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Art Deco In Paris
The Art Deco movement of architecture and design appeared in Paris in about 1910–12, and continued until the beginning of World War II in 1939. It took its name from the International Exhibition of Modern Decorative and Industrial Arts, International Exposition of Modern Decorative and Industrial Arts held in Paris in 1925. It was characterized by bold geometric forms, bright colors, and highly stylized decoration, and it symbolized modernity and luxury. Art Deco architecture, sculpture, and decoration reached its peak at 1939 Exposition Internationale des Arts et Techniques dans la Vie Moderne, and in movie theaters, department stores, other public buildings. It also featured in the work of Paris jewelers, graphic artists, furniture craftsmen, and jewelers, and glass and metal design. Many Art Deco landmarks, including the Théâtre des Champs-Élysées and the Palais de Chaillot, can be seen today in Paris. Origins Art Deco was the result of a long campaign by French decorati ...
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Edgar Brandt
Edgar William Brandt (24 December 1880 – 8 May 1960) was a French ironworker and prolific weapons designer. In 1901 he set up a small workshop at 76 rue Michel-Ange in the 16th arrondissement in Paris, where he began designing, silversmithing, and forging small items such as jewelry, crosses, and brooches. His business began to take off with special commissions such as the door of the French Embassy in Brussels, the Escalier Mollien stairs in the Louvre, and the stair and balcony railing for the Grand Theatre Municipal de Nancy. At the start of World War I in 1914 Brandt was called to serve. Observing a need for Mortar (weapon), mortars in trench warfare, he designed 60mm, 81mm and 120mm versions that were very widely copied throughout and subsequent to World War II. He also invented discarding-sabot artillery shells and contributed substantially to the development of effective HEAT-warhead weapons for infantry anti-tank use through his development of heatrifle grenades. Follow ...
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Émile-Jacques Ruhlmann
Émile-Jacques Ruhlmann (28 August 1879 – 15 November 1933), (sometimes called Jacques-Émile Ruhlmann), was a French furniture designer and interior decorator, who was one of the most important figures in the Art Deco movement. His furniture featured sleek designs, expensive and exotic materials and extremely fine craftsmanship, and became a symbol of the luxury and modernity of Art Deco. It also produced a reaction from other designers and architects, such as Le Corbusier, who called for simpler, functional furniture. Biography He was born in Paris, where his father, originally from Alsace, had created successful business constructing, painting and wallpapering the interiors of housfures and apartments. He learned the business in his youth, working alongside the painters and paper hangers. When his father died in 1907, he took over the family business and soon, with designer Pierre Laurent he opened a second office, called Ruhlmann & Laurent, designing and making fi ...
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Igor Stravinsky
Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: ''The Firebird'' (1910), ''Petrushka'' (1911), and ''The Rite of Spring'' (1913). The last transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a revolutionary who pushed the boundaries of musical design. His "Russian phase", which continued with works such as '' Renard'', ''L'Histoire du soldat,'' and ''Les noces'', was followed in the 1920s by a period ...
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The Rite Of Spring
''The Rite of Spring''. Full name: ''The Rite of Spring: Pictures from Pagan Russia in Two Parts'' (french: Le Sacre du printemps: tableaux de la Russie païenne en deux parties) (french: Le Sacre du printemps, link=no) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1913 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich. When first performed at the Théâtre des Champs-Élysées on 29 May 1913, the avant-garde nature of the music and choreography List of classical music concerts with an unruly audience response, caused a sensation. Many have called the first-night reaction a "riot" or "near-riot", though this wording did not come about until reviews of later performances in 1924, over a decade later. Although designed as a work for the stage, with specific passages accompanying characters and action, the music achieved ...
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Palais Garnier
The Palais Garnier (, Garnier Palace), also known as Opéra Garnier (, Garnier Opera), is a 1,979-seatBeauvert 1996, p. 102. opera house at the Place de l'Opéra in the 9th arrondissement of Paris, France. It was built for the Paris Opera from 1861 to 1875 at the behest of Emperor Napoleon III. Initially referred to as ''le nouvel Opéra de Paris'' (the new Paris Opera), it soon became known as the Palais Garnier, "in acknowledgment of its extraordinary opulence" and the architect Charles Garnier's plans and designs, which are representative of the Napoleon III style. It was the primary theatre of the Paris Opera and its associated Paris Opera Ballet until 1989, when a new opera house, the Opéra Bastille, opened at the Place de la Bastille. The company now uses the Palais Garnier mainly for ballet. The theatre has been a ''monument historique'' of France since 1923. The Palais Garnier has been called "probably the most famous opera house in the world, a symbol of Paris like No ...
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Antoine Bourdelle
Antoine Bourdelle (30 October 1861 – 1 October 1929), born Émile Antoine Bordelles, was an influential and prolific French sculptor and teacher. He was a student of Auguste Rodin, a teacher of Giacometti and Henri Matisse, and an important figure in the Art Deco movement and the transition from the Beaux-Arts style to modern sculpture. His studio became the Musée Bourdelle, an art museum dedicated to his work, located at 18, rue Antoine Bourdelle, in the 15th arrondissement of Paris, France. Early life and education Émile Antoine Bourdelle was born at Montauban, Tarn-et-Garonne in France on 30 October 1861. His father was a wood craftsman and cabinet-maker. In 1874, at the age of thirteen, he left school to work in his father's workshop, and also began carving his first sculptures of wood. In 1876, with the assistance of writer Émile Pouvillon, he received a scholarship to attend the School of Fine Arts in Toulouse, though he remained fiercely independent and resisted the ...
