A Love Supreme (Chanté Moore Album)
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A Love Supreme (Chanté Moore Album)
''A Love Supreme'' is the second studio album by American singer Chanté Moore. It was released by Silas Records and MCA Records on November 15, 1994, in the United States. The album peaked at number 20 on the UK R&B Albums chart and number 11 on the US ''Billboard'' Top R&B/Hip-Hop Albums chart. Background and release ''A Love Supreme'' features production from Simon Law, Moore, Ross Anderson, Jimmy Jam and Terry Lewis, Kenneth Crouch, Kipper Jones, Tricky Stewart, among others. Promotion The album was preceded by the release of lead single " Old School Lovin'." Released on October 22, 1994 in the United States, it became Moore's third top 20 hit on the US Hot R&B/Hip-Hop Songs chart, following " Love's Taken Over" (1992) and " It's Alright" (1993). Follow-up single " This Time" was issued on May 26, 1995. While it was less successful on the R&B charts, it became Moore's first top hit on ''Billboard''s US Dance Club Songs chart. "Free"/"Sail On," a medley/ mash-up of the Deniec ...
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Chanté Moore
Chanté Torrane Moore (born February 17, 1967) is an American singer, songwriter, record producer, television personality, and author. The first signee with record executive Louis Silas, Jr.'s Silas Records, she rose to prominence with her debut studio album, ''Precious (Chanté Moore album), Precious'' (1992). Its first two singles "Love's Taken Over" and "It's Alright (Chanté Moore song), It's Alright" became top 20 hits on the R&B charts, while the album reached RIAA certification, Gold status in the United States. In the late 1990s, Moore achieved crossover success with her top ten hit "Chanté's Got a Man," the lead single from her third album ''This Moment Is Mine'' (1999), before adopting a new image with hip hop-inflected sounds on ''Exposed (Chanté Moore album), Exposed'' (2000) and its international top 20 hit "Straight Up (Chanté Moore song), Straight Up." In the mid-2000s, following her departure from Silas Records, Moore released two collaborative albums, ''Thin ...
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Studio Album
An album is a collection of audio recordings (e.g., music) issued on a medium such as compact disc (CD), Phonograph record, vinyl (record), audio tape (like 8-track cartridge, 8-track or Cassette tape, cassette), or digital distribution, digital. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records (78s) collected in a bound book resembling a photo album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the ''album era''. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983, being gradually supplanted by the cassette tape throughout the 1970s and early 1980s; the popul ...
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Beverly Hills Cop III (soundtrack)
''Beverly Hills Cop III: Original Motion Picture Soundtrack'' is the soundtrack to the 1994 film of the same name. It was released on May 10, 1994, by MCA Records and consisted mostly of R&B music with some rock and hip hop. Like the film, the soundtrack was not well received and only made it to 158 on the ''Billboard'' 200 and 66 on the Top R&B/Hip-Hop Albums. Three singles found minor success on the charts, "The Right Kinda Lover" by Patti LaBelle, " Luv 4 Dem Gangsta'z" by Eazy-E, and "The Place Where You Belong" by Shai. The song "Mood" which is performed by Chanté Moore also appears on her second album ''A Love Supreme''. Nile Rodgers also covered Harold Faltermeyer's "Axel F" in a breakbeat hardcore version. In 2025 La La Land Records released a limited edition of the film’s score by Rodgers; this release also features additional material, including Wonderland Theme Park music and demos. Track listing Chart history References External links *Beverly Hills Cop III ...
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Adult R&B Songs
The Adult R&B Songs chart (formerly called Adult R&B Airplay) is an airplay chart that is published weekly by ''Billboard'' magazine. The chart tracks and measures the airplay of songs played on urban adult contemporary radio stations, whose playlist mostly include contemporary R&B and traditional R&B tracks. Nielsen Audio sometimes refers to the format as Urban adult contemporary radio. ''Billboard'' created the chart in September 1993, with the first number one being " Another Sad Love Song" by Toni Braxton Toni Michele Braxton (born October 7, 1966) is an American singer, songwriter, actress and television personality. She has sold over 70 million records worldwide and is one of the best-selling female artists in history. Braxton has won seven .... Chart criteria There are thirty positions on this chart and it is solely based on radio airplay. 65 urban AC radio stations are electronically monitored 24 hours a day, seven days a week by. Songs are ranked based on the numb ...
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Commodores
Commodores, often billed as The Commodores, are an American funk and Soul music, soul group. The group's most successful period was in the late 1970s and early 1980s when Lionel Richie was the co-lead singer. The members of the group met as mostly freshmen at Tuskegee Institute (now Tuskegee University) in 1968, and signed with Motown in November 1972, having first caught the public eye opening for the Jackson 5 while on concert tour, tour. The band's biggest hit record, hit singles are Sentimental ballad, ballads such as "Easy (Commodores song), Easy", "Three Times a Lady", and "Nightshift (song), Nightshift"; and funk-influenced dance songs, including "Brick House (song), Brick House", "Fancy Dancer", "Lady (You Bring Me Up)", and "Too Hot ta Trot". Commodores were inducted into the Alabama Music Hall of Fame and Vocal Group Hall of Fame. The band has also won one Grammy Award out of nine nominations. The Commodores have sold over 70 million albums worldwide. History Comm ...
