|
Agency For Cultural Affairs (Japan)
The is a special body of the Japanese Ministry of Education, Culture, Sports, Science and Technology (MEXT). It was set up in 1968 to promote Japanese arts and culture. The agency's budget for FY 2018 rose to ¥107.7 billion. Overview The agency's Cultural Affairs Division disseminates information about the arts within Japan and internationally, and the Cultural Properties Protection Division protects the nation's cultural heritage. The Cultural Affairs Division is concerned with such areas as art and culture promotion, art copyrights, and improvements in the Japanese language, national language. It also supports both national and local arts and cultural festivals, and it funds traveling cultural events in music, theater, dance, art exhibitions, and film-making. Special prizes are offered to encourage young artists and established practitioners, and some grants are given each year to enable them to train abroad. The agency funds national museums of modern art in Kyoto and Toky ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kasumigaseki
Kasumigaseki (霞が関, 霞ヶ関 or 霞ケ関) is a district in Chiyoda Ward in Tokyo, Japan. It is the location of most of Japan's cabinet ministry offices. The name is often used as a metonym for the Japanese government bureaucracy, while Nagatachō refers to the elected government or the legislative branch. Kasumigaseki Station was one of the stations affected during the Tokyo subway sarin attack. Notable sites Government offices * 2nd Bldg. of the Central Common Government Office **Japan Transport Safety Board ** National Public Safety Commission * Fair Trade Commission *Coast Guard * Patent Office *Ministry of Internal Affairs and Communications * Ministry of Agriculture, Forestry and Fisheries *Ministry of Economy, Trade and Industry *Ministry of Finance *Ministry of Foreign Affairs *Ministry of Justice *Ministry of Land, Infrastructure, Transport and Tourism *Ministry of Health, Labour and Welfare *Ministry of Education, Culture, Sports, Science and Technology * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heijō Palace
was the imperial residence in the Japanese capital city Heijō-kyō (today's Nara), during most of the Nara period. The palace, which served as the imperial residence and the administrative centre of for most of the Nara period from 710 to 794 AD, was located at the north-central location of the city in accordance with the Chinese models used for the design of the capital. The palace consisted of a , a large rectangular walled enclosure which contained several ceremonial and administrative buildings including the government ministries. Inside this enclosure was the separately walled residential compound of the emperor or the ''Inner Palace''. In addition to the emperor's living quarters the Inner Palace contained the residences of the imperial consorts as well as certain official and ceremonial buildings more closely linked to the person of the emperor. The original role of the palace was to manifest the centralised government model adopted by Japan from China in the 7th cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tokyo National Museum
The or TNM is an art museum in Ueno Park in the Taitō ward of Tokyo, Japan. It is one of the four museums operated by the National Institutes for Cultural Heritage ( :ja:国立文化財機構), is considered the oldest national museum in Japan, is the largest art museum in Japan, and is one of the largest art museums in the world. The museum collects, preserves, and displays a comprehensive collection of artwork and cultural objects from Asia, with a focus on ancient and medieval Japanese art and Asian art along the Silk Road. There is also a large collection of Greco-Buddhist art. The museum holds over 110,000 Cultural Properties, including 89 National Treasures of Japan, 319 Horyuji Treasures, and 644 Important Cultural Properties. As of 2022, there were 902 arts and crafts designated national treasures by the Japanese government, meaning the Tokyo National Museum has about 10% of the art and crafts designated national treasures of Japan. In addition, the museum houses over ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lacquer-ware
Lacquerware are objects decoratively covered with lacquer. Lacquerware includes small or large containers, tableware, a variety of small objects carried by people, and larger objects such as furniture and even coffins painted with lacquer. Before lacquering, the surface is sometimes painted with pictures, inlaid with shell and other materials, or carved. The lacquer can be dusted with gold or silver and given further decorative treatments. East Asian countries have long traditions of lacquer work, going back several thousand years in the cases of China, Japan and Korea. The best known lacquer, an urushiol-based lacquer common in East Asia, is derived from the dried sap of ''Toxicodendron vernicifluum''. Other types of lacquers are processed from a variety of plants and insects. The traditions of lacquer work in Southeast Asia, South Asia and the Americas are also ancient and originated independently. True lacquer is not made outside Asia, but some imitations, such as Japanning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imari Porcelain
is a Western term for a brightly-coloured style of Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyūshū. They were exported to Europe in large quantities, especially between the second half of the 17th century and the first half of the 18th century. Typically Imari ware (in the English use of the term) is decorated in underglaze blue, with red, gold, black for outlines, and sometimes other colours, added in overglaze. In the most characteristic floral designs most of the surface is coloured, with "a tendency to overdecoration that leads to fussiness". The style was so successful that Chinese and European producers began to copy it. Sometimes the different overglaze styles of Kakiemon and Kutani ware are also grouped under Imari ware. The name derives from the port of Imari, Saga, from which they were shipped to Nagasaki, where the Dutch East India Company and the Chinese had trading outposts. In the West the multi-colou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shamisen
