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Accent On Tenor Sax
''Accent on Tenor Sax'' is an album by saxophonist Coleman Hawkins which was recorded in 1955 for the Urania label.Evensmo, JThe Tenor Sax of Coleman Hawkins Part 3: 1950 – 1959 Retrieved July 10, 2017 Reception Ron Wynn on AllMusic states, "A mid-'50s tenor sax workout by the immortal soloist Coleman Hawkins. This was originally issued on Urania and wasn't spectacular, but did have some nicely played blues and ballads". Track listing # "I'll Never Be the Same" (Matty Malneck, Frank Signorelli) – 7:13 # " Blue Room" (Richard Rodgers, Lorenz Hart) – 4:44 # "When Your Lover Has Gone" (Einar Aaron Swan) – 4:59 # " Running Wild" (A.H. Gibbs, Joe Grey, Leo Wood) – 3:23 # " The Breeze and I" (Ernesto Lecuona) – 3:18 # "What's New?" (Bob Haggart, Johnny Burke) – 5:48 # "I'll String Along with You" (Harry Warren, Al Dubin) – 4:48 # "My Own Blues" (Coleman Hawkins) – 6:03 Personnel *Coleman Hawkins – tenor saxophone *Ernie Royal – trumpet *Eddie Bert – trom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coleman Hawkins
Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist.Yanow, Scot"Coleman Hawkins: Artist Biography" AllMusic. Retrieved December 27, 2013. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches." Hawkins cited as influences Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charlie Bar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Wood
Leo Wood ''(aka'' Jack Wood; ''né'' Leopold Wood Lantheaume; 2 September 1882 – 2 August 1929) was an American songwriter and lyricist. Career Leo Wood was born in San Francisco to Louis Ferdinand Lantheaume and Hannah Marcuse Wood ''(maiden).'' He was known professionally as Leo Wood and Jack Wood. Wood is best remembered as the songwriter of the 1920s hit "Somebody Stole My Gal". He wrote lyrics for many of the top songwriters of the day, including Theodore F. Morse. Other popular songs written by Wood include the Paul Whiteman jazz standard "Wang Wang Blues", "Runnin' Wild (1922 song), Runnin' Wild", and "Play that 'Song of India' Again", a number-one hit for five weeks for Whiteman in 1921. He also wrote "Mean Old Bed Bug Blues," under the ''pseudonym'' Jack Wood. Leo Wood died at home in Teaneck, New Jersey, August 2, 1929. Audio samples "Mean Old Bed Bud Blues;"Bessie Smith (vocals); Porter Grainger (piano); Lincoln M. Conaway (Sterling Conaway, Sterling's brother) ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Osie Johnson
James "Osie" Johnson (January 11, 1923, in Washington, D.C. – February 10, 1966, in New York City) was a jazz drummer, arranger and singer. Johnson studied at Armstrong Highschool where he was classmates with Leo Parker and Frank Wess. He first worked with Sabby Lewis and then, after service in the United States Navy, freelanced for a time in Chicago. From 1951 to 1953, he was a member of Earl Hines's band. He can be heard on albums by Paul Gonsalves, Zoot Sims, and Mose Allison and is the drummer on Bobby Darin's "Mack the Knife". (Some sources list Don Lamond as the drummer on "Mack the Knife") and on Ray Conniff's first album '' 'S Wonderful!''. He recorded the album ''A Bit of the Blues'' as a singer and had arranged at a "hit" for singer Dinah Washington. His final recordings as a singer were on a J. J. Johnson album, now compiled as a collection called ''Goodies''. In 1957, Johnson appeared with Thelonious Monk and Ahmed Abdul-Malik on '' The Sound of Jazz''. Johns ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wendell Marshall
Wendell Marshall (October 24, 1920 – February 6, 2002) was an American jazz double-bassist. Marshall was Jimmy Blanton's cousin. He studied at Lincoln University, then served in the Army during World War II. Following his discharge, he performed with Stuff Smith, then relocated to New York City, where he worked with Mercer Ellington. From 1948 to 1955, he performed with Duke Ellington. Following his time with Ellington, Marshall joined pit orchestras on Broadway and freelanced with Mary Lou Williams, Art Blakey, Donald Byrd, Milt Jackson, and Hank Jones among others. He retired in 1968, and died of colon cancer in St. Louis, aged 81. Discography With Gene Ammons *'' Twisting the Jug'' (Prestige, 1961) – with Joe Newman and Jack McDuff *'' Soul Summit Vol. 2'' (Prestige, 1961 962 *''Late Hour Special'' (Prestige, 1961 964 *''Velvet Soul'' (Prestige, 1961-62 964 *'' Angel Eyes'' (Prestige, 1962 965 *''Sock!'' (Prestige, 1962 965 With Dorothy Ashby *''The Jazz Ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Bert
