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Anorthoscope
An anorthoscope is a device that demonstrates an optical illusion that turns an anamorphic picture on a disc into a normal image through fast rotation behind a counter-rotating disk with four radial slits. It was invented in 1829 by Joseph Plateau, before further studies into similar principles led to his invention of animation through the phénakisticope in 1832. Anorthoscopes with a black background have a translucent picture and need a luminous slit revolving behind the image disc. To make them translucent, the discs were impregnated with oil on the back and varnished on both sides. History As a university student, Plateau noticed in some early experiments that when looking from a small distance at two concentric cogwheels, which turned fast in opposite directions, an optical illusion of a motionless wheel appeared. He later read Peter Mark Roget's 1824 article ''Explanation of an optical deception in the appearance of the spokes of a wheel when seen through vertical apertures ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phenakistiscope
The phenakistiscope (also known by the spellings phénakisticope or phenakistoscope) was the first widespread animation device that created a fluent illusion of motion. Dubbed and ('stroboscopic discs') by its inventors, it has been known under many other names until the French product name became common (with alternative spellings). The phenakistiscope is regarded as one of the first forms of moving media entertainment that paved the way for the future motion picture and film industry. Like a GIF animation, it can only show a short continuous loop. Etymology and spelling When it was introduced in the French newspaper ''Le Figaro'' in June 1833, the term 'phénakisticope' was explained to be from the root Greek word ''phenakistikos'' (or rather from φενακίζειν ''phenakizein''), meaning "deceiving" or "cheating", and ὄψ ''óps'', meaning "eye" or "face", so it was probably intended loosely as 'optical deception' or 'optical illusion'. The term phénakisticop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phenakistiscope
The phenakistiscope (also known by the spellings phénakisticope or phenakistoscope) was the first widespread animation device that created a fluent illusion of motion. Dubbed and ('stroboscopic discs') by its inventors, it has been known under many other names until the French product name became common (with alternative spellings). The phenakistiscope is regarded as one of the first forms of moving media entertainment that paved the way for the future motion picture and film industry. Like a GIF animation, it can only show a short continuous loop. Etymology and spelling When it was introduced in the French newspaper ''Le Figaro'' in June 1833, the term 'phénakisticope' was explained to be from the root Greek word ''phenakistikos'' (or rather from φενακίζειν ''phenakizein''), meaning "deceiving" or "cheating", and ὄψ ''óps'', meaning "eye" or "face", so it was probably intended loosely as 'optical deception' or 'optical illusion'. The term phénakisticop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Precursors Of Film
Precursors of film are concepts and devices that have much in common with the later art and techniques of cinema. Precursors of film are often referred to as precinema, or 'pre-cinema'. Terms like these are disliked by several historians, partly because they seem to devalue the individual qualities of these media by presenting them as a small step in the development of a later invention. For instance: the flip book, zoetrope and phenakistiscope are very tactile devices that allow study and play by manipulating the motion by hand, while the projected image in cinema is intangible. Such devices as the zoetrope were not replaced by cinema: they were still used after the breakthrough of film. Furthermore, many early media examples are also part of a tradition that not only shaped cinema, but also home video, video games, computer-generated imagery, virtual reality and much more. The study of early media devices is also part of a wider and less teleological approach called media archaeo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Optical Toys
Optical toys form a group of devices with some entertainment value combined with a scientific, optical nature. Many of these were also known as "philosophical toys" when they were developed in the 19th century. People must have experimented with optical phenomena since prehistoric times and played with objects that influenced the experience of light, color and shadow. In the 16th century some experimental optical entertainment - for instance camera obscura demonstrations - were part of the cabinets of curiosities that emerged at royal courts. Since the 17th century optical tabletop instruments such as the compound microscope and telescope were used for parlour entertainment in richer households . Other, larger devices - such as peep shows - were usually exhibited by travelling showmen at fairs. The phenakistiscope, zoetrope, praxinoscope and flip book a.o. are often seen as precursors of film, leading to the invention of cinema Cinema may refer to: Film * Cinematography, the a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Plateau
Joseph Antoine Ferdinand Plateau (14 October 1801 – 15 September 1883) was a Belgian physicist and mathematician. He was one of the first people to demonstrate the illusion of a moving image. To do this, he used counterrotating disks with repeating drawn images in small increments of motion on one and regularly spaced slits in the other. He called this device of 1832 the phenakistiscope. Biography Plateau was born in Brussels. His father, Antoine Plateau ( fr) born in Tournai, was a talented flower painter. At the age of six, the younger Plateau already could read, making him a child prodigy in those times. While attending primary school, he was particularly impressed by a lesson of physics; enchanted by the experiments he observed, he vowed to discover their secrets someday. Plateau spent his school holidays in Marche-les-Dames, with his uncle and his family; his cousin and playfellow was Auguste Payen, who later became an architect and the principal designer of the Belgian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anamorphosis
Anamorphosis is a distorted projection requiring the viewer to occupy a specific vantage point, use special devices, or both to view a recognizable image. It is used in painting, photography, sculpture and installation, toys, and film special effects. The word is derived from the Greek prefix ''ana-'', meaning "back" or "again", and the word ''morphe'', meaning "shape" or "form". Extreme anamorphosis has been used by artists to disguise caricatures, erotic and scatological scenes, and other furtive images from a casual spectator, while revealing an undistorted image to the knowledgeable viewer. Types of projection There are two main types of anamorphosis: ''perspective'' (oblique) and ''mirror'' (catoptric). More complex anamorphoses can be devised using distorted lenses, mirrors, or other optical transformations. An oblique anamorphism forms an affine transformation of the subject. Early examples of Perspective (graphical), perspectival anamorphosis date to the Renaissance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Optical Illusions
Within visual perception, an optical illusion (also called a visual illusion) is an illusion caused by the visual system and characterized by a visual percept that arguably appears to differ from reality. Illusions come in a wide variety; their categorization is difficult because the underlying cause is often not clear but a classification proposed by Richard Gregory is useful as an orientation. According to that, there are three main classes: physical, physiological, and cognitive illusions, and in each class there are four kinds: Ambiguities, distortions, paradoxes, and fictions. A classical example for a physical distortion would be the apparent bending of a stick half immerged in water; an example for a physiological paradox is the motion aftereffect (where, despite movement, position remains unchanged). An example for a physiological fiction is an afterimage. Three typical cognitive distortions are the Ponzo, Poggendorff, and Müller-Lyer illusion. Physical illusions are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghent University
Ghent University ( nl, Universiteit Gent, abbreviated as UGent) is a public research university located in Ghent, Belgium. Established before the state of Belgium itself, the university was founded by the Dutch King William I in 1817, when the region was incorporated into the United Kingdom of the Netherlands after the fall of First French Empire. In that same year, he founded two other universities for the southern provinces as well, alongside Ghent University: University of Liège and State University of Leuven. After the Belgian revolution of 1830, the newly formed Belgian state began to administer Ghent University. In 1930, UGent became the first Dutch-speaking university in Belgium. Previously, French (and, even earlier, Latin) had been the standard academic language in what was ''Université de Gand''. In 1991, it was granted major autonomy and changed its name accordingly from ''State University of Ghent'' ( nl, Rijksuniversiteit Gent, abbreviated as ''RUG'') to its c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Werner Nekes
Werner Nekes (29 April 1944 – 22 January 2017) was a German experimental film director, and a collector of historical optical objects. Biography Born in Erfurt, Nekes grew up in Duisburg and went to school in Oberhausen and Mülheim. From 1963 on, he studied linguistics and psychology in Freiburg and Bonn, where he directed a student film club. From 1965 onward, he began to spin with 8 mm, then with 16 mm film by his first experimental film. He became acquainted with Dore O., who was still painting at the time. They moved to Hamburg and married in 1967. Dore O. was involved in most of his films as an actress, and also began to shoot her own experimental films. Together with Helmut Herbst, Thomas Struck, Klaus Wyborny and Heinz Emigholz, they founded the ''Filmmacher-Cooperative Hamburg''. In 1968, his 10-minute short film ''schwarzhuhnbraunhuhnschwarzhuhnweißhuhnrothuhnweiß oder put-putt'' received an International Filmpreis in São Paulo. In 1969 he received a Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Faraday
Michael Faraday (; 22 September 1791 – 25 August 1867) was an English scientist who contributed to the study of electromagnetism and electrochemistry. His main discoveries include the principles underlying electromagnetic induction, diamagnetism and electrolysis. Although Faraday received little formal education, he was one of the most influential scientists in history. It was by his research on the magnetic field around a conductor carrying a direct current that Faraday established the concept of the electromagnetic field in physics. Faraday also established that magnetism could affect rays of light and that there was an underlying relationship between the two phenomena.. the 1911 Encyclopædia Britannica. He similarly discovered the principles of electromagnetic induction, diamagnetism, and the laws of electrolysis. His inventions of electromagnetic rotary devices formed the foundation of electric motor technology, and it was largely due to his efforts t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Baptiste Madou
Jean-Baptiste Madou (3 February 1796 – 31 March 1877) was a Belgian painter and lithographer. Life Madou was born in Brussels. He studied at the Brussels Academy of Fine Arts and was a pupil of Pierre Joseph Célestin François. While draftsman to the topographical military division at Kortrijk, he received a commission for lithographic work from a Brussels publisher. It was about 1820 that he began his artistic career. Between 1825 and 1827 he contributed to ''Les Vues pittoresques de la Belgique'', to a ''Life of Napoleon'', and to works on the costumes of the Netherlands, and later made a great reputation by his work in ''La Physionomie de la société en Europe depuis 1400 jusqu'à nos jours'' (1836) and ''Les Scenes de la vie des peintres''. It was not until about 1840 that Madou began to paint in oils, and the success of his early efforts in this medium resulted in a long series of pictures representing scenes of village and city life, including ''The Fiddler'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Liège
The University of Liège (french: Université de Liège), or ULiège, is a major public university of the French Community of Belgium based in Liège, Wallonia, Belgium. Its official language is French. As of 2020, ULiège is ranked in the 301–350 category worldwide according to ''Times Higher Education'', 451st by ''QS World University Rankings'', and between the 201st and 300th place by the '' Academic Ranking of World Universities''. More than 2,000 people, including academics, scientists and technicians, are involved in research of a wide variety of subjects from basic research to applied research. History The university was founded in 1817 by William I of the Netherlands, then King of the United Kingdom of the Netherlands, and by his Minister of Education, Anton Reinhard Falck. The foundation of the university was the result of a long intellectual tradition which dates back to the origins of the Prince-Bishopric of Liège. Beginning in the eleventh century, the influenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