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Deniece Williams
June Deniece Williams (née Chandler; born June 3, 1950) is an American singer. She has been described as "one of the great Soul music, soul voices" by the BBC. She is best known for the songs "Free (Deniece Williams song), Free", "Silly (song), Silly", "It's Gonna Take a Miracle" and two ''Billboard'' Hot 100 No.1 singles "Let's Hear It for the Boy" and "Too Much, Too Little, Too Late" (with Johnny Mathis). Williams has won four Grammys with twelve nominations altogether. She (with Johnny Mathis) is also known for recording “Without Us”, the theme song of ''Family Ties''. Early life June Deniece Chandler was born and raised in Gary, Indiana, Gary, Indiana, United States. She attended Morgan State University in Baltimore, Maryland, in the hopes of becoming a registered nurse and an anesthetist, but she dropped out after a year and a half. She recalled, "You have to be a good student to be in college, and I wasn't." Career Early years (late 1960s–1975) Williams star ...
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Mashup (music)
A mashup (also mesh, mash up, mash-up, blend, bastard pop or bootleg) is a creative work, usually a song, created by blending two or more pre-recorded songs, typically by superimposing the vocal track of one song seamlessly over the instrumental track of another and changing the tempo and key where necessary. Such works are considered " transformative" of original content and in the United States they may find protection from copyright claims under the "fair use" doctrine of copyright law. History The 1967 Harry Nilsson album '' Pandemonium Shadow Show'' features what is nominally a cover of the Beatles' " You Can't Do That" but actually introduced the "mashup" to studio-recording. Nilsson's recording of "You Can't Do That" mashes his own vocal recreations of more than a dozen Beatles songs into this track. Nilsson conceived the combining of many overlaying songs into one track after he played a chord on his guitar and realized how many Beatles songs it could apply to. This reco ...
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Medley (music)
In music, a medley is a piece composed from parts of existing pieces played one after another, sometimes overlapping. They are common in popular music, and most medleys are songs rather than instrumentals. A medley which is a remixed series is called a megamix, often done with tracks for a single artist, or for popular songs from a given year or genre. A cover version combining elements of multiple pre-existing songs is a ''cover medley''.When a piece of music specifically superimposes elements of multiple pre-existing songs at the same time, it is more particularly referred to as a mashup. A medley is the most common form of overture for musical theatre productions. In Latin music, medleys are known as '' potpourrís'' or ''mosaicos''; the latter were popularized by artists such as Roberto Faz and Billo Frómeta, and most commonly consist of boleros, guarachas, merengues or congas. See also * Segue, a term for the transition between songs * DJ mix * Megamix * Mash ...
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Dance Club Songs
The Dance Club Songs (also known as National Disco Action, Hot Dance/Disco Club Play, and Hot Dance Club Play) was a chart published weekly between 1976 and 2020 by ''Billboard'' magazine. It used club disc jockeys set lists to determine the most popular songs being played in nightclubs across the United States. History The Dance Club Songs chart underwent several incarnations since its inception in 1974. Originally a top-10 list of tracks that garnered the largest audience response in New York City discothèques, the chart began on October 26, 1974, under the title ''Disco Action''. The chart went on to feature playlists from various cities around the country from week to week. ''Billboard'' continued to run regional and city-specific charts throughout 1975 and 1976 until the issue dated August 28, 1976, when a 30-position ''National Disco Action Top 30'' premiered. The first number-one song on the chart for the issue dated August 28, 1976, was " You Should Be Dancing" by th ...
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It's Alright (Chanté Moore Song)
"It's Alright" is a song by American singer Chanté Moore. It was written by Moore and Vassal Benford for her debut studio album, '' Precious'' (1992), with production overseen by the latter. The song was released by Silas and MCA Records on January 23, 1993 as the album's second single. Like the previous single " Love's Taken Over", the song peaked at number 13 on the US ''Billboard'' Hot R&B Singles chart. Music video Moore reteamed with Antoine Fuqua, director of her debut single " Love's Taken Over," to film a music video A music video is a video that integrates a song or an album with imagery that is produced for promotion (marketing), promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to ... for "It's Alright." Track listing Notes * denotes a remix producer Credits and personnel Credits lifted from the liner notes of ''Precious''. * Vassal Benford – arranger, producer, writer * Chanté Moore ...
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Love's Taken Over
"Love's Taken Over" is a song by American singer Chanté Moore's debut album, ''Precious'' (1992). It was written by Moore and Simon "The Funky Ginger" Law, while production was helmed by the latter along with Lee "Patches" Hamblin. Selected as ''Precious''s lead single, it was released by Silas and MCA on July 28, 1992 in the United States. The R&B song entered the top ten of the US R&B/Hip-Hop Airplay chart and peaked at number 13 on the US ''Billboard'' Hot R&B Singles chart, spending 33 weeks on the listing. Music video A music video for "Love's Taken Over" was directed by Antoine Fuqua and filmed in Paris in 1992. Fuqua and Moore had previously worked on the visuals for El DeBarge's 1992 single "You Know What I Like," which features Moore's vocals. Track listing Credits and personnel Credits lifted from the liner notes of ''Precious''. * Lee "Patches" Hamblin – producer * Simon Law Soul II Soul are a British musical collective formed in London in 1988. They are be ...
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Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African-American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling African-American music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three ch ...
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