|
Battistero Di San Giovanni (Siena)
The Battistero di San Giovanni (Italian: "Baptistry of St. John") is a religious building in Siena, Italy. It is in the square with the same name, near the final spans of the choir of the city's cathedral. It was built between 1316 and 1325 by Camaino di Crescentino, the father of Tino di Camaino. The façade, in Gothic style, is unfinished in the upper part, such as the apse of the cathedral. In the interior, the rectangular hall, divided into a nave and two aisles by two columns, contains a hexagonal baptismal font in bronze, marble and vitreous enamel, realized in 1417-1431 by the main sculptors of the time: Donatello (panel of "Herod's Banquet" and statues of the "Faith" and "Hope"), Lorenzo Ghiberti, Giovanni di Turino, Goro di Neroccio and Jacopo della Quercia (statue of John the Baptist and other figures). The panels represent the Life of John the Baptist, and include: * "Annunciation to Zacharias" by Jacopo della Quercia (1428-1429) * "Birth of John the Baptist" by G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Jacopo Della Quercia
Jacopo della Quercia (, ; 20 October 1438), also known as Jacopo di Pietro d'Agnolo di Guarnieri, was an Italian sculptor of the Early Renaissance, a contemporary of Brunelleschi, Ghiberti and Donatello. Biography Jacopo della Quercia takes his name from Quercia Grossa (now Quercegrossa), a place near Siena, Tuscany, where he was born in 1374. He received his early training from his father, Piero d'Angelo, a woodcarver and goldsmith. In 1386 he and his father moved to Lucca, owing to party strife and disturbances. Jacopo della Quercia, must have seen the Pulpit in the cathedral of Siena by Nicola Pisano and works of Arnolfo di Cambio that must have influenced him. It is also likely that della Quercia studied the huge collection of Roman sculptures and sarcophagi in the Camposanto in Pisa. These and later influences made him a transitional figure in the history of European art; his work shows a pronounced mid-career shift from the Gothic style to that of the Italian Renaiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Buildings And Structures In Siena
A building or edifice is an enclosed structure with a roof, walls and windows, usually standing permanently in one place, such as a house or factory. Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for numerous factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the concept, see ''Nonbuilding structure'' for contrast. Buildings serve several societal needs – occupancy, primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical separation of the human habitat (a place of comfort and safety) from the ''outside'' (a place that may be harsh and harmful at times). buildings have been objects or canvasses of much artistic expression. In recent years, interest in sustainable planning and building practi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Catholic Baptisteries
The Catholic Church (), also known as the Roman Catholic Church, is the List of Christian denominations by number of members, largest Christian church, with 1.27 to 1.41 billion baptized Catholics Catholic Church by country, worldwide as of 2025. It is among the world's oldest and largest international institutions and has played a prominent role in the history and development of Western civilization.Gerald O'Collins, O'Collins, p. v (preface). The church consists of 24 Catholic particular churches and liturgical rites#Churches, ''sui iuris'' (autonomous) churches, including the Latin Church and 23 Eastern Catholic Churches, which comprise almost 3,500 dioceses and Eparchy, eparchies List of Catholic dioceses (structured view), around the world, each overseen by one or more Bishops in the Catholic Church, bishops. The pope, who is the bishop of Rome, is the Papal supremacy, chief pastor of the church. The core beliefs of Catholicism are found in the Nicene Creed. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
14th-century Roman Catholic Church Buildings In Italy
The 14th century lasted from 1 January 1301 (represented by the Roman numerals MCCCI) to 31 December 1400 (MCD). It is estimated that the century witnessed the death of more than 45 million lives from political and natural disasters in both Europe and the Mongol Empire. West Africa experienced economic growth and prosperity. In Europe, the Black Death claimed 25 million lives wiping out one third of the European population while the Kingdom of England and the Kingdom of France fought in the protracted Hundred Years' War after the death of King Charles IV of France led to a claim to the French throne by King Edward III of England. This period is considered the height of chivalry and marks the beginning of strong separate identities for both England and France as well as the foundation of the Italian Renaissance and the Ottoman Empire. In Asia, Tamerlane (Timur), established the Timurid Empire, history's third largest empire to have been ever established by a single conqueror. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Buildings And Structures Completed In 1325
A building or edifice is an enclosed structure with a roof, walls and windows, usually standing permanently in one place, such as a house or factory. Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for numerous factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the concept, see ''Nonbuilding structure'' for contrast. Buildings serve several societal needs – occupancy, primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical separation of the human habitat (a place of comfort and safety) from the ''outside'' (a place that may be harsh and harmful at times). buildings have been objects or canvasses of much artistic expression. In recent years, interest in sustainable planning and building practi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Vecchietta
