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Adelson E Salvini
''Adelson e Salvini'' (''Adelson and Salvini'') is a three-act opera semiseria composed by Vincenzo Bellini from a libretto by Andrea Leone Tottola. The opera was based on the 1772 novel ''Épreuves du Sentiment'' by François-Thomas-Marie de Baculard d'Arnaud, and it draws on a previously performed French play of 1803 by Prospère Delamare. Composition history Bellini's first opera was written as his final project at the Naples San Sebastiano Conservatory, when the composer was 23 years old. It was the custom at the Conservatory to introduce promising students to the public with a dramatic work. Bellini styled his project an ''opera semi-seria'', and it was first performed at the Conservatorio di San Pietro a Majella, Teatro del Conservatorio di San Sebastiano in Naples sometime between mid-January and mid-March 1825, although David Kimbell states 12 February 1825. Herbert Weinstock attributes the uncertainty as to the exact date to a series of deaths of several prominent people ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Bellini
Vincenzo Salvatore Carmelo Francesco Bellini (; ; 3 November 1801 – 23 September 1835) was an Italian opera composer famed for his long, graceful melodies and evocative musical settings. A central figure of the era, he was admired not only by the public, but also by many composers who were influenced by his work. His songs balanced florid Ornament (music), embellishment with a deceptively simple approach to lyric setting. Born to a musical family in Sicily, he distinguished himself early and earned a scholarship to study under several noted musicians at Music conservatories of Naples#Conservatorio di San Sebastiano, Naples' Real Collegio di Musica. There he absorbed elements of the Neapolitan School's style and was inspired by performances of Donizetti's and Rossini's operas, among others, in more modern idioms. He wrote his first opera, ''Adelson e Salvini'' (1825), for the conservatory, and his next, ''Bianca e Fernando'' (1826), on a Teatro di San Carlo-affiliated commiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano" ''Encyclopædia Britannica'' as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. The dictionary was first published in 1992 by Macmillan Reference, London, and edited by Stanley Sadie. Christina Bashford was the managing editor. While some entries were based on their equivalent entry in ''The New Grove Dictionary of Music and Musicians'', most were specially commissioned. The work contains contributions from over 1,300 scholars, with 11,000 articles in total, covering over 2,900 composers and 1800 operas. The operas discussed range from the earliest operas in 16th century Italy to the 1992 Philip Glass work '' The Voyage''. The final volume includes four appendices: an index of principal role names in 850 notable operas; an index of incipits of arias and ensembles (first line only, no musical examples); a list of contributors; and illustration acknowledgements. In 1997, the diction ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was a British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to music journalism, beco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casa Ricordi
Casa Ricordi is a publisher of primarily European classical music, classical music and opera. Its classical repertoire represents one of the important sources in the world through its publishing of the work of the major 19th-century Italian composers such as Gioachino Rossini, Gaetano Donizetti, Vincenzo Bellini, Giuseppe Verdi, and, later in the century, Giacomo Puccini, composers with whom one or another of the Ricordi family came into close contact.Gossett 2006, p. 97 Founded in Milan in 1808 as G. Ricordi & C. by violinist Giovanni Ricordi (1785–1853), the Ricordi company became a totally family-run organization until 1919, when outside management was appointed. Four generations of Ricordis were at the helm of the company, Giovanni being succeeded in 1853 by his son Tito (1811–1888) (who had worked for his father since 1825). Tito's son was Giulio Ricordi, Giulio (1840–1912). He had also worked for his father, beginning full-time in 1863, and then took over from 1888 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniele Rustioni
Daniele Rustioni (born 1983) is an Italian conductor. Biography Rustioni was born in Milan, and studied piano, organ, and composition at the Milan Conservatory. He sang in the boys choir of the Teatro alla Scala in his youth. He studied cello for 3 years, and later piano and organ. Rustioni studied conducting under Gilberto Serembe at the Milan Conservatory and under Gianluigi Gelmetti at the Accademia Musicale Chigiana. Whilst at the Royal Academy of Music in London, his mentors included Gianandrea Noseda, who gave him the opportunity to make his debut as a conductor with the orchestra of the Teatro Regio in Turin in 2007. For 2008–2009, Rustioni was a Jette Parker Young Artist at the Royal Opera House, Covent Garden. He then became an assistant conductor to Antonio Pappano at Covent Garden, and served in the post for 3 years. Rustioni made his U.S. debut in July 2011 conducting Cherubini's ''Médée'' at the Glimmerglass Festival. Rustioni became principal guest cond ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enea Scala
Enea Scala (born 19 May 1979) is an Italian operatic tenor in the belcanto field, known internationally as a performer of Rossini's roles such as Rinaldo in Armida, Argirio in Tancredi, Pirro in Hermione, Idreno in Semiramide and Otello. He has appeared at major opera houses and festivals, and has made recordings. Career Scala was born in Ragusa, Sicily, Italy. Singing in choirs as a teenager inspired his wish to train his voice. He took voice lessons, and listened to recordings of bel canto opera. He then moved to Bologna for professional studies at the Bologna Conservatory. Scala made his debut at the Teatro Comunale di Bologna in 2006. He has performed leading bel canto roles such as Rossini's Lindoro in ''L'italiana in Algeri''. He appeared as Alberto in ''L'occasione fa il ladro'' at the Rossini Opera Festival in Pesaro. With the title role of Mascagni's '' L'amico Fritz'', Alfredo in Verdi's '' La traviata'' and Fenton in ''Falstaff'', Scala moved towards more lyric ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alicia Nafé
Alicia Nafé (born 4 August 1947) is an Argentinian operatic mezzo-soprano, who has performed leading parts at international opera houses and festivals. She is known for singing the title role in Bizet's ''Carmen''. Career Born in Buenos Aires, Nafé first studied voice in her hometown, then continued her studies in Europe with Luigi Ricci in Rome, and Teresa Berganza. She won the Concours Francisco Viñas competition in Barcelona. She made her debut singing the alto part in Verdi's Requiem, and made her stage debut at the Teatro Real, Madrid, in 1971. In 1974, she performed the title role in Bizet's ''Carmen'' for the first time, at the Staatstheater Darmstadt. It became her signature role, which she also sang alongside Plácido Domingo in San Francisco and Chicago, and for her debut at the Metropolitan Opera in 1988, with Domingo as the conductor. At the Bayreuth Festival, she appeared in 1975 and 1976 as a Flower Maiden in ''Parsifal'', in 1976 also as Siegrune in ''Die Walk� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Swedish Opera
Royal Swedish Opera () is an opera and ballet company based in Stockholm, Sweden. Location and environment The building is located in the centre of Sweden's capital, Stockholm, in the borough of Norrmalm (borough), Norrmalm, on the eastern side of Gustav Adolfs torg, Stockholm, Gustav Adolfs torg across from the former Arvfurstens Palats, now the Ministry for Foreign Affairs (Sweden), Ministry for Foreign Affairs. It lies on the north side of the Norrström River and is connected to the Stockholm Palace, Royal Palace through the Norrbro Bridge. Other historically and architecturally important buildings in the close neighbourhood are the Sager House, the official residence of the Prime Minister of Sweden, and the Riksdag building. History The opera company was founded with the Royal Swedish Academy of Music by King Gustav III of Sweden, Gustav III, and its first performance, ''Thetis and Phelée'' with Carl Stenborg and Elisabeth Olin, was given on 18 January 1773; this was th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the Greek language, Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below C (musical note), middle C to the F above middle C (i.e. Scientific pitch notation, F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French Religious music, sacred Polyphony, polyphonic music. At t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