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German Werkbund
The Deutscher Werkbund (English: "German Association of Craftsmen"; ) is a German association of artists, architects, designers and industrialists established in 1907. The Werkbund became an important element in the development of modern architecture and industrial design, particularly in the later creation of the Bauhaus school of design. Its initial purpose was to establish a partnership of product manufacturers with design professionals to improve the competitiveness of German companies in global markets. The Werkbund was less an artistic movement than a state-sponsored effort to integrate traditional crafts and industrial mass production techniques, to put Germany on a competitive footing with England and the United States. Its motto ''Vom Sofakissen zum Städtebau'' (from sofa cushions to city-building) indicates its range of interest. History The Deutscher Werkbund emerged when the architect Joseph Maria Olbrich left Vienna for Darmstadt, Germany, in 1899, to form an ar ...
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Henry Van De Velde
Henry Clemens van de Velde (; 3 April 1863 – 15 October 1957) was a Belgian painter, architect, interior designer, and art theorist. Together with Victor Horta and Paul Hankar, he is considered one of the founders of Art Nouveau in Belgium.'''' He worked in Paris with Samuel Bing, the founder of the first gallery of Art Nouveau in Paris. Van de Velde spent the most important part of his career in Germany and became a major figure in the German Jugendstil. He had a decisive influence on German architecture and design at the beginning of the 20th century. Early life Van de Velde was born in Antwerp, where he studied painting under Charles Verlat at the famous Royal Academy of Fine Arts, Antwerp. He then went on to study with the painter Carolus-Duran in Paris. As a young painter he was strongly influenced by Paul Signac and Georges Seurat and soon adopted a neo-impressionist style, and pointillism. In 1889 he became a member of the Brussels-based artist group "Les XX". After ...
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La Samaritaine
La Samaritaine (French pronunciation: a samaʁitɛn is a large department store in Paris, France, located in the first arrondissement. The nearest métro station is Pont-Neuf, directly in front at the quai du Louvre and the rue de la Monnaie. The company was owned by Ernest Cognacq and Marie-Louise Jaÿ who hired architect Frantz Jourdain to expand their original store. It started as a small apparel shop and expanded to what became a series of department store buildings with a total of 90 different departments. It has been a member of the International Association of Department Stores from 1985 to 1992. It is currently owned by LVMH, a luxury-goods maker. The store, which had been operating at a loss since the 1970s, was closed in 2005 purportedly because the building did not meet safety codes. Plans for redeveloping the building involved lengthy complications, as the representatives of the store's founders argued with new owners LVMH over the building's future as a departme ...
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Henri Sauvage
Henri Sauvage (May 10, 1873 in Rouen – March 21, 1932 in Paris) was a French architect and designer in the early 20th century. He was one of the most important architects in the French Art nouveau movement, Art Deco, and the beginning of architectural modernism. He was also a pioneer in the construction of public housing buildings in Paris. His major works include the art nouveau Villa Majorelle in Nancy, France and the art-deco building of the La Samaritaine department store in Paris. Training and early career Henri Sauvage studied architecture at the École nationale supérieure des beaux-arts from 1892 to 1903, in the course taught by Jean-Louis Pascal, but quit the school before receiving a diploma, and described himself as self-taught in architecture. He associated with and became friends with many leading figures in the new movements in architecture and the decorative arts, including the rationalist architect Frantz Jourdain (1847-1935), the furniture designer Louis Ma ...
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Auguste Perret
Auguste Perret (12 February 1874 – 25 February 1954) was a French architect and a pioneer of the architectural use of reinforced concrete. His major works include the Théâtre des Champs-Élysées, the first Art Deco building in Paris; the Church of Notre-Dame du Raincy (1922–23); the Mobilier National in Paris (1937); and the French Economic, Social and Environmental Council building in Paris (1937–39). After World War II he designed a group of buildings in the centre of the port city of Le Havre, including St. Joseph's Church, Le Havre, to replace buildings destroyed by bombing during World War II. His reconstruction of the city is now a World Heritage Site for its exceptional urban planning and architecture. Early life and experiments (1874–1912) Auguste Perret was born in Ixelles, Belgium, where his father, a stonemason, had taken refuge after the Paris Commune. He received his early education in architecture in the family firm. He was accepted in the architectu ...
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Joseph Monier
Joseph Monier (; 8 November 1823, Saint-Quentin-la-Poterie, France – 13 March 1906, Paris) was a French gardener and one of the principal inventors of reinforced concrete. Overview As a gardener, Monier was not satisfied with the materials available for making flowerpots. Clay was easily broken and wood weathered badly and could be broken by the plant roots. Monier began making concrete pots and tubs, but these were not stable enough. In order to strengthen the concrete containers, he experimented with embedded iron mesh. He was not the first to experiment with reinforced concrete, but he saw some of the possibilities in the technique, and promoted it extensively. Monier exhibited his invention at the Paris Exposition of 1867. He obtained his first patent on 16 July 1867, on iron-reinforced troughs for horticulture. He continued to find new uses for the material, and obtained more patents — iron-reinforced concrete pipes and basins (1868); iron-reinforced concrete pa ...
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