|
Arrival (Horace Parlan Album)
''Arrival'' is an album by American Jazz pianist Horace Parlan featuring performances recorded in 1973 and released on the Denmark-based SteepleChase label.SteepleChase Records catalog accessed September 22, 2010 It was Parlan's first album for the label and his first as a leader for a decade following the end of his association with the label. Track listing :''All compositions by Horace Parlan except as indicated'' # "Arrival"5:47 # "For Heaven's Sake" ([...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horace Parlan
Horace Parlan (January 19, 1931 – February 23, 2017) was an American pianist and composer known for working in the hard bop and post-bop styles of jazz. In addition to his work as a bandleader Parlan was known for his contributions to the Charles Mingus recordings ''Mingus Ah Um'' and ''Blues & Roots''. Early life He was born in Pittsburgh, Pennsylvania, United States. In his birth year, Parlan was stricken with polio, resulting in the partial crippling of his right hand. The handicap contributed to his development of a particularly "pungent" left-hand chord voicing style, while comping with highly rhythmic phrases with the right. Later life and career Between 1952 and 1957, he worked in Washington D.C. with Sonny Stitt, then spent two years with Mingus' Jazz Workshop. In 1973, Parlan moved to Copenhagen, Denmark. He later settled in the small village of Rude in southern Zealand. In 1974, he completed a State Department tour of Africa with Hal Singer. His later work, such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idrees Sulieman
Idrees Sulieman (August 7, 1923 – July 23, 2002) was an American bop and hard bop trumpeter. Biography He was born Leonard Graham in St. Petersburg, Florida, United States, later changing his name to Idrees Sulieman, after converting to Islam. He studied at the Boston Conservatory, and gained early experience playing with the Carolina Cotton Pickers and the wartime Earl Hines Orchestra (1943–1944). On October 15, 1947, he played on Thelonious Monk's first recording for Blue Note Records. Sulieman was closely associated with Mary Lou Williams and for a time and had stints with Cab Calloway, John Coltrane, Count Basie, and Lionel Hampton. Sulieman recorded with Coleman Hawkins (1957) and gigged with Randy Weston (1958–1959), in addition to appearing in many other situations. He toured Europe in 1961 with Oscar Dennard, and stayed, settling in Stockholm at first, and then moved to Copenhagen in 1964. A soloist with the Kenny Clarke/Francy Boland Big Band from the mid-1960s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugo Rasmussen
Hugo Rasmussen (22 March 1941 – 30 August 2015) was a Danish bassist. Rasmussen is best known for his album ''Sweets to the Sweet'' (1978). ''Sweets To the Sweet'' was re-released in 2001 on Danish label Music Mecca. Biography He worked with, among others, Teddy Wilson, Ralph Sutton Horace Parlan, Ben Webster, Dexter Gordon, Oliver Nelson, Tom Waits, Al Grey, Wild Bill Davison, Harry Sweets Edison, Doug Raney, Ole Kock Hansen, Svend Asmussen, and Jesper Thilo. He was one of the most sought-after bass players in the world and performed on 800 albums. Rasmussen was the acoustic bassist for Norbert Susemihl's New Orleans All Stars and for his own band, Hugo Rasmussen AllStarz which he formed in 1999 with Jakob Dinesen (tenor sax), Kasper Trandberg (cornet), Andrew Hyhne (trombone), Heine Hansen (piano) and Kresten Osgood (drums). He died at the age of 74 on 30 August 2015. Awards * 2000 – Palæ Bars Jazzpris * 2002 – Ben Webster's Prize of Honour * 2006 – Bent Jædig Pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bent Jædig
Bent Jædig (28 September 1935 – 9 June 2004) was a Danish jazz musician. He played tenor saxophone and flute. Born and raised in Copenhagen, Bent Jædig first studied clarinet before playing saxophone. In the 1950s, he settled in Germany and led a band with trombonist Rudi Fuesers, later joining another band with trombonist Peter Herbolzheimer in Munich. In the 1960s, he returned to Denmark and worked with Danish trumpet player Allan Botschinsky and pianist Bent Axen, with whom he recorded for Danish Debut label. In the following years, he played with the Dollar Brand Quintet which included Don Cherry. As a side-man, Jædig was constantly in demand and worked with such musicians as Tete Montoliu, Jimmy Woode, Philly Joe Jones/Dizzy Reece, and Louis Hjulmand. Jædig recorded his first album as sole leader, ''Danish Jazzman'', in 1967 with Axen, Botschinsky, Dusko Goykovich, Niels-Henning Ørsted Pedersen and Alex Riel. He later formed his own trio included bass player Hug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thad Jones
