Young Spartans Exercising
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''Young Spartans Exercising'', also known as ''Young Spartans'' and as ''Young Spartan Girls Challenging Boys'', is an early
oil on canvas Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of ...
painting by
French French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with Franc ...
impressionist Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage ...
artist
Edgar Degas Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, prints and drawings. Degas is es ...
. The work depicts two groups of male and female
Sparta Sparta ( Doric Greek: Σπάρτα, ''Spártā''; Attic Greek: Σπάρτη, ''Spártē'') was a prominent city-state in Laconia, in ancient Greece. In antiquity, the city-state was known as Lacedaemon (, ), while the name Sparta referre ...
n youth exercising and challenging each other in some way. The work was purchased by the trustees of the Courtauld fund in 1924 and is now in the permanent collection of the
National Gallery The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The current Director o ...
in
London London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a majo ...
.


Description

The painting depicts as its subject matter two groups of adolescents, five girls (one of which is almost entirely obscured by the others) and five boys, with the girls apparently taunting or beckoning the boys. The girls are positioned on the left side of the painting and the boys on the right, while in the background stands a group of women and one man (identified as the mothers of the children and
Lycurgus Lycurgus or Lykourgos () may refer to: People * Lycurgus (king of Sparta) (third century BC) * Lycurgus (lawgiver) (eighth century BC), creator of constitution of Sparta * Lycurgus of Athens (fourth century BC), one of the 'ten notable orators' ...
) watching them. The women are fully clothed, while the girls and the man are topless and the boys are entirely nude. Behind the onlookers stands the city of Sparta, dominated by
Mount Taygetus The Taygetus, Taugetus, Taygetos or Taÿgetus ( el, Ταΰγετος, Taygetos) is a mountain range on the Peloponnese peninsula in Southern Greece. The highest mountain of the range is Mount Taygetus, also known as "Profitis Ilias", or "Prophet ...
, from which the bodies of the society's unfit children were supposedly thrown into a ravine to die from trauma or exposure.


History

The painting was begun in 1860 with Degas returning to the canvas to rework the piece over the following years, though it remained unfinished upon the artist's death. X-rays taken of the work during the early 21st century have revealed that Degas changed the positioning of the youths, their faces, and even their number; this last change resulted in the strange image of the four women in the foreground having ten legs among them. Degas' revisitation of the faces of the young people is often mentioned in art criticism, as it is believed the artist changed the features of the youths from the classic handsome Greek ideal, to a more urban modernistic look. The French art historian André Lemoisne, was first to note on this fact, remarking that the subjects had a contemporary Parisian look, more akin to the "gamins of Montmartre". More recent critics agree with Lemoisne, believing Degas was attempting to "update" his painting. A second full-scale version of the painting exists, held by the
Art Institute of Chicago The Art Institute of Chicago in Chicago's Grant Park, founded in 1879, is one of the oldest and largest art museums in the world. Recognized for its curatorial efforts and popularity among visitors, the museum hosts approximately 1.5 mill ...
. This version is much less finished, but it shows a vastly different background, with a more detailed landscape and a large architectural structure, around which the characters in the background are resting. The work also shows how Degas changed the number of foreground figures with an additional boy on the right of the painting. ''Young Spartans Exercising'' was purchased by the National Gallery in 1924. Though at one time it was displayed in Room 41, as of May 2020, it was not on display in the museum.


Criticism

In 1879, Italian art critic
Diego Martelli Diego Martelli (October 29, 1839 – November 20, 1896) was an Italian art critic who was one of the first supporters of Impressionism in Italy. He was a defender and associate of the Tuscan artists the Macchiaioli, whom he often hosted at his esta ...
described the unfinished work as "one of the most classicizing paintings imaginable"; though after Martelli's remarks, Degas returned to the painting and removed the classicizing architecture. In a 1985 edition of ''
The Art Bulletin The College Art Association of America (CAA) is the principal organization in the United States for professionals in the visual arts, from students to art historians to emeritus faculty. Founded in 1911, it "promotes these arts and their understa ...
'', art critic Carol Salus hypothesises that the work "has traditionally been interpreted as representing young women challenging young men to wrestle or race, is instead a presentation of Spartan courtship rites". This position was challenged in the same publication the following year, with Linda Nochlin arguing that the work could encompass a variety of meanings, and by referring to Degas' own reluctance to explain the work in any great detail, allows the viewer to interpret the work to their own merit. This view is echoed by Christopher Riopelle, curator of 19th-century painting at the National Gallery, who in 2004, stated that the painting "starts as a traditional historical painting, closely based on classical accounts and meticulous research. It ends as something much more enigmatic."


References


External links


''Degas: The Artist's Mind''
exhibition catalog from The Metropolitan Museum of Art fully available online as PDF, which contains material on ''Young Spartans Exercising'' (see index)
''The National Gallery’s web page for the painting.''
{{DEFAULTSORT:Young Spartans Exercising 1860 paintings Collections of the National Gallery, London Paintings by Edgar Degas Nude art Unfinished paintings