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Andrea Antico
Andrea Antico (also Andrea Antico da Montona, Anticho, Antiquo) (c. 1480 – after 1538) was a music printer, editor, publisher and composer of the Renaissance born in the Republic of Venice, of Istrian birth, active in Rome and in Venice. He was the first printer of sacred music in Rome, and the earliest competitor of Venetian Ottaviano Petrucci, who is regarded as the first significant music printer. Life Antico was born in Montona, Istria in the Republic of Venice (today Motovun in Croatia). His ethnicity is not known; fifteenth century Montona had a mixed population of Italians and Croats. Little documentation has yet come to light regarding his early life, but he may have been active in the diocese of Parenzo (now Poreč) in Istria, based on a papal letter of 1516 which called him a "cleric of the diocese of Parenzo, now living in Rome".Picker, Grove His first publication dates from 1510, and was a collection of frottole. Like Petrucci, whose similar ''Odhecaton'' h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antico 1516 , village in Tuscany
* Rosso Antico, aperitif
* '' Antico may refer to: People * Andrea Antico (c. 1480 – after 1538), Renaissance music printer active in Rome; Ottaviano Petrucci's first competitor * Anthony Antico (born 1935), American mobster * Antico Dalton (born 1975), American and Canadian football linebacker * Tristan Antico (1923–2004), Australian industrialist * Antico or "L'Antico", the name by which the Renaissance sculptor Pier Jacopo Alari Bonacolsi (c. 1460–1528) is often known Other * Antico Pizza, pizzeria in Atlanta, Georgia * Feroleto Antico, town in Calabria * Monte Antico Monte Antico is a village in Tuscany, central Italy, administratively a frazione of the comune of Civitella Paganico, province of Grosseto, in the area of the Ombrone Valley. At the time of the 2001 census its population amounted to 33. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Moderne
Jacques Moderne - Giacomo Moderno (Pinguente, Istria Buzet.html"_;"title="ow_Buzet">ow_Buzet,_Croatia.html" ;"title="Buzet">ow_Buzet,_Croatia.html" ;"title="Buzet.html" ;"title="ow Buzet">ow Buzet, Croatia">Buzet.html" ;"title="ow Buzet">ow Buzet, Croatia">Buzet">ow_Buzet,_Croatia.html" ;"title="Buzet.html" ;"title="ow Buzet">ow Buzet, Croatia">Buzet.html" ;"title="ow Buzet">ow Buzet, Croatia c.1495–1500 – Lyons, after 1560) was an Italy, Italian-born Music publisher (sheet music), music publisher active in France in the Renaissance music, Renaissance Era. Moderne was the second printer to publish music on a large scale in France using the single-impression method. The first one was Pierre Attaingnant (c. 1494–1551/2) of Paris Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. S ..., ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Music
Early music generally comprises Medieval music (500–1400) and Renaissance music (1400–1600), but can also include Baroque music (1600–1750). Originating in Europe, early music is a broad musical era for the beginning of Western classical music. Terminology Interpretations of historical scope of "early music" vary. The original Academy of Ancient Music formed in 1726 defined "Ancient" music as works written by composers who lived before the end of the 16th century. Johannes Brahms and his contemporaries would have understood Early music to range from the High Renaissance and Baroque, while some scholars consider that Early music should include the music of ancient Greece or Rome before 500 AD (a period that is generally covered by the term Ancient music). Music critic Michael Kennedy excludes Baroque, defining Early music as "musical compositions from heearliest times up to and including music of heRenaissance period". Musicologist Thomas Forrest Kelly considers that the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homophony
In music, homophony (;, Greek: ὁμόφωνος, ''homóphōnos'', from ὁμός, ''homós'', "same" and φωνή, ''phōnē'', "sound, tone") is a texture in which a primary part is supported by one or more additional strands that flesh out the harmony. One melody predominates while the other parts play either single notes or an elaborate accompaniment. This differentiation of roles contrasts with equal-voice polyphony (in which similar lines move with rhythmic and melodic independence to form an even texture) and monophony (in which all parts move in unison or octaves). Historically, homophony and its differentiated roles for parts emerged in tandem with tonality, which gave distinct harmonic functions to the soprano, bass and inner voices. A homophonic texture may be homorhythmic, which means that all parts have the same rhythm. Chorale texture is another variant of homophony. The most common type of homophony is melody-dominated homophony, in which one voice, often the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Arcadelt
Jacques Arcadelt (also Jacob Arcadelt; 14 October 1568) was a Franco-Flemish composer of the Renaissance, active in both Italy and France, and principally known as a composer of secular vocal music. Although he also wrote sacred vocal music, he was one of the most famous of the early composers of madrigals; his first book of madrigals, published within a decade of the appearance of the earliest examples of the form, was the most widely printed collection of madrigals of the entire era. In addition to his work as a madrigalist, and distinguishing him from the other prominent early composers of madrigals – Philippe Verdelot and Costanzo Festa – he was equally prolific and adept at composing chansons, particularly late in his career when he lived in Paris.Einstein, Vol. I p. 264 Arcadelt was the most influential member of the early phase of madrigal composition, the "classic" phase; it was through Arcadelt's publications, more than those of any other composer, that the madrigal be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippe Verdelot
Philippe Verdelot (1480 to 1485–1530 to 1540) was a French composer of the Renaissance, who spent most of his life in Italy. He is commonly considered to be the father of the Italian madrigal, and certainly was one of its earliest and most prolific composers; in addition he was prominent in the musical life of Florence during the period after the recapture of the city by the Medici from the followers of Girolamo Savonarola. Life Verdelot was born in Les Loges, Seine-et-Marne, France. Details of his early life are obscure. He probably came to Italy at an early age, spending the first decade or two of the 16th century at some cities in northern Italy, most likely including Venice. A painting of 1511, described by Vasari but never positively identified, is believed by many musicologists to show Verdelot in Venice with an Italian singer. Verdelot is known to have been ''maestro di cappella '' at the Baptisterium San Giovanni in Florence from 1523 to 1525; and he seems also to ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matthaeus Pipelare
