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Alfred Brendel – Unpublished Live And Radio Performances 1968–2001
''Alfred Brendel – Unpublished Live and Radio Performances 1968–2001'' is a 2-CD compilation album of solo piano music selected by the performer Alfred Brendel. The album was released in 2007 and features music by the composers Ludwig van Beethoven, Frédéric Chopin, Felix Mendelssohn, and Ferruccio Busoni. Critical reception This album was reviewed by Peter Burwasser in ''Fanfare''. He points out that these selections do not represent career highlights, such as Brendel's recordings of Mozart and Schubert, rather they are "performances of music close to the artist’s heart that contain the spontaneity and warmth of the live music-making experience." He goes on to say that no one else plays the ''Diabelli Variations'' better than Brendel, and that this performance, "if a shade lower in temperature and energy than the 1988 studio version, is richer and more dynamically pointed." Regarding the Beethoven Piano Sonata No. 28, Op. 101: "I share the common criticism of Brendel t ...
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Alfred Brendel
Alfred Brendel KBE (born 5 January 1931) is an Austrian classical pianist, poet, author, composer, and lecturer who is known particularly for his performances of Mozart, Schubert, Schoenberg, and Beethoven.Stephen Plaistow"Brendel, Alfred" ''Grove Music Online'', 2007. Retrieved 3 June 2007. Biography Brendel was born in Wizemberk, Czechoslovakia (now Loučná nad Desnou, Czech Republic) to a non-musical family. They moved to Zagreb, Yugoslavia (now Croatia), when Brendel was three years old and he began piano lessons there at the age of six with Sofija Deželić. He later moved to Graz, Austria, where he studied piano with Ludovica von Kaan at the Graz Conservatory and composition with Artur Michel. Towards the end of World War II, the 14-year-old Brendel was sent back to Yugoslavia to dig trenches. After the war, Brendel composed music as well as continued to play the piano, to write and to paint. However, he never had more formal piano lessons and, although he attended ...
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Busoni
Ferruccio Busoni (1 April 1866 – 27 July 1924) was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary figures of his time, and he was a sought-after keyboard instructor and a teacher of composition. From an early age, Busoni was an outstanding, if sometimes controversial, pianist. He studied at the Vienna Conservatory and then with Wilhelm Mayer and Carl Reinecke. After brief periods teaching in Helsinki, Boston, and Moscow, he devoted himself to composing, teaching, and touring as a virtuoso pianist in Europe and the United States. His writings on music were influential, and covered not only aesthetics but considerations of microtones and other innovative topics. He was based in Berlin from 1894 but spent much of World War I in Switzerland. He began composing in his early years in a late romantic style, but after 1907, when he published ...
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2007 Classical Albums
7 (seven) is the natural number following 6 and preceding 8. It is the only prime number preceding a cube (algebra), cube. As an early prime number in the series of positive integers, the number seven has greatly symbolic associations in religion, mythology, superstition and philosophy. The seven Classical planets resulted in seven being the number of days in a week. It is often considered lucky in Western culture and is often seen as Symbolism of the Number 7, highly symbolic. Unlike Western culture, in Vietnamese culture, the number seven is sometimes considered unlucky. It is the first natural number whose pronunciation contains more than one syllable. Evolution of the Arabic digit In the Brahmi numerals, beginning, Indians wrote 7 more or less in one stroke as a curve that looks like an uppercase vertically inverted. The western Ghubar Arabs' main contribution was to make the longer line diagonal rather than straight, though they showed some tendencies to making the digit m ...
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Great Pianists Of The 20th Century – Alfred Brendel III
''Great Pianists of the 20th Century - Alfred Brendel III'' is volume 14 of the Great Pianists of the 20th Century box set and is the third of three volumes dedicated to him. It features music by the composers Felix Mendelssohn, Carl Maria von Weber, Johannes Brahms, Frédéric Chopin, Franz Liszt, and Ferruccio Busoni. It was issued in CD format in 1999. Critical reception The album was selected as one of the highlights of the 200-CD series by Rob Cowan of the ''Gramophone''. He was particularly pleased with the 1986 live recording of Brahms Piano Concerto No. 1 with Claudio Abbado and the Berlin Philharmonic, and described Brendel's rendition of '' Vallée d'Obermann'' as "one of the most inspired of his Liszt recordings." It was also reviewed by Peter Burwasser in ''Fanfare''. This critic was less pleased with the Brahms concerto recording, saying "this Brahms performance is a contrast of the straightforward, unsentimental, yet fully engaged and powerfully expressed playin ...
