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Ach Gott, Wie Manches Herzeleid, BWV 3
(Oh God, how much heartache), 3, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for the second Sunday after Epiphany and first performed it on 14 January 1725. It is based on the hymn of the same name published by Martin Moller in 1587. Bach composed the cantata in his second year as in Leipzig as part of his chorale cantata cycle, for the Second Sunday after Epiphany. The work is based on the hymn "" in 18 stanzas, a paraphrase of a medieval model, "". This hymn has no evident connection to the prescribed readings but instead a meditation on Jesus as a comforter in distress. In the format of the chorale cantata cycle, an unknown librettist retained only the words of selected stanzas, here the first two and the last for movements 1, 2 and 6, but reworked the ideas of the other stanzas. Similarly, Bach retained the choral melody in three movements, set as a chorale fantasia in the opening chorus with the bass singing the cantus firmus, as a four-par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (German: Help:IPA/Standard German, [ˈjoːhan zeˈbasti̯an baχ]) ( – 28 July 1750) was a German composer and musician of the late Baroque music, Baroque period. He is known for his prolific output across a variety of instruments and forms, including the orchestral ''Brandenburg Concertos''; solo instrumental works such as the Cello Suites (Bach), cello suites and Sonatas and Partitas for Solo Violin (Bach), sonatas and partitas for solo violin; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the ' and the Toccata and Fugue in D minor, BWV 565, Toccata and Fugue in D minor; and choral works such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Reception of Johann Sebastian Bach's music, Bach Revival, he has been widely regarded as one of the greatest composers in the history of Western music. The Bach family had already produced several composers when Joh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Instruments
Musical instruments used in Baroque music were partly used already before, partly are still in use today, but with no technology. The movement to perform music in a Historically informed performance, historically informed way, trying to recreate the sound of the period, led to the use of historic instruments of the period and to the reconstruction of instruments. The following table lists instruments, classified as brass instruments, Woodwind instrument, woodwinds, String instrument, strings, and basso continuo. The continuous bass is played by a group of instruments, depending on the given situation. Many instruments have an Italian or French name which is used as a common name also in English. The use of instruments by composers is shown in examples mostly by Johann Sebastian Bach. Table of instruments Baroque instrumentation The typical orchestra of the Baroque period was based on string instruments (violin, viola) and #Continuo, continuo. A continuous bass was the rule ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto
The musical term alto, meaning "high" in Italian (Latin: '' altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In four-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices. In vocal classification these are usually called contralto and male alto or countertenor. Etymology In choral music for mixed voices, "alto" describes the lowest part commonly sung by women. The explanation for the anomaly of this name is to be found not in the use of adult falsettists in choirs of men and boys but further back in innovations in composition during the mid-15th century. Before this time it was usual to write a melodic ''cantus'' or '' superius'' against a tenor (from Latin ''tenere'', to hold) or 'held' part, to which might be added a contratenor, which was in counterpoint with (in other words, against = contra) the tenor. The composers of Ockeghem's generation wrot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano" ''Encyclopædia Britannica'' as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aria
In music, an aria (, ; : , ; ''arias'' in common usage; diminutive form: arietta, ; : ariette; in English simply air (music), air) is a self-contained piece for one voice, with or without instrument (music), instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, ('Aria del Gran Duca'). By the early 16th century, it was in common use as meaning a simple setting of strophe, strophi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Journal Of The Royal Musical Association
''Journal of the Royal Musical Association'' is a peer-reviewed academic journal covering fields ranging from historical and critical musicology to theory and analysis, ethnomusicology, and popular music studies. The journal is published by Cambridge University Press on behalf of the Royal Musical Association and the editor-in-chief An editor-in-chief (EIC), also known as lead editor or chief editor, is a publication's editorial leader who has final responsibility for its operations and policies. The editor-in-chief heads all departments of the organization and is held accoun ... is Freya Jarman. Abstracting and indexing The journal is abstracted and indexed in: Further reading * External links * {{Official website, http://www.tandfonline.com/rrma Cambridge University Press academic journals English-language journals Publications established in 1874 Music journals Biannual journals ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernard Of Clairvaux
