|
Éliane De Meuse
Éliane Georgette Diane de Meuse (9 August 1899 – 3 February 1993) was a Belgian painter. She was the wife of Max Van Dyck. They met at the Académie Royale des Beaux-Arts, Brussels where they attended the courses of the same professors. Biography Eliane de Meuse took her first drawing lessons at the age of fourteen with Ketty Hoppe, the wife of the Belgian painter Victor Gilsoul. She also trained in the studio of the genre painter Guillaume Van Strydonck, member of ''Les XX'' and James Ensor's friend. At the same time, she received advice from the sculptor Marcel Rau, Prix de Rome (Belgium), Prix de Rome 1908. In 1916, Meuse decided to become a painter and joined L'Académie Royale des Beaux-Arts, Brussels. There, she met the young painter Max Van Dyck, (23 December 1902, (Brussels – Schaerbeek) – 26 December 1992, (Brussels – Ixelles) and married him in 1922. The latter had won the great Prix de Rome (Belgium) in 1920 when he was only 17 years old, a sensational eve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brussels
Brussels, officially the Brussels-Capital Region, (All text and all but one graphic show the English name as Brussels-Capital Region.) is a Communities, regions and language areas of Belgium#Regions, region of Belgium comprising #Municipalities, 19 municipalities, including the City of Brussels, which is the capital of Belgium. The Brussels-Capital Region is located in the central portion of the country. It is a part of both the French Community of Belgium and the Flemish Community, and is separate from the Flemish Region (Flanders), within which it forms an enclave, and the Walloon Region (Wallonia), located less than to the south. Brussels grew from a small rural settlement on the river Senne (river), Senne to become an important city-region in Europe. Since the end of the Second World War, it has been a major centre for international politics and home to numerous international organisations, politicians, Diplomacy, diplomats and civil servants. Brussels is the ''de facto' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Strebelle
Claude Strebelle (2 February 1917, Brussels – 16 November 2010, Liège) was an architect and Belgian town planner, graduate of the Académie Royale des Beaux-Arts in Brussels in 1941. Biography Based in Tilff, in the Liège region, Claude Strebelle founded Sart Tilman workshop, an important architectural office. In 1946, he created a phalanstery with his brothers Jean-Marie Strebelle and Olivier Strebelle, as well as the painter Carlo de Brouckère in a castle in Torhout Torhout (; ; ) is a City status in Belgium, city and Municipalities of Belgium, municipality located in the Belgium, Belgian province of West Flanders. The municipality comprises the city of Torhout proper, the villages of Wijnendale and Sint-Henri .... Belgian architect André Jacqmain, sculptor Aroldo Zavaroni and the ceramist Théo Kisselov took part in this project.. References 1917 births 2010 deaths Architects from Brussels Royal Academy of Fine Arts, Brussels alumni {{Belgium-arc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rik Wouters
Hendrik Emil (Rik) Wouters (21 August 1882 – 11 July 1916) was a Belgian painter, sculptor and draughtsman. Wouters produced 200 paintings, drawings and sculptures in his 34 years before his illness-caused death. He died partway through the First World War on 11 July 1916 in Amsterdam. A sculptor, painter, draughtsman and etcher of typically fauvist style, Wouters' art resembled the works of artists including Henri Matisse, Paul Cézanne and André Derain – the "forefathers" of Fauvism. Rik Wouters' art, according to Adams (2018), reflects themes of "warmth and tenderness", his paintings characterised by an array of colours and brush strokes, frequently leaving unpainted canvas to increase this effect. Often depicting his muse-wife, Hélène, Wouters disregarded hidden symbolic inferences within his art in favour of a more "simplistic and genuine" style, distancing himself from mainstream artists. Wouters was educated in fine arts academies in Mechelen and Brussels, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Centre For Fine Arts, Brussels
The Centre for Fine Arts (, ; , ) is a multi-purpose cultural venue in the Royal Quarter of Brussels, Belgium. It is often referred to as BOZAR (a homophone of ''Beaux-arts'') in French or by its initials PSK in Dutch. This multidisciplinary space was designed to bring together a wide range of artistic events, whether music, visual arts, theatre, dance, literature, cinema or architecture. The building housing the Centre for Fine Arts was designed by the architect Victor Horta in Art Deco style, and completed in 1929 at the instigation of the banker and patron of the arts Henry Le BÅ“uf. It includes exhibition and conference rooms, a cinema and a concert hall, which serves as home to the Belgian National Orchestra (BNO). It is located at 23, /, between the and the headquarters of BNP Paribas Fortis, and across the street from the . This site is served by Brussels-Central railway station and Parc/Park metro station on lines 1 and 5 of the Brussels Metro. History Constr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pointillism
Pointillism (, ) is a technique of painting in which small, distinct dots of color are applied in patterns to form an image. Georges Seurat and Paul Signac developed the technique in 1886, branching from Impressionism. The term "Pointillism" was coined by art critics in the late 1880s to ridicule the works of these artists, but is now used without its earlier pejorative connotation. The movement Seurat began with this technique is known as Neo-impressionism. The Divisionists used a similar technique of patterns to form images, though with larger cube-like brushstrokes. Technique The technique relies on the ability of the eye and mind of the viewer to blend the color spots into a fuller range of tones. It is related to Divisionism, a more technical variant of the method. Divisionism is concerned with color theory, whereas pointillism is more focused on the specific style of brushwork used to apply the paint. Pointillism is a technique with few serious practitioners today ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emile Claus
