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Ashik
An ashik (; ) or ashugh (; ka, :ka:აშუღი, აშუღი) is traditionally a List of oral repositories, singer-poet and bard who accompanies his song—be it a dastan (traditional epic story, also known as ''Azeri hikaye, hikaye'') or a shorter original composition—with a long-necked lute (usually a bağlama or bağlama, saz) in Music of Azerbaijan, Azerbaijani culture, including Music of Turkey, Turkish and Iranian Azeri, South Azerbaijani and non-Turkic cultures of Transcaucasia, South Caucasus (primarily Music of Armenia, Armenian and Music of Georgia (country), Georgian). In Azerbaijan, the Ashiqs of Azerbaijan, modern ashik is a professional musician who usually serves an apprenticeship, masters playing the bağlama, and builds up a varied but individual repertoire of Turkic peoples, Turkic folk songs.Colin P. Mitchell (Editor), New Perspectives on Safavid Iran: Empire and Society, 2011, Routledge, 90–92 Etymology The word ''ashiq'' (, meaning "in love" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Turkey
The roots of traditional music in Turkey span across centuries to a time when the Seljuk Turks migrated to Anatolia and Persia in the 11th century and contains elements of both Turkic and pre-Turkic influences. Much of its modern popular music can trace its roots to the emergence in the early 1930s drive for Westernization. Ashik, Âşık, Aytysh, atışma, singing culture, wedding dance continued way of having fun with family and friends as before. Due to industry music and music in daily life aren't same. Turkish people including new generations have nostalgia music culture., pp 396-410. With the assimilation of immigrants from various regions the diversity of musical genres and musical instrumentation also expanded. Turkey has also seen documented folk music and recorded popular music produced in the ethnic styles of Music of Greece, Greek, Music of Armenia, Armenian, Music of Albania, Albanian, Music of Poland, Polish, Music of Azerbaijan, Azeri and Jewish communities, among ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iranian Azeri
Iranian Azerbaijanis (; ) are the largest ethnic minority of Iran. They are primarily found in and are native to the Iranian Azerbaijan region including provinces of ( East Azerbaijan, Ardabil, Zanjan, West Azerbaijan)Encyclopedia of the Stateless Nations: S-Z Volume 4 of Encyclopedia of the Stateless Nations: Ethnic and National Groups Around the World, James Minahan, , , Author James Minahan, Publisher Greenwood Publishing Group, 2002, , , Length 2241 pages and in smaller numbers, in other provinces such as , |
Music Of Armenia
The music of Armenia ( ''haykakan yerazhshtut’yun'') has its origins in the Armenian highlands, dating back to the 3rd millennium BC, 3rd millennium Common Era, BCE, and is a long-standing musical tradition that encompasses diverse secular and religious, or sacred, music (such as the ''sharakan'' Armenian chant and ''taghs'', along with the indigenous ''Khaz (notation), khaz'' musical notation). Folk music was notably collected and transcribed by Komitas Vardapet, a prominent composer and Musicology, musicologist, in the late 19th and early 20th centuries, who is also considered the founder of the modern Armenian national school of music. Armenian music has been presented internationally by numerous artists, such as composers Aram Khachaturian, Alexander Arutiunian, Arno Babajanian, Haig Gudenian, and Karen Kavaleryan as well as by Folk music, traditional performers such as duduk player Djivan Gasparyan. Melodic basis Traditional Armenian folk music as well as Armenian chur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Oral Repositories
Oral repositories are people who have been trusted with mentally recording information constituting oral tradition within a society. They serve an important role in oral cultures and illiterate societies as repositories of their culture's traditional knowledge, values, and morals. Roles People termed as "oral repositories" have been likened to "walking libraries", leading to the saying "whenever an old man dies, it is as though a library were burning down". Roles vary, and can be titular, formal or informal, some professional specialists such as the Caucasian '' ashik'', or more commonly amateurs and knowledgeable generalists such as the '' bulaam'' of the Kuba people. Types of information held by oral repositories includes lineages, oral law, mythology, oral literature and oral poetry (of which oral history is often entwined), folk songs and aural tradition, and traditional knowledge. In many indigenous societies, such as Native American and San, these roles are ful ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jivani2 (cropped)
