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Andrea Ihle
Andrea Ihle (17 April 1953 – 18 Juni 2023) was a German operatic soprano. A long-term member of the Staatsoper Dresden, she performed a wide range of roles from coloratura soprano to character roles. She appeared as Ännchen in Weber's ''Der Freischütz'' in the opening performance of the rebuilt Semperoper, in world premieres and in contemporary opera such as Udo Zimmermann's '' Der Schuhu und die fliegende Prinzessin'' Career Born in Dresden, Ihle completed her vocal studies at the Musikhochschule Dresden, where she was a pupil of Klara Elfriede Intrau. In 1974 she won the 2nd prize at the Robert Schumann International Competition for Pianists and Singers in Zwickau. In 1976 she made her debut at the Staatsoper Dresden in the role of Giannetta in Donizetti's ''L'elisir d'amore''. Since then she has been an ensemble member of the Dresden State Opera, where she became known first as a coloratura soprano. She performed roles such as Despina in Mozart's ''Così fan tutte'', Pa ...
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Dresden
Dresden (; ; Upper Saxon German, Upper Saxon: ''Dräsdn''; , ) is the capital city of the States of Germany, German state of Saxony and its second most populous city after Leipzig. It is the List of cities in Germany by population, 12th most populous city of Germany, the fourth largest by area (after Berlin, Hamburg, and Cologne), and the third-most populous city in the area of former East Germany, after Berlin and Leipzig. Dresden's urban area comprises the towns of Freital, Pirna, Radebeul, Meissen, Coswig, Saxony, Coswig, Radeberg, and Heidenau and has around 790,000 inhabitants. The Dresden metropolitan area has approximately 1.34 million inhabitants. Dresden is the second largest city on the River Elbe after Hamburg. Most of the city's population lives in the Dresden Basin, Elbe Valley, but a large, albeit very sparsely populated, area of the city east of the Elbe lies in the West Lusatian Hill Country and Uplands (the westernmost part of the Sudetes) and thus in Lusatia. ...
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Der Rosenkavalier
(''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from Louvet de Couvrai's novel ''Les amours du chevalier de Faublas'' and Molière's comedy ''Monsieur de Pourceaugnac''. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, with Ernst von Schuch conducting. Until the premiere, the working title was ''Ochs auf Lerchenau''. (The choice of the name Ochs is not accidental, as "Ochs" means "ox", which describes the Baron's manner.) The opera has four main characters: the aristocratic Marschallin; her 17-year-old lover, Count Octavian Rofrano; her brutish cousin Baron Ochs; and Ochs's prospective fiancée, Sophie von Faninal, the daughter of a rich bourgeois. At the Marschallin's suggestion, Octavian acts as Ochs's ''Rosenkavalier'' by presenting a ceremonial silver rose to ...
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Oratorio
An oratorio () is a musical composition with dramatic or narrative text for choir, soloists and orchestra or other ensemble. Similar to opera, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters (e.g. soloists), and arias. However, opera is musical theatre, and typically involves significant theatrical spectacle, including sets, props, and costuming, as well as staged interactions between characters. In oratorio, there is generally minimal staging, with the chorus often assuming a more central dramatic role, and the work is typically presented as a concert piece – though oratorios are sometimes staged as operas, and operas are not infrequently presented in concert form. A particularly important difference between opera and oratorio is in the typical subject matter of the text. An opera libretto may deal with any conceivable dramatic subject (e.g. history, mythology, Richard Nixon, Anna Nicole Smith an ...
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Die Walküre
(; ''The Valkyrie''), Wagner-Werk-Verzeichnis, WWV 86B, is the second of the four epic poetry, epic music dramas that constitute Richard Wagner's Literary cycle, cycle ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus on 14 August 1876. As the ''Ring'' cycle was conceived by Wagner in reverse order of performance, ''Die Walküre'' was the third of the four texts to be written, although Wagner composed the music in performance sequence. The text was completed by July 1852, and the music by March 1856. Wagner largely followed the principles related to the form of musical drama, which he had set out in his 1851 essay ''Opera and Drama'' under which the music would interpret the text emotionally, reflecting the feelings and moods behind the work, using a system of recurring leitmotifs ...
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Deutsche Oper Berlin
The Deutsche Oper Berlin is a German opera company located in the Charlottenburg district of Berlin. The resident building is the country's second largest opera house (after Munich's) and also home to the Berlin State Ballet. Since 2004, the Deutsche Oper Berlin, like the Staatsoper Unter den Linden ( Berlin State Opera), the Komische Oper Berlin, the Berlin State Ballet, and the Bühnenservice Berlin (Stage and Costume Design), has been a member of the Berlin Opera Foundation. History The company's history goes back to the ''Deutsches Opernhaus'' built by the then independent city of Charlottenburg—the "richest town of Prussia"—according to plans designed by Heinrich Seeling from 1911. It opened on 7 November 1912 with a performance of Beethoven's ''Fidelio'', conducted by Ignatz Waghalter. In 1925, after the incorporation of Charlottenburg by the 1920 Greater Berlin Act, the name of the resident building was changed to ''Städtische Oper'' (Municipal Opera). With ...