Thaddeus Joseph Jones (March 28, 1923 – August 20, 1986) was an American jazz trumpeter, composer, and bandleader who has been called "one of the all-time greatest jazz trumpet soloists". Biography Thad Jones was born in Pontiac, Michigan, United States, to Henry and Olivia Jones, a musical family of 10 (an older brother was pianist Hank Jones and a younger brother was drummer Elvin Jones). A self-taught musician, Thad began performing professionally at the age of 16. He served in U.S. Army bands during World War II (1943–46). After his military service, which included an association with the U.S. Military School of Music and working with area bands in Des Moines and Oklahoma City, Jones became a member of the Count Basie Orchestra in May 1954. He was featured as a soloist on such well-known tunes as " April in Paris", "Shiny Stockings", and "Corner Pocket". However, his main contribution to Basie's organization was nearly two dozen arrangements and compositions, which incl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milt Jackson
Milton Jackson (January 1, 1923 – October 9, 1999), nicknamed "Bags", was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with hard bop and post-bop players. A very expressive player, Jackson differentiated himself from other vibraphonists in his attention to variations on harmonics and rhythm. He was particularly fond of the twelve-bar blues at slow tempos. On occasion, Jackson also sang and played piano. Biography Jackson was born on January 1, 1923, in Detroit, Michigan, United States, the son of Manley Jackson and Lillie Beaty Jackson. Like many of his contemporaries, he was surrounded by music from an early age, particularly that of religious meetings: "Everyone wants to know where I got that funky style. Well, it came from church. The music I heard was open, relaxed, imprompt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bags' Groove (composition)
"Bags' Groove" is a jazz composition by Milt Jackson. It was first recorded by the Milt Jackson Quintet on April 7, 1952 for Blue Note Records, later released on '' Wizard of the Vibes''. Lou Donaldson, John Lewis, Percy Heath and Kenny Clarke were on that date. Next was the Mat Mathews quintet with Herbie Mann (July 6, 1953), Bud Powell (September 1953), Mat Mathews again (September 1, 1953), a bootleg version by the Modern Jazz Quartet (October 31, 1953), the Lighthouse All-Stars (February 25, 1954), bassist Buddy Banks' quartet (with Bob Dorough and Roy Haynes in October 1954) and then Jay Jay Johnson and Kai Winding (December 3, 1954). Other important recordings include those by Ray Bryant, Oscar Peterson, Al Haig, George Russell, Mal Waldron. Perhaps the most famous recording was the one by Miles Davis's quintet in 1954. The recording was released on the 1957 album '' Bags' Groove''. This version is famous for fact that Thelonious Monk did not play behind Miles during his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Van Heusen
James Van Heusen (born Edward Chester Babcock; January 26, 1913 – February 6, 1990) was an American composer. He wrote songs for films, television and theater, and won an Emmy and four Academy Awards for Best Original Song. Life and career Born in Syracuse, New York, Van Heusen began writing music while at high school. He renamed himself at age 16, after the shirt makers Phillips-Van Heusen, to use as his on-air name during local shows. His close friends called him "Chet".Coppula, C. (2014). ''Jimmy Van Heusen: Swinging on a Star''. Nashville: Twin Creek Books. Jimmy was raised Methodist. Studying at Cazenovia Seminary and Syracuse University, he became friends with Jerry Arlen, the younger brother of Harold Arlen. With the elder Arlen's help, Van Heusen wrote songs for the Cotton Club revue, including "Harlem Hospitality". He then became a staff pianist for some of the Tin Pan Alley publishers, and wrote "It's the Dreamer in Me" (1938) with lyrics by Jimmy Dorsey. Colla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
