Antony Gibbs
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Antony Gibbs
Antony Gibbs (sometimes credited as Tony Gibbs; 17 October 1925 – 26 February 2016) was an English film and television editor with more than 40 feature film credits. He was a member of the American Cinema Editors (ACE). Career Gibbs' editing career began in the mid-1950s as an assistant to Ralph Kemplen and to Alan Osbiston, and through them he became involved with the brief " New Wave" of British filmmaking at its beginnings. In particular Osbiston (and Gibbs) edited ''The Entertainer'' (1960), which was directed by Tony Richardson; Richardson was one of the most prominent of the British New Wave directors. Gibbs was then principal editor for several of the subsequent "New Wave" films, including Richardson's ''A Taste of Honey'' (1961), '' The Loneliness of the Long Distance Runner'' (1962), and ''Tom Jones'' (1963), and also '' The Knack ...and How to Get It'' (1965), which was directed by Richard Lester. In his 1995 book, ''Film and Video Editing'', Roger Crittenden no ...
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The Man Without A Face
''The Man Without a Face'' is a 1993 American drama film starring and directed by Mel Gibson, in his feature film directorial debut. The film is based on Isabelle Holland's 1972 novel of the same name. Gibson's direction received positive reviews from most critics. Plot In 1968, Justin McLeod has been living an isolated existence as a painter for seven years, after a car accident that disfigured his face. Chuck Norstadt is a young boy who endures a contentious relationship with his academically brilliant sisters and their mother. One day, Chuck meets McLeod on a ferry when McLeod witnesses Chuck in an act of vandalism. Chuck needs a tutor to help him pass a military academy's entrance exam that he had failed earlier. Upon discovering that McLeod is a teacher, Chuck persuades him to become his tutor. While he is initially baffled by McLeod's unorthodox methods, the two eventually develop a close friendship. Chuck keeps his daily meetings with McLeod a secret to avoid being sc ...
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Richard Lester
Richard Lester Liebman (born January 19, 1932) is an American retired film director, who spent the majority of his professional life in the United Kingdom. He is known for the fast-paced, flamboyant directing he brought to his comedy films, most notably the Beatles' vehicles ''A Hard Day's Night (film), A Hard Day's Night'' (1964) and ''Help! (film), Help!'' (1965), and ''The Knack ...and How to Get It'' (1965). Originally from Philadelphia, Lester began his career directing television, moving to the United Kingdom in the mid-1950s. He collaborated with Peter Sellers and Spike Milligan, on ''The Goon Show'' and ''The Running Jumping & Standing Still Film''. After breaking into film directing through his Beatles collaborations, he helmed various productions including the superhero films ''Superman II'' (1980) and ''Superman III'' (1983), ''A Funny Thing Happened on the Way to the Forum (film), A Funny Thing Happened on the Way to the Forum'' (1966), ''Petulia'' (1968), ''The Thr ...
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Donald Cammell
Donald Seton Cammell (17 January 1934 – 24 April 1996) was a Scottish painter, screenwriter, and film director. He has a cult reputation largely due to his debut film ''Performance'', which he wrote the screenplay for and co-directed with Nicolas Roeg. He died by suicide after the last film he directed, '' Wild Side'', was taken away from him and recut by the production company. Biography Early years Donald Seton Cammell was born 17 January 1934 in the Outlook Tower on Castlehill, on the approach to Edinburgh Castle in Scotland. He was the elder son of the poet and writer Charles Richard Cammell (who wrote a book on occultist Aleister Crowley) and Iona Macdonald. His middle name Seton came from his godfather, the Scottish naturalist Seton Gordon. He was educated at Shrewsbury House School and Westminster School. Brought up in a bohemian atmosphere, Cammell was raised in an environment he described as "filled with magicians, metaphysicians, spiritualists and demon ...
