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Art Name
An art name (pseudonym or pen name), also known by its native names ''hào'' (in Mandarin), ''gō'' (in Japanese), ''ho'' (in Korean), and ''tên hiệu'' (in Vietnamese), is a professional name used by East Asian artists, poets and writers. The word and the concept originated in China, where it was used as nicknames of the educated, then became popular in other East Asian countries (especially in Japan, Korea, Vietnam, and the former Kingdom of Ryukyu). In some cases, artists adopted different pseudonyms at different stages of their career, usually to mark significant changes in their life. Extreme practitioners of this tendency were Tang Yin of the Ming dynasty, who had more than ten ''hao'', and Hokusai of Japan, who in the period 1798 to 1806 alone used no fewer than six. History China In Chinese culture, ''Hao'' refers to honorific names made by oneself or given by others when one is in middle age. After one's gaining the ''Hao'', other persons may then call such a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Kana Usage
is the present official ''kanazukai'' (system of spelling the Japanese syllabary). Also known as , it is derived from historical usage. History As long ago as the Meiji Restoration, there had been dissatisfaction regarding the growing discrepancy between spelling and speech. On November 16, 1946, soon after World War II, the cabinet instituted the modern Japanese orthography as part of a general orthographic reform. The system was further amended in 1986. General differences There were no small kana in the pre-reform system; thus, for example, would be ambiguous between ''kiyo'' and ''kyo'' while could be either ''katsuta'' or ''katta''. The pronunciation of medial ''h''-row kana as ''w''-row kana in the pre-reform system does not extend to compound words; thus, was pronounced ''nihon'', not ''nion'' (via **''niwon''). There are a small number of counterexamples; e.g., "duck", pronounced ''ahiru'' rather than ''airu'', or , pronounced Fujiwara, despite being a compoun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Su Shi
Su Shi (; 8 January 1037 – 24 August 1101), courtesy name Zizhan (), art name Dongpo (), was a Chinese calligrapher, essayist, gastronomer, pharmacologist, poet, politician, and travel writer during the Song dynasty. A major personality of the Song era, at times holding high-level political positions, Su Shi was also an important figure in Song Dynasty politics, aligning himself with Sima Guang and others, against the New Policy party led by Wang Anshi, gaining some level of popular support through his actions, and also sometimes experiencing politically motivated reversals to his government career. Su Shi is widely regarded as one of the most accomplished figures in classical Chinese literature, having produced some of the most well-known poems, lyrics, prose, and essays. Su Shi was famed as an essayist, and his prose writings lucidly contribute to the understanding of topics such as 11th-century Chinese travel literature or detailed information on the contemporary Chine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utagawa School
The Utagawa school () was one of the main schools of ukiyo-e, founded by Utagawa Toyoharu. It was the largest ukiyo-e school of its period. The main styles were bijin-ga (beautiful women) and uki-e (perspective picture). His pupil, Toyokuni I, took over after Toyoharu's death and led the group to become the most famous and powerful woodblock print school for the remainder of the 19th century. Hiroshige, Kunisada, Utagawa Kuniyoshi, Kuniyoshi and Tsukioka Yoshitoshi, Yoshitoshi were Utagawa students. The school became so successful and well known that today more than half of all surviving ukiyo-e prints are from it. Founder Toyoharu adopted Western-style deep perspective (graphical), perspective, an innovation in Japanese art. His immediate followers, Utagawa Toyohiro and Toyokuni adopted bolder, more sensuous styles than Toyoharu and specialized in different genres — Toyohiro in landscapes and Toyokuni in kabuki actor prints. Later artists in the school specialized in other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katsukawa Shunshō
Shunshō Katsukawa ( ja, 勝川 春章; 1726 – 19 January 1793) was a Japanese painter and printmaker in the '' ukiyo-e'' style, and the leading artist of the Katsukawa school. Shunshō studied under Miyagawa Shunsui, son and student of Miyagawa Chōshun, both equally famous and talented ukiyo-e artists. Shunshō is most well known for introducing a new form of ''yakusha-e'', prints depicting Kabuki actors. However, his ''bijin-ga'' (images of beautiful women) paintings, while less famous, are said by some scholars to be "the best in the second half of the 8th/nowiki> century".Paine, Robert Treat and Alexander Soper (1955). ''The Art and Architecture of Japan''. New Haven: Yale University Press. p. 263. Biography Shunshō first came to Edo to study haiku and painting. He became a noted printmaker of actors with his first works dating from 1760. Though originally a member of the Torii school, he soon broke away and began his own style, which would later be dubbed th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica. The term translates as "picture of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment of kabuki theatre, geisha, and courtesans of the pleasure districts; the term ("floating world") came to describe this hedonistic lifestyle. Printed or painted ukiyo-e works were popular with the ''chōnin'' class, who had become wealthy enough to afford to decorate their homes with them. The earliest ukiyo-e works eme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edo Period
The or is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's 300 regional '' daimyo''. Emerging from the chaos of the Sengoku period, the Edo period was characterized by economic growth, strict social order, isolationist foreign policies, a stable population, perpetual peace, and popular enjoyment of arts and culture. The period derives its name from Edo (now Tokyo), where on March 24, 1603, the shogunate was officially established by Tokugawa Ieyasu. The period came to an end with the Meiji Restoration and the Boshin War, which restored imperial rule to Japan. Consolidation of the shogunate The Edo period or Tokugawa period is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's regional '' daimyo''. A revolution took place from the time of the Kamakura shogunate, which existed with the Tennō's court, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song Dynasty
