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Armida Al Campo D'Egitto (Vivaldi)
''Armida al campo d'Egitto'' is an opera in three acts by Antonio Vivaldi to a libretto by Giovanni Palazzi. It was first performed during the Carnival of Venice, Carnival season of 1718 at the Teatro San Moisè in Venice. Vivaldi's version is different from the more than 50 operas whose themes derive in varying degrees from the story of Rinaldo and Armida in Torquato Tasso's epic poem ''Jerusalem Delivered, La Gerusalemme liberata'' (''Jerusalem Delivered'').Jellinek, George (1994) p.,. 354 Unlike the more than 50 operas based on the romance of Rinaldo and Armida, Vivaldi's version starts during previous events before the war against the Crusaders. Armida was revived for the Carnival season of 1738, with much of the music rewritten, and arias by Leonardo Leo added. Act II of the original version of the opera is now lost. Roles Recordings Complete recording with a restored version of Act II: *''Armida al campo d'Egitto'' (Concerto Italiano; Rinaldo Alessandrini, conductor). Lab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist, impresario of Baroque music and Roman Catholic priest. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and Program music, programmatic music. He consolidated the emerging concerto form, especially the solo concerto, into a widely accepted and followed idiom. Vivaldi composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as Sacred Music, sacred choral works and List of operas by Antonio Vivaldi, more than fifty operas. His best-known work is a series of violin concertos known as ''The Four Seasons (Vivaldi), The Four Seasons''. Many of his compositions were written for the all-female music ensemble of the , a home for abandoned children. Vivaldi b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto Italiano
Concerto Italiano is an Italian early music ensemble well known for their interpretations of Claudio Monteverdi, Monteverdi and Antonio Vivaldi, Vivaldi, among others. The historically informed performance ensemble was formed by the harpsichordist Rinaldo Alessandrini, and made its Rome debut with Francesco Cavalli's ''La Calisto'' in 1984. Since then, Concerto Italiano has recorded Monteverdi madrigal (music), madrigals, which have won numerous awards, including the Gramophone Awards, Gramophone Award three times. Other major international awards garnered by this ensemble include ''Preis der deutschen Schallplattenkritik'', ''Prix de la Nouivelle Académie du disque'', ''Premio internationale del disco Antonio Vivaldi'' (Cini Foundation), and the ''Prix de l'Académie Charles Cros''. Concerto Italiano is under exclusive contract with OPUS 111, which is now under the umbrella of the large France, French label, Naïve (record label), Naïve. Most recently, with conjunction with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas Based On Jerusalem Delivered
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian-language Operas
Italian (, , or , ) is a Romance language of the Indo-European language family. It evolved from the colloquial Latin of the Roman Empire. Italian is the least divergent language from Latin, together with Sardinian. It is spoken by about 68 million people, including 64 million native speakers as of 2024. Italian is an official language in Italy, San Marino, Switzerland ( Ticino and the Grisons), and Vatican City; it has official minority status in Croatia, Slovene Istria, Romania, Bosnia and Herzegovina, and the municipalities of Santa Tereza, Encantado, and Venda Nova do Imigrante in Brazil. Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia. Some speakers of Italian are native bilinguals of both Italian (either in its standard form or regional varieties) and a local language of Italy, most frequently the language spoken at home in their place of origin. Italian is a major language in Europe, being one of the offici ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Antonio Vivaldi
Opera is a form of Western theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western classical music, and Italian tradition in particular. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Regazzo
Lorenzo Regazzo, (born in Venice) is an opera singer. His voice can be categorised as bass, bass-baritone or ''basso cantante''. He is especially well known for interpreting Baroque, Classical, and bel canto repertoire. Among the qualities frequently noted by the critical press are his virtuosic coloratura technique, sumptuous tone, and vivid stage presence.See pressLa fida ninfa [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stefano Molardi
Stefano is the Italian form of the masculine given name Στέφανος (Stefanos, Stephen). The name is of Greek origin, Στέφανος, meaning a person who made a significant achievement and has been crowned. In Orthodox Christianity the achievement is in the realm of virtues, αρετές, therefore the name signifies a person who had triumphed over passions and gained the relevant virtues. In Italian, the stress falls usually on the first syllable, (an exception is the Apulian surname ''Stefano'', ); in English, it is often mistakenly placed on the second, . People with the given name Stefano * Stefano (wrestler), ring name of Daniel Garcia Soto, professional wrestler * Stefano Abbati (born 1955), Italian actor * Stefano Accorsi (born 1971), Italian actor * Stefano Agostini, several people * Stefano Albertoni (born 1966), retired Swiss-Italian football midfielder * Stefano Alfonso (born 1968), speedway rider who raced for the Scottish Monarchs and Edinburgh Monarchs i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Virtuosi Delle Muse
I, or i, is the ninth letter and the third vowel letter of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''i'' (pronounced ), plural ''ies''. Name In English, the name of the letter is the "long I" sound, pronounced . In most other languages, its name matches the letter's pronunciation in open syllables. History In the Phoenician alphabet, the letter may have originated in a hieroglyph for an arm that represented a voiced pharyngeal fricative () in Egyptian, but was reassigned to (as in English "yes") by Semites because their word for "arm" began with that sound. This letter could also be used to represent , the close front unrounded vowel, mainly in foreign words. The Greeks adopted a form of this Phoenician ''yodh'' as their letter ''iota'' () to represent , the same as in the Old Italic alphabet. In Latin (as in Modern Greek), it was also used to represent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudio Scimone
Claudio Scimone (23 December 1934 – 6 September 2018) was an Italian conductor. He was born in Padua, Italy and studied conducting with Dimitri Mitropoulos and Franco Ferrara. He established an international reputation as a conductor, as well as a composer. He revived many baroque and renaissance works. His discography includes over 150 titles, and he won numerous prizes, including the '' Grand Prix du Disque of the Académie Charles Cros.'' Claudio Scimone was the founder of I Solisti Veneti (the ensemble with which most of his recordings were made) and at the time of his death was the honorary conductor of the Gulbenkian Orchestra in Lisbon, Portugal. With the Philharmonia of London, he conducted the first recording of Muzio Clementi’s Symphonies. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Solisti Veneti
I Solisti Veneti is an Italian chamber orchestra founded in Padua in 1959 by Claudio Scimone. Since 2019, the Musical Director has been Giuliano Carella, and since 2020 he has also been Artistic Director. Background The ensemble was directed by Scimone until his last concert on 2 September 2018; he died on 6 September. I Solisti Veneti made a reputation especially with Italian Baroque music, recording many works by Antonio Vivaldi, Tomaso Albinoni, Francesco Geminiani, Benedetto Marcello and Giuseppe Tartini. I Solisti Veneti has toured the world, playing over 6,000 concerts in over ninety countries, in places as diverse as Salzburg and Seoul. As part of its 50th anniversary celebrations in 2008 the European Parliament honoured the Orchestra with an official plaque where they are praised as “Ambassadors of culture and music across the borders”. In April 2018 they gave a concert at the Embassy of Italy, Washington, DC. Collaborations The ensemble has recorded with man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overture
Overture (from French ''ouverture'', "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem. These were "at first undoubtedly intended to be played at the head of a programme". The idea of an instrumental opening to opera existed during the 17th century. Peri's '' Euridice'' opens with a brief instrumental ritornello, and Monteverdi's '' L'Orfeo'' (1607) opens with a toccata, in this case a fanfare for muted trumpets. More important was the prologue, consisting of sung dialogue between allegorical characters which introduced the overarching themes of the stories depicted. French overture As a musical form, the French overture first appears in the court ballet and operatic overtures of Jean-Baptist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