Bernard of Clairvaux, Cistercians, O.Cist. (; 109020 August 1153), venerated as Saint Bernard, was an abbot, Mysticism, mystic, co-founder of the Knights Templar, and a major leader in the reform of the Benedictines through the nascent Cistercians, Cistercian Order. Bernard was sent to found Clairvaux Abbey only a few years after becoming a monk at Cîteaux Abbey, Cîteaux. In the year 1128, Bernard attended the Council of Troyes (1129), Council of Troyes, at which he traced the outlines of the Rule of the Knights Templar, which soon became an ideal of Christian nobility. On the death of Pope Honorius II in 1130, a schism arose in the church. Bernard was a major proponent of Pope Innocent II, arguing effectively for his legitimacy over the Antipope Anacletus II. The eloquent abbot advocated crusades in general and convinced many to participate in the unsuccessful Second Crusade, notably through a famous sermon at Council of Vézelay, Vézelay (1146). Bernard was canonized just ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin
Latin ( or ) is a classical language belonging to the Italic languages, Italic branch of the Indo-European languages. Latin was originally spoken by the Latins (Italic tribe), Latins in Latium (now known as Lazio), the lower Tiber area around Rome, Italy. Through the expansion of the Roman Republic, it became the dominant language in the Italian Peninsula and subsequently throughout the Roman Empire. It has greatly influenced many languages, Latin influence in English, including English, having contributed List of Latin words with English derivatives, many words to the English lexicon, particularly after the Christianity in Anglo-Saxon England, Christianization of the Anglo-Saxons and the Norman Conquest. Latin Root (linguistics), roots appear frequently in the technical vocabulary used by fields such as theology, List of Latin and Greek words commonly used in systematic names, the sciences, List of medical roots, suffixes and prefixes, medicine, and List of Latin legal terms ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek language, Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Polyhymnia is the Greco/Roman goddess of hymns. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other major religious groups, world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wedding At Cana
The wedding at Cana (also called the marriage at Cana, wedding feast at Cana or marriage feast at Cana) is a story in the Gospel of John at which the first miracle attributed to Jesus takes place. In the Gospel account, Jesus, his mother and his disciples are invited to a wedding at Cana in Galilee. When his mother notices that the wine () has run out, Jesus delivers a sign of his divinity by turning water into wine at her request. The location of Cana has been subject to debate among biblical scholars and archaeologists; several villages in Galilee are possible candidates. The account is taken as evidence of Jesus' approval of marriage and earthly celebrations. It has now been used as an argument against teetotalism. Grape juice was called wine in Isaiah 16:10 and Jeremiah 48:33, but Leviticus 10:9 was the alcoholic type of wine. Biblical account The second chapter of the Gospel of John states that Jesus was at a wedding () in Cana with his disciples. Jesus' mother (unnam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epistle To The Romans
The Epistle to the Romans is the sixth book in the New Testament, and the longest of the thirteen Pauline epistles. Biblical scholars agree that it was composed by Paul the Apostle to explain that Salvation (Christianity), salvation is offered through the gospel of Jesus in Christianity, Jesus Christ. Romans was likely written while Paul was staying in the house of Gaius (biblical figure), Gaius in Ancient Corinth, Corinth. The epistle was probably transcribed by Paul's amanuensis Tertius of Iconium, Tertius and is dated AD late 55 to early 57. Ultimately consisting of 16 chapters, versions of the epistle with only the first 14 or 15 chapters circulated early. Some of these recensions lacked all reference to the original audience of Christians in Rome, making it very general in nature. Other textual variants include subscripts explicitly mentioning Corinth as the place of composition and name Phoebe (biblical figure), Phoebe, a deacon of the church in Kechries, Cenchreae, as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Cantata
A chorale cantata is a church cantata based on a chorale—in this context a Lutheran chorale. It is principally from the Germany, German Baroque music, Baroque era. The organizing principle is the words and music of a Lutheran hymn. Usually a chorale cantata includes multiple movements or parts. Most chorale cantatas were written between approximately 1650 and 1750. By far the most famous are by Johann Sebastian Bach, especially the Church cantata (Bach), cantatas composed in his Bach's second cantata cycle, second annual cycle of cantatas, started in Leipzig in 1724. Description The chorale cantata developed out of the chorale concerto, an earlier form much used by Samuel Scheidt in the early 17th century, which incorporated elements of the Venetian School (music), Venetian School, such as the concertato style, into the liturgical music of the Protestant Reformation. Later the chorale cantata developed into three general forms: * a form in which each verse (strophe) of the chor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
