Auditory Scene Analysis
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Auditory Scene Analysis
In perception and psychophysics, auditory scene analysis (ASA) is a proposed model for the basis of auditory perception. This is understood as the process by which the human auditory system organizes sound into perceptually meaningful elements. The term was coined by psychologist Albert Bregman. The related concept in machine perception is computational auditory scene analysis (CASA), which is closely related to source separation and blind signal separation. The three key aspects of Bregman's ASA model are: segmentation, integration, and segregation. Background Sound reaches the ear and the eardrum vibrates as a whole. This signal has to be analyzed (in some way). Bregman's ASA model proposes that sounds will either be heard as "integrated" (heard as a whole – much like harmony in music), or "segregated" into individual components (which leads to counterpoint). For example, a bell can be heard as a 'single' sound (integrated), or some people are able to hear the individual ...
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Perception
Perception () is the organization, identification, and interpretation of sensory information in order to represent and understand the presented information or environment. All perception involves signals that go through the nervous system, which in turn result from physical or chemical stimulation of the sensory system.Goldstein (2009) pp. 5–7 Vision involves light striking the retina of the eye; smell is mediated by odor molecules; and hearing involves pressure waves. Perception is not only the passive receipt of these signals, but it is also shaped by the recipient's learning, memory, expectation, and attention. Gregory, Richard. "Perception" in Gregory, Zangwill (1987) pp. 598–601. Sensory input is a process that transforms this low-level information to higher-level information (e.g., extracts shapes for object recognition). The process that follows connects a person's concepts and expectations (or knowledge), restorative and selective mechanisms (such as ...
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Melodic Fission
In music cognition, melodic fission (also known as melodic or auditory streaming, or stream segregation), is a phenomenon in which one line of pitches (an auditory stream) is heard as two or more separate melodic lines. This occurs when a phrase contains groups of pitches at two or more distinct registers or with two or more distinct timbres. The term appears to stem from a 1973 paper by W. J. Dowling. In music analysis and, more specifically, in Schenkerian analysis, the phenomenon is often termed compound melody. In psychophysics, auditory scene analysis is the process by which the brain separates and organizes sounds into perceptually distinct groups, known as auditory streams. The counterpart to melodic fission is melodic fusion. Contributing factors Register Listeners tend to perceive fast melodic sequences which contain tones from two different registers as two melodic lines. The greater the distance between groups of tones in a melody, the more likely they will b ...
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Theory Of Indispensable Attributes
A theory is a rational type of abstract thinking about a phenomenon, or the results of such thinking. The process of contemplative and rational thinking is often associated with such processes as observational study or research. Theories may be scientific, belong to a non-scientific discipline, or no discipline at all. Depending on the context, a theory's assertions might, for example, include generalized explanations of how nature works. The word has its roots in ancient Greek, but in modern use it has taken on several related meanings. In modern science, the term "theory" refers to scientific theories, a well-confirmed type of explanation of nature, made in a way consistent with the scientific method, and fulfilling the criteria required by modern science. Such theories are described in such a way that scientific tests should be able to provide empirical support for it, or empirical contradiction ("falsify") of it. Scientific theories are the most reliable, rigorous, and comp ...
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Phonemic Restoration Effect
Phonemic restoration effect is a perceptual phenomenon where under certain conditions, sounds actually missing from a speech signal can be restored by the brain and may appear to be heard. The effect occurs when missing phonemes in an auditory signal are replaced with a noise that would have the physical properties to mask those phonemes, creating an ambiguity. In such ambiguity, the brain tends towards filling in absent phonemes. The effect can be so strong that some listeners may not even notice that there are phonemes missing. This effect is commonly observed in a conversation with heavy background noise, making it difficult to properly hear every phoneme being spoken. Different factors can change the strength of the effect, including how rich the context or linguistic cues are in speech, as well as the listener's state, such as their hearing status or age. This effect is more important to humans than what was initially thought. Linguists have pointed out that at least the Englis ...
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Illusory Discontinuity
Illusory discontinuity is an auditory illusion in which a continuous ongoing sound becomes inaudible during a brief, non-masking noise. The illusion is perceived only by some listeners, but not by others, reflecting individual variation in hearing abilities. It has been estimated that among young adults 24% are susceptible to illusory discontinuity.Vinnik E, Itskov PM, Balaban E (2011).Individual differences in sound-in-noise perception are related to the strength of short-latency neural responses to noise" PLoS One. 6(2): e17266. . The most susceptible listeners describe their sensations in terms of the sound actually containing a physical gap. The illusory discontinuity is strongest when the interrupting sound is short (50 ms). Longer sounds elicit weaker illusory discontinuity; this effect may be related to better auditory segregation. Relation to other auditory illusions Illusory discontinuity is antagonistic with illusory continuity of tones (auditory filling-in). ...
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Kolmogorov
Andrey Nikolaevich Kolmogorov ( rus, Андре́й Никола́евич Колмого́ров, p=ɐnˈdrʲej nʲɪkɐˈlajɪvʲɪtɕ kəlmɐˈɡorəf, a=Ru-Andrey Nikolaevich Kolmogorov.ogg, 25 April 1903 – 20 October 1987) was a Soviet mathematician who contributed to the mathematics of probability theory, topology, intuitionistic logic, turbulence, classical mechanics, algorithmic information theory and computational complexity. Biography Early life Andrey Kolmogorov was born in Tambov, about 500 kilometers south-southeast of Moscow, in 1903. His unmarried mother, Maria Y. Kolmogorova, died giving birth to him. Andrey was raised by two of his aunts in Tunoshna (near Yaroslavl) at the estate of his grandfather, a well-to-do nobleman. Little is known about Andrey's father. He was supposedly named Nikolai Matveevich Kataev and had been an agronomist. Kataev had been exiled from St. Petersburg to the Yaroslavl province after his participation in the revolutionary movem ...