Emile Claus (27 September 1849 – 14 June 1924) was a Belgian painter. Life Emile Claus was born on 27 September 1849, in Sint-Eloois-Vijve, a village in West Flanders (Belgium), at the banks of the river Lys (river), Lys. Emile was the twelfth child in a family of thirteen. Father Alexander was a grocer-publican and for some time town councillor. Mother Celestine Verbauwhede came from a Brabant skipper's family and had her hands full with her offspring. As a child, Emile already loved drawing and on Sunday went three kilometres on foot to the Academy of Waregem (the neighbouring town) to learn how to draw. He graduated from the Academy with a gold medal. Although father Claus allowed him to take drawing classes, he did not fancy an artist's career for his son. Instead, he sent Emile as a baker's apprentice to Lille (France). Emile learned French there but the job of a baker clearly did not appeal to him. He also worked for some time with the Belgian Railways and as a repres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neo-Impressionism
Neo-Impressionism is a term coined by French art critic Félix Fénéon in 1886 to describe an art movement founded by Georges Seurat. Seurat's most renowned masterpiece, '' A Sunday Afternoon on the Island of La Grande Jatte'', marked the beginning of this movement when it first made its appearance at an exhibition of the Société des Artistes Indépendants (Salon des Indépendants) in Paris. Around this time, the peak of France's modern era emerged and many painters were in search of new methods. Followers of Neo-Impressionism, in particular, were drawn to modern urban scenes as well as landscapes and seashores. Science-based interpretation of lines and colors influenced Neo-Impressionists' characterization of their own contemporary art. The Pointillist and Divisionist techniques are often mentioned in this context, because they were the dominant techniques in the beginning of the Neo-Impressionist movement. Some argue that Neo-Impressionism became the first true avant-garde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realist Visual Arts
Realism in the arts is generally the attempt to Representation (arts), represent subject-matter truthfully, without artificiality, exaggeration, or speculative fiction, speculative or supernatural elements. The term is often used interchangeably with naturalism, although these terms are not necessarily synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a Realism (art movement), specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the commoner and the rise of leftist polit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realism (visual Arts)
Realism in the arts is generally the attempt to represent subject-matter truthfully, without artificiality, exaggeration, or speculative or supernatural elements. The term is often used interchangeably with naturalism, although these terms are not necessarily synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the commoner and the rise of leftist politics. The realist painters rejected Romanticism, which had c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luminism (Impressionism)
Luminism is a late-impressionist or neo-impressionist style in painting which devotes great attention to light effects. The term has been used for the style of the Belgian (mainly Flemish) painters such as Emile Claus and Théo van Rysselberghe and their followers Adriaan Jozef Heymans, Anna Boch, Évariste Carpentier, Guillaume Van Strydonck, , Jenny Montigny, Anna De Weert, George Morren, Rodolphe De Saegher, Emmanuel Viérin, Modest Huys, , , Yvonne Serruys and Juliette Wytsman, as well as for the early pointillist work of the Dutch painters Jan Toorop, Leo Gestel, Jan Sluijters, and Piet Mondriaan. After Emile Claus died in 1930, his pupil, Anna de Weert continued to paint in the luminist style at her studio near Ghent. In the Spanish painting the luminism term or Valencian luminism used for the work of a group of prominent Spanish painters led by JoaquÃn Sorolla, Ignacio Pinazo Camarlench, Teodoro Andreu, Francisco BenÃtez Mellado and Vicente Castell. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-Impressionism
Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour. Its broad emphasis on abstract qualities or symbolic content means Post-Impressionism encompasses Les Nabis, Neo-Impressionism, Symbolism, Cloisonnism, the Pont-Aven School, and Synthetism, along with some later Impressionists' work. The movement's principal artists were Paul Cézanne (known as the father of Post-Impressionism), Paul Gauguin, Vincent van Gogh and Georges Seurat. The term Post-Impressionism was first used by art critic Roger Fry in 1906.Peter Morrin, Judith Zilczer, William C. Agee, ''The Advent of Modernism. Post-Impressionism and North American Art, 1900-1918'', High Museum of Art, 1986 Critic Frank Rutter in a review of the Salon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Delville
Jean Delville, born Jean Libert (19 January 1867 – 19 January 1953), was a Belgian symbolist painter, author, poet, polemicist, teacher, and Theosophist. Delville was the leading exponent of the Belgian Idealist movement in art during the 1890s. He held, throughout his life, the belief that art should be the expression of a higher spiritual truth and that it should be based on the principle of Ideal, or spiritual Beauty. He executed a great number of paintings during his active career from 1887 to the end of the second World War (many now lost or destroyed) expressing his Idealist aesthetic. Delville was trained at the ''Académie des Beaux-arts'' in Brussels and proved to be a highly precocious student, winning most of the prestigious competition prizes at the Academy while still a young student. He later won the Belgian Prix de Rome which allowed him to travel to Rome and Florence and study at first hand the works of the artists of the Renaissance. During his time in Italy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