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Alfred Brendel Discography
The pianist Alfred Brendel KBE (born 5 January 1931) was a recording artist for more than half a century, from his first record of Prokofiev's Piano Concerto No. 5 at the age of 21, to his farewell concerts in 2008, recorded in Hanover and Vienna. He has recorded with only three record companies: Vox Records, Decca and Philips. His discography contains many albums and compilations of multiple recordings from different composers featuring him as a pianist. Overview Alfred Brendel made his first recording at the age of 21 and has since recorded a wide range of piano repertoire. He was the first pianist ever to record the complete solo piano works of Beethoven. He has also recorded works by Mozart, Liszt, Brahms, Schumann and Schubert. In contemporary music he has recorded the piano concerto op.42 by Schoenberg, the piano sonata by Alban Berg, etc. Brendel recorded extensively for the VOX label, providing them his first of three sets of the complete Beethoven sonatas. He did not se ...
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Symphony Hall, Birmingham
Symphony Hall is a 2,262 seat concert venue in Birmingham, England. It was officially opened by Queen Elizabeth II on 12 June 1991, although it had been in use since 15 April 1991. It is home to the City of Birmingham Symphony Orchestra and hosts around 270 events a year. It was completed at a cost of £30 million. The hall's interior is modelled on the Musikverein in Vienna and the Concertgebouw in Amsterdam. The venue, managed alongside Town Hall, presents a programme of jazz, world, folk, rock, pop and classical concerts, organ recitals, spoken word, dance, comedy, educational and community performances, and is also used for conferences and business events as part of the International Convention Centre. In 2016 the Concert Hall Acoustics expert Leo Beranek ranked Symphony Hall as having the finest acoustics in the United Kingdom, and the seventh best in the world. Proof of these fine acoustics is that a pre-opening acoustic test demonstrated that if a pin was dropped on stage ...
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Busoni-Verzeichnis
This article presents a complete catalog of original compositions by Ferruccio Busoni, including a large number of early works, most of which remain unpublished. The earliest preserved pieces were written when he was barely seven years old. Over 200 of the total of 303 original compositions were produced before the age of twenty. For a more selective list of recorded works, see Ferruccio Busoni discography. Busoni also produced a number of cadenzas, transcriptions, and editions. For a complete list see ''List of adaptations by Ferruccio Busoni''. Introductory notes Opus numbers Busoni's opus numbers are confusing. Initially he numbered each work as he wrote it. Upon reaching Op. 40 he began assigning opus numbers of unpublished youthful works to new compositions. Later he started again from Op. 30, adding an "a" to Op. 30 to 36. From Op. 41 the numbering is fairly regular although it bears little relationship to the actual date of composition, and many compositions were pu ...
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Royal Festival Hall
The Royal Festival Hall is a 2,700-seat concert, dance and talks venue within Southbank Centre in London. It is situated on the South Bank of the River Thames, not far from Hungerford Bridge, in the London Borough of Lambeth. It is a Grade I listed building, the first post-war building to become so protected (in 1981). The London Philharmonic Orchestra, the Philharmonia Orchestra, the Orchestra of the Age of Enlightenment, the London Sinfonietta, Chineke! and Aurora are resident orchestras at Southbank Centre. The hall was built as part of the Festival of Britain for London County Council, and was officially opened on 3 May 1951. When the LCC's successor, the Greater London Council, was abolished in 1986, the Festival Hall was taken over by the Arts Council, and managed together with the Queen Elizabeth Hall and Purcell Room (opened 1967) and the Hayward Gallery (1968), eventually becoming an independent arts organisation, now known as the Southbank Centre, in April 1998 ...
