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Allegory In Renaissance Literature
Allegory is used extensively in Renaissance literature. Developing from the use of allegory in the Middle Ages, Renaissance literature exhibits an increased emphasis on courtly love, sometimes abandoning intelligibility for deliberately unintelligible allegories. The early modern theory of allegory is discussed in Sir John Harington's '' Apology for Poetry'' (included in his translation of Ariosto's ''Orlando furioso'', 1591). Continuous/intermittent Renaissance allegories could be continuous and systematic, or intermittent and occasional. Perhaps the most famous example of a thorough and continuous allegorical work from the Renaissance is the six books of Edmund Spenser's ''The Faerie Queene''. In book 4, for example, Agape has three sons: Priamond (from one), Diamond (from two), and Telamond (from ''téleios'', perfect, but emended by Jortin to 'Triamond' in his 1734 edition). The three sons correspond to the three worlds, born of love. Cambell's battle with the three sons is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allegory
As a List of narrative techniques, literary device or artistic form, an allegory is a wikt:narrative, narrative or visual representation in which a character, place, or event can be interpreted to represent a meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners. Writers and speakers typically use allegories to convey (semi-) hidden or complex meanings through symbolism (arts), symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use personification of abstract concepts. Etymology First attested in English in 1382, the word ''allegory'' comes from Latin ''allegoria'', the latinisation (literature), latinisation of the Greek language, Greek ἀλληγορία (''allegoría''), "veiled ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ptolemy
Claudius Ptolemy (; , ; ; – 160s/170s AD) was a Greco-Roman mathematician, astronomer, astrologer, geographer, and music theorist who wrote about a dozen scientific treatises, three of which were important to later Byzantine science, Byzantine, Islamic science, Islamic, and Science in the Renaissance, Western European science. The first was his astronomical treatise now known as the ''Almagest'', originally entitled ' (, ', ). The second is the ''Geography (Ptolemy), Geography'', which is a thorough discussion on maps and the geographic knowledge of the Greco-Roman world. The third is the astrological treatise in which he attempted to adapt horoscopic astrology to the Aristotelian physics, Aristotelian natural philosophy of his day. This is sometimes known as the ' (, 'On the Effects') but more commonly known as the ' (from the Koine Greek meaning 'four books'; ). The Catholic Church promoted his work, which included the only mathematically sound geocentric model of the Sola ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dream Vision
A dream vision or ''visio'' is a literary device in which a dream or vision is recounted as having revealed knowledge or a truth that is not available to the dreamer or visionary in a normal waking state. While dreams occur frequently throughout the history of literature, visionary literature as a genre began to flourish suddenly, and is especially characteristic of early medieval Europe. In both its ancient and medieval form, the dream vision is often felt to be of divine origin. The genre reemerged in the era of Romanticism, when dreams were regarded as creative gateways to imaginative possibilities beyond rational calculation. This genre typically follows a structure whereby a narrator recounts their experience of falling asleep, dreaming, and waking, with the story often an allegory. The dream, which forms the subject of the poem, is prompted by events in their waking life that are referred to early in the poem. The ‘vision’ addresses these waking concerns through the poss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtly Love
Courtly love ( ; ) was a medieval European literary conception of love that emphasized nobility and chivalry. Medieval literature is filled with examples of knights setting out on adventures and performing various deeds or services for ladies because of their "courtly love". This kind of love was originally a literary fiction created for the entertainment of the nobility, but as time passed, these ideas about love spread to popular culture and attracted a larger literate audience. In the High Middle Ages, a "game of love" developed around these ideas as a set of social practices. "Loving nobly" was considered to be an enriching and improving practice. Courtly love began in the ducal and princely courts of Aquitaine, Provence, Champagne, ducal Burgundy and the Norman Kingdom of Sicily at the end of the eleventh century. In essence, courtly love was an experience between erotic desire and spiritual attainment, "a love at once illicit and morally elevating, passionate and disc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Milton
John Milton (9 December 1608 – 8 November 1674) was an English poet, polemicist, and civil servant. His 1667 epic poem ''Paradise Lost'' was written in blank verse and included 12 books, written in a time of immense religious flux and political upheaval. It addressed the fall of man, including the temptation of Adam and Eve by the fallen angel Satan, and God's expulsion of them from the Garden of Eden. ''Paradise Lost'' elevated Milton's reputation as one of history's greatest poets. He also served as a civil servant for the Commonwealth of England under its Council of State and later under Oliver Cromwell. Milton achieved fame and recognition during his lifetime. His celebrated '' Areopagitica'' (1644) condemning pre-publication censorship is among history's most influential and impassioned defences of freedom of speech and freedom of the press. His desire for freedom extended beyond his philosophy and was reflected in his style, which included his introduction of new words ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Sidney
