William Warrington
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William Warrington, (1796–1869), was an English maker of
stained glass Stained glass is coloured glass as a material or works created from it. Throughout its thousand-year history, the term has been applied almost exclusively to the windows of churches and other significant religious buildings. Although tradition ...
windows. His firm, operating from 1832 to 1875, was one of the earliest of the English
Medieval revival Medievalism is a system of belief and practice inspired by the Middle Ages of Europe, or by devotion to elements of that period, which have been expressed in areas such as architecture, literature, music, art, philosophy, scholarship, and variou ...
and served clients such as Norwich and Peterborough Cathedrals. Warrington was an historian of medieval glass and published an illustrated book ''The History of Stained Glass''.


Biographical

William was one of at least five children born to William Warrington (born 1768 New Romney) and his wife Sarah Wren. He was baptised at New Romney on 4 Mar 1796. One of his nephews married a sister of John Surtees's patrilineal Great-Grandfather. In his youth, Warrington first trained with his father as a painter of armorial shields. He then moved for a time into the stained glass workshop of Thomas Willement, one of the earliest such workshops to be of high renown. In 1832 Warrington established his own stained glass company, where he produced windows that well satisfied the rising fashion of
Gothic Revival Gothic Revival (also referred to as Victorian Gothic, neo-Gothic, or Gothick) is an architectural movement that began in the late 1740s in England. The movement gained momentum and expanded in the first half of the 19th century, as increasingly ...
and in which his own skills as an armorial painter were utilised in the production of domestic as well as ecclesiastical windows. From studying existent ancient windows and emulation of the leading techniques of the master Thomas Willement, Warrington developed a style which allowed him to create windows strongly resembling those of the 13th and 14th centuries in appearance. His windows became the preferred choice of the architect Augustus Welby Pugin who used them in most of his earliest churches, between 1838 and 1842. But Pugin was soon to fall out with Warrington, claiming ''“The Glass-Painters will shorten my days, they are the greatest plague I have. The reason I did not give Warrington the window at the hospital is this. He has lately become so conceited and got nearly as expensive as Willement.”''extract from a letter by Pugin in the Victoria and Albert Museum, London Warrington produced drawings of windows to be used by Pugin in the Houses of Parliament, but the firms that Pugin employed were
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and Hardman & Co. In 1848 Warrington published ''“The History of Stained Glass, from the Earliest Period of the Art to the Present Time”'' . The book came out in a folio edition with coloured lithographs illustrating British stained glass windows from the 11th to the 15th centuries. However Warrington expressed his dislike of the glass of the centuries that followed as being "a misconception and misapplication of this art." Among Warrington's significant commissions was the tiered arrangement of windows for the Eastern Apse of Norwich Cathedral. He also designed for
Ely Cathedral Ely Cathedral, formally the Cathedral Church of the Holy and Undivided Trinity, is an Anglican cathedral in the city of Ely, Cambridgeshire, England. The cathedral has its origins in AD 672 when St Etheldreda built an abbey church. The presen ...
, where his work may still be seen, both installed and on display in the Stained Glass Museum. After Warrington's death in 1869, the firm continued until 1875.


Style

Warrington was able to reproduce closely the geometric and foliate backgrounds of the 13th century and create pictorial rondels composed of small pieces of glass that gave a similar impression to the Medieval originals, though tending to let through more light and have less luminosity, because the nature of the glass was less flawed and therefore less refractive. Warrington's windows often contain a background comprising a distinctive pattern of little red and blue diagonal checks which was copied from medieval originals. Many of Warrington's
Gothic Revival Gothic Revival (also referred to as Victorian Gothic, neo-Gothic, or Gothick) is an architectural movement that began in the late 1740s in England. The movement gained momentum and expanded in the first half of the 19th century, as increasingly ...
windows have a pleasant simplicity about them, the stylised foliage which takes up much of the window space being less heavy in appearance than some of his rivals, such as Clutterbuck, and based more closely upon recognisable plants. The balance and arrangements of pictorial scenes within their formal background shows Warrington as a much more skilful designer than his teacher Willement, in whose windows the overall arrangement has a fairly arbitrary quality. Warrington's figurative painting strives towards the Medieval in its forms, which are somewhat elongated and elegant, with simply-painted drapery falling in deep folds in such a way that line and movement is emphasised in the pictorial composition. His painting of the details, particularly of faces, is both masterly and exquisite. Towards the end of his career he also designed windows in a more painterly and less Gothic manner to suit changing tastes.