Edward Joseph Bertolatus (May 16, 1922 – September 27, 2012), also known as Eddie Bert, was an American jazz trombonist. Music career He was born in Yonkers, New York, United States. Bert received a degree and a teaching license from the Manhattan School of Music (1957). He taught at Essex College, University of Bridgeport, and Western Connecticut State University. Bert performed and recorded with many bands and orchestras. He spent the most time with Benny Goodman's Orchestra (1958–86), Charles Mingus (1955–74), The Thad Jones/Mel Lewis Orchestra (1968–72), New York Jazz Repertory Company (1973–78), The American Jazz Orchestra (1986–92), Loren Schoenberg Orchestra (1986–2001), and Walt Levinsky's Great American Swing Orchestra (1987–95). Bert is featured on hundreds of recordings and recorded extensively as a leader on various labels including Savoy, Blue Note, Trans-World, Jazztone, and Discovery Records. Bert continued to play sold-out shows until his death ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernie Royal
Ernest Andrew Royal (June 2, 1921 in Los Angeles, California – March 16, 1983 in New York City) was a jazz trumpeter. His older brother was clarinetist and alto saxophonist Marshal Royal, with whom he appears on the classic Ray Charles big band recording '' The Genius of Ray Charles'' (1959). Career He began in Los Angeles as a member of Les Hite's Orchestra in 1937. In the following 20 years he would work with Lionel Hampton, Woody Herman, Count Basie, Duke Ellington, Wardell Gray, Stan Kenton and recording as a member of the Charles Mingus Octet, with Teo Macero, John Lewis and Kenny Clarke, among others, in 1953. He led ten albums, most of them recorded in Paris. In 1957 he became a staff musician for the American Broadcasting Company. He went on to play in The Tonight Show Band and can be heard on the Miles Davis albums '' Miles Ahead'' (1957), ''Porgy and Bess'' (1958), and ''Sketches of Spain'' (1960). Death A resident of Teaneck, New Jersey, Royal died of cancer at a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Dubin
Alexander Dubin (June 10, 1891 – February 11, 1945) was an American lyricist. He is best known for his collaborations with the composer Harry Warren. Life Al Dubin came from a Russian Jewish family that emigrated to the United States from Switzerland when he was two years old. Born in Zürich, Switzerland, he grew up in Philadelphia. Between ages of thirteen and sixteen, Dubin played hookey from school in order to travel into New York City to see Broadway musical shows. At age 14 he began writing special material for a vaudeville entertainer on 28th Street between 5th and Broadway in New York City, otherwise known as Tin Pan Alley. Dubin was accepted and enrolled at Perkiomen Seminary in September 1909, but was expelled in 1911, after writing their Alma Mater. After leaving Perkiomen, Dubin got himself a job as a singing waiter at a Philadelphia restaurant. He continued to write lyrics and tried selling them to area publishing firms. During this time, Dubin met composer Joe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Warren
Harry Warren (born Salvatore Antonio Guaragna; December 24, 1893 – September 22, 1981) was an American composer and the first major American songwriter to write primarily for film. He was nominated for the Academy Award for Best Original Song eleven times and won three Oscars for composing " Lullaby of Broadway", "You'll Never Know" and "On the Atchison, Topeka and the Santa Fe". He wrote the music for the first blockbuster film musical, '' 42nd Street'', choreographed by Busby Berkeley, with whom he would collaborate on many musical films. Over a career spanning six decades, Warren wrote more than 800 songs. Other well known Warren hits included "I Only Have Eyes for You", "You Must Have Been a Beautiful Baby", " Jeepers Creepers", "The Gold Diggers' Song (We're in the Money)", "That's Amore", "There Will Never Be Another You", "The More I See You", "At Last" and "Chattanooga Choo Choo" (the last of which was the first gold record in history). Warren was one of America's most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Burke (lyricist)