Sir Philip Sidney (30 November 1554 – 17 October 1586) was an English poet, courtier, scholar and soldier who is remembered as one of the most prominent figures of the Elizabethan era, Elizabethan age. His works include a sonnet sequence, ''Astrophil and Stella'', a treatise, ''An Apology for Poetry, The Defence of Poesy'' (also known as ''The Defence of Poesie'' or ''An Apology for Poetrie'') and a Pastoral#Pastoral romances, pastoral romance, ''The Countess of Pembroke's Arcadia''. He died fighting the Spanish in the Netherlands, age 31, and his funeral procession in London was one of the most lavish ever seen. Biography Early life Born at Penshurst Place, Kent, England, Kent, of an aristocratic family, he was educated at Shrewsbury School and Christ Church, Oxford. He was the eldest son of Henry Sidney, Sir Henry Sidney and Mary Dudley, Lady Sidney, Lady Mary Dudley. His mother was the eldest daughter of John Dudley, 1st Duke of Northumberland, and the sister of Robert Du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre De La Primaudaye
Pierre de La Primaudaye (1546–1619) was a French writer. He is known particularly for ''L'Academie Française'', which was influential in English translations, from 1584 onwards, particularly ''The French Academie'' of 1618. La Primaudaye came from a large Protestant family in Anjou. There is little evidence about his childhood, but it is known that one of his brothers was executed for killing a member of the gentry, since La Primaudaye refers to his sadness over this event. In 1580 he was a ''gentilhomme de la chambre'' (gentleman of the bedchamber) for Francis, Duke of Anjou, the youngest son of king Henry II of France. In this position he published a large variety of books on intellectual topics, most notably ''L'Academie Française'', which summarised philosophical and scientific knowledge of the era. Stuart Gillespie describes it as a "prose compendium of scientific, moral and philosophical knowledge". It may have been used as a source by Shakespeare William Shakes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pico Della Mirandola
Giovanni Pico dei conti della Mirandola e della Concordia ( ; ; ; 24 February 146317 November 1494), known as Pico della Mirandola, was an Italian Renaissance nobleman and philosopher. He is famed for the events of 1486, when, at the age of 23, he proposed to defend 900 theses on religion, philosophy, natural philosophy, and magic against all comers, for which he wrote the '' Oration on the Dignity of Man'', which has been called the "Manifesto of the Renaissance", and a key text of Renaissance humanism and of what has been called the "Hermetic Reformation". He was the founder of the tradition of Christian Kabbalah, a key tenet of early modern Western esotericism. The ''900 Theses'' was the first printed book to be universally banned by the Church.Hanegraaff p. 54 Pico is sometimes seen as a proto-Protestant, because his 900 theses anticipated many Protestant views. Biography Family Giovanni was born at Mirandola, near Modena, the youngest son of Gianfrancesco I Pico, L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Godhead (Christianity)
Godhead (or '' godhood'') refers to the essence or substance ('' ousia'') of God in Christianity — God the Father, Son, and Holy Spirit. Appearance in English Bibles John Wycliffe introduced the term into English Bible versions in two places, and, though somewhat archaic, the term survives in modern English because of its use in three places of the Tyndale New Testament (1525), the Geneva Bible (1560/1599), and King James Version (1611). In that translation, the word was used to translate three different Koine Greek words: See also * God in Christianity * Godhead in Judaism * Trinity The Trinity (, from 'threefold') is the Christian doctrine concerning the nature of God, which defines one God existing in three, , consubstantial divine persons: God the Father, God the Son (Jesus Christ) and God the Holy Spirit, thr ... References Christian terminology God in Christianity Trinitarianism Conceptions of God Nature of Jesus Christ {{Christianit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Empyrean
In ancient European cosmologies inspired by Aristotle, the Empyrean heaven, Empyreal or simply the Empyrean, was the place in the highest heaven which was supposed to be occupied by the element of fire (or aether in Aristotle's natural philosophy). Later early and medieval Christian cosmology incorporated the concept in descriptions of the Christian notion of heaven. Etymology The word derives from the Medieval Latin ''empyreus'', an adaptation of the Ancient Greek ''empyros'' (), meaning "in or on the fire (''pyr'')". The word is used both as a noun and as an adjective, but ''empyreal'' is an alternate adjective form. The scientific words ''empyreuma'' and ''empyreumatic'', applied to the characteristic smell of the burning or charring of vegetable or animal matter, have the same Greek origin. In Christianity Early Christians took inspiration from Aristotle's cosmology in their reckoning of heaven. From the 7th century onwards, the idea of the Empyrean gained traction ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celestial Spheres
The celestial spheres, or celestial orbs, were the fundamental entities of the cosmological models developed by Plato, Eudoxus, Aristotle, Ptolemy, Copernicus, and others. In these celestial models, the apparent motions of the fixed stars and planets are accounted for by treating them as embedded in rotating spheres made of an aetherial, transparent fifth element ( quintessence), like gems set in orbs. Since it was believed that the fixed stars were unchanging in their positions relative to one another, it was argued that they must be on the surface of a single starry sphere. Context In modern thought, the orbits of the planets are viewed as the paths of those planets through mostly empty space. Ancient and medieval thinkers, however, considered the celestial orbs to be thick spheres of rarefied matter nested one within the other, each one in complete contact with the sphere above it and the sphere below.Lindberg, ''Beginnings of Western Science'', p. 251. When schol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
