Blessed City, Heavenly Salem
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Blessed City, Heavenly Salem
"Blessed city, heavenly Salem" is a Christian hymn. It was translated in 1851 by John Mason Neale from the text of the 6th- or 7th-century Latin monastic hymn '' Urbs beata Jerusalem''. It describes the prophetic vision of the New Jerusalem from the Bible. The first word is normally spoken or sung with disyllabic pronunciation as '' blessèd''. '' Salem'' is a poetic name for Jerusalem. Later stanzas of Neale's translation also gained popularity as a standalone hymn, "Christ is made the sure foundation", and the two hymns are sometimes published separately in hymnals. History The text of the hymn has it origins in an 8th-century hymn, '' Urbs beata Jerusalem''. It was translated in 1851 by the English clergyman and scholar, John Mason Neale as "Blessed City, heavenly Salem". In his ''Mediæval hymns and sequences'' (1863), Neale notes that the hymn was rewritten as ''Cœlestis Urbs Jerusalem'' under the reforms of the Roman Breviary by Pope Urban VIII – a reworking he conside ...
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Plainsong
Plainsong or plainchant (calque from the French ; ) is a body of chants used in the liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. Plainsong was the exclusive form of the Western Christian church music until the ninth century, and the introduction of polyphony. The monophonic chants of plainsong have a non-metric rhythm, which is generally considered freer than the metered rhythms of later Western music. They are also traditionally sung without musical accompaniment, though recent scholarship has unearthed a widespread custom of accompanied chant that transcended religious and geographical borders. There are three types of chant melodies that plainsongs fall into: syllabic, neumatic, and melismatic. The free flowing melismatic melody form of plainsong is still heard in Middle Eastern music being performed today. Although the Catholic Church and the Eastern Orthodox churches did not split u ...
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Pope Urban VIII
Pope Urban VIII (; ; baptised 5 April 1568 – 29 July 1644), born Maffeo Vincenzo Barberini, was head of the Catholic Church and ruler of the Papal States from 6 August 1623 to his death, in July 1644. As pope, he expanded the papal territory by force of arms and advantageous politicking, and was also a prominent patron of the arts, commissioning works from artists like Gian Lorenzo Bernini and a reformer of Church missions. His papacy also covered 21 years of the Thirty Years' War. The massive debts incurred during his pontificate greatly weakened his successors, who were unable to maintain the papacy's longstanding political and military influence in Europe. He was also an opponent of Copernicanism and was involved in the Galileo affair, which saw the astronomer tried for heresy. He is the last pope to date to take the papal name ''Urban''. Biography Early life Maffeo Vincenzo Barberini was born in April 1568, the son of Antonio Barberini, a Florentine nobleman, and C ...
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Heaven In Christianity
In Christianity, heaven is traditionally the location of the throne of God and the angels of God,Ehrman, Bart. Peter, Paul, and Mary Magdalene: The Followers of Jesus in History and Legend. Oxford University Press, USA. 2006. and in most forms of Christianity it is the abode of the righteous dead in the afterlife. In some Christian denominations it is understood as a temporary stage before the resurrection of the dead and the saints' return to the New Earth. In the Book of Acts, the resurrected Jesus ascends to heaven where, as the Nicene Creed states, he now sits at the right hand of God and will return to earth in the Second Coming. According to Catholic, Eastern Orthodox, and Oriental Orthodox teaching, Mary, mother of Jesus, is said to have been assumed into heaven without the corruption of her earthly body; she is venerated as Queen of Heaven. In the Christian Bible, concepts about Christian eschatology, the future " kingdom of heaven", and the resurrection of ...
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New Testament
The New Testament (NT) is the second division of the Christian biblical canon. It discusses the teachings and person of Jesus in Christianity, Jesus, as well as events relating to Christianity in the 1st century, first-century Christianity. The New Testament's background, the first division of the Christian Bible, is called the Old Testament, which is based primarily upon the Hebrew Bible; together they are regarded as Sacred Scripture by Christians. The New Testament is a collection of 27 Christianity, Christian texts written in Koine Greek by various authors, forming the second major division of the Christian Bible. It includes four Gospel, gospels, the Acts of the Apostles, epistles attributed to Paul the Apostle, Paul and other authors, and the Book of Revelation. The Development of the New Testament canon, New Testament canon developed gradually over the first few centuries of Christianity through a complex process of debate, rejection of Heresy, heretical texts, and ...