The , also known as the or (all meaning "three strings"), is a three-stringed traditional Japanese musical instrument derived from the Chinese instrument . It is played with a plectrum called a bachi. The Japanese pronunciation is usually but sometimes when used as a suffix, according to regular sound change (e.g. ). In Western Japanese dialects and several Edo period sources, it is both written and pronounced as . The construction of the varies in shape, depending on the genre in which it is used. The instrument used to accompany kabuki has a thin neck, facilitating the agile and virtuosic requirements of that genre. The one used to accompany puppet plays and folk songs has a longer and thicker neck instead, to match the more robust music of those genres. Construction The is a plucked stringed instrument. Its construction follows a model similar to that of a guitar or a banjo, with a neck and strings stretched across a resonating body. The neck of the is fretl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bunraku
(also known as ) is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. Three kinds of performers take part in a performance: the or (puppeteers), the (chanters), and musicians. Occasionally other instruments such as drums will be used. The combination of chanting and playing is called and the Japanese word for puppet (or dolls, generally) is . It is used in many plays. History 's history goes as far back as the 16th century, but the origins of its modern form can be traced to around the 1680s. It rose to popularity after the playwright Chikamatsu Monzaemon (1653–1724) began a collaboration with the chanter Takemoto Gidayu (1651–1714), who established the Takemoto puppet theater in Osaka in 1684. Originally, the term referred only to the particular theater established in 1805 in Osaka, which was named the after the puppeteering ensemble of , an early 18th-century p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyōgen
is a form of traditional Japanese comic theater. It developed alongside '' Noh'', was performed along with ''Noh'' as an intermission of sorts between ''Noh'' acts on the same stage, and retains close links to ''Noh'' in the modern day; therefore, it is sometimes designated ''Noh-kyōgen''. Its contents are nevertheless not at all similar to the formal, symbolic, and solemn ''Noh'' theater; ''kyōgen'' is a comic form, and its primary goal is to make its audience laugh. ''Kyōgen'' together with ''Noh'' is part of ''Nōgaku'' theatre. ''Kyōgen'' is sometimes compared to the Italian comic form of commedia dell'arte, which developed around the same period (14th century) and likewise features stock characters. It also has parallels with the Greek satyr play, a short, comical play performed between tragedies. History One of the oldest ancestors of kyogen is considered to be a comical mimicry, which was one of the arts constituting Sangaku ( :ja:散楽), and Sangaku was introdu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Living National Treasure (Japan)
is a Japanese popular term for those individuals certified as by the Minister of Education, Culture, Sports, Science and Technology as based on Japan's . The term "Living National Treasure" is not formally mentioned in the law, but is an informal term referencing the cultural properties designated as the National Treasures. The Japanese government provides a subsidy of 2 million yen per person per year for Living National Treasures. The total amount of the subsidy is determined by the national budget, and since 2002 it has been 232 million yen. Therefore, the number of Living National Treasures in existence is a maximum of 116, and if there are 116 Living National Treasures, no person with any outstanding skills will be newly designated as a Living National Treasure unless a vacancy occurs due to death. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intangible Cultural Property (Japan)
An , as defined by the Japanese government's Law for the Protection of Cultural Properties (1950), is a part of the Cultural Properties of high historical or artistic value such as drama, music, and craft techniques. The term refers exclusively to human skills possessed by individuals or groups which are indispensable to produce Cultural Properties. Items of particular importance can be designated as . Recognition is also given to the owners of an item to encourage its transmission. There are three types of recognition: individual recognition, collective recognition, and group recognition. Special grants of two million yen a year are given to individual holders (the so-called Living National Treasures) to help protect their properties. The government also contributes part of the expenses incurred either by the holder of an Intangible Cultural Property during training of his successor, or by a recognized group for public performances. To promote the understanding, and therefore th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural Properties Protection Act
Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a typica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Important Cultural Properties Of Japan
An The term is often shortened into just is an item officially classified as Tangible Cultural Property by the Japanese government's Agency for Cultural Affairs (Ministry of Education, Culture, Sports, Science and Technology) and judged to be of particular importance to the history, arts, and culture of the Japanese people. Classification of Cultural Properties To protect the cultural heritage of Japan, the Law for the Protection of Cultural Properties was created as a under which important items are appropriated as Cultural Properties,In this article, capitals indicate an official designation as opposed to a simple, unofficial definition, e.g "Cultural Properties" as opposed to "cultural properties". thus imposing restrictions to their alteration, repair and export. Besides the "designation system", there exists a , which guarantees a lower level of protection and support to Registered Cultural Properties. Cultural Properties are classified according to their nature. Items de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_with_Dragon_amid_Clouds_LACMA_M.83.148.1.jpg "Click for more on -> Lacquer-ware")
.jpg "Click for more on -> Imari Porcelain")