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L'incoronazione Di Poppea
''L'incoronazione di Poppea'' (Stattkus-Verzeichnis, SV 308, ''The Coronation of Poppaea'') is an Italian List of operas by Claudio Monteverdi, opera by Claudio Monteverdi. It was Monteverdi's last opera, with a libretto by Giovanni Francesco Busenello, and was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1643 Carnival of Venice, carnival season. One of the first operas to use historical events and people, it describes how Poppaea, mistress of the Roman emperor Nero, is able to achieve her ambition and be crowned empress. The opera was revived in Naples in 1651, but was then neglected until the rediscovery of the score in 1888, after which it became the subject of scholarly attention in the late 19th and early 20th centuries. Since the 1960s, the opera has been performed and recorded many times. The original manuscript of the score does not exist; two surviving copies from the 1650s show significant differences from each other, and each differs to some ...
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Il Barbiere Di Siviglia
''The Barber of Seville, or The Useless Precaution'' ( ) is an ''opera buffa'' (comic opera) in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The premiere of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' is considered to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two centuries, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Figaro,'' composed 30 years earlier in 1786, i ...
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Manfred Trojahn
Manfred Trojahn (born 22 October 1949) is a German composer, flutist, conductor, writer and academic teacher. Career Trojahn was born Cremlingen in Lower Saxony and began his musical studies in 1966 in orchestra music at the music school of Braunschweig. After graduating in 1970 he concluded his studies as a flutist at the Hochschule für Musik und Theater Hamburg with Karlheinz Zöller. From 1971 he studied composition with Diether de la Motte. He also studied with György Ligeti, conducting with Albert Bittner. Since 1991 he is professor for musical composition at the Robert Schumann Hochschule in Düsseldorf. From 2004 until 2006 he was President of the ; from 2008 to 2012 he was vice-director of the music section of the Academy of Arts, Berlin. Works His works have been published by Bärenreiter and Sikorski Sikorski (feminine: Sikorska, plural: Sikorscy) is a Polish-language surname. It belongs to several noble Polish–Lithuanian Commonwealth families, see . Variant ...
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Dead Man Walking (opera)
''Dead Man Walking'' is the first opera composed by American Jake Heggie, with a libretto by playwright Terrence McNally. Based on the book of the same name by Sister Helen Prejean, C.S.J., the work premiered on October 7, 2000, at the War Memorial Opera House, produced by the San Francisco Opera. Performance history The 2000 premiere production was commissioned by then-General Director Lotfi Mansouri. The stage director was Joe Mantello, and the conductor was Patrick Summers. Sets, costumes and lighting were designed by Michael Yeargan, Sam Fleming, and Jennifer Tipton, respectively. Susan Graham created the role of Sister Helen, with John Packard as Joseph De Rocher (a composite of Elmo Patrick Sonnier and Robert Lee Willie). Frederica von Stade performed the role of Mrs De Rocher, the convict’s mother. The Australian premiere (the first performance outside the United States)Michael Shmith, "The sister of mercy", '' Sunday Age'', 17 August 2003, Agenda, p. 5 took ...
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Arabella
''Arabella'', Op. 79, is a lyric comedy, or opera, in three acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal, their sixth and last operatic collaboration. Performance history It was first performed on 1 July 1933 at the Dresden Sächsisches Staatstheater. The opera received its premiere in the UK on 17 May 1934 at London's Royal Opera House. The Western Hemisphere premiere was at the Teatro Colón in Buenos Aires on 16 August 1934, conducted by Fritz Busch, with Margarete Teschemacher in the title role. Two decades later, on 10 February 1955, it was performed at the Metropolitan Opera in New York with Eleanor Steber in the title role. The Met has given numerous performances of the work since that date. At the 2008 Helpmann Awards, the production by Opera Australia won the Award for Best Opera.
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Lady Macbeth Of The Mtsensk District (opera)
''Lady Macbeth of Mtsensk'', Op. 29 () is an opera in four acts and nine scenes by Dmitri Shostakovich. The libretto, jointly written by Alexander Preys and the composer, is based on the novella Lady Macbeth of the Mtsensk District (novella), ''Lady Macbeth of the Mtsensk District'' by Nikolai Leskov. Dedicated by Shostakovich to his first wife, physicist Nina Varzar, the roughly 160-minute opera was first performed on 22 January 1934 at the Mikhailovsky Theatre, Leningrad Maly Operny, and two days later in Moscow. It incorporates elements of expressionism and verismo, telling the story of a lonely woman in 19th-century Russia who falls in love with one of her husband's workers and is driven to murder. Performance history Despite early success on popular and official levels, ''Lady Macbeth'' became the vehicle for a general Dmitri Shostakovich#First denunciation, denunciation of Shostakovich's music by the Communist Party of the Soviet Union, CPSU in early 1936: after being ...
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Falstaff (opera)
''Falstaff'' () is a comic opera in three acts by the Italian composer Giuseppe Verdi. The Italian-language libretto was adapted by Arrigo Boito from the play ''The Merry Wives of Windsor'' and scenes from ''Henry IV, Part 1'' and ''Henry IV, Part 2, Part 2'', by William Shakespeare. The work premiered on 9 February 1893 at La Scala, Milan. Verdi wrote ''Falstaff'', the last of his 26 operas, as he approached the age of 80. It was his second comedy, and his third work based on a Shakespeare play, following ''Macbeth (Verdi), Macbeth'' and ''Otello''. The plot revolves around the thwarted, sometimes farcical, efforts of the fat knight Sir John Falstaff to seduce two married women to gain access to their husbands' wealth. Verdi was concerned about working on a new opera at his advanced age, but he yearned to write a comic work and was pleased with Boito's draft libretto. It took the collaborators three years from mid-1889 to complete. Although the prospect of a new ...
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