|
école De Lyon
The Lyon School () is a term for a group of French artists which gathered around Paul Chenavard. It was founded by Pierre Revoil, one of the representatives of the Troubadour style. It included Victor Orsel, Louis Janmot and Hippolyte Flandrin, and was nicknamed "the prison of painting" by Charles Baudelaire. It was principally inspired by philosophical-moral and religious themes, and as a current was closely related to the British Pre-Raphaelite painters and poets. Recognized at the Salon of 1819, the school was consecrated 16 February 1851 by the creation of the gallery of painters from Lyon (''galerie des Artistes lyonnais'') at the Museum of Fine Arts of Lyon. Between 1890 and 1909 a younger generation of artists of divers inspirations would become associated with L'École de Lyon (or École lyonnaise) exhibiting at the ''Le Salon'' in Lyon (Salon de la Société Lyonnaise des Beaux-Arts): artists such as Joanny Arlin, Philippe Audras, Jean Bardon, Alexandre Baudin, André Bau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Chenavard
Paul-Marc-Joseph Chenavard (9 December 1808 – 1895) was a French painter. Life Entering the École des beaux-arts en 1825, he studied in the studio of Ingres alongside his friend Joseph Guichard, then in the studios of Hersent and Delacroix. The influence of German philosophy and painting led him to believe that art's aim had to be humanitarian and civilising. He died in Paris in 1895 and was buried in the new Cimetière de Loyasse at Lyon. Works *''Hell'' (1846), Montpellier, Musée Fabre *''The Continence of Scipio'' (1848) Lyon, Musée des Beaux-Arts *''Divina Tragedia'' (between 1865 and 1869) Paris, Musée d'Orsay The Musée d'Orsay ( , , ) () is a museum in Paris, France, on the Rive Gauche, Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts architecture, Beaux-Arts railway station built from 1898 to 1900. The museum holds mai ... Bibliography * Joseph C. Sloane, ''Paul Marc Joseph Chenavard: Artist of 1848'', Chapel Hill, The Un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Revoil
Pierre is a masculine given name. It is a French form of the name Peter. Pierre originally meant "rock" or "stone" in French (derived from the Greek word Ï€ÎÏ„Ïος (''petros'') meaning "stone, rock", via Latin "petra"). It is a translation of Aramaic ×›×™×¤× (''Kefa),'' the nickname Jesus gave to apostle Simon Bar-Jona, referred in English as Saint Peter. Pierre is also found as a surname. People with the given name * Monsieur Pierre, Pierre Jean Philippe Zurcher-Margolle (c. 1890–1963), French ballroom dancer and dance teacher * Pierre (footballer), Lucas Pierre Santos Oliveira (born 1982), Brazilian footballer * Pierre, Baron of Beauvau (c. 1380–1453) * Pierre, Duke of Penthièvre (1845–1919) * Pierre, marquis de Fayet (died 1737), French naval commander and Governor General of Saint-Domingue * Prince Pierre, Duke of Valentinois (1895–1964), father of Rainier III of Monaco * Pierre Affre (1590–1669), French sculptor * Pierre Agostini, French physicist * Pi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troubadour Style
Taking its name from medieval troubadours, the Troubadour Style () is a rather derisive term, in English usually applied to French historical painting of the early 19th century with idealised depictions of the Middle Ages and the Renaissance. In French it also refers to the equivalent architectural styles. It can be seen as an aspect of Romanticism and a reaction against Neoclassicism, which was coming to an end at the end of the Consulate, and became particularly associated with Josephine Bonaparte and Caroline Ferdinande Louise, duchesse de Berry. In architecture the style was an exuberant French equivalent to the Gothic Revival of the Germanic and Anglophone countries. The style related to contemporary developments in French literature, and music, but the term is usually restricted to painting and architecture. History The rediscovery of medieval civilization was one of the intellectual curiosities of the beginning of the 19th century, with much input from the Ancien Rég ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Orsel
André Jacques Victor Orsel (25 May 1795, Oullins - 1 November 1850, Paris) was a French painter; primarily of religious subjects. Biography He was born to an old merchant family of Dauphiné. His father, Jacques Orsel (1750-1800), was a gauze manufacturer in Lyon. He had three brothers: André-Jacques (1784-1868), who served as Mayor of Oullins and Tarare, Jean (1787-1847), a soldier, and Pierre Jean-Jacques (1791-1858), a writer. He was successively a student of Pierre Révoil, at the École nationale supérieure des beaux-arts de Lyon, École impériale des beaux-arts de Lyon (1809) and Pierre-Narcisse Guérin in Paris. In 1822, when Guérin was appointed Director of the French Academy in Rome, Orsel went with him. He remained there until 1830 and became associated with the Nazarene movement; especially Johann Friedrich Overbeck and his entourage. He also spent time copying works of Medieval art, whose style he incorporated into his own. Back in France, the city of Paris com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Janmot
Anne-François-Louis Janmot (21 May 1814 – 1 June 1892) was a French painter and poet. Early years Janmot was born in Lyon, France, of Catholic parents who were deeply religious. He was extremely moved by the death of his brother in 1823 and his sisters in 1829. He became a student at the Royal College of Lyon where he met Frederic Ozanam and other followers of his philosophy professor, Abbe Noirot. In 1831 he was admitted to the École des Beaux-Arts de Lyon and a year later, he won the highest honor, the Golden Laurel. In 1833, he came to Paris to take painting lessons from Victor Orsel and Jean-Auguste-Dominique Ingres. With other Lyon painters, he entered the Society of St. Vincent de Paul. In 1835, he went to Rome with Claudius Lavergne, Jean-Baptiste Frénet and other students and met Hippolyte Flandrin. After his return to Lyon in 1836, Janmot would attract the attention of critics of the Salon de Paris in conducting large-scale paintings with religious inspirati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hippolyte Flandrin