List of Works

England * Thornton Hall, Thornton,
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*
Ely Cathedral Ely Cathedral, formally the Cathedral Church of the Holy and Undivided Trinity, is an Anglican cathedral in the city of Ely, Cambridgeshire, England. The cathedral has its origins in AD 672 when St Etheldreda built an abbey church. The presen ...
,
Ely Ely or ELY may refer to: Places Ireland * Éile, a medieval kingdom commonly anglicised Ely * Ely Place, Dublin, a street United Kingdom * Ely, Cambridgeshire, a cathedral city in Cambridgeshire, England ** Ely Cathedral Ely Cathedral, formal ...
, Cambridgeshire * St. Peter's,
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, Cumbria * St. George's Church, Brede,
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* St. Andrew's Church, Hove, East Sussex ( Raising of Lazarus and Jairus' daughter) * St. Mary's Church,
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, East Sussex ( The Gospel) * St. John's Church, Deptford,
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(
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) * St. Margaret's Church,
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* St. Andrew's Church,
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, Norfolk * Norwich Cathedral, Norwich, Norfolk * Church of St. Mary Magdalene, Albrighton,
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* St. John's Church,
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, Staffordshire ( Life of Saint John the Evangelist) *
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, Warwickshire (
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and John the Evangelist, 1900) *
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, New Oscott, Warwickshire (1838) * St. Mary's RC Church,
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, St. John's, Newfoundland and Labrador * Presentation Convent, St. John's, Newfoundland and Labrador Republic of Ireland * Lissadell House, Lissadell, County Sligo


Other Early 19th century studios

* Thomas Willement *
William Wailes William Wailes (1808–1881) was the proprietor of one of England's largest and most prolific stained glass workshops. Life and career Wailes was born and grew up in Newcastle on Tyne, England's centre of domestic glass and bottle manufacturing. ...
* Charles Edmund Clutterbuck * Hardman & Co.


See also

*
Stained glass Stained glass is coloured glass as a material or works created from it. Throughout its thousand-year history, the term has been applied almost exclusively to the windows of churches and other significant religious buildings. Although tradition ...
*
Stained glass - British glass, 1811-1918 A stain is a discoloration that can be clearly distinguished from the surface, material, or medium it is found upon. They are caused by the chemical or physical interaction of two dissimilar materials. Accidental staining may make materials app ...
* Victorian Era *
Gothic Revival Gothic Revival (also referred to as Victorian Gothic, neo-Gothic, or Gothick) is an architectural movement that began in the late 1740s in England. The movement gained momentum and expanded in the first half of the 19th century, as increasingly ...


References

* Painton Cowen, ''A Guide to Stained Glass in Britain'', 1985, Michael Joseph, * Elizabeth Morris, ''Stained and Decorative Glass'', Doubleday, * Sarah Brown, ''Stained Glass- an Illustrated History'', Bracken Books, * Simon Jenkins, ''England's Thousand Best Churches'', Allen Lane, the Penguin Press, * John Harvey, ''English Cathedrals'', Batsford, 1961, ISBN unknown * Robert Eberhard, ''Church Stained Glass Windows''

* Cliff and Monica Robinson, ''Buckinghamshire Stained Glass''

{{DEFAULTSORT:Warrington, William English stained glass artists and manufacturers 1796 births 1869 deaths History of glass