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Spectrum
A spectrum (plural ''spectra'' or ''spectrums'') is a condition that is not limited to a specific set of values but can vary, without gaps, across a continuum. The word was first used scientifically in optics to describe the rainbow of colors in visible light after passing through a prism. As scientific understanding of light advanced, it came to apply to the entire electromagnetic spectrum. It thereby became a mapping of a range of magnitudes (wavelengths) to a range of qualities, which are the perceived "colors of the rainbow" and other properties which correspond to wavelengths that lie outside of the visible light spectrum. Spectrum has since been applied by analogy to topics outside optics. Thus, one might talk about the " spectrum of political opinion", or the "spectrum of activity" of a drug, or the "autism spectrum". In these uses, values within a spectrum may not be associated with precisely quantifiable numbers or definitions. Such uses imply a broad range of condition ...
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Musical Acoustics
Musical acoustics or music acoustics is a multidisciplinary field that combines knowledge from physics, psychophysics, organology (classification of the instruments), physiology, music theory, ethnomusicology, signal processing and instrument building, among other disciplines. As a branch of acoustics, it is concerned with researching and describing the physics of music – how sounds are employed to make music. Examples of areas of study are the function of musical instruments, the human voice (the physics of speech and singing), computer analysis of melody, and in the clinical use of music in music therapy. The pioneer of music acoustics was Hermann von Helmholtz, a German polymath of the 19th century who was an influential physician, physicist, physiologist, musician, mathematician and philosopher. His book '' On the Sensations of Tone as a Physiological Basis for the Theory of Music'' is a revolutionary compendium of several studies and approaches that provided a complete n ...
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Andranik Tangian
Andranik Semovich Tangian (Melik-Tangyan) (Russian: Андраник Семович Тангян (Мелик-Тангян)); born March 29, 1952) is a Soviet Armenian-German mathematician, political economist and music theorist. Tangian is known for the mathematical theory of democracy, the Third Vote election method, criticism of flexicurity employment strategy and models of artificial perception of music. He is professor of the Institute for Economics (ECON) of the Karlsruhe Institute of Technology. Biography Andranik Tangian was born in Moscow, Soviet Union, on March 29, 1952. After the graduation from the Faculty of Mechanics and Mathematics of the Moscow State University in 1974, he has worked at the Gubkin Russian State University of Oil and Gas and the Central Economic Mathematical Institute of the Academy of Sciences of the Soviet Union, where he got his PhD in mathematics in 1979. From 1980 to 1983 he worked as assistant professor at the Academy of National Economy ...
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Musical Tone
Traditionally in Western music, a musical tone is a steady periodic sound. A musical tone is characterized by its duration, pitch, intensity (or loudness), and timbre (or quality). The notes used in music can be more complex than musical tones, as they may include aperiodic aspects, such as attack transients, vibrato, and envelope modulation. A simple tone, or pure tone, has a sinusoidal waveform. A complex tone is a combination of two or more pure tones that have a periodic pattern of repetition, unless specified otherwise. The Fourier theorem states that any periodic waveform can be approximated as closely as desired as the sum of a series of sine waves with frequencies in a harmonic series and at specific phase relationships to each other. The common denominator frequency, which is also often the lowest of these frequencies is the fundamental frequency, and is also the inverse of the period of the waveform. The fundamental frequency determines the pitch of the tone, wh ...
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Pure Tone
Pure may refer to: Computing * A pure function * A pure virtual function * PureSystems, a family of computer systems introduced by IBM in 2012 * Pure Software, a company founded in 1991 by Reed Hastings to support the Purify tool * Pure-FTPd, FTP server software * Pure (programming language), functional programming language based on term rewriting * Pure Storage, a company that makes datacenter storage solutions * Pure (CRIS), a research information system bought by Elsevier. Companies and products * Pure (app), dating app * Pure (restaurant chain), a British fast food chain * Pure Insurance, Privilege Underwriters Reciprocal Exchange * Pure Trading, a Canadian electronic communication network operated by CNQ * Pure Digital, a UK consumer electronics company specialising in DAB radios * Pure Oil, a U.S. chain of gas stations * Propulsion Universelle et Récuperation d'Énergie (PURE), a motorsport engineering company * Pure FM (Portsmouth), a university radio station based i ...
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Streaming In Auditory Scene Analysis
Streaming media is multimedia that is delivered and consumed in a continuous manner from a source, with little or no intermediate storage in network elements. ''Streaming'' refers to the delivery method of content, rather than the content itself. Distinguishing delivery method from the media applies specifically to telecommunications networks, as most of the traditional media delivery systems are either inherently ''streaming'' (e.g. radio, television) or inherently ''non-streaming'' (e.g. books, videotape, audio CDs). There are challenges with streaming content on the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, lags, or poor buffering of the content, and users lacking compatible hardware or software systems may be unable to stream certain content. With the use of buffering of the content for just a few seconds in advance of playback, the quality can be much improved. Livestreaming is the real-time delivery of cont ...
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