Jean-Hippolyte Flandrin (23 March 1809 – 21 March 1864) was a French Neoclassical painter. His most celebrated work, ''Study (Young Male Nude Seated Beside the Sea), Jeune Homme Nu Assis au Bord de la Mer'' (1836) is held in the Louvre. Biography Early life From an early age, Flandrin showed interest in the arts and a career as a painter. He was the second of three sons, all of whom were painters. Auguste, his older brother, spent most of his life as a professor at Lyon and later died there. Paul Jean Flandrin, Paul, his younger brother, was a painter of portraits and religious imagery. Hippolyte and Paul spent some time at Lyon, saving to leave for Paris in 1829 and study under Louis Hersent. Eventually, they settled in the studio of Jean-Auguste-Dominique Ingres, who became not only their instructor but their friend for life. In 1832, he won the Prix de Rome#Winners from the Painting Category, Prix de Rome for his painting ''Recognition of Theseus by his Father''. This pres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Baudelaire
Charles Pierre Baudelaire (, ; ; 9 April 1821 – 31 August 1867) was a French poet, essayist, translator and art critic. His poems are described as exhibiting mastery of rhythm and rhyme, containing an exoticism inherited from the Romantics, and are based on observations of real life. His most famous work, a book of lyric poetry titled '' Les Fleurs du mal'' (''The Flowers of Evil''), expresses the changing nature of beauty in the rapidly industrialising Paris caused by Haussmann's renovation of Paris during the mid-19th century. Baudelaire's original style of prose-poetry influenced a generation of poets including Paul Verlaine, Arthur Rimbaud and Stéphane Mallarmé. He coined the term modernity (''modernité'') to designate the fleeting experience of life in an urban metropolis, and the responsibility of artistic expression to capture that experience. Marshall Berman has credited Baudelaire as being the first Modernist. Early life Baudelaire was born in Paris, Fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pre-Raphaelite
The Pre-Raphaelite Brotherhood (PRB), later known as the Pre-Raphaelites, was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner who formed a seven-member "Brotherhood" partly modelled on the Nazarene movement. The Brotherhood was only ever a loose association and their principles were shared by other artists of the time, including Ford Madox Brown, Arthur Hughes (artist), Arthur Hughes and Marie Spartali Stillman. Later followers of the principles of the Brotherhood included Edward Burne-Jones, William Morris and John William Waterhouse. The group sought a return to the abundant detail, intense colours and complex compositions of Quattrocento Italian art. They rejected what they regarded as the mechanistic approach first adopted by Mannerism, Mannerist artists who succeeded Raphael and Michelangelo. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salon Of 1819
The Salon of 1819 was an art exhibition held at the Louvre in Paris between 25 August and 30 September 1819. It was the largest Salon to be staged since the fall of Napoleon. It took place during the Restoration era with Louis XVIII on the throne. It was the first to be held since the withdrawal of Allied Occupation forces from the country at the end of the previous year. The two officials behind the exhibition the Count Forbin and Vicomte de Senonnes set out to make it even more a celebration of the House of Bourbon than the previous Salon of 1817. More than thirteen hundred paintings were displayed at the Salon. Over a hundred paintings were in the then fashionable Troubadour style including '' Roger Freeing Angelica'' by Jean-Auguste-Dominique Ingres. ''Alexander the Great Visiting Apelles'' by Marie Nicolas Ponce-Camus was rejected from submission as the jury believed it alluded to a visit Napoleon had made to the studio of Jacques-Louis David during the Hundred Days. By ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Of Fine Arts Of Lyon
The Museum of Fine Arts of Lyon (, ) is a municipal museum of fine arts in the French city of Lyon. Located near the Place des Terreaux, it is housed in a former Benedictine convent which was active during the 17th and 18th centuries. It was restored between 1988, and 1998, remaining open to visitors throughout this time despite the ongoing restoration works. Its collections range from ancient Egyptian antiquities to the Modern art period, making the museum one of the most important in Europe. It also hosts important exhibitions of art, for example the exhibitions of works by Georges Braque and Henri Laurens in the second half of 2005, and another on the work of Théodore Géricault from April to July 2006. It is one of the largest art museums in France. Buildings Abbey Until 1792, the buildings belonged to the Royal Abbey of Saint-Pierre-les-Nonnains, which was built in the 17th century. The abbess always came from the high French nobility and here received the personalities ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Bouvagne
Camille Bouvagne (born Jean-Baptiste Camille Bouvagne) (1864–1936) was a French painter from Lyon, France. A member of the Lyon School (L'École de Lyon or École lyonnaise), Bouvagne exhibited regularly at the Le Salon in Lyon (Salon de la Société Lyonnaise des Beaux-Arts). Œuvre Bouvagne, a keen observer of nature, specialized in landscape and still life painting. His style remains split between classical Impressionism and Post-Impressionism; thin, relatively small, yet visible brush strokes, exhibiting an accurate depiction of light and colors that took precedence over lines and contours. Following the example of painters such as Jean-Baptiste-Camille Corot, Bouvagne's palette is restrained, dominated by browns, blacks and silvery green, his brushstrokes carefully controlled. Career Camille Bouvagne studied at the École des Beaux-Arts de Lyon (École nationale des beaux-arts de Lyon) under Pierre Miciol (French, 1833–1905), who was a former student of the French acade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