The Song dynasty (; ; 960–1279) was an imperial dynasty of China that began in 960 and lasted until 1279. The dynasty was founded by Emperor Taizu of Song following his usurpation of the throne of the Later Zhou. The Song conquered the rest of the Ten Kingdoms, ending the Five Dynasties and Ten Kingdoms period. The Song often came into conflict with the contemporaneous Liao, Western Xia and Jin dynasties in northern China. After retreating to southern China, the Song was eventually conquered by the Mongol-led Yuan dynasty. The dynasty is divided into two periods: Northern Song and Southern Song. During the Northern Song (; 960–1127), the capital was in the northern city of Bianjing (now Kaifeng) and the dynasty controlled most of what is now Eastern China. The Southern Song (; 1127–1279) refers to the period after the Song lost control of its northern half to the Jurchen-led Jin dynasty in the Jin–Song Wars. At that time, the Song court retreated south of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tang Xianzu
Tang Xianzu (; September 24, 1550 – July 29, 1616), courtesy name Yireng (), was a Chinese playwright of the Ming Dynasty. Biography Tang was a native of Linchuan, Jiangxi and his career as an official consisted principally of low-level positions. He successfully participated in the provincial examinations ('' juren'') at the age of 21 and at the imperial examinations (''jinshi'') at the age of 34. He held official positions in Nanjing, Zhejiang province, Guangdong province etc. After serving as the magistrate of Suichang, Zhejiang from 1593 to 1598, he retired in 1598 and returned to his hometown where he focused on writing. Tang died in 1616, the same year as famed English playwright William Shakespeare. His major plays are collectively called the ''Four Dreams'', because of the decisive role dreams play in the plot of each one. All of them are still performed (in scenes, or in adapted full versions) on the Chinese Kun opera (kunqu) stage. Generally considered his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Du Fu
Du Fu (; 712–770) was a Tang dynasty poet and politician. Along with his elder contemporary and friend Li Bai (Li Po), he is frequently called the greatest of the Chinese poets.Ebrey, 103. His greatest ambition was to serve his country as a successful civil servant, but he proved unable to make the necessary accommodations. His life, like the whole country, was devastated by the An Lushan Rebellion of 755, and his last 15 years were a time of almost constant unrest. Although initially he was little-known to other writers, his works came to be hugely influential in both Chinese and Japanese literary culture. Of his poetic writing, nearly fifteen hundred poems have been preserved over the ages. He has been called the "Poet-Historian" and the "Poet-Sage" by Chinese critics, while the range of his work has allowed him to be introduced to Western readers as "the Chinese Virgil, Horace, Ovid, Shakespeare, Milton, Burns, Wordsworth, Béranger, Hugo or Baudelaire".Hung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
He Zhu
He or HE may refer to: Language * He (pronoun), an English pronoun * He (kana), the romanization of the Japanese kana へ * He (letter), the fifth letter of many Semitic alphabets * He (Cyrillic), a letter of the Cyrillic script called ''He'' in Ukrainian * Hebrew language (ISO 639-1 code: he) Places * He County, Anhui, China * He River, or Hejiang (贺江), a tributary of the Xi River in Guangxi and Guangdong * Hebei, abbreviated as ''HE'', a province of China (Guobiao abbreviation HE) * Hesse, abbreviated as ''HE'', a state of Germany People * He (surname), Chinese surname, sometimes transcribed Hé or Ho; includes a list of notable individuals so named * Zheng He (1371–1433), Chinese admiral * He (和) and He (合), collectively known as 和合二仙 ('' He-He er xian'', "Two immortals He"), two Taoist immortals known as the "Immortals of Harmony and Unity" * Immortal Woman He, or He Xiangu, one of the Eight Immortals of Taoism Arts, entertainment, and media * "He" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Li Bai
Li Bai (, 701–762), also pronounced as Li Bo, courtesy name Taibai (), was a Chinese poet, acclaimed from his own time to the present as a brilliant and romantic figure who took traditional poetic forms to new heights. He and his friend Du Fu (712–770) were two of the most prominent figures in the flourishing of Chinese poetry in the Tang dynasty, which is often called the " Golden Age of Chinese Poetry". The expression "Three Wonders" denotes Li Bai's poetry, Pei Min's swordplay, and Zhang Xu's calligraphy. Around 1000 poems attributed to Li are extant. His poems have been collected into the most important Tang dynasty poetry, ''Heyaue yingling ji'', compiled in 753 by Yin Fan. Thirty-four of Li Bai’s poems are included in the anthology ''Three Hundred Tang Poems'', which was first published in the 18th century. Around the same time, translations of his poems began to appear in Europe. The poems were models for celebrating the pleasures of friendship, the depth of natu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guqin
The ''guqin'' (; ) is a plucked seven-string Chinese musical instrument. It has been played since ancient times, and has traditionally been favoured by scholars and Scholar-bureaucrats, literati as an instrument of great subtlety and refinement, as highlighted by the quote "a gentleman does not part with his ''qin'' or ''se (instrument), se'' without good reason," as well as being associated with the ancient Chinese philosopher Confucius. It is sometimes referred to by the Chinese as "the father of Chinese music" or "the instrument of the sages". The ''guqin'' is not to be confused with the ''guzheng'', another Chinese long stringed instrument also without frets, but with moveable bridge (instrument), bridges under each string. Traditionally, the instrument was simply referred to as the "''qin''" (琴) but by the twentieth century the term had come to be applied to many other musical instruments as well: the ''yangqin'' hammered dulcimer, the ''huqin'' family of bowed string in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