Lorenzo di Pietro (1410 – June 6, 1480), known as Vecchietta, was an Italian Sienese School painter, sculptor, goldsmith, and architect of the Renaissance. He is among the artists profiled in Vasari's '' Le Vite delle più eccellenti pittori, scultori, ed architettori''. It is believed Vecchietta was a pupil of Sassetta, Taddeo di Bartolo, and Jacopo della Quercia. Later in his life he was the master of Francesco di Giorgio and Neroccio de’ Landi. "Pittor dello Spedale" Vecchietta was born in Siena. Much of his work may be found there, particularly at the Hospital of Santa Maria della Scala, lending him yet another name: ''pittor dello spedale'' (or "painter of the hospital"). For the ''Pellegrinaio'' (Pilgrim Hall) at the Hospital complex, Vecchietta painted a series of frescoes, along with Domenico di Bartolo and Priamo della Quercia, including ''The Founding of the Spedale'' and ''The Vision of Santa Sorore'', depicting a dream of the mother of the cobbler Soro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
The Feast Of Herod (Donatello)
''The Feast of Herod'' is a bronze relief sculpture created by Donatello circa 1427. It was made for the font of the Siena Baptistery of San Giovanni in Italy. It is one of Donatello's earliest relief sculptures, and his first bronze relief. The sculpture is noted for Donatello's use of perspective. The piece is 60 by 61 centimeters. The sculpture depicts the beheading of John the Baptist after Salome asks Herod Antipas for his head on a platter. The scene depicts an executioner presenting the severed head, and Herod reacting in shock. Commission In 1416, Lorenzo Ghiberti was invited by the officials of the Opera del Duomo of Siena to work as an advisor and designer for the commission of a new baptismal font. According to the original plans, the six relief sculptures, which were to adorn the sides of the hexagonal font, were to be completed by Ghiberti and two local Sienese artists. Donatello's commission for the Feast of Herod relief was added to replace one of the reliefs of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Lorenzo Ghiberti
Lorenzo Ghiberti (, , ; 1378 – 1 December 1455), born Lorenzo di Bartolo, was an Italian Renaissance sculptor from Florence, a key figure in the Early Renaissance, best known as the creator of two sets of bronze doors of the Florence Baptistery, the later one called by Michelangelo the ''Gates of Paradise''. Trained as a goldsmith and sculptor, he established an important workshop for sculpture in metal. His book of ''Commentarii'' contains important writing on art, as well as what may be the earliest surviving autobiography by any artist. Ghiberti's career was dominated by his two successive commissions for pairs of bronze doors to the Florence Baptistery (Battistero di San Giovanni). They are recognized as a major masterpiece of the Early Renaissance, and were famous and influential from their unveiling. Early life Ghiberti was born in 1378 in Pelago, a comune 20 km from Florence. It is said that Lorenzo was the son of Cione di Ser Buonaccorso Ghiberti and Fiore Ghib ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Donatello
Donato di Niccolò di Betto Bardi ( – 13 December 1466), known mononymously as Donatello (; ), was an Italian Renaissance sculpture, Italian sculptor of the Renaissance period. Born in Republic of Florence, Florence, he studied classical sculpture and used his knowledge to develop an Early Renaissance style of sculpture. He spent time in other cities, where he worked on commissions and taught others; his periods in Rome, Padua, and Siena introduced to other parts of Italy the techniques he had developed in the course of a long and productive career. His ''David (Donatello, bronze), David'' was the first freestanding Nude (art), nude male sculpture since antiquity; like much of his work it was commissioned by the Medici family. He worked with stone, bronze, wood, clay, stucco, and wax, and used glass in inventive ways. He had several assistants, with four perhaps being a typical number. Although his best-known works are mostly statues executed in the round, he developed a ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Vitreous Enamel
Vitreous enamel, also called porcelain enamel, is a material made by melting, fusing powdered glass to a substrate by firing, usually between . The powder melts, flows, and then hardens to a smooth, durable vitrification, vitreous coating. The word ''vitreous'' comes from the Latin , meaning "glassy". Enamel can be used on metal, enamelled glass, glass, overglaze decoration, ceramics, stone, or any material that will withstand the fusing temperature. In technical terms fired enamelware is an integrated layered composite of glass and another material (or more glass). The term "enamel" is most often restricted to work on metal, which is the subject of this article. Essentially the same technique used with other bases is known by different terms: on glass as ''enamelled glass'', or "painted glass", and on pottery it is called ''overglaze decoration'', "overglaze enamels" or "enamelling". The craft is called "enamelling", the artists "enamellers" and the objects produced can be cal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