Jivani (; 1846–1909), born Serob Stepani Levonian (; also known as Serovbe Stepani Benkoyan, ), was an Armenian '' ashugh'' (bard) and poet. History Jivani was born in Kartsakhi, near Akhalkalaki, Georgia. He became an orphan when he was 8, his uncle looked after him. He learned music composition and performance on kemanche and violin with the support of master Ghara-Ghazar (). In 1866 along with gusan Sazain (Aghajan) Jivani moved to Tbilisi, where he continued his musical activities. The further development of Jivani's art is connected to Alexandropol (Gyumri) and its musical culture. He lived and worked there in 1868–1895. In Alexandropol he headed a circle of fellow gusan-singers, and was awarded by the honorary title of ''ustabashi'' (leading master). Jivani had concerts all over Transcaucasia, including Batumi, Baku, Kars and Tbilisi. In 1895, he returned to Tbilisi. Jivani was an author of more than 800 songs, written in romantic, ironical or realistic styles. He h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashiqs Of Azerbaijan
The art of Azerbaijani Ashiqs combines poetry, storytelling, dance, and vocal and instrumental music into traditional performance art. This art is one of the symbols of Azerbaijani culture and considered an emblem of national identity and the guardian of Azerbaijani language, literature and music. Characterized by the accompaniment of the kopuz, a stringed musical instrument, the classical repertoire of Azerbaijani Ashiqs includes 200 songs, 150 literary-musical compositions known as dastans, nearly 2,000 poems, and numerous stories. Since 2009 the art of Azerbaijani Ashiqs has been inscribed on the Representative List of the Intangible Cultural Heritage of Humanity. Etymology In today's encyclopedic dictionaries the word ''Ashiq'', which means "one who is in love", is derived from the Arabic and Persian. Some encyclopedias define Ashiq as a folk singer-poet of Caucasus and neighboring nations. In addition to songs of his own, in repertory, Ashiq includes epic tales and f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Azerbaijan
Azerbaijan, officially the Republic of Azerbaijan, is a Boundaries between the continents, transcontinental and landlocked country at the boundary of West Asia and Eastern Europe. It is a part of the South Caucasus region and is bounded by the Caspian Sea to the east, Russia's republic of Dagestan to the north, Georgia (country), Georgia to the northwest, Armenia and Turkey to the west, and Iran to the south. Baku is the capital and largest city. The territory of what is now Azerbaijan was ruled first by Caucasian Albania and later by various Persian empires. Until the 19th century, it remained part of Qajar Iran, but the Russo-Persian wars of Russo-Persian War (1804–1813), 1804–1813 and Russo-Persian War (1826–1828), 1826–1828 forced the Qajar Empire to cede its Caucasian territories to the Russian Empire; the treaties of Treaty of Gulistan, Gulistan in 1813 and Treaty of Turkmenchay, Turkmenchay in 1828 defined the border between Russia and Iran. The region north o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bağlama
The bağlama or saz is a family of plucked string instruments and long-necked lutes used in Europe, Balkans, Caucasus, Middle East, Khazar, Central Asia including Germany, France, Belgium, TRNC, Netherlands, Albania, Greece,Bosnia, Serbia, Croatia, Bulgaria, North Macedonia, Russia, Armenia, Azerbaijan, Turkmenistan, Uzbekistan, Kyrgyzstan, Iran, Iraq, Syria, Lebanon and Turkey. It is commonly used by Ashik, ashiks. Name According to ''The New Grove Dictionary of Music and Musicians'', "the terms 'bağlama' and 'saz' are used somewhat interchangeably in Turkey. 'Saz' is generally used interchangeably with 'enstrüman' (instrument) and it is used to refer single or group of musical instruments like 'üflemeli sazlar' (Wind instrument, wind instruments). Bağlama scale The scale (music), musical scale of the bağlama differs from that of many western instruments – such as the guitar – in that it features ratios that are close to quarter tones. The traditional ratios for bağla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nominative Case
In grammar, the nominative case ( abbreviated ), subjective case, straight case, or upright case is one of the grammatical cases of a noun or other part of speech, which generally marks the subject of a verb, or (in Latin and formal variants of English) a predicative nominal or adjective, as opposed to its object, or other verb arguments. Generally, the noun "that is doing something" is in the nominative, and the nominative is often the form listed in dictionaries. Etymology The English word ''nominative'' comes from Latin ''cāsus nominātīvus'' "case for naming", which was translated from Ancient Greek ὀνομαστικὴ πτῶσις, ''onomastikḗ ptôsis'' "inflection for naming", from ''onomázō'' "call by name", from ''ónoma'' "name". Dionysius Thrax in his The Art of Grammar refers to it as ''orthḗ'' or ''eutheîa'' "straight", in contrast to the oblique case, oblique or "bent" cases. Characteristics The reference form (more technically, the ''lea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