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BBC Radio
BBC Radio is an operational business division and service of the British Broadcasting Corporation (which has operated in the United Kingdom under the terms of a royal charter since 1927). The service provides national radio stations covering the majority of musical genres, as well as local radio stations covering local news, affairs and interests. It also oversees online audio content. Of the national radio stations, BBC Radio 1, 2, 3, 4 and 5 Live are all available through analogue radio ( AM or FM (with BBC Radio 4 LW on longwave) as well as on DAB Digital Radio and BBC Sounds. The Asian Network broadcasts on DAB and selected AM frequencies in the English Midlands. BBC Radio 1Xtra, 4 Extra, 5 Sports Extra, 6 Music and the World Service broadcast only on DAB and BBC Sounds, while Radio 1 Dance and Relax streams are available only online. All of the BBC's national radio stations broadcast from bases in London and Manchester, usually in or near to Broadcasting ...
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Andante Spianato Et Grande Polonaise Brillante
Andante spianato et grande polonaise brillante in E-flat major, Op. 22, was composed by Frédéric Chopin between 1830 and 1834. The ''Grande polonaise brillante'' in E-flat, set for piano and orchestra, was written first, in 1830-31. In 1834, Chopin wrote an ''Andante spianato'' in G, for piano solo, which he added to the start of the piece, and joined the two parts with a fanfare-like sequence. The combined work (both orchestrated version and solo piano version) was published in 1836, and was dedicated to Madame d'Este. Music The ''Grande polonaise brillante'' is a work for piano and orchestra, although the piano part is often played on its own. The ''Andante spianato'' (spianato means "even" or "smooth") for solo piano was composed as an introduction to the polonaise after Chopin received a long-awaited invitation to perform in one of Habeneck’s Conservatoire Concerts in Paris. This was the only time Chopin had ever used the term ''spianato'' as a description for any of his ...
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Elegies (Busoni)
''Elegies'' (german: Elegien), BV 249, by the Italian composer Ferruccio Busoni is a set of solo piano pieces which can be played as a cycle or separately. Initially published in 1908 with six pieces, it was subsequently expanded to seven by the addition of the ''Berceuse'' ( BV 252). Kindermann, pp. 231-234. The set of seven takes just over 40 minutes to play. Sections of the work The seven pieces are titled as follows: :1. ''Nach der Wendung'' (''Recueillement'') After the Turning" (Contemplation):2. ''All' Italia!'' (''In modo napolitano'') To Italy!" (In a Neapolitan Mode):3. ''Meine Seele bangt und hofft zu Dir'' (Choralvorspiel) My soul trembles and hopes of thee" (Chorale Prelude):4. ''Turandots Frauengemach'' (Intermezzo) Zenana.html" ;"title="Turandot's Zenana">Turandot's Zenana" (Intermezzo):5. ''Die Nächtlichen'' (Walzer) ["The Nocturnal" (Waltz)] :6. ''Erscheinung'' (Notturno) ["Visitation" (Nocturne)] :7. ''Berceuse'' ["Lullaby"] Although labelled as "Neue ...
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Gramophone Magazine
''Gramophone'' is a magazine published monthly in London, devoted to classical music, particularly to reviews of recordings. It was founded in 1923 by the Scottish author Compton Mackenzie who continued to edit the magazine until 1961. It was acquired by Haymarket in 1999. In 2013 the Mark Allen Group became the publisher. The magazine presents the Gramophone Awards each year to the classical recordings which it considers the finest in a variety of categories. On its website ''Gramophone'' claims to be: "The world's authority on classical music since 1923." This used to appear on the front cover of every issue; recent editions have changed the wording to "The world's best classical music reviews." Its circulation, including digital subscribers, was 24,380 in 2014. Listings and the ''Gramophone'' Hall of Fame Apart from the annual Gramophone Classical Music Awards, each month features a dozen recordings as Gramophone Editor's Choice (now Gramophone Choice). Then, in the an ...
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