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Book Of Revelation
The Book of Revelation, also known as the Book of the Apocalypse or the Apocalypse of John, is the final book of the New Testament, and therefore the final book of the Bible#Christian Bible, Christian Bible. Written in Greek language, Greek, its title is derived from the Incipit, first word of the text, ''apocalypse'' (), which means "revelation" or "unveiling". The Book of Revelation is the only Apocalyptic literature, apocalyptic book in the Development of the New Testament canon, New Testament canon, and occupies a central place in Christian eschatology. The book spans three literary genres: the Letter (message), epistolary, the Apocalyptic literature, apocalyptic, and the prophetic. It begins with John, on the island of Patmos in the Aegean Sea, addressing letters to the "Seven Churches of Asia" with exhortations from Christ. He then describes a series of prophetic and symbolic Vision (spirituality), visions, including figures such as a Woman clothed with the sun with the ...
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Edward Bairstow
Sir Edward Cuthbert Bairstow (22 August 18741 May 1946) was an English organist and composer in the Anglican church music tradition. Life and career Bairstow was born in Trinity Street, Huddersfield in 1874. His grandfather Oates Bairstow was founder of the eponymous clothing firm. He studied the organ with John Farmer at Balliol College, Oxford, and while articled under Frederick Bridge of Westminster Abbey received tuition from Walter Alcock. He studied organ and theory at the University of Durham, receiving the Bachelor of Music in 1894, and the Doctor of Music in 1901. After holding posts in London, Wigan and Leeds, he served as organist of York Minster from 1913 to his death, when he was succeeded by his former pupil Francis Jackson. Jackson went on to write a biography of Bairstow. He was knighted in 1932. His other pupils included Elsie Suddaby and Gerald Finzi. During his time in Wigan, he was publicly acclaimed by Hans Richter for his handling of chorus and orc ...
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Anthem
An anthem is a musical composition of celebration, usually used as a symbol for a distinct group, particularly the national anthems of countries. Originally, and in music theory and religious contexts, it also refers more particularly to short sacred choral work (still frequently seen in Sacred Harp and other types of shape note singing) and still more particularly to a specific form of liturgical music. In this sense, its use began in English-speaking churches; it uses English language words, in contrast to the originally Roman Catholic ' motet' which sets a Latin text. Etymology ''Anthem'' is derived from the Greek (''antíphōna'') via Old English . Both words originally referred to antiphons, a call-and-response style of the singing. The adjectival form is "anthemic". History Anthems were originally a form of liturgical music. In the Church of England, the rubric appoints them to follow the third collect at morning and evening prayer. Several anthems are i ...
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Tomás Luis De Victoria
Tomás Luis de Victoria (sometimes Italianised as ''da Vittoria''; ) was the most famous Spanish composer of the Renaissance. He stands with Giovanni Pierluigi da Palestrina and Orlande de Lassus as among the principal composers of the late Renaissance, and was "admired above all for the intensity of some of his motets and of his Offices for the Dead and for Holy Week". His surviving ''oeuvre'', unlike that of his colleagues, is almost exclusively sacred and polyphonic vocal music, set to Latin texts. As a Catholic priest, as well as an accomplished organist and singer, his career spanned both Spain and Italy. However, he preferred the life of a composer to that of a performer. Life and career Family background and early years Tomás Luis de Victoria was born around 1548, most likely in Ávila, the main residence of his family at the time. Victoria’s birthplace has been the subject of debate, and remains unclear since his baptismal record has never been found. The town of ...
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Polyphonic
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice ( monophony) or a texture with one dominant melodic voice accompanied by chords ( homophony). Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is oppose ...
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Guillaume Du Fay
Guillaume Du Fay ( , ; also Dufay, Du Fayt; 5 August 1397 – 27 November 1474) was a composer and music theorist of early Renaissance music, who is variously described as French or Franco-Flemish. Considered the leading European composer of his time, his music was widely performed and reproduced. Du Fay was well-associated with composers of the Burgundian School, particularly his colleague Gilles Binchois, but was never a regular member of the Burgundian chapel himself. While he is among the best-documented composers of his time, Du Fay's birth and family is shrouded with uncertainty, though he was probably the illegitimate child of a priest. He was educated at Cambrai Cathedral, where his teachers included Nicolas Grenon and Richard Loqueville, among others. For the next decade, Du Fay worked throughout Europe: as a subdeacon in Cambrai, under Carlo I Malatesta in Rimini, for the House of Malatesta in Pesaro, and under Louis Aleman in Bologna, where he was ordained p ...
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Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century ''ars nova'', the music of the Trecento, Trecento music was treated by musicology as a coda to medieval music and the new era dated from the rise of triad (music), triadic harmony and the spread of the ''contenance angloise'' style from the British Isles to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque music, Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410s or '20s–1497) and Josquin des Prez (late 1450s–1521), and culminating during the Counter-Reformat ...
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