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Performance (film)
''Performance'' (stylised in promotional material as ''performance.'') is a 1970 British crime drama film directed by Donald Cammell and Nicolas Roeg, written by Cammell and filmed by Roeg. The film stars James Fox as a violent and ambitious London gangster who, after killing an old friend, goes into hiding at the home of a reclusive rock star (Mick Jagger). The film was produced in 1968 but not released until 1970, as Warner Bros. was reluctant to distribute the film, owing to its sexual content and graphic violence. It initially received a mixed critical response, but its reputation has grown since then, and it is now regarded as one of the most influential and innovative films of the 1970s, as well as one of the greatest films in the history of British cinema. In 1999, ''Performance'' was voted the 48th greatest British film of the 20th century by the British Film Institute. In 2008 ''Empire'' magazine ranked the film 182nd on its list of the 500 Greatest Movies of All Time ...
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BAFTA Award For Best Editing
The BAFTA Award for Best Editing is a film award presented by the British Academy of Film and Television Arts (BAFTA) at the annual British Academy Film Awards, to recognize a film editor who has delivered outstanding editing in a film. BAFTA is a British organisation that hosts annual awards shows for film, television, and video games (and formerly also for children's film and television). Since 1966, selected editors have been awarded with the BAFTA award for Best Editing at an annual ceremony. Traditionally, four films were nominated each year until 2000, when the Academy expanded the annual number of nominees to five. The predetermined limit was exceeded twice: in 1992, when, due to a tie in the vote, there were five nominees, and in 2008, when there were six nominees. In the following lists, the titles and names in bold with a gold background are the winners and recipients respectively; those not in bold are the nominees. The years given are those in which the films unde ...
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Academy Award For Best Director
The Academy Award for Best Director (officially known as the Academy Award of Merit for Directing) is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS). It is given in honor of a film director who has exhibited outstanding directing while working in the film industry. The 1st Academy Awards ceremony was held in 1929 with the award being split into "Dramatic" and "Comedy" categories; Frank Borzage and Lewis Milestone won for ''7th Heaven (1927 film), 7th Heaven'' and ''Two Arabian Knights'', respectively. However, these categories were merged for all subsequent ceremonies. Nominees are determined by single transferable vote within the directors branch of AMPAS; winners are selected by a plurality (voting), plurality vote from the entire eligible voting members of the academy. For the first eleven years of the Academy Awards, directors were allowed to be nominated for multiple films in the same year. However, after the nomination of Michael Cu ...
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Academy Award For Best Picture
The Academy Award for Best Picture is one of the Academy Awards (also known as Oscars) presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) since the awards debuted in 1929. This award goes to the producers of the film and is the only category in which every member of the Academy is eligible to submit a nomination and vote on the final ballot. The Best Picture category is traditionally the final award of the night and is widely considered the most prestigious honor of the ceremony. The Grand Staircase columns at the Dolby Theatre in Hollywood, where the Academy Awards ceremonies have been held since 2002, showcase every film that has won the Best Picture title since the award's inception. There have been 611 films nominated for Best Picture and 97 winners. History Category name changes At the 1st Academy Awards ceremony held in 1929 (for films made in 1927 and 1928), there were two categories of awards that were each considered the top award of the ni ...
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ACE Eddie
Founded in 1950, American Cinema Editors (ACE) is an honorary society of film editors who are voted in based on the qualities of professional achievements, their education of others, and their dedication to editing. Members use the post-nominal letters "ACE". The organization's "Eddie Awards" are routinely covered in trade magazines such as ''The Hollywood Reporter'' and ''Variety''. The society is not an industry union, such as the I.A.T.S.E. (specifically the Motion Picture Editors Guild or MPEG), to which an editor might also belong. The current president of ACE is Kevin Tent, who was elected in 2020. Membership Eligibility for active membership is based on the following: * Nomination or win of an ACE Eddie award and/or * Desire to be a member * Sponsorship by at least two active members * Minimum of 72 months' (6 years) editing experience on features and/or television * Interview by the Membership Committee * Approval by the Board of Directors * Acceptance by the general m ...
