Éditions De L'Oiseau-Lyre
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Éditions De L'Oiseau-Lyre
Éditions de l'Oiseau-Lyre (commonly referred to as L'Oiseau-Lyre) is a French music publishing company and a classical music record label that specialises in Early music, Early and Baroque music. It was founded in 1932 as a publisher of scholarly editions of early music that had never been previously published. Its specialist recording arm, developed from the 1960s onwards, grew into a specialist label that is now a part of Decca Records, Decca. History The company was financed and established in Paris in 1932 by Louise Hanson-Dyer, Louise Dyer (later Hanson-Dyer), an Australian pianist and philanthropist. Dyer had settled in France two years earlier and energetically amassed a collection of manuscripts and printed music, lyrics and dissertations of the Early, Baroque and Classical period (music), Classical music periods. "L'Oiseau-Lyre", the French name for the Australian lyrebird, was chosen by her; the company logo was a representation of the (displaying male) bird's tail. ...
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University Of Melbourne
The University of Melbourne (colloquially known as Melbourne University) is a public university, public research university located in Melbourne, Australia. Founded in 1853, it is Australia's second oldest university and the oldest in the state of Victoria (Australia), Victoria. Its Parkville Campus (University of Melbourne), main campus is located in Parkville, Victoria, Parkville, an inner suburb north of Melbourne central business district, Melbourne's central business district, with several other campuses located across the state of Victoria (Australia), Victoria. Incorporated in the 19th century by the State of Victoria, colony of Victoria, the University of Melbourne is one of Australia's six sandstone universities and a member of the Group of Eight (Australian universities), Group of Eight, Universitas 21, Washington University in St. Louis, Washington University's McDonnell International Scholars Academy, and the Association of Pacific Rim Universities. Since 1872, many ...
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Davitt Moroney
Davitt Moroney (born 23 December 1950) is a British-born and educated musicologist, harpsichordist and organist. His parents were of Irish and Italian extraction â€“ his father was an executive with the Anglo-Dutch Unilever conglomerate. From 1968 onward, he undertook his undergraduate and graduate studies in musicology at King's College London, the faculty of which was headed by Thurston Dart, a great influence on the world of early music. Moroney later pursued advanced harpsichord studies with Kenneth Gilbert and Gustav Leonhardt. Moroney also holds performance and teaching diplomas (1974) from the Royal Academy of Music and the Royal College of Music. After earning his PhD in musicology from the University of California, Berkeley in 1980 with a thesis on the music of Thomas Tallis and William Byrd, he returned to Paris and worked mainly as a freelance performer until returning to the United States to serve on the faculty at UC Berkeley in 2001. He has given the first m ...
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The Consort Of Musicke
The Consort of Musicke is a British early-music group, founded in 1969 by lutenist Anthony Rooley, the ensemble's Artistic Director. The Consort of Musicke is mainly known for vocal music and members of the group have included such well-known singers as sopranos Emma Kirkby and Evelyn Tubb, alto Mary Nichols, tenors Paul Agnew, Andrew King and Joseph Cornwell, and bass Simon Grant. However, it has released albums of purely instrumental music, such as works for viol consort. The Consort has gone through several major phases in its long life, reflecting the range of passions of Anthony Rooley. The line-up of performers has likewise changed over the years, and expands to encompass particular projects. Core singers since 2004; Evelyn Tubb soprano, Lucy Ballard alto, Andrew King tenor, Simon Grant bass. The group has made more than 120 recordings that reflect the exploration of music of earlier times, though many of the earlier recordings only exist on vinyl. The Consort’s recent C ...
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Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century ''ars nova'', the music of the Trecento, Trecento music was treated by musicology as a coda to medieval music and the new era dated from the rise of triad (music), triadic harmony and the spread of the ''contenance angloise'' style from the British Isles to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque music, Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410s or '20s–1497) and Josquin des Prez (late 1450s–1521), and culminating during the Counter-Reformat ...
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Malcolm Binns
Malcolm Binns (born 29 January 1936) is a British classical pianist. Biography Malcolm Binns was born in Nottingham, England, in 1936. He studied music at the Royal College of Music in London from 1952 to 1956, including piano with Arthur Alexander. He made his London debut in 1957 and his Wigmore Hall debut in 1958. He has frequently appeared at the Proms in London, starting in 1960. In 1961 he gave the British premiere of the Piano Concerto No. 4, for left hand, by Prokofiev. He has appeared with the London Philharmonic Orchestra every year since 1962. He has appeared with many other orchestras and conductors internationally and performed on numerous BBC radio broadcasts. From 1961 to 1964 he was a professor at the Royal College of Music. Amongst his pupils was Robert John Godfrey of progressive rock band, The Enid. He first started working in a chamber duo with the violinist Manoug Parikian in 1966. Binns is a noted authority on British piano music, his repertoire there ...
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Beethoven Piano Sonatas
Ludwig van Beethoven wrote 32 mature piano sonatas between 1795 and 1822. (He also wrote 3 juvenile sonatas at the age of 13 and one unfinished sonata, WoO. 51.) Although originally not intended to be a meaningful whole, as a set they comprise one of the most important collections of works in the history of music.Rosen (2002), accompanying note Hans von Bülow called them "The New Testament" of piano literature (Johann Sebastian Bach's ''The Well-Tempered Clavier'' being "The Old Testament"). Beethoven's piano sonatas came to be seen as the first cycle of major piano pieces suited to both private and public performance. They form "a bridge between the worlds of the salon and the concert hall". The first person to play them all in a single concert cycle was Hans von Bülow; the first complete recording is Artur Schnabel's for the label His Master's Voice. List of sonatas Juvenilia The first three sonatas, written in 1782–1783, are usually not acknowledged as part of the comp ...