Matthaeus Pipelare ( – ) was a Netherlandish composer, choir director, and possibly wind instrument player of the Renaissance. He was from Louvain, and spent part of his early life in Antwerp. Unlike many of his contemporaries, many of whom traveled to Italy, Spain or elsewhere, he seems never to have left the Low Countries. In spring 1498 he became the choir director at the Illustrious Confraternity of Our Lady at 's-Hertogenbosch, a position he held until 1500. From his name it is presumed that either he or perhaps his father was a wind player, for example a town piper. Pipelare's style was wide-ranging; he wrote in almost all of the vocal forms current in his day: masses, motets, secular songs in all the local languages. No instrumental music has survived. In mood his music ranged from light secular songs to sombre motets related to those of Pierre de La Rue, an almost exact contemporary. He wrote 11 complete masses which have survived to modern times (although many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine De Févin
Antoine de Févin (ca. 1470 – late 1511 or early 1512) was a Franco-Flemish composer of the Renaissance. He was active at the same time as Josquin des Prez, and shares many traits with his more famous contemporary. Life Févin was most likely born in Arras, the son of an alderman. His brother Robert de Févin was also a composer. Most likely Antoine left Arras in the late 1480s, though there is no evidence that he went to Italy, the commonest destination for Franco-Flemish composers of the time. In the 1490s it is likely he became a priest (although there is no known documentation of that today), and he also may have obtained a master's degree at a university, since he is commonly known as ''maistre'' later in his life. By 1507, he was working as a singer and composer in the chapelle royale for Louis XII of France, who praised him highly. He died at Blois. The Swiss music theorist and biographer Heinrich Glarean, writing in 1547, noted that Févin was a follower of Josquin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Mouton
Jean Mouton (c. 1459 – 30 October 1522) was a French composer of the Renaissance. He was famous both for his motets, which are among the most refined of the time, and for being the teacher of Adrian Willaert, one of the founders of the Venetian School. Life He was born Jean de Hollingue either in 1459 or earlier, but records of his early life, as is so often the case with Renaissance composers, are scant. Most likely he was from the village of Haut-Wignes (now Wirwignes), near Boulogne-sur-Mer, in Samer. He probably began his first job, singer and teacher at the collegiate church in Saint Omer, then moved to Nesle (southeast of Amiens) in 1477, and in 1483 was made ''maître de chapelle'' there. Sometime around this time he became a priest, and in 1500 he was in charge of choirboys at the cathedral in Amiens. In 1501 he was in Grenoble, teaching choirboys, but he left the next year, most likely entering the service of Queen Anne of Brittany, and in 1509 he was granted a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine Brumel
Antoine Brumel (c. 1460 – 1512 or 1513) was a French composer. He was one of the first renowned French members of the Franco-Flemish school of the Renaissance, and, after Josquin des Prez, was one of the most influential composers of his generation. Life Little is known about his early life, but he was probably born west of Chartres, perhaps in the town of Brunelles, near to Nogent-le-Rotrou, making him one of the first of the Netherlandish composers who was actually French. He sang at Notre-Dame de Chartres from 9 August 1483 until 1486, and subsequently held posts at St Peter's in Geneva (until 1492) and Laon (around 1497) before becoming choirmaster to the boys at Notre-Dame de Paris from 1498 to 1500, and choirmaster to Alfonso I d'Este at Ferrara from 1506, replacing the famous composer Jacob Obrecht who had died of the plague there the previous year. The chapel there was disbanded in 1510, after which he evidently stayed in Italy; several documents connect him with c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre De La Rue
Pierre de la Rue ( – 20 November 1518) was a Franco-Flemish composer and singer of the Renaissance. His name also appears as Piersson or variants of Pierchon and his toponymic, when present, as various forms of de Platea, de Robore, or de Vico. A member of the same generation as Josquin des Prez, and a long associate of the Habsburg- Burgundian musical chapel, he ranks with Agricola, Brumel, Compère, Isaac, Obrecht, and Weerbeke as one of the most famous and influential composers in the Netherlands polyphonic style in the decades around 1500. Biography Early life La Rue was probably born at Tournai, in modern Belgium, and likely educated at the Notre-Dame Cathedral there, which had a substantial musical establishment. He may have been the son of Jean de la Rue, a master ''enlumineur'' of the town of Tournai. While no records remain of his childhood, a Peter vander Straten (the Flemish equivalent of his name) is mentioned in the archives of the cathedral of Ste. Gudule in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josquin Des Prez
Josquin Lebloitte dit des Prez ( – 27 August 1521) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century Europe. Building on the work of his predecessors Guillaume Du Fay and Johannes Ockeghem, he developed a complex style of expressive—and often imitative—movement between independent voices (polyphony) which informs much of his work. He further emphasized the relationship between text and music, and departed from the early Renaissance tendency towards lengthy melismatic lines on a single syllable, preferring to use shorter, repeated motifs between voices. Josquin was a singer, and his compositions are mainly vocal. They include masses, motets and secular chansons. Josquin's biography has been continually revised by modern scholarship, and remains highly u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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