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Fiddler On The Roof (film)
''Fiddler on the Roof'' is a 1971 American historical drama, period musical film produced and directed by Norman Jewison from a screenplay written by Joseph Stein, based on the Fiddler on the Roof, stage musical by Stein, Jerry Bock, and Sheldon Harnick, which premiered on Broadway in 1964. Set in early 20th-century Russian Empire, Imperial Russia, the film centers on Tevye (Chaim Topol), a poor Jewish milkman who is faced with the challenge of marrying off his five daughters amidst the growing tension in his shtetl. The cast also features Norma Crane, Leonard Frey, Molly Picon, Paul Mann, Rosalind Harris, Michele Marsh (actress), Michèle Marsh, Neva Small and Paul Michael Glaser. The musical score, composed by Bock with lyrics by Harnick, was adapted and conducted by John Williams. Filmed at Pinewood Studios in England and on-location in Socialist Republic of Croatia, SR Croatia, ''Fiddler on the Roof'' was theatrically released on November 3, 1971, by United Artists to critica ...
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Norman Jewison
Norman Frederick Jewison (July 21, 1926 – January 20, 2024) was a Canadian filmmaker. He was known for directing films which addressed topical Social issue, social and political issues, often making controversial or complicated subjects accessible to mainstream audiences. Among numerous other accolades, he was nominated for the Academy Award for Best Director three times in three separate decades, for ''In the Heat of the Night (film), In the Heat of the Night'' (1967), ''Fiddler on the Roof (film), Fiddler on the Roof'' (1971), and ''Moonstruck'' (1987). He was nominated for an additional four Oscars, three Golden Globe Awards, and a Primetime Emmy Award, and won a BAFTA Award. He received the Academy of Motion Pictures Arts and Sciences's Irving G. Thalberg Memorial Award in 71st Academy Awards, 1999. Born and raised in Toronto, Jewison began his career at CBC Television in the 1950s, moving to the United States later in the decade to work at NBC. He made his feature film de ...
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List Of Film Director And Editor Collaborations
This list includes longstanding, notable collaborations of film director, directors and film editor, editors. The list's importance is that directors and editors typically work together on the film editing, editing of a film, which is the ultimate step of filmmaking during which the dozens or hundreds of hours of raw film footage are pruned and woven into the final film. Film critic Walter Kerr has argued that editing is comparable in its importance to directing itself, and should be credited as such; he wrote "At the very least, it seems to me, the editor's credit should be rescued from its place near the bottom of the list, an area we may call Oblivion. And I don't mean the editor should be given a mere half-a-leg up, nudged one inch higher in the Pantheon of creative people who do things. The best he ever gets now is fourth or fifth spot, somewhere after the principal photographer and two or three screenwriters. Second position is where he belongs, and no lower, if we're still go ...
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The Loved One (film)
''The Loved One'' is a 1965 black-and-white black comedy film directed by British filmmaker Tony Richardson. A satirical look at the funeral business in Los Angeles, it is based on Evelyn Waugh's 1948 short novel '' The Loved One: An Anglo-American Tragedy'', though the screenplay by noted American satirical novelist Terry Southern and British author Christopher Isherwood also incorporates elements from Jessica Mitford's 1963 nonfiction book '' The American Way of Death''. The film stars Robert Morse, Jonathan Winters, Anjanette Comer, and Rod Steiger, with Dana Andrews, Milton Berle, James Coburn, John Gielgud, Tab Hunter, Margaret Leighton, Liberace, Roddy McDowall, Robert Morley, Barbara Nichols, and Lionel Stander credited as "cameo guest stars", and features the debut acting performance of songwriter Paul Williams. Plot Young Englishman—and aspiring poet—Dennis Barlow wins an airline ticket and decides to visit his uncle, Sir Francis Hinsley, in Los Angeles. Shortly aft ...
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