Johann Sebastian Bach, J. S. Bach, George Frideric Handel, Handel and Fréd� ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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Bourrée Dance Pattern 1
The bourrée (; ; also in England, borry or bore) is a dance of French origin and the words and music that accompany it. The bourrée resembles the gavotte in that it is in double time and often has a dactylic rhythm. However, it is somewhat quicker, and its phrase starts with a quarter-bar anacrusis or "pick-up", whereas a gavotte has a half-bar anacrusis. In the Baroque era, after the Academie de Dance was established by Louis XIV in 1661, the French court adapted the bourrée, like many such dances, for the purposes of concert dance. In this way it gave its name to a ballet step characteristic of the dance, a rapid movement of the feet while en pointe or demi-pointe, and so to the sequence of steps called . The bourrée became an optional movement in the classical suite of dances, and J. S. Bach, Handel and Chopin wrote bourrées, not necessarily intending them to be danced. History The bourrée originates in Auvergne in France. It is sometimes called the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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Glossary Of Ballet
Because ballet became formalized in France, a significant part of ballet terminology is in the French language. A À la seconde () (Literally "to second") If a step is done "à la seconde", it is done to the side. 'Second position'. It can also be a balance extending one foot off the ground in ‘Second Position’. À la quatrième () One of the directions of body, facing the audience (''en face''), arms in second position, with one leg extended either to fourth position in front (''quatrième devant'') or fourth position behind (''quatrième derrière''). À terre () Touching the floor; on the floor. Adagio Italian, or French ''adage'', meaning 'slowly, at ease.' # Slow movements performed with fluidity and grace. # One of the typical exercises of a traditional ballet class, done both at barre and in center, featuring slow, controlled movements. # The section of a '' grand pas'' (e.g., '' grand pas de deux''), often referred to as ''grand adage'', that features dance part ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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Lautenwerck
The lautenwerck (also spelled lautenwerk), alternatively called lute-harpsichord (lute-clavier) or keyboard lute, is a European keyboard instrument of the Baroque music, Baroque period. It is similar to a harpsichord, but with Catgut, gut (sometimes nylon) rather than metal strings (except for the 4-foot register on some instruments), producing a mellow tone. The instrument was favored by J. S. Bach, who owned two of the instruments at the time of his death, but no specimens from the eighteenth century have survived to the present day. It has been revived since the twentieth century by harpsichord makers Willard Martin, Keith Hill, and Steven Sorli. Three of its most prominent performers are the early music specialists Gergely Sárközy, Wolfgang Rübsam, and Robert Hill (musician), Robert Hill. Media Performances by Gergely Sárközy also are freely available.IncludinBWV 996 - Prelude-PrestoanBWV 996 - Bourree both via Archive.org Notes References * External links [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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Suite (music)
A suite, in Western classical music, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes; and grew in scope so that by the early 17th century it comprised up to five dances, sometimes with a Prelude (music), prelude. The separate Movement (music), movements were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the Ottoman Classical Music, Turkish fasıl and the Arab music, Arab nuubaat. In the Baroque music, Baroque era, the suite was an important musical form, also known as ''Suite de danses'', ''Ordre'' (the term favored by François Couperin), ''Partita'', or ''Ouverture'' (after the theatrical "overture" which often included a series of dances) as with the orchestral suites of Christoph Graupner, Georg Philipp Telemann, Telemann and Johann Sebastian Bach, J.S. Bach. During the 18th century, the suite fell out of fav ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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Baroque Dance
Baroque dance is dance of the Baroque era (roughly 1600–1750), closely linked with Baroque music, theatre, and opera. English country dance The majority of surviving choreographies from the period are English country dances, such as those in the many editions of John Playford, Playford's ''The Dancing Master''. The descriptions in these various publications give the music, the formation, the number of dancers, and textual descriptions of the figures to be danced in relation to the musical bars, i.e. the floor patterns of the dances. There is only occasional indication of the steps used, presumably because they were well known. However, other sources of the period, such as the writings of the French dancing-masters Raoul Auger Feuillet, Feuillet and Lorin, indicate that steps more complicated than simple walking were used, at least some of the time. English country dance survived well beyond the Baroque era and eventually spread in various forms across Europe and its colonies, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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Clermont-Ferrand
Clermont-Ferrand (, , ; or simply ; ) is a city and Communes of France, commune of France, in the Auvergne-Rhône-Alpes regions of France, region, with a population of 147,284 (2020). Its metropolitan area () had 504,157 inhabitants at the 2018 census.Comparateur de territoire: Aire d'attraction des villes 2020 de Clermont-Ferrand (022), Unité urbaine 2020 de Clermont-Ferrand (63701), Commune de Clermont-Ferrand (63113) INSEE It is the Prefectures in France, prefecture (capital) of the Puy-de-Dôme departments of France, département. Olivier Bianchi is its current List of mayors of Clermont-Ferrand, mayor. Clermont-Ferrand sits on the plai ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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Sabot (shoe)
A sabot (, ) is a Clog (shoe), clog from France or surrounding countries such as The Netherlands, Belgium or Italy. Sabots are either whole-foot clogs or a heavy leather shoe with a wooden sole. Sabots were considered a work shoe associated with the lower classes in the 16th to 19th centuries. During this period, the years of the Industrial Revolution, the word ''Sabotage#Etymology, sabotage'' gained currency. An alleged etymology describes the actions of disgruntled workers who willfully damaged workplace machinery by throwing their sabots into the works. In truth, ''sabotage'' is derived from the noise and clumsiness associated with the wooden ''sabot'' shoe. The American artist Henry Ossawa Tanner settled in France and one of his paintings depicts sabot manufacture. The picture, ''The Young Sabot Maker'', is now on display in the Nelson-Atkins Museum of Art, Kansas City, Missouri. During World War II, 45,000 pairs of sabot were made in Jersey during the occupation of the isl ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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Branle
A branle ( , ), also bransle, brangle, brawl(e), brall(e), braul(e), brando (in Italy), bran (in Spain), or brantle (in Scotland), is a type of France, French dance popular from the early 16th century to the present, danced by couples in either a Line dance, line or a Circle dance, circle. The term also refers to the music and the characteristic step of the dance. History Beginnings and courtly adoption The name ''branle'' derives from the French verb ''branler'' (to shake, wave, sway, wag, wobble), referring to the side-to-side movement of a circle or chain of dancers holding hands or linking arms. Dances of this name are encountered from about 1500 and the term is used for dances still danced in France today. Before 1500, the only dance-related use of this word is the "swaying" step of the basse danse. The branle was danced by a chain of dancers, usually in couples, with linked arms or holding hands. The dance alternated a number of larger sideways steps to the left (often fo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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Clog Dance
A clog dance is performed whilst wearing clogs. The rigid nature of the clogs and their percussive sound when dancing on a hard surface has given rise to a number of distinct styles, including the following: * Clog dancing, a Welsh and Northern English step dance danced in clogs. * Welsh stepdance, a style of clog dancing unique to Wales. * Clogging, an American style which is not necessarily danced in clogs. * Klompendansen, a Dutch style of dance. * Morris dance, sometimes danced in clogs. * Tap dance Tap dance (or tap) is a form of dance that uses the sounds of tap shoes striking the floor as a form of percussion; it is often accompanied by music. Tap dancing can also be performed with no musical accompaniment; the sound of the taps is its ow ..., which developed in part out of clog dancing. Clogs (shoes) Dances {{Europe-dance-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |