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Anglo-Japanese Style
The Anglo-Japanese style developed in the United Kingdom through the Victorian period and early Edwardian period from approximately 1851 to the 1910s, when a new appreciation for Japanese design and culture influenced how designers and craftspeople made British art, especially the decorative arts and architecture of England, covering a vast array of art objects including ceramics, furniture and interior design. Important centres for design included London and Glasgow. The first use of the term "Anglo-Japanese" occurs in 1851, and developed due to the keen interest in Japan, which due to Japanese state policy until the 1860s, had been closed to the Western markets. The style was popularised by Edward William Godwin in the 1870s in England, with many artisans working in the style drawing upon Japan as a source of inspiration and designed pieces based on Japanese Art, whilst some favoured Japan simply for its commercial viability, particularly true after the 1880s when the Briti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christopher Dresser
Christopher Dresser (4 July 1834 – 24 November 1904) was a British designer and design theorist, now widely known as one of the first and most important, independent designers. He was a pivotal figure in the Aesthetic Movement and a major contributor to the allied Anglo-Japanese or Modern Style (British Art Nouveau style), both of which originated in England and had long-lasting international influence. Biography Dresser was born in Glasgow, Scotland, of a Yorkshire family. At age 13, he began attending the Government School of Design, Somerset House, London. From this early date his design work widened to include carpets, ceramics, furniture, glass, graphics, metalwork, including silver and electroplate, and textiles printed and woven. He claimed to have designed "as much as any man" at the International Exhibition London 1862. As early as 1865 the ''Building News'' reported that in the early part of his career he had been active as a designer of wallpapers, textiles an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Locke Eastlake
Charles Locke Eastlake (11 March 1836 – 20 November 1906) was a British architect and furniture designer. His uncle, Sir Charles Lock Eastlake PRA (born in 1793), was a Keeper of the National Gallery, from 1843 to 1847, and from 1855 its first Director, which results in some confusion between the two men, whose names are distinguished only by the presence or absence of an "e" in their middle names. The style of furniture named after him, Eastlake style, flourished during the later half of the nineteenth century. The Eastlake movement, a style of architecture, with old English and Gothic elements, is also named for him. Life Eastlake was born March 11, 1836 in Plymouth. His formal education included studies at the Westminster School and the Royal Academy where he discovered an interest in architecture, along with the talent for drawing and painting in watercolors. Eastlake furthered his education with three years of travel throughout France, Italy, and Germany, developing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interior Design
Interior design is the art and science of enhancing the interior of a building to achieve a healthier and more aesthetically pleasing environment for the people using the space. An interior designer is someone who plans, researches, coordinates, and manages such enhancement projects. Interior design is a multifaceted profession that includes conceptual development, space planning, site inspections, programming, research, communicating with the stakeholders of a project, construction management, and execution of the design. History and current terms In the past, interiors were put together instinctively as a part of the process of building.Pile, J., 2003, Interior Design, 3rd edn, Pearson, New Jersey, USA The profession of interior design has been a consequence of the development of society and the complex architecture that has resulted from the development of industrial processes. The pursuit of effective use of space, user well-being and functional design has contribute ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Furniture
Furniture refers to movable objects intended to support various human activities such as seating (e.g., stools, chairs, and sofas), eating ( tables), storing items, eating and/or working with an item, and sleeping (e.g., beds and hammocks). Furniture is also used to hold objects at a convenient height for work (as horizontal surfaces above the ground, such as tables and desks), or to store things (e.g., cupboards, shelves, and drawers). Furniture can be a product of design and can be considered a form of decorative art. In addition to furniture's functional role, it can serve a symbolic or religious purpose. It can be made from a vast multitude of materials, including metal, plastic, and wood. Furniture can be made using a variety of woodworking joints which often reflects the local culture. People have been using natural objects, such as tree stumps, rocks and moss, as furniture since the beginning of human civilization and continues today in some households/campsite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ceramics
A ceramic is any of the various hard, brittle, heat-resistant and corrosion-resistant materials made by shaping and then firing an inorganic, nonmetallic material, such as clay, at a high temperature. Common examples are earthenware, porcelain, and brick. The earliest ceramics made by humans were pottery objects (''pots,'' ''vessels or vases'') or figurines made from clay, either by itself or mixed with other materials like silica, hardened and sintered in fire. Later, ceramics were glazed and fired to create smooth, colored surfaces, decreasing porosity through the use of glassy, amorphous ceramic coatings on top of the crystalline ceramic substrates. Ceramics now include domestic, industrial and building products, as well as a wide range of materials developed for use in advanced ceramic engineering, such as in semiconductors. The word "''ceramic''" comes from the Greek word (), "of pottery" or "for pottery", from (), "potter's clay, tile, pottery". The earliest known men ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Objects
A work of art, artwork, art piece, piece of art or art object is an artistic creation of aesthetic value. Except for "work of art", which may be used of any work regarded as art in its widest sense, including works from literature and music, these terms apply principally to tangible, physical forms of visual art: *An example of fine art, such as a painting or sculpture. *Objects in the decorative arts or applied arts that have been designed for aesthetic appeal, as well as any functional purpose, such as a piece of jewellery, many ceramics and much folk art. *An object created for principally or entirely functional, religious or other non-aesthetic reasons which has come to be appreciated as art (often later, or by cultural outsiders). *A non-ephemeral photograph or film. *A work of installation art or conceptual art. Used more broadly, the term is less commonly applied to: *A fine work of architecture or landscape design *A production of live performance, such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architecture Of England
The architecture of England is the architecture of modern England and in the historic Kingdom of England. It often includes buildings created under English influence or by English architects in other parts of the world, particularly in the English and later British colonies and Empire, which developed into the Commonwealth of Nations. Apart from Anglo-Saxon architecture, the major forms of non-vernacular architecture employed in England before 1900 originated elsewhere in western Europe, chiefly in France and Italy, while 20th-century Modernist architecture derived from both European and American influences. Each of these foreign modes became assimilated within English architectural culture and gave rise to local variation and innovation, producing distinctive national forms. Among the most characteristic styles originating in England are the Perpendicular Gothic of the late Middle Ages, High Victorian Gothic and the Queen Anne style. Prehistoric architecture The earliest know ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Decorative Arts
] The decorative arts are arts or crafts whose object is the design and manufacture of objects that are both beautiful and functional. It includes most of the arts making objects for the interiors of buildings, and interior design, but not usually architecture. Ceramic art, metalwork, furniture, jewellery, fashion, various forms of the textile arts and glassware are major groupings. Applied arts largely overlaps with decorative arts, and the modern making of applied art is usually called design. The decorative arts are often categorized in distinction to the " fine arts", namely painting, drawing, photography, and large-scale sculpture, which generally produce objects solely for their aesthetic quality and capacity to stimulate the intellect. Distinction from the fine arts The distinction between the decorative and fine arts essentially arose from the post-Renaissance art of the West, where the distinction is for the most part meaningful. This distinction is much less me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Art
The Art of the United Kingdom refers to all forms of visual art in or associated with the United Kingdom since the formation of the Kingdom of Great Britain in 1707 and encompasses English art, Scottish art, Welsh art and Irish art, and forms part of Western art history. During the 18th century, Britain began to reclaim the leading place England had previously played in European art during the Middle Ages, being especially strong in portraiture and landscape art. Increased British prosperity at the time led to a greatly increased production of both fine art and the decorative arts, the latter often being exported. The Romanticism, Romantic period resulted from very diverse talents, including the painters William Blake, J. M. W. Turner, John Constable and Samuel Palmer. The Victorian period saw a great diversity of art, and a far bigger quantity created than before. Much Victorian art is now out of critical favour, with interest concentrated on the Pre-Raphaelites and the in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture Of Japan
The culture of Japan has changed greatly over the millennia, from the country's prehistoric Jōmon period, to its contemporary modern culture, which absorbs influences from Asia and other regions of the world. Historical overview The ancestry of Japanese people remains mysterious; however, there are two competing hypotheses that try to explain the lineage of the Japanese people. The first hypothesis proposes a dual-structure model, in which Japanese populations are descendants of the indigenous Jomon people and later arrivals of people from the East Eurasian continent, known as the Yayoi people. Japan's indigenous culture originates primarily from the Yayoi people who settled in Japan between 1000 BCE and 300 CE. Yayoi culture spread to the main island of Honshū, mixing with the native Jōmon culture. Modern Japanese have an estimated 80% Yayoi and 20% Jōmon ancestry. The second hypothesis posits a tripartite model of genomic origin. This hypothesis proposes that cont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Aesthetics
Japanese aesthetics comprise a set of ancient ideals that include '' wabi'' (transient and stark beauty), '' sabi'' (the beauty of natural patina and aging), and ''yūgen'' (profound grace and subtlety). These ideals, and others, underpin much of Japanese cultural and aesthetic norms on what is considered tasteful or beautiful. Thus, while seen as a philosophy in Western societies, the concept of aesthetics in Japan is seen as an integral part of daily life. Japanese aesthetics now encompass a variety of ideals; some of these are traditional while others are modern and sometimes influenced by other cultures. Shinto and Buddhism Shinto is considered to be at the fountain-head of Japanese culture. With its emphasis on the wholeness of nature and character in ethics, and its celebration of the landscape, it sets the tone for Japanese aesthetics. Until the thirteenth century, Shinto remained the main influence on Japanese aesthetics. In the Buddhist tradition, all things are cons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edwardian
The Edwardian era or Edwardian period of British history spanned the reign of King Edward VII, 1901 to 1910 and is sometimes extended to the start of the First World War. The death of Queen Victoria in January 1901 marked the end of the Victorian era. Her son and successor, Edward VII, was already the leader of a fashionable elite that set a style influenced by the art and fashions of continental Europe. Samuel Hynes described the Edwardian era as a "leisurely time when women wore picture hats and did not vote, when the rich were not ashamed to live conspicuously, and the sun really never set on the British flag." The Liberals returned to power in 1906 and made significant reforms. Below the upper class, the era was marked by significant shifts in politics among sections of society that had largely been excluded from power, such as labourers, servants, and the industrial working class. Women started to play more of a role in politics. Roy Hattersley, ''The Edwardians'' (2004). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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