John Francis Burke (October 3, 1908 – February 25, 1964) was an American lyricist, successful and prolific between the 1920s and 1950s. His work is considered part of the Great American Songbook. His song "Swinging on a Star", from the Bing Crosby film ''Going My Way'', won an Academy Award for Best Song in 1944. Early life Burke was born in Antioch, California, United States, the son of Mary Agnes (Mungovan), a schoolteacher, and William Earl Burke, a structural engineer. When he was still young, his family moved to Chicago, Illinois, where Burke's father founded a construction business. As a youth, Burke studied piano and drama. He attended Crane College and then the University of Wisconsin–Madison, where he played piano in the orchestra. After graduating from the University of Wisconsin–Madison in 1927, Burke joined the Chicago office of the Irving Berlin Publishing Company in 1926 as a pianist and song salesman. He also played piano in dance bands and vaudeville. Car ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Haggart
Robert Sherwood Haggart (March 13, 1914 – December 2, 1998) was an American dixieland jazz double bass player, composer, and arranger. Although he is associated with dixieland, he was one of the finest rhythm bassists of the Swing Era. Music career In 1935, Haggart became a member of the Bob Crosby Band. He arranged and composed "Big Noise from Winnetka", "My Inspiration", "What's New?", and "South Rampart Street Parade". He remained with the band until it dissolved in 1942, then began working as session musician, with much of his time spent at Decca Records. He recorded with Billie Holiday, Duke Ellington, Benny Goodman, and Ella Fitzgerald; his arrangements can be heard on Fitzgerald's album ''Lullabies of Birdland''. Haggart also starred in several commercials for L&M cigarettes on the radio program "Gunsmoke", including the March 4, 1956 episode, "The Hunter". He and Yank Lawson formed the Lawson-Haggart Band, and they also led the World's Greatest Jazz Band from 1968 unti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
What's New?
What's New?" is a 1939 popular song composed by Bob Haggart, with lyrics by Johnny Burke. It was originally an instrumental tune titled "I'm Free" by Haggart in 1938, when Haggart was a member of Bob Crosby and His Orchestra. The tune was written with a trumpet solo, meant to showcase the talents of band-mate Billy Butterfield. Crosby's orchestra recorded "I'm Free" the same day it was written. The following year, the music publishers hired Johnny Burke to write lyrics for the tune. Burke's telling of the torch song is unique, using one side of a casual conversation between former lovers. Thus the song was retitled using the song's first line, "What's New?". The song was recorded with the new title in 1939 by Bob Crosby and His Orchestra with vocalist Teddy Grace. The song reached a peak chart position of #10. Bing Crosby recorded the song on June 30, 1939 with John Scott Trotter and His Orchestra and this was the biggest hit recording of the song, peaking at #2 during a 10-we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernesto Lecuona
Ernesto Lecuona y Casado (; August 7, 1896 – November 29, 1963) was a Cuban composer and pianist, many of whose works have become standards of the Latin, jazz and classical repertoires. His over 600 compositions include songs and zarzuelas as well as pieces for piano and symphonic orchestra. In the 1930s, he helped establish a popular band, the Lecuona Cuban Boys, which showcased some of his most successful pieces and was later taken over by Armando Oréfiche. In the 1950s, Lecuona recorded several LPs, including solo piano albums for RCA Victor. He moved to the United States after the Cuban Revolution and died in Spain in 1963. Early years Lecuona was born in Guanabacoa, Havana, Cuba, Kingdom of Spain, to a Cuban mother and a Canarian father. There are inconsistencies surrounding his birthdate, with some sources indicating the year 1895, and others still giving the day as August 6. He started studying piano at the age of five, under the tuition of his sister Ernestina Lecu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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