Bećarac
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Bećarac
Bećarac is a humorous form of Folk music, folk song, originally from rural Slavonia, Croatia and eventually spreading into southern Hungary and the Vojvodina region of Serbia. The root of the word comes from ''bećar'' (), meaning "bachelor", "reveler" or "carouser". Bećarci are always teasing, mocking and/or lascivious, and are usually sung by a male company at village parties ("sijelo" or "kirvaj" (kermesse (festival), kermesse)). However, they are also sung by women in equal footing, especially in kolo dance. Description Bećarac uses a strict form of couplet in decasyllable, always sung to the same music, played by a tamburitza orchestra, less common bagpipes or Samica (musical instrument), samica, or just by the choir. The first verse is sung by the choir leader and forms a logical thesis; it is repeated by the choir of gathered men. The second verse is a humorous antithesis, also repeated by the choir (but often broken by laughter). Bećarci are usually performed at the ...
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Slavonski Bećari
Slavonski bećari were a Croatian tamburitza ensemble founded in 1971 by tamburitza player and rock musician Antun Nikolić Tuca. The ensemble continued until 2011. History In 1971 from The Big Tamburitza Orchestra of Radio Osijek Antun Nikolić Tuca forms tamburitza band Slavonski bećari, active until 2011. During their forty-year existence they gave many performances, traveled around the world (16 times United States and Canada, 2 times Australia, most European countries). Slavonski Bećari published 4 single and 11 long-play studio albums, 7 compilations, 35 festival records, 532 in HUZIP recorded television performances. They cooperated with many singers from Croatia and other countries, including Miroslav Škoro and Krunoslav Kićo Slabinac, and earned many international and national rewards and prizes. Discography Albums * 1973. Krunoslav Kićo Slabinac and Slavonski bećari – Bećarac (arranger A. Nikolić)
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UNESCO Intangible Cultural Heritage Lists
UNESCO established its Lists of Intangible Cultural Heritage with the aim of ensuring better protection of important intangible cultural heritages worldwide and the awareness of their significance.Compare: This list is published by the Intergovernmental Committee for the Safeguarding of Intangible Cultural Heritage, the members of which are elected by State Parties meeting in a General Assembly. Through a compendium of the different oral and intangible treasures of humankind worldwide, the programme aims to draw attention to the importance of safeguarding intangible heritage, which UNESCO has identified as an essential component and as a repository of cultural diversity and of creative expression. The list was established in 2008 when the 2003 Convention for the Safeguarding of the Intangible Cultural Heritage took effect. , the programme compiles three lists. The longer Representative List of the Intangible Cultural Heritage of Humanity comprises cultural "practices and expre ...
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Music Of Croatia
The music of Croatia, like the divisions of the country itself, has two major influences: Central European, present in central and northern parts of the country including Slavonia, and Mediterranean, present in coastal regions of Dalmatia and Istria. In Croatia both pop and rock are popular, as well as pop music influenced by Dalmatian or Slavonian folk elements. Since the mid-20th century, schlager and chanson-inspired music have formed the backbone of the Croatian popular music. History of music in Croatia Medieval The oldest preserved relics of musical culture in Croatia are sacral in nature and represented by ''Latin medieval liturgical chant manuscripts'' (approximately one hundred musical codices and fragments dating from the 11th to the 15th centuries have been preserved to date). They reveal a wealth of various influences and liturgical traditions that converged in this region (Dalmatian liturgy in ''Benevento script'', Northern Gregorian chant, and original ''Glag ...
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Chastushka
Chastushka ( rus, частушка, , tɕɪsˈtuʂkə, plural: chastushki) is a traditional type of short Russian humorous folk song with high beat frequency, that consists of one four-lined couplet, full of humor, satire or irony. It may be described as " ditty" . The term "chastushki" was first used by Gleb Uspensky in his book about Russian folk rhymes published 1889. Usually many chastushki are sung one after another. Chastushki make use of a simple rhyming scheme to convey humorous or ironic content. The singing and recitation of such rhymes were an important part of peasant popular culture both before and after the Bolshevik Revolution of 1917. Form A chastushka (plural: chastushki) is a simple rhyming poem which would be characterized derisively in English as doggerel. The name originates from the Russian word "часто" ("chasto") – "frequently", or from "частить" ("chastit"), meaning "to do something with high frequency" and probably refers to the high be ...
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Croatian Folk Music
The music of Croatia, like the divisions of the country itself, has two major influences: Central European, present in central and northern parts of the country including Slavonia, and Mediterranean, present in coastal regions of Dalmatia and Istria. In Croatia both pop music, pop and rock music, rock are popular, as well as pop music influenced by Dalmatian or Slavonian folk elements. Since the mid-20th century, schlager and chanson-inspired music have formed the backbone of the Croatian popular music. History of music in Croatia Medieval The oldest preserved relics of musical culture in Croatia are sacral in nature and represented by ''Latin medieval liturgical chant manuscripts'' (approximately one hundred musical codices and fragments dating from the 11th to the 15th centuries have been preserved to date). They reveal a wealth of various influences and liturgical traditions that converged in this region (Dalmatian liturgy in ''Benevento script'', Northern Gregorian chant, a ...
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