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Fortepiano
A fortepiano is an early piano. In principle, the word "fortepiano" can designate any piano dating from the invention of the instrument by Bartolomeo Cristofori in 1700 up to the early 19th century. Most typically, however, it is used to refer to the mid-18th to early-19th century instruments, for which composers of the Classical period (music), Classical era, such as Haydn, Mozart, and the younger Beethoven and Schubert, wrote their piano music. Starting in Beethoven's time, the fortepiano began a period of steady evolution, culminating in the late 19th century with the modern grand piano, grand. The earlier fortepiano became obsolete and was absent from the musical scene for many decades. In the later 20th century, the fortepiano was revived, following the rise of interest in historically informed performance. Fortepianos are built for that purpose, in specialist workshops. Construction The fortepiano has leather-covered hammers and thin, harpsichord-like strings. It has ...
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Period Instruments
In the historically informed performance movement, musicians perform classical music using restored or replicated versions of the instruments for which it was originally written. Often performances by such musicians are said to be "on authentic instruments". This article consists of a list of such instruments in the European tradition, including both instruments that are now obsolete and early versions of instruments that continued to be used in later classical music. Renaissance (1400–1600) Strings * Violin * Viol * Viola * Cello * Lira da braccio * Contrabass * Violone * Lute * Theorbo * Archlute * Gittern * Mandore (instrument), Mandore * Harp * Cittern * Vihuela Woodwinds * Cornamuse * Cromorne * Crumhorn * Rackett * Rauschpfeife * Recorder (musical instrument), Recorder * Shawm * Dulcian Brasses * Keyboards * Clavichord * Harpsichord * Regal (instrument), Regal * Virginal * Virginals#Ottavini, Ottavino * organ (music), Organ Percussion * Drum * Timpani * Cymbals * B ...
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Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the Transition from Classical to Romantic music, transition from the Classical period (music), Classical period to the Romantic music, Romantic era. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterised as heroic. During this time, Beethoven began to grow increasingly Hearing loss, deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Born in Bonn, Beethoven displayed his musical talent at a young age. He was initially taught intensively by his father, Johann van Bee ...
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List Of Symphonies By Wolfgang Amadeus Mozart
This is a list of symphonies by Wolfgang Amadeus Mozart. Symphonies No. 2 (attributed to Leopold Mozart) and 3 (written by Carl Friedrich Abel) are spurious. Mozart's "37th symphony" is actually Michael Haydn's 25th symphony; Mozart only added a 20-bar slow introduction to it. Some symphonies of doubtful authenticity were included in either the ''Alte Mozart-Ausgabe'' or the ''Neue Mozart-Ausgabe''; they are in this list but marked as doubtful or spurious (in the cases of Symphony, K. 16a and K. 98, which later scholarship demonstrated have nothing to do with Mozart). No. 11 (K. 84/73q) is considered by scholars to be of doubtful authenticity. Further spurious and doubtful symphonies can be found at Mozart symphonies of spurious or doubtful authenticity. The symphonies K. 19b, 66c, 66d, 66e, Anh.C 11.07, and Anh.C 11.08 are lost, and it is uncertain whether they are Mozart's work: they have not been included in the list below. The symphony numbers in the range 42 to 56 ar ...
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Henry Purcell
Henry Purcell (, rare: ; September 1659 – 21 November 1695) was an English composer of Baroque music, most remembered for his more than 100 songs; a tragic opera, Dido and Aeneas, ''Dido and Aeneas''; and his incidental music to a version of Shakespeare's A Midsummer Night's Dream, ''A Midsummer Night's Dream'' called The Fairy-Queen, ''The Fairy Queen''. Purcell's musical style was uniquely English, although it incorporated Music of Italy#Baroque and Classical, Italian and Music of France#Baroque, French elements. Generally considered among the greatest English opera composers, Purcell has been ranked alongside John Dunstaple and William Byrd in the pantheon of English early music. Life and work Early life Purcell was born in St Ann's Lane, Old Pye Street, Westminster, in 1659. Henry Purcell Senior, whose older brother Thomas Purcell was a musician, was a gentleman of the Chapel Royal and sang at the coronation of King Charles II of England. Henry the elder had three ...
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Christopher Hogwood
Christopher Jarvis Haley Hogwood (10 September 194124 September 2014) was an English Conducting, conductor, harpsichordist, and Musicology, musicologist. Founder of the early music ensemble the Academy of Ancient Music, he was an authority on historically informed performance and a leading figure in the early music revival of the late 20th century. Early life and education Born in Nottingham, Hogwood went to The Skinners' School, Royal Tunbridge Wells, and then studied Music and Classics at Pembroke College, Cambridge, graduating in 1964. Contemporaries at Cambridge included David Munrow and John Turner (recorder player), John Turner. He went on to study performance and conducting under Raymond Leppard, Mary Potts and Thurston Dart, and later with Rafael Puyana and Gustav Leonhardt. He also studied in Prague with Zuzana Ruzickova for a year, under a British Council scholarship. Career In 1967, Hogwood co-founded the Early Music Consort with David Munrow. In 1973 he